Rolf Harris’s legacy will not be as an artist who painted the Queen, or a musician who played with The Beatles, but rather as a sexual predator who carried out decades of abuse.
Once considered a jovial entertainer, on our screens for more than 60 years, a high-profile trial in 2014 saw him convicted of carrying out sex attacks on girls as young as seven.
Prosecutor Sasha Wass QC described Harris as a “Jekyll and Hyde” character, who, despite his child-friendly public image, was a “sinister pervert” with a “demon lurking beneath his charming exterior”.
The fact his depraved actions went without punishment for so long adds to the trauma for many of his victims, who say they will never recover.
How did his crimes go unchecked?
Again and again, Southwark Crown Court heard about the large, all-enveloping bear hug he would use to trap victims, swiftly sexually assaulting them before moving on as if nothing had happened.
One of the most damning pieces of evidence was a letter he sent to the father of one of his victims, in which he admitted he had a sexual relationship with her, but denied it began when she was just 13.
In the letter, Harris said he was shocked when his former victim told him she had gone along with everything he did “out of fear” and had asked her: “Why did you never just say no?”
He said she replied: “How could [I] say no to the great television star Rolf Harris?”
Harris filmed NSPCC video while abusing youngsters
One early sign of his brazen self-belief can be found in an educational video titled Kids Can Say No.
Harris himself suggested the safety video was made, even contacting the National Society for the Prevention of Cruelty to Children (NSPCC) to gain advice on the best way to teach children about stranger danger.
Harris is now known to have been actively abusing youngsters at the time.
Filmed in 1985, Harris presents the 20-minute video, and tells a group of primary school-age children, “even people you know and trust can be abusers”.
He goes on to warn them, “sometimes people do things to one another that don’t make them feel good”.
In the video’s finale, a large group of children and adults are led by Harris in singing: “My body’s nobody’s body but mine. You’ve got your own body, let me have mine.”
Two uniformed police officers make up part of the choir.
Harris on Savile: ‘We go back a long time’
Skipping forward seven years, and more archive footage – this time of Harris drawing paedophile DJ Jimmy Savile in 1992 and joking “we go back a long time” – now has disturbing implications.
Savile died aged 84 in 2011, having never been brought to justice for his crimes. He is now believed to be one of Britain’s most prolific sex offenders.
Harris’s 2014 trial saw a jury of six men and six women find him guilty of 12 counts of indecent assault on women and girls between 1969 and 1986. One of those convictions was later overturned.
Sentenced to five years and nine months in prison, he served just three.
Harris always denied the accusations against him and showed no remorse for his crimes.
Why did Harris feel untouchable?
Described in court as an arrogant man, who carried out many of his attacks in plain sight, Harris seemed to believe himself untouchable.
Born in Perth, Australia, to parents who had emigrated from Merthyr Tydfil in Wales, Harris moved to the UK in 1952.
He met his wife Alwen, a sculptor – who stood by him throughout his trial and time in jail – when they were both art students in London.
With a fair talent for painting and music, and ability to chat and entertain, it was a 10-minute art slot on a BBC children’s programme alongside a puppet called Fuzz that gave him the first taste of the limelight in 1953.
Swiftly embraced by British TV, he went on to front popular shows including The Rolf Harris Show, Rolf’s Cartoon Club and Rolf On Art.
A musical career, mainly with novelty songs, saw him top the charts with his cover version of Two Little Boys resting at number 1 for six weeks.
Harris’s career defied that of many children’s presenters, who struggle to maintain popularity after progressing into more mainstream shows.
His 10-year stint presenting Animal Hospital from 1994 to 2004 kept him a household name. Frequently becoming emotional about an unwell puppy or injured cat, it was an empathy Harris seemed unable to offer to his victims.
Following his conviction, he wrote a song in jail, describing his victims as money-grabbing “wenches” who want to make him “dance”.
Harris may have wanted to be remembered as a warm-hearted man who loved animals, invented the wobble board and could draw at the speed of light.
Stripped of his CBE and BAFTA fellowship, he will instead be remembered as a paedophile and serial sexual abuser.
Harris once told a journalist his greatest fear was not being loved.
As news of his death aged 93 is met around the world, it’s a fear that has been realised, due to his actions – and his actions alone.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
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Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater into the Rock and Roll Hall of Fame in 1992.
This breaking news story is being updated and more details will be published shortly.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”