This review contains spoilers for the final episode of Succession, which is already available to stream on Now TV.
We’ll warn you again – stop now if you don’t want to know what happens.
Final warning. After the picture below all will be revealed.
You have been warned. Again.
We finally have a successor to founder and CEO of Waystar Royco, Logan Roy (Brian Cox)… but it’s none of his children.
In the end it was Tom Wambsgans (Matthew Macfadyen) who came out on top – the desperate outsider and social climber, described as an “empty suit” by his wife, Shiv Roy (Sarah Snook).
But it was Shiv’s lack of faith in her elder brother, Kendall (Jeremy Strong), that led to Tom’s crowning as CEO – and the finale rightly focused on the siblings’ complicated relationship after four seasons of exhausting backstabbing.
There’s no big fanfare in the last episode, With Open Eyes, with most of the plot taking place in the Roy children’s mother’s house, their father’s flat, then finally, the boardroom.
It’s unnerving to watch the siblings getting along during most of the episode; united in wanting to defeat the billionaire GoJo CEO Lukas Matsson (Alexander Skarsgard) from buying Waystar Royco, the company their father built.
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Humiliated Shiv has been betrayed by Matsson, who had promised her US CEO but has been interviewing other candidates – including her husband Tom unbeknown to her.
And a feeble Roman (Kieran Culkin) is sporting stitches and being looked after by his mother, seemingly on the verge of a mental breakdown.
They’ve decided between themselves, after four series of fighting it out, that Kendall should be CEO. And at the end of a season where he’s shown himself to step in with a calm head, culminating in his spectacular speech at his father’s funeral, viewers are almost convinced, too.
But it almost feels too good to be true, and when it comes down to the board vote – between Kendall or a GoJo takeover – Shiv changes her mind at the last minute.
“I love you but I cannot stomach you,” she tells her brother.
“I’m the eldest boy”, he yells back. And just like that, we’re reminded that he never really has been good enough to fill Logan’s shoes.
Meanwhile, Tom has listened to Matsson backstabbing Shiv – who is pregnant with their first child – describing how he doesn’t want her as CEO because he feels that they “clickety click”.
“What if I hired the guy who put the baby inside her,” he asks Tom, “instead of the baby lady?”
And Tom, never one to miss a climb up the ladder, doesn’t hesitate to tell him: “I’m your man.”
It was never going to be one of the children.
They acknowledged it themselves – they were all promised the top job by their father at different points. Kendall even references his father promising it to him when he was seven years old at an ice cream parlour.
But Shiv points out what we knew all along: “I don’t think he wanted to give it to any of us.”
We’re left without knowing their fates.
Roman looks almost relieved to be rid of the burden. Shiv appears despondent to be settling as second fiddle to her now more powerful husband.
And Kendall, the almost-King, is left with only his father’s loyal bodyguard for company, seemingly without the will to even contemplate his next move.
In the end, they all lost – even Tom looks discouraged at being tied to maverick Matsson as his “pain sponge” rather than “partner”.
And somehow you’re left feeling slightly heartbroken for these characters who have few to no redeeming features – so perhaps it’s the most satisfying end it could ever have been.
The Met Gala always produces the most memorable red carpet looks of the year.
Following this year’s theme, Sleeping Beauties: Reawakening Fashion, and a Garden Of Time dress code, the stars pulled out all the botanical stops with their outfits, with floral and garden-inspired fashion unsurprisingly dominating.
A Scottish singer plucked from obscurity at the last minute to replace Olly Murs as the opening act for Take That in Glasgow has told Sky News he thought the life-changing opportunity was a “joke”.
Daniel Rooney, 26, was playing at the Radisson Red hotel opposite the OVO Hydro when news broke that Murs was forced to cancel his support act on Friday due to transport issues.
TV presenter Ross King, who was enjoying a family dinner at the hotel, was impressed with Mr Rooney’s vocals and recommended the singer to his friend and Take That frontman Gary Barlow.
With 30 minutes to go before the show was due to start, Mr Rooney was quickly whisked to the arena and opened the festivities with a range of upbeat cover songs.
Barlow later thanked him on Instagram.
Mr Rooney, from Cambuslang in South Lanarkshire, told Sky News he thought it was a wind-up at first.
He said: “I was thinking, ‘right, who’s trying to play a wee joke on me here’. But thankfully it wasn’t a joke and Ross King was saying, ‘I’ve got an opportunity of a lifetime here, Danny boy, so are you up for it?’
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“And I was.”
Mr Rooney started to feel a mixture of emotions on his way to the stage. As well as excitement, he began to feel apprehensive about what he was going to play.
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He said: “I was obviously buzzing just to get that news. It was just mental.
“I had a wee discussion with the boys from Take That, who were brilliant and really good with me.
“We just agreed on making it really fun and making the songs nice big singalongs.
“It was just really great. The crowd were brilliant, and they sang to every song and the feedback was magic.”
Mr Rooney paid tribute to Mr King for the opportunity and thanked him for his warm introduction onstage to explain the situation to the crowd.
Speaking to Sky News, Mr King said: “I was listening to [Mr Rooney] while I was having dinner and was very impressed – never thinking that 30 minutes later I’d be saying ‘come with me and support Take That’.
“Gary Barlow is one of my closest pals and I’ve known the band since 1990. When Gary called me and said ‘you’re going to have to go on, Olly is stuck in London’, I thought it was a wind-up. But no.”
Mr King agreed to go on, but then pitched the idea of Mr Rooney.
Mr King added: “Daniel was the coolest guy in the Hydro and played a blinder. I was thrilled to share the stage with him and help out my old mates too.
“I know this has made news all around the world, so I hope Daniel continues to have the success he deserves.”
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Murs apologised for cancelling his performance at short notice after falling foul of flight issues.
The former X Factor star said he had been at Heathrow from 11am ahead of his performance on Friday night, but the flight was cancelled after “several delays” and an accident with a cabin crew member.
He later shared a video of himself being driven to Glasgow for his Saturday and Sunday performances.
Speaking on ITV’s Lorraine programme on Monday, Murs paid tribute to Mr Rooney for holding his nerve and being able to perform in front of an arena crowd of thousands with just 30 minutes’ notice.
Murs said: “Fair play to him, that’s amazing. You know what, credit to him.”
The 68th Eurovision Song Contest is taking place in Malmo, Sweden, this year.
It’s a spiritual homecoming of sorts with Sweden’s supergroup Abba – who are the most famous band ever to come out of the contest – crowned the winners 50 years ago.
Loved and loathed in equal measure for its euro pop earworms, evocative power ballads, and eye-watering novelty acts, there’s no clear frontrunner for this year’s show – meaning it’s all to play for.
The political elephant in the room is of course Israel’s participation in light of the ongoing Gaza war, with many artists encouraged to boycott the event due to their participation.
As it stands, no act has withdrawn from the contest.
So, with 37 countries heading into the semi-finals ahead of a grand final featuring 26 songs on Saturday, who might we see take first place on the night?
The top three
Croatia is currently the country to beat, with Baby Lasagne (real name Marko Purisic) singing Rim Tim Tagi Dim.
The 28-year-old bleach-blonde frontman says the title doesn’t translate as anything, other than a catchy repeated riff, but a serious theme lies beneath the full-on performance.
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The song describes the tension of young Croatians leaving their homeland to seek better opportunities abroad, through the character of a farm boy who leaves his home – and his cat – to become a “city boy”.
Another hot favourite is Switzerland, with Nemo singing The Code.
The 24-year-old non-binary performer draws on their childhood opera singing to pull together an impressive song which scales rap, rock, drum ‘n bass and classical opera.
The message in this one is self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgement.
Meanwhile, a song that’s been growing in popularity is Ukraine’s Teresa & Maria sung by Alonya Alonya and Jerry Heil.
Alonya, 28, is a well-known rapper in Ukraine, while Heil, 32, found fame on YouTube and appeared on the country’s version of X-Factor.
Utterly hummable, the folk-inflected anti-war song paying tribute to Mother Theresa and the mother of Christ has a strong heritage and shares a songwriter with Kalush Orchestra’s winning 2022 entry Stefania.
In with a chance
Also in the running is Italy with Angelina Mango’s La Noia, which translates as “Boredom”.
The 23-year-old told Italian rock magazine Rockol that while boredom is often seen as a negative thing, she sees it as a time for self-discovery, adding: “Between a life of highs and lows and one of boredom, I will always choose one of highs and lows, but I will always leave myself time for boredom too.”
Meanwhile, Netherlands act Joost has by far the biggest earworm of the crop with Europapa – a song that will delight and infuriate in equal measure. Indeed, one early review of the song proclaimed it was so bad, it had the power to “put you off music forever”.
Despite the silliness of the happy hardcore-infused pop song and the OTT nature of his shoulder-pad-enhanced performance, 26-year-old singer Joost Klein had a heartbreaking inspiration for the song – the loss of both his parents by age 13.
The track is about an orphan who travels around Europe trying to find himself, as his father taught him to believe in a Europe without borders, celebrating the national food of each nation en route.
Host country Sweden is also seen as having a chance for back-to-back wins, represented by Norwegian twin brothers Marcus and Martinus Gunnarsen performing their presumptuously titled song Unforgettable.
But Eurovision voters – made up equally of public votes and a jury of music experts – will of course be the judge of that.
Other notable mentions include France’s Silmane giving a heartfelt rendition of Mon Amour and Ireland’s Bambie Thug singing Doomsday Blue – a song she’s described as “an electro-metal breakdown”.
What about the UK?
As one of the “Big Five” (the countries that contribute the most to the EBU along with France, Germany, Spain and Italy) the UK is guaranteed a place in the final. Plus, as the host nation, Sweden gets an automatic pass too.
This year the UK are represented by ex-Years And Years star Olly Alexander singing the dance-pop track Dizzy.
Performed in a glass box full of boxers, quirky choreography and a catchy refrain have placed it in the top 10, but we’re unlikely to be contenders for the top spot.
Indeed bookmakers reckon the UK are more likely to come last than nail the top spot.
Controversy this year
There have been calls on the European Broadcasting Union EBU to ban Israel from competing in the show, due to their ongoing ground offensive in Gaza.
An apolitical organisation, the EBU has said Israel will remain in the competition.
In comparison to Russia’s removal from the show back in 2022 due to its invasion of Russia, the EBU say Israel’s broadcaster Kan hasn’t broken any rules. They say Moscow was banned for using their broadcasting channels as a tool for political propaganda multiple times.
Normally strong Eurovision contenders, four-time winners Israel is represented by 20-year-old Eden Golan, and ranks in the top 10. But how the public will vote for them in the second semi-final heat on Thursday remains to be seen.
Golan’s song Hurricane was Israel’s third proposed entry after contest bosses rejected their first two songs over lyrics deemed political.
More than 34,000 people have been killed, and over 78,000 have been injured in Gaza since the conflict began, according to Gaza’s Hamas-led health ministry.
Israel retaliated after Hamas fighters killed more than 1,000 Israelis and took hundreds of hostages in attacks on 7 October last year.
Any other songs that have stirred up a fuss?
Spain’s entry, Zorra, by husband and wife act Nebulossa, has drawn controversy because its title can be translated as an anti-female slur.
While it’s been officially translated as “Vixen,” it’s a term used in Spain which would translate in the UK as “Bitch” or “Slut”.
Lyrics include: “If I head out solo, I’m a bit of a bitch/ If I’m having fun, I’m the biggest bitch/…When I get what I want (bitch, bitch) /It’s never ’cause I deserve it (bitch, bitch) … Well, she’s been empowering herself, And now she’s a picture-perfect bitch.”
The Feminist Movement of Madrid has called for it to be withdrawn from Eurovision, saying it insults women and is not suitable for a family audience.
Singer Maria Bas has argued her lyrics describe how a woman is referred to as a “zorra” no matter what she does, and that the song highlights society’s double standards, reclaiming a word that is weaponised against women only.
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Spain’s prime minister added his twopenneth this week, saying he liked the song and joking about how right-wing critics might have preferred the national anthem used during the Franco dictatorship as Spain’s Eurovision submission.
The hard-right Vox party hit back by saying Pedro Sanchez would prefer to listen to the communist anthem The Internationale.
The Eurovision semi-finals are on Tuesday and Thursday evening, ahead of the grand final on Saturday night.
Sky News will be in Malmo with updates, a live blog, and all the biggest news from the contest as it happens.