There’s no doubt that this year’s Oscars frontrunner for best picture is not your standard awards fare.
Everything Everywhere All At Once is an existential exploration of relationships and love via a launderette, taxes and the multiverse, with themes of nihilism and absurdism thrown in for good measure.
The film’s writer-director duo, Daniel Kwan and Daniel Scheinert – known collectively as “the Daniels” – admit they knew it would be a lot for audiences to take in.
In fact, they told Sky News they were almost looking for a tipping point.
Image: Daniel Scheinert, left, and Daniel Kwan pictured at the Oscars preview luncheon. Pic: AP/Chris Pizzello
“We thought there would be the people who loved the movie and then for everyone else it would be like, this is too much,” said Kwan.
“Because we kind of made this movie as a stress test, to be like, how much can an audience member hold in their brain? How much can they experience before they give up?
“So we were expecting a lot more people to be like, ‘this was too much for me’ – and some people are saying it’s too much, and that’s fine, but this reception has been mind-blowing.”
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The journey this film has been on has indeed been mind-blowing, with the Oscars coming almost a year to the day since its world premiere at the South By Southwest (SXSW) film festival.
From there it became a massive word-of-mouth hit, eventually becoming US studio A24’s highest-grossing film to date – taking more than £90m at the box office worldwide.
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Image: Michelle Yeoh in Everything Everywhere All At Once. Pic: A24
It has since gone on to sweep awards season – stars including Michelle Yeoh and Ke Huy Quan have already picked up gongs at ceremonies including the Golden Globes and the SAG Awards for their performances – and it looks set to continue that success at the Oscars, where it’s nominated for 11 awards and is the clear favourite to win best picture.
For Kwan and Scheinert, who started out making music videos together before their first feature Swiss Army Man – which featured Daniel Radcliffe playing a flatulent corpse (yes, really) – it’s been curious to see their work finding a completely new audience.
‘We’re used to the weirdos of the world’
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Everything Everywhere star on Oscars nod
“We’ve been making strange things our whole careers,” Kwan said. “It’s been over a decade of just us putting weird things onto the internet and seeing how the world reacts.
“We’re used to a very specific crowd who loves our stuff – you know, the weirdos of the world… and they just connect with it because they see us as weirdos and it’s a beautiful thing where they love it, it’s some of their favourite stuff they’ve ever seen.
“But then for everyone else, they’re like, ‘it’s not my cup of tea’. We’re used to that.”
But he also admits many compromises were necessary during the making of the drama.
The filmmakers were mindful to tread a line in order to make this movie appealing to viewers, with certain scenes (not least one involving a sex toy), raising some questions.
Making the strangeness accessible
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“[We asked ourselves] Okay, If we include the butt plug trophy fight scene, what percentage of our audience do we lose and is it worth it? There was a lot of bartering with ourselves, just being like, okay, selfishly, I want this, how many people are we going to be pushing away?” Kwan said.
“Because one of our barometers is always: can we show this to our moms? Which is a very funny thing to be asking ourselves when there’s so much vile stuff in our movies, but it is really important that we really want to make the strangeness accessible.”
Content wasn’t the only area of compromise – budget constraints also led to some difficult decisions about what could and couldn’t be included.
But Scheinert says there were some advantages to being somewhat constrained. “Sometimes the challenges really can be demoralising when you’re like, ‘oh man, we bit off more than we should have’. But a lot of times that process makes the movie so much better because it forces us to have conversations about like, ‘Does this matter’?”
With the film’s release coming so soon after the pandemic changed attitudes to cinema-going, the pair say their intention was to make something that justified the extra length audiences go to in order to see a film on the big screen.
“This is a movie that if you have a short attention span, it doesn’t matter,” Kwan said. “If you want to just have a good time, this movie’s for you; if you want to just feel things and just feel catharsis, this movie has something for you.”
“If you want to go with friends, leave the theatre and talk for a few hours at the bar, this is for you,” Scheinert continued.
“It is a love letter to all the reasons we like going to theatres – fight scenes are an obvious thing that people like in a theatre, but I love feeling uncomfortable in a theatre, I love hearing people around me get uncomfortable, I love seeing other people cry while there’s tears in my eyes – and I also love the movie Jackass and I love screaming, ‘oh no, no’, at the screen.”
You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase.And for everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast, out now, plus look out for our special episode on the winners from Monday morning.
US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.
Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.
The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.
“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.
A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.
The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.
Officers were unsure whether he was on any substances or in mental distress, the source said.
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A representative for Hill did not immediately respond to a request for comment.
NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.
Actor Noel Clarke has lost his High Court libel case against the publisher of The Guardian, over a series of news articles which featured claims from a number of women.
The first article, published in April 2021, said some 20 women who knew Clarkein a professional capacity had come forward with allegations of sexual misconduct.
The 49-year-old actor, writer and director, best known for his 2006 film Kidulthood and starring in Doctor Who, sued the publisher and vehemently denied “any sexual misconduct or wrongdoing” – but the court has found Guardian News and Media (GNM) successfully defended the legal action on the grounds of truth and public interest.
Image: Noel Clarke outside court during the trial in April. Pic: PA
The meanings of all eight of the newspaper’s publications were found to be “substantially true”, the judge, Mrs Justice Steyn, said in a summary of the findings.
“I have accepted some of Mr Clarke’s evidence… but overall I find that he was not a credible or reliable witness,” she said.
In her ruling, the judge also said suggestions that more than 20 witnesses, “none of whom are parties or have a stake in this case, as [Clarke] does” had come to court to lie was “inherently implausible”.
From the evidence heard, it was “clear that women have been speaking about their experiences of working with Mr Clarke for many years”, she said.
‘A deserved victory for women who suffered’
Lucy Osborne and Sirin Kale, the journalists who carried out the investigation, told Sky News they had always been confident in everything published.
“I think that this is not a problem that’s going to go away,” said Osborne. “This kind of behaviour very much still happens in the TV and film industry and other industries. So I do hope this judgment gives other women the confidence to speak out about what they’ve experienced.”
Image: Clarke rose to fame with his 2006 film Kidulthood. Pic: PA
Guardian editor-in-chief Katharine Viner described the ruling as “a deserved victory for those women who suffered because of the behaviour of Noel Clarke”.
She continued: “Going to court is difficult and stressful, yet more than 20 women agreed to testify in the High Court, refusing to be bullied or intimidated.
“This is also a landmark judgment for Guardian journalism, and for investigative journalism in Britain… The judgment is clear that our investigation was thorough and fair, a template for public interest journalism.”
Clarke’s response
Clarke described the result as disappointing and maintained he believes the newspaper’s reporting was “inaccurate and damaging”.
“I have never claimed to be perfect,” he said. “But I am not the person described in these articles. Overnight I lost everything.”
He said he wanted to thank witnesses who supported his case, as well as his family, “who never stopped believing there was something worth fighting for”.
What happened during the trial?
The trial took place from early March to early April 2025, hearing evidence from multiple witnesses who made accusations against Clarke, including that he had allegedly shared nude photographs of them without their consent, groped them, and asked them to look at him when he was exposed.
Clarke also gave evidence over several days. At one stage, the actor appeared visibly emotional as he claimed the publisher had “smashed my life” with its investigation.
His lawyer told the court he had been made a “scapegoat” and was an “easy target”, as a star at the height of his success when the media industry “zealously sought to correct itself” following the #MeToo movement.
The actor had been handed the outstanding British contribution to cinema award at the BAFTAs just a few weeks before the report was published. Following the article, BAFTA announced it had suspended his membership.
But lawyers for The Guardian told how newspaper’s investigation was “careful and thorough”, saying it had been carried out “conscientiously” by the journalists involved.
In March 2022, police said the actor would not face a criminal investigation over the allegations.
The growing popularity and reach of the Premier League globally is leaving rival European football competitions struggling to compete.
Not only to find an audience, but to find outlets to even show the matches.
So German football had to think differently – going to where Gen Z is engaging with football through content creators.
And that’s why tonight, Harry Kane’s Bayern Munich will begin their defence of the Bundesliga title live to 1.4 million subscribers on the That’s Football channel on YouTube.
Image: Harry Kane in Bundesliga action last season. Pic: Reuters
It’s run by Mark Goldbridge, known for passionate but often provocative, punchy commentary about players on streams going viral.
His brand was built by being filmed reacting to watching Manchester United matches.
“People need to appreciate that we have a certain content style, and that’s very, very popular,” Goldbridge told Sky News.
“That is an area that needs to be catered [to] and that’s why, without the rights, we’ve had such big, big audiences.”
Goldbridge revealed he isn’t paying to show his 20 Friday night matches this season – reinforcing how the Bundesliga struggled to find a buyer in Britain.
Sky Sports previously had a four-year rights deal to exclusively show those German matches here, but will now only show the prestige Saturday evening slot live.
Image: Bundesliga teams Eintracht Frankfurt and RB Leipzig during their match in April. Pic: Reuters
European leagues are finding it increasingly difficult in this market to sell their rights because domestic football is so dominant and appealing.
The focus of football budgets is on domestic games for Sky as well as Discovery-owned TNT Sports, which also focuses its European football coverage on men’s continental competitions, including the Champions League.
More Premier League matches will be shown live than ever before – with at least 215 on Sky, the parent company of Sky News, and others on TNT.
Sky Sports also has live men’s rights to the English Football League and Scottish matches, as well as sharing the Women’s Super League with the BBC.
The Bundesliga is also making the games broadcast by Goldbridge’s channel available to the BBC to stream online. They will further be on The Overlap, a YouTube channel part-owned by Gary Neville.
Image: Behind the scenes of covering a Premier League game
‘A progressive step’
Bundesliga International CEO Peer Naubert said: “Our approach is as diverse as our supporters: by combining established broadcasters with digital platforms and content creators, we are taking a progressive step in how top-level football can be experienced.
“This multi-layered strategy allows us to connect with more audiences across the UK and Ireland, giving every supporter the chance to engage … in the way that suits them best.”
While the former England and Manchester United player is a star pundit on Sky, he could also be seen as a rival to the Comcast-owned broadcaster by attracting fans to newer outlets of his channel.
Goldbridge doesn’t see himself as a rival yet to long-established broadcasters.
“We’re not looking to replace what you can find on Sky or the BBC or anything like that,” he said. “This is a community that will be live with us, watching the Bundesliga, learning about it.
“And if I get a pronunciation wrong, or I don’t know about a player, then I’ve got my community there to back me up. I don’t profess to know everything.”
Image: Kane celebrates the Bundesliga title with his Bayern Munich teammates. Pic: Reuters
‘This is the future’
But he can be relatable to audiences, with more than two million subscribing to his The United Stand channel, earning him millions of pounds over the last decade.
“We’ve been there growing in the background and I think certain media outlets have ignored that, maybe hoping it would go away,” he said.
“I certainly think synergy and collaboration need to happen more because there are things in the mainstream that I don’t like and there will be people out there that really don’t like the way we watch football, but a lot of people do.
“And it’s about offering that choice to people and there are different ways people listen to football on the radio, people watch it with a commentator, some people turn the audio off completely, some people watch things like this (watch-a-long).
“And I think that is the future, to offer more choice.”