Tina Turner – one of rock’s great vocalists and most charismatic performers – has died aged 83.
Her spokesperson said: “Tina Turner, the ‘Queen of Rock ‘n’ Roll’ has died peacefully today at the age of 83 after a long illness in her home in Kusnacht near Zurich, Switzerland.
“With her, the world loses a music legend and a role model.”
The US-born star was one of rock’s iconic singers, known for her electric stage presence and hits including The Best, Proud Mary, Private Dancer and What’s Love Got to Do With It.
Among the first to pay tribute were Sir Mick Jagger, Sir Elton John, Diana Ross, Bette Midler and Giorgio Armani.
“She was truly an enormously talented performer and singer,” said Rolling Stones frontman Jagger.
More on Tina Turner
Related Topics:
“She was inspiring, warm, funny and generous. She helped me so much when I was young and I will never forget her.”
Sir Elton posted a picture of himself with Turner and said she was “untouchable” and a “total legend on record and on stage”.
Turner previously had intestinal cancer and a stroke, revealing in 2018 that her husband had donated a kidney to save her life as she contemplated assisted suicide.
Turner found fame in the 1960s alongside ex-husband Ike Turner, with the classics River Deep, Mountain High and Nutbush City Limits among their hits.
The domestic abuse Ike subjected her to – and her struggle to break free – was documented in a 1993 film starring Angela Bassett, which won three Oscars.
Turner’s life story was also immortalised in a popular West End show that is still running.
The singer’s popularity waned by the end of the 1970s and her days in the limelight appeared over, with Turner mainly playing the cabaret circuit as a heritage act.
However, her career was dramatically resurrected in 1983 when a cover of Al Green’s Let’s Stay Together became a huge hit.
Turner, then in her forties, signed a new contract with Capitol Records which led to the Private Dancer album in 1984.
It went on to sell more than 10 million copies and established her as a mega-star.
The title track from Private Dancer, as well as What’s Love Got to Do With It, and I Can’t Stand the Rain were among the album’s seven singles.
Her most well-known song – with its distinctive intro, steady build and powerful chorus – is probably The Best.
Released in 1989, part of the Foreign Affair album, it’s actually a cover of a song by Welsh singer Bonnie Tyler.
Proud Mary is also an established classic, with Turner performing up-tempo dance moves to its “rolling down the river” refrain well into her seventies at live shows.
Tina Turners most streamed songs in UK
1. The Best
2. What’s Love Got To Do With It?
3. Proud Mary
4. What’s Love Got To Do With It? (with Kygo)
5. River Deep Mountain High (with Ike Turner)
6. We Don’t Need Another Hero (Thunderdome)
7. Nutbush City Limits (with Ike Turner)
8. Private Dancer
9. It’s Only Love (with Bryan Adams)
10. Proud Mary (with Ike Turner)
Off the back of her comeback, there was also a foray into film alongside Mel Gibson in 1985’s Mad Max Beyond Thunderdome.
The movie spawned another hit, We Don’t Need Another Hero.
Born Annie Anna Bullock in a segregated Tennessee hospital in November 1939, Turner became a Swiss citizen a decade ago.
She lived on a sprawling estate on Lake Zurich with her husband and former EMI record executive, Erwin Bach, some 16 years her junior.
The couple met in 1985, with Turner once telling Oprah Winfrey it was love at first sight when he was sent to pick her up from an airport in Germany.
“He had the prettiest face. You could not miss it,” she said.
“It was like saying, ‘Where did he come from?’ He was really that good looking. My heart went bu-bum. It means that a soul has met. My hands were shaking.”
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
Advertisement
The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
Please use Chrome browser for a more accessible video player
0:28
Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November