The Essex Murders: Private investigators say new evidence ‘points to different killer’ in 1995 Range Rover shooting
It has been almost 30 years since one of the UK’s most notorious murder cases – the gangland shooting of three drug dealers whose bodies were found in a Range Rover parked up on farmland in a small village in Essex.
Patrick Tate, 37, Tony Tucker, 38, and Craig Rolfe, 26, were each shot in the head at point-blank range in December 1995.
In 1998, two men, Michael Steele and Jack Whomes, were jailed for the triple murder that became known as one of the UK’s biggest gangland executions.
Search for any of these names online – or type in Essex Boys Murders, Rettendon Murders, Range Rover Murders, and you’ll get thousands of results – news stories, details of appeals, films based on the stories of those involved, interviews with associates, commentary on internet forums, and social media pages set up by armchair detectives.
The killings inspired films in The Rise of the Footsoldier franchise, as well as the 2000 film Essex Boys, starring Sean Bean.
Michael Steele and Jack Whomes (below) were jailed in 1998
Essex Police say the case has been “exhaustively examined” over the years – but despite the convictions, many believe there is more to the story.
Now, private investigators from the firm TM Eye, who began looking into the case in 2020, have told Sky News they have uncovered evidence that casts doubt on the convictions. They believe the real killer has walked free.
The investigation, headed by David McKelvey, a former Met Police detective, will be featured in an upcoming three-part series, The Essex Murders, on Sky Documentaries.
“We would not be doing this if we had any doubts at all,” he told Sky News. “We’re career detectives, we’ve put bad people in prison.
“We would not be trying to get anybody out of prison who we didn’t believe was innocent. Jack Whomes and Michael Steele did not do this.”
Mr McKelvey says the pair were involved in drugs offences, for which they should have been punished.
“But they did not carry out this murder,” he added. “And the important point here is: they didn’t do it, someone else did – and that person or those people are still on the streets.”
The original investigation
TM Eye private investigator David McKelvey. Pic: Sky UK
The bodies of Mr Tate, Mr Tucker and Mr Rolfe were discovered in the Range Rover on farmland in Rettendon, near Chelmsford, on the morning of 7 December 1995.
The scene provided little in the way of forensic evidence, according to reports from the time.
All three men were known by Essex Police; part of the reason the case became so high-profile was that Mr Tucker ran security for Raquels, the nightclub where Leah Betts had taken the ecstasy tablet that led to her death less than a month before the murders.
The TM Eye investigators question Essex Police’s timeline of the night of the murders, alleging the shooting happened at about midnight, rather than just before 7pm – a farmer who heard gunshots backs this in the programme – as well as mobile phone evidence presented during the trial.
But they believe the case against Whomes and Steele rested largely on the testimony of a man called Darren Nicholls.
The word of a ‘supergrass’
In May 1996, the man then known as Darren Nicholls was arrested on suspicion of possessing a large amount of cannabis that had been imported into Clacton from the Netherlands.
While being questioned by police over this case, he told officers it was Steele and Whomes who were behind the Essex Murders and that he had been the getaway driver.
Nicholls, who said the three men had been killed over a bad drugs deal, became known as a “supergrass”; he was placed under witness protection and given a new identity after giving evidence against the pair.
“Our start point was: did Darren Nicholls tell the truth?” Mr McKelvey said. “If he told the truth, then Michael Steele and Jack Whomes are guilty and that’s the end of it. But as we’ve delved into it all a different story has emerged.”
Albert Patrick, another former detective who worked on the private investigation, says: “You have got to be ultra careful when you’re dealing with the evidence of another criminal against a criminal, as simple as that.”
The documentary includes interviews with associates of the three men who died, as well as interviews with experts and police officers who investigated the case.
Former detective Ivan Dibley, who investigated the case at the time, says the right men were jailed. Pic: Sky UK
Former detective superintendent Ivan Dibley admits physical evidence was “scant” and there was an element of Nicholls “saving his own skin”, but that his account had an “enormous” amount of detail; he says his evidence was examined thoroughly and “it was pretty clear that what he said was true”.
There is “no doubt in my mind” that the right men were convicted, he adds. But the TM Eye investigators spoke to criminals, who feature anonymously in the documentary, who tell a different story.
‘A professional assassination’
One man, known as Witness A in the series, maintains the murders were linked to organised crime in east London and that the three men were actually killed over part of the proceeds of a £495,000 armed robbery allegedly being stolen by Mr Tucker.
This man was interviewed by Essex Police shortly after the deaths, the TM Eye investigators say, but his account was not taken any further.
This is the word of another self-confessed criminal – one of the various different accounts of what happened, from people who could have ulterior motives.
The investigators say they have to be cautious, but believe they were able to corroborate this account.
“Because of our backgrounds, our history and our knowledge of organised crime, particularly in east London, we were able to get behind that,” Mr McKelvey says. “We were able to identify officers who dealt with him, criminals who knew him, and his account is compelling.”
Towards the end of their investigation, they spoke to another anonymous witness who tells them he organised the hit.
The target was Mr Tucker, he says, because of the armed robbery. Mr Tate and Mr Rolfe were “collateral damage… wrong place, wrong time”.
“When you put the whole thing together, you had serious and organised crime behind this,” Mr McKelvey says. “You had a professional assassin, a sophisticated assassination.”
The Rise of the Footsoldier
Carlton Leach features in The Essex Murders documentary series. Pic: Sky UK
One person featured in the series is former football hooligan Carlton Leach, a friend and associate of Mr Tucker whose autobiography inspired The Rise of the Footsoldier film franchise.
He tells Sky News he wanted to take part to “speak up” for his friend. While he admits his lifestyle “wasn’t right”, he says there were “a lot of people living in that world, making money [from drugs]”.
He says Mr Tucker had told him of a “meet” with Steele. “So I do know that Mickey Steele was there or involved in how they got there. I can’t say for definite, because I wasn’t there… but I do know he was part of it. As far as I’m concerned, whether he pulled the trigger or not, he was part of the parcel that killed them.”
Read more:
Rise of the Footsoldier origins: The story behind cult Essex films
However, he believes there was at least one other person involved. “I don’t think the person who’s actually killed them has ever been caught, who pulled the trigger. And I think whoever did kill them was an assassin and had done it before… it wasn’t just a random shooting, it wasn’t someone just someone running up to the car. It was a planned murder. And it was done professionally.”
Where are Whomes and Steele now?
Michael Steele and Jack Whomes leaving the High Court under armed guard in 2006, when the sentences were appealed
Since the convictions, the case has been taken to the Court of Appeal several times.
The appeals have been rejected and in 2006 Lord Justice Kay said there was no “element of unsafety” relating to the original convictions of both defendants.
The case has also been reviewed by the Criminal Cases Review Commission (CCRC) and the decision was made in January 2023 not to refer the case back to the Court of Appeal.
Whomes, now 61, had his life sentence reduced in 2018 after making “exceptional progress” in prison and was approved for release under strict licence conditions in 2021, while Steele, 78, has a parole hearing in May.
What do Essex Police and the CCRC say?
The TM Eye investigators say they hope the documentary will encourage even more witnesses to come forward and that they believe the case should be reviewed by an independent police force.
A spokesperson for the CCRC said in a statement: “A comprehensive review has concluded there is no real possibility that the Court of Appeal would overturn these murder convictions.
“The decision notifications were shared with the applicants and their legal representatives.”
A spokesperson for Essex Police said there had been “an exhaustive” investigation into the murders and that the force welcomed the CCRC’s decision “as this case has been exhaustively examined over the last 27 years and there is no fresh evidence identified which would call the original verdicts into question”.
The Essex Murders starts at 9pm on 15 April on Sky Documentaries.
Puppetry has enjoyed a renaissance in recent years.
With the ability to tell political and philosophical stories, fairy tales and musical adventures, all with equal flair, puppeteers bringing the inanimate to life on stage is back in vogue.
A staple of the festive season, the year-round resurgence has been invigorated by hit West End shows including War Horse, The Life Of Pi, The Lion King and My Neighbour Totoro, boosting a craft that has been traced back as far as the ancient Greeks.
Pinocchio is this year’s Christmas show at Shakespeare’s Globe. Pic: Johan Persson
This year, puppets are centre stage at Shakespeare’s Globe, with Pinocchio their leading man.
The tale of a wooden puppet who dreams of becoming a real boy, Globe associate director Sean Holmes tells Sky News: “It seemed to fit, a boy made of wood in a theatre made of wood.
“There’s something about the kind of challenge of that storytelling, the theatricality, the magic, the puppetry, that really drew us to it.”
The performers – made up of actors and puppeteers – spent 18 months workshopping the show ahead of opening night, perfecting the challenge of skilled puppetry, acting and singing all on an open-air stage. It’s no mean feat.
The show features a range of puppets, including rod, table-top, and large-scale creations that fill the stage and marionettes – small puppets with big impact.
Puppeteer Stan Middleton is a marionette specialist. Pic: Patrick Hutton
Romeo the marionette on the Globe stage. Pic: Patrick Hutton
One of the show’s puppeteers, Stan Middleton, a marionette specialist, operates a marionette Romeo puppet in part of the performance.
He tells Sky News: “I think a lot of people are scared of marionettes because they think, ‘Oh no, they’re too difficult, we can’t do them’.”
He goes on: “It’s so nice to have the marionette moment in this show, because it gives people a chance to see how beautiful they are and how enchanting…
“They’ve got a sort of delicate charm and a sort of like inner silence which I think really captivates people.”
Despite their charms, the intricate skills required to both craft and manipulate long-string marionettes mean they are under threat.
While some puppets – including War Horse-style rod and Totoro-style body ones – are enjoying success on the stage, marionettes are critically endangered.
Globe associate director Sean Holmes. Pic: Patrick Hutton
Unlike dance or circus, puppetry is not recognised in its own right by Arts Council England and is instead grouped with theatre.
It means specialist puppet venues are competing for funding in the highly saturated market of theatre companies producing for children and families, with no special recognition of their craft.
Marionette-making was added to Heritage Crafts’ Red List of Endangered Crafts in 2023.
There are now calls for it to be added to the UNESCO Intangible Cultural Heritage (ICH) list too, after the UK officially joined earlier this year.
Puppets are big business, but as some types thrive, others are at risk of disappearing completely. Pic: Johan Persson/Patrick Hutton
Little Angel is one of the few UK theatres to have a marionette bridge. Pic: Patrick Hutton
Little Angel Theatre, a hub for British puppetry for over six decades, is one of a handful of UK spaces where puppeteers can perform with long-string marionettes.
Boasting not one but two marionette bridges, puppeteers can walk 360 degrees all the way around the upper part of the stage, working their marionettes from a hidden vantage point above.
Trained by some of the last remaining UK makers, including Little Angel co-founder Lyndie Wright, Little Angel Associate director Oliver Hymans is a central figure in the effort to save the craft.
Little Angel associate director Oliver Hymans. Pic: Patrick Hutton
Inspired by seeing old marionettes hung up at the back of the stage and intrigued by why they were not being used, he is now committed to re-establishing traditional marionette-making.
Hymans tells Sky News: “The marionette is a series of nine different pendulums all wired together. You’re having to work against gravity to keep it in control.
“But the thing about the marionette is you can hide the puppeteer. So, you can completely design and develop a world where there are only puppets and scenery and scenography.”
He says the majority of master marionette makers have retired or are nearing retirement, and warns there may be just a handful left in the country.
He explains: “With the onslaught of AI, we know it’s coming. Jobs where people use their hands are going to be vitally important, and if we don’t protect these crafts, they are going to die out.”
Me at Little Angel Studios. Pic: Ellie Kurttz
The Storm Whale at Little Angel Theatre. Pic: Northedge Photography
Putting their money where their mouth is, Little Angel is nurturing emerging talent, upskilling people in both the art of making and performing with marionettes.
They plan to have a marionette show on stage next summer.
Also joining the fight for the overlooked craft, puppetry director Rachel Warr has organised a celebration of marionettes for the last three years, with the support of the Art Workers’ Guild Outreach Committee.
An industry-focused free event, it brings the puppetry community together – with particular relevance to those who work with marionettes – or who aspire to.
Puppetry director Rachel Warr (R) with Alicia Britt and Anna Smith. Pic. Tom Crame
Some members of the community appear in a forthcoming short documentary about puppets, Untangling, by filmmaker Hester Heeler-Frood.
Warr told Sky News: “People are often more affected by a puppet dying on stage than an actor pretending to die in character. It doesn’t have the artifice of getting up and walking away and getting on the tube at the end of the night.
“There’s something quite vulnerable about the puppet in that sense… We know that it’s not really alive, and yet we’re able to project on to it our own thoughts and feelings. It’s a blank canvas – a powerful tool.”
Meanwhile, as Pinocchio plays at the Globe, the theatre is running accompanying puppetry workshops, encouraging children to get involved in the craft – maybe inspiring future stars of puppeteering.
With their future hanging by a string, the training of the next generation is key to breathing life back into an overlooked craft, reinstating marionettes to their rightful place on the stage.
Pinocchio runs at Shakespeare’s Globe until Sunday 4 January.
The Storm Whale at Little Angel Studios runs until Saturday 24 January, and Me runs at Little Angel Theatre until Sunday 25 January.
Kate Winslet says she never set out to become a director – but after reading her son’s first screenplay, she simply “couldn’t let it go”.
In 2023, Joe Anders, whose father is director Sam Mendes, signed up to a screenwriting course at the National Film and Television School.
His mother read one of his assignments and insisted it was worth making into a film – so they did.
Anders created a story around adult siblings who reunite around Christmastime to say goodbye to their dying mother.
Abiding by Mark Twain’s phrase “write what you know”, it was inspired by the death of Winslet’s mother Sally Bridgers-Winslet from ovarian cancer in 2017.
Helen Mirren (left) as June and Kate Winslet (right) as Julia in Goodbye June. Pic: Netflix
Speaking to Sky News, the Titanic actress says they learned “how to develop a completely new relationship” as colleagues”.
“I’m incredibly impressed by him and really proud of him, not least because he wrote this screenplay and started writing it when he was 19,” she says.
“But he had to adapt and learn very, very quickly that when you’re developing something, you take notes, you take feedback.
“Netflix became involved at some stage that they were also giving notes to, and then I was sort of playing the role of kind of protecting the project and also protecting him at the same time from things that, you know, may necessarily not have been useful, things that actually were great ideas.”
Winslet speaking to Sky News
Anders isn’t her only child to have got their start alongside their famous parent.
Mia Threapleton, who most recently starred in the Wes Anderson film The Phoenician Scheme, made her on-screen debut in the 2014 Winslet-led movie A Little Chaos.
They worked together again in the series I Am… which won Winslet a TV BAFTA award for best leading actress.
Goodbye June stars (L-R) Johnny Flynn, Andrea Riseborough, Timothy Spall, Kate Winslet and Fisayo Akinade, among others. Pic: Netflix
An actor’s director
Winslet has starred in some of the biggest films of all time, with Titanic, Avatar and Sense And Sensibility, to name a few.
She says it’s that experience in front of the camera that helped her tailor the on-set experience to help its actors explore their emotions and creativity.
“We know what works for us as actors from a director,” she says. “We know what does not work, and we also know what’s actively destructive and sometimes that can mean the environment, the working environment.
“Film sets are very busy places it can often be frantic, sometimes it’s hard to kind of follow what’s going on or what you’re doing next, and it mattered to me enormously that everybody always felt extremely safe, completely informed, and very free.”
Read more from Sky News:
Actors demand AI protections
Celebrities who died in 2025
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(L-R) Andrea Riseborough, Johnny Flynn, Kate Winslet and Timothy Spall in Goodbye June. Pic: Netflix
Winslet adds: “In this country, we’re not necessarily so good at processing, especially when it comes to talking about grief.
“And so hopefully through this film, which is also very funny, hopefully through this film, people might see something of themselves and connect with it in that way.”
Timothy Spall, next to co-star Toni Collette, says it is not surprising Winslet is such a good director
‘One of the greats’
Co-star Timothy Spall says “it’s not surprising she’s such a good director” – and calls her “one of the great actresses in the world.”
“I worked with her when she was 20. She was impressive then, just before she got Titanic… and she’s paid attention. She’s listened. She’s a great actress,” Spall says of Winslet.
“She knows how it works, and she helps other actors to do the best they can. And she’s all over the crew. She’s great with them. She’s paid attention in every department.”
Goodbye June is out on Netflix on 24 December
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