Christopher Judge is on a winning streak, after taking home the top performer prizes at The Game Awards in LA (gaming’s equivalent of the Oscars) in December and the best lead performer at the BAFTA Games Awards in London this week. But his success hasn’t been easily won.
Speaking to Sky News on the BAFTA red carpet, the God Of War and Stargate SG-1 star admits: “I grew up looking in the mirror and society told me I was ugly, told me I was too big, too black.”
Image: Kratos. Pic: God Of War
He says the day that changed, was the day he got the role of vengeful demigod Kratos in PlayStation action epic God Of War, the highest-rated PlayStation 4 game for the majority of 2018.
Judge says it’s a role he never expected to get: “I’ll be 60 next year and to get this when I thought my career would be winding down, it’s a dream come true. I waited 35 years for this part and it almost seems unfair that I’m getting gifts because I got a gift of this part.”
A college football player, he moved from sport to showbiz after graduating, winning early roles in shows including The Fresh Prince of Bel-Air, 21 Jump Street and MacGyver.
He also starred in Batman movie The Dark Knight Rises and as regular character Teal’c of Chulak in military science fiction TV series Stargate SG-1.
But after 10 years and over 200 episodes, Stargate was cancelled in 2007. Judge found himself once again searching for work. And with the sci-fi and fantasy genres not known for their proliferation of black leading characters, it was an uphill struggle.
But after finding success in God Of War, it’s a struggle Judge is determined to lessen for future generations of black, Asian and minority ethnic (BAME) performers.
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Image: Judge in Stargate SG-1
Last year, Judge hosted a panel titled Elevating Black Voices in Sci-Fi, speaking to a multi-generational group of African-American creatives about the fight for representation in the genre.
He explains: “Change always happens slower than we want it to, but I think it’s so important to always call it out, to stay the course and to give young people [opportunities]. Like, we’re taking you to the door to finally make these changes. So, hopefully, we have set the stage, if it’s not done in our careers, they can continue the journey through.”
He credits Santa Monica Studio – the video game developers behind the God Of War series – with being part of that change: “I have to say the leader of our studio is an Asian woman [PlayStation dev Yumi Yang]. And we do have producers that are of colour and our diversity as far as women and the LGBTQ+ community… I would like to say is probably unrivalled and we are all so proud of that. But it’s still a meritocracy. We hire the people that deserve to be there.”
Referring to a small but vocal negative fan reaction to the casting of his God Of War Ragnarok co-star Laya DeLeon Hayes, he said: “Our producers… they took a lot of s**t for hiring Laya to play Angrboda [known as the “mother of monsters” in Norse mythology], but they never wavered.
“They never once thought, ‘Well, maybe we should do…’ No, she was the best person for the job and she got it. And that’s who Sony Santa Monica is from top to bottom. And I’m so proud to be a part of that.”
In addition to impressing her colleagues, DeLeon Hayes has swiftly proved her detractors wrong by adding to God Of War’s BAFTA haul, and taking home best performer in a supporting role.
But despite leading the charge for change, Judge admits he’s only recently felt confident enough as a performer to speak out.
“Still in my mind, I waited too long,” he says. “So, I’m paddling upstream, I’m trying to make up for lost ground for all the years that I had success and didn’t say s**t, I was afraid of losing my position.
“But that’s the insidious thing about this ceiling – you live in fear of losing what you’ve achieved. And now that I live without fear, I have no excuse to not be a leading voice in it.”
A family man (Judge has a son, Cameron, who is a Canadian football linebacker in the Canadian Football League), Kratos’s story in the most recent game has deepened from two-dimensional to a touching depiction of fatherhood, as well as being a son.
Image: Norse gods and giant monsters. Pic: Game Of War
Judge says in some ways the role has helped him get more in touch with himself and look past previous traumas to appreciate just how much he has achieved: “The difference with Ragnarok 2018 was more about my kids and from within me. This one was truly my story.
“I grew up looking in the mirror and society told me I was ugly, told me I was too big, too black, too whatever. So, I felt that I didn’t deserve love, which made me incapable of loving others.
“I literally got this job right after the first time I looked in the mirror and said, ‘I love you’. And it’s truly been just blessings ever since.”
So, now he’s at the top of his career, and receiving accolades and awards to prove it, where does he put all his trophies?
It’s a question Judge already thought about: “I’m actually redesigning my office… I’m having a little case made for this incredible run [of award wins],” adding with a smile, “so it will be prominently displayed at all my Zooms now.”
The BAFTA Games Awards is part of the London Games Festival, which runs until Saturday 8 April.
Primal Scream have said a video containing alleged antisemitic imagery was a “piece of art” and was intended to “provoke debate, not hate”.
Warning: This article contains alleged antisemitic imagery.
The Scottish rock band have been reported to the Metropolitan Police for showing a film at their Roundhouse concert in Camden, London on Monday which appeared to include imagery of the Star of David entwined with a swastika.
The force is now assessing the report.
‘Film is a piece of art’
Primal Scream said in a statement on Instagram: “The film is a piece of art. It clearly draws from history to question where the actions of current world governments sit in that context. It is meant to provoke debate, not hate.
“In a free, pluralistic and liberal society freedom of expression is a right which we choose to exercise.”
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Primal Scream, founded by frontman Bobby Gillespie in 1982, were playing a 25-year anniversary show for their album XTRMNTR.
As the group performed Swastika Eyes, pictures of political figures including Israeli Prime Minister Benjamin Netanyahu appeared behind them, showing what appeared to be the Star of David combined with a swastika in their eyes.
Image: The video from the gig that sparked the report to police
Venue ‘appalled’
The Roundhouse has apologised, saying it was “appalled” that “antisemitic imagery was displayed”, adding it was done entirely without its knowledge.
It said in a statement: “We deeply regret that these highly offensive images were presented on our stage and unequivocally apologise to anyone who attended the gig and to the wider Jewish community.”
It added: “Our organisation absolutely condemns antisemitism in every form.”
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The Community Security Trust (CST), which provides protection for Jewish communities in the UK, said it had reported the band to police and called on the venue to carry out an “urgent investigation”.
In a statement, a CST spokesperson said: “CST is appalled by the grossly antisemitic image displayed at Primal Scream. Entwining a Star of David with a swastika implies that Jews are Nazis and risks encouraging hatred of Jews.
“There needs to be an urgent investigation by the venue and the promoter about how this happened, and we have reported this to the police.”
What have police said?
Responding to that report, a Met Police spokesperson said: “On Wednesday, 10 December, we received a report in relation to a video shown on stage during a concert at the Roundhouse in Chalk Farm Road, Camden on Monday, 8 December.
The charity Campaign Against Antisemitism said: “The Nazi swastika represents the ideology that inspired people to industrially slaughter six million innocent Jewish men, women and children by bullet, gas and any other means available.
“To visually combine that with the Star of David – the pre-eminent symbol of Judaism – is absolutely sickening and totally inexcusable.
“This isn’t art. This isn’t edgy. This isn’t political statement. It is unadulterated hatred and a clear breach of the international definition of antisemitism.
“We will be writing to the Camden Roundhouse and our legal team is examining the footage to consider further steps.”
Author Joanna Trollope has died aged 82, her family has said.
Trollope was one of the nation’s most widely read authors, having published more than 30 novels during a career that began in the 1970s.
Her novels include “Aga sagas” The Rector’s Wife, Marrying The Mistress and Daughters-in-Law.
In a statement, Trollope’s daughters Antonia and Louise said: “Our beloved and inspirational mother Joanna Trollope has died peacefully at her Oxfordshire home, on December 11, aged 82.”
Image: Trollope with Queen Elizabeth II in 2001. Pic: PA
Her literary agent James Gill said: “It is with great sadness that we learn of the passing of Joanna Trollope, one of our most cherished, acclaimed and widely enjoyed novelists.
“Joanna will be mourned by her children, grandchildren, family, her countless friends and – of course – her readers.”
Trollope was born in Gloucestershire in 1943. She won a scholarship to study at the University of Oxford in the 1960s.
After graduating, she joined the Foreign Office before training as a teacher and then turning to writing full-time in 1980.
The author was best known for her novels set in rural middle England and centred around domestic life and relationships.
Her early historical romances were written under the pseudonym Caroline Harvey, before she turned to contemporary fiction.
Her work tackled a range of topics from affairs, blended families and adoption, to parenting and marital breakdown.
Image: Trollope with shortlisted novels for the Orange Prize for Fiction. Pic: PA
Trollope also took part in The Austen Project, which saw six of Jane Austen’s novels retold by contemporary writers.
She wrote the first book in the series, Sense & Sensibility, published in 2013.
In 1996, Trollope was awarded the Order of the British Empire (OBE) for her services to literature and later made a Commander of the Order of the British Empire (CBE) in 2019.
She won the Romantic Novel of the Year in 1980 for the book Parson Harding’s Daughter and in 2010 was given a lifetime achievement award from the Romantic Novelists’ Association (RNA) for her services to romance.
She went on to chair a number of award ceremonies, including the Costa Book Awards, formerly the Whitbread Prize, as well as the BBC National Short Story Award and the Orange Prize for Fiction.
Glaswegian comic actor and impressionist Stanley Baxter has died at the age of 99.
Baxter was bold enough to mimic the Pope and even the Queen and sent up his native city with comic routines based on Glaswegian patois.
The Scot received several awards during his career, including a lifetime achievement award at the British Comedy Awards and two TV tribute programmes.
His friend and biographer Brian Beacom said the TV star died on Thursday in a north London care home for entertainment figures.
He had lived in the home, Denville Hall, since late 2023 and was a few months away from celebrating his 100th birthday.
Image: Pic: PA
Baxter’s TV shows, in which he often appeared grotesquely in drag, attracted huge audiences and marked him out as one of the funniest, as well as sometimes one of the most controversial, comics of his generation.
Baxter was also popular on the Scottish pantomime circuit, until his retirement in 1991.
Although he did emerge occasionally and briefly from retirement, he largely disappeared from show business and from the public eye.
Baxter was married for 46 years. His wife, Moira died in 1997.
In 2020, he released a co-written biography, The Real Stanley Baxter, which revealed he was gay and had told his wife before they married.
Baxter was born on 24 May, 1926 and started his career as a child actor in the Scottish edition of BBC’s Children’s Hour.
During his National Service, he developed his skills in the Combined Services Entertainment Unit.