A Welsh festival has defended its decision not to allow a rapper to perform as he uses both Welsh and English lyrics in his music.
The National Eisteddfod has traditionally had a Welsh language-only policy for the annual cultural event and Sage Todz performs bilingually.
Writing on Twitter, the musician said he would not be performing at the event “due to the Welsh language policy” in place.
“Essentially there’s too much English in my songs,” he wrote.
Defending the decision, Ashok Ahir, chair of the Eisteddfod’s ruling board, said the festival’s main purpose was “to perform, compete and discuss in Welsh – and only in Welsh”.
He added that it was the rapper’s own decision that he “wished to perform in English and bilingually only”.
The festival has also criticised racist remarks aimed at Sage Todz after he announced he would not be performing at the event, with Mr Ahir saying he was “deeply saddened” by the comments on social media.
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Born in Essex, Sage Todz lives in North Walesand started releasing music officially in 2020.
He joined forces with the Football Association of Wales (FAW) last year ahead of Wales’ World Cup campaign to remake a famous Welsh protest song, Yma o Hyd.
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There have been a number of calls on social media for the Eisteddfod’s policy to be reviewed, while others have defended the decision as the event is a celebration of the Welsh language.
Held in August every year, the festival attracts around 150,000 visitors, 6,000 competitors and 250 stalls.
According to its organisers, the origins of the Eisteddfod date back to 1176, with the modern-day version dating back to 1861.
The week-long event takes place in a different part of Wales each year and this year will be travelling to Llŷn ac Eifionydd in Gwynedd.
Image: The National Eisteddfod was held in Tregaron, Ceredigion in 2022
Mr Ahir said: “The Eisteddfod is a Welsh-language festival, and we take great pride in celebrating the language across every genre of the arts.
“We create lots of opportunities for artists to perform in Welsh for the first time.”
He said the Eisteddfod was working with its partners to make the Welsh language “accessible for a wider range of individuals and groups”.
Mr Ahir added: “To perform, compete and discuss in Welsh – and only in Welsh – is the main purpose of the National Eisteddfod for the one week of the year when the festival is held.
“We respect Sage Todz’s passion and dedication to the languages he chooses to use in his music.
“It was his decision that he wished to perform in English and bilingually only. We were keen for him to perform in the festival but we respect his decision not to perform only in Welsh.”
Thieves have stolen more than 1,000 items from a museum’s collection in California, including jewellery, carvings and Native American artefacts.
The burglary took place at an off-site storage facility holding items for the Oakland Museum of California (OMCA) on 15 October.
Image: A neckpiece by Florence Resnikoff was also taken. Pic: Leopold Macaya/Oakland Museum of California/AP
The museum’s director said on Thursday details about the incident were being made public because the items might show up at flea markets, pawn shops and antique stores.
“The theft that occurred represents a brazen act that robs the public of our state’s cultural heritage,” said Lori Fogarty.
“They’re not just a loss to the museum. They’re a loss to the public, to our community and we’re hoping our community can help us bring them home.”
She also said she believed it was an opportunistic crime, rather than a targeted raid.
“We think the thieves found a way to enter the building, and they grabbed what they could easily find and snatch and get out of the building with,” she said.
Image: Oakland Museum of California. Pic: Leopold Macaya/Oakland Museum of California/AP
A metal neckpiece by the late artist Florence Resnikoff, scrimshaw walrus tusks and Native American baskets were taken, with the thieves also making off with historic memorabilia like pins and sporting items.
Experts believe some items may have already been sold.
John Romero, a retired police captain, told the Los Angeles Times he expects detectives are looking at resale platforms such as Craigslist and Ebay, as well as networks specialising in historic or collectable goods.
“These people are interested in fast cash, not the full appraisal value,” he said. “They need to get rid of it quickly.”
Oakland Police Department is working with a specialist art crime unit of the FBI to track down the items.
They were one of the main staples of noughties music in the UK and Ireland and to celebrate 25 years of touring, Westlife have returned to the spotlight again.
The boy band has released a new song called Chariot, with an album following suit in February and a tour that will take them around the world next year.
“The Westlife story is fairy tale stuff and we’re very lucky and proud to be part of it”, Shane Filan tells Sky News at the Royal Albert Hall, where they have just performed for two nights.
“It took our breath away. We came out to the Royal Albert Hall thinking it might be a little bit more intimate than a big arena and just the sheer noise, the sheer screams from the women and everyone just having good fun.
“The support and love, we never felt it like we did in the room. It was amazing.”
Image: Westlife started their 25th anniversary celebrations with two sold-out shows at the Royal Albert Hall in London
Formed by their manager Louis Walsh in the late 1990s, the group originally consisted of Filan, Mark Feehily, Brian McFadden, Nicky Byrne and Kian Egan.
McFadden left the group in 2004 to pursue a solo career, but the other four have remained together.
Due to health issues, Feehily can’t join the celebrations, but representatives say he is still very much part of the band and features on their new music and upcoming album.
Image: Westlife were blown away by the ‘sheer noise’ of screaming fans at the Royal Albert Hall. Pic: Sony Music
Image: Pic: Sony Music
History-making chart successes
Westlife are joint third with Sir Cliff Richard and Ed Sheeran for the most UK number one singles in history, just behind Elvis and The Beatles.
In their first 18 months, they secured seven of those top spots thanks to songs like Flying Without Wings, I Have A Dream and If I Let You Go.
Reflecting on the years gone by, Byrne says the nostalgia hits harder than ever.
“You see the generations coming to the shows, people letting their hair down, people remembering the songs from their first kiss, the first dance, all those special things that music does,” he says.
“Not even just for the fans – we’re having the time of our lives.
“We’re singing these songs up there… I remember breaking the wardrobe door when we were promoting Swear It Again, and now we’re singing it in front of the Royal Albert Hall and look, I mean, just look at this place.”
Image: (L-R) Kian Egan, Nicky Bryne and Shane Filan say they are having ‘the time of their lives’ performing together again
Famous fans and furniture
For Byrne, finding out about fans of their music never gets old, and their song Flying Without Wings seems to be a key component of their stature in music.
“I did Soccer Aid with Tom Grennan recently, and he was talking all about how he grew up listening to Westlife – his dad is Irish. Big Zuu, who scored the winning goal, he was like, ‘Flying Without Wings, man, is the best song I’ve ever heard’.”
It’s the same song Sheeran first learned to play guitar on, and years later, he began writing songs for the group, including their latest single Chariot.
Oddly, it’s their choice in furniture that receives just as much attention as their music over the years, with four stools becoming synonymous with the group.
Stemming from their lack of dancing skills, according to Simon Cowell at least, they chose to change it up and simply rise from their chair on the key change of the song.
“We are stool connoisseurs. It’s become a very strange thing and it’s nearly as big as our music. It’s genuinely as big as You Raise Me Up,” Filan laughs.
Image: Filan (R) jokes that the band have become ‘stool connoisseurs’
Keeping their kids grounded
As the band continued to release music, each member settled down and had families of their own. Now their children are around the same age they were when they first started as a group.
Egan says they all made a conscious decision to raise the next generation away from the spotlight.
“We don’t want our kids growing up in this world and at the end of the day they are privileged, so it’s really important for us to keep them grounded and to try and give them as much of a natural kind of upbringing as they possibly can, and I think that’s why we choose to bring them up in the same places that we grew up,” he adds.
Byrne chimes in jokingly: “Slightly bigger houses, though!”
It was this tour that caused Byrne’s children to realise the extent of their father’s fame.
“I have twin boys who are 18 and a half, and the middle girl is 12. So last week, when the tour went on sale in Ireland, and we went from five nights in the 3Arena to 13, and from Belfast it went from three right up to seven, and the boys are looking at me, going, ‘You’re doing 13 nights in the 3Arena’.
“And it is even me looking at them going, ‘Yeah, right’. It hits you, it hits you there in a way, to be honest with you. I got a little bit cooler then.”
Running from September 2026, Westlife 25 – The Anniversary World Tour, will kick off in Dublin for 13 shows before heading to Aberdeen, Glasgow, Newcastle, Leeds, Sheffield, London, Brighton, Bournemouth, Birmingham, Cardiff, Manchester and then Belfast for seven nights.
Gigs in Paris, Hamburg, Copenhagen, Stockholm, Amsterdam, Antwerp, Cologne and Zurich will follow.
Tickets for Westlife’s UK tour dates go on sale this Friday.
The two suspects arrested over the Louvre jewellery heist have “partially” confessed to their involvement in the robbery, according to a prosecutor.
Paris prosecutor Laure Beccuau revealed the development at a news conference on Wednesday.
Four thieves stole nine items – one of which was dropped and recovered at the scene – in a heist pulled off while the world-famous Paris museum was open to visitors on 19 October.
It took the thieves less than eight minutes to steal the jewels. They forced open a window and cut into cases with power tools after gaining access via a vehicle-mounted mechanical lift.
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Suspects in Louvre robbery ‘partially confessed’
Ms Beccuau also said the jewels had not yet been recovered.
“These jewels are now, of course, unsellable,” said Ms Beccuau. “Anyone who buys them would be guilty of concealment of stolen goods. It’s still time to give them back.”
‘No evidence’
Ms Beccuau also addressed reports that police believe the robbery could have been an inside job.
She said that there was “no evidence the thieves benefited from inside help”.
Under French rules for organised theft, custody can run up to 96 hours. That limit is due to expire late on Wednesday, and prosecutors must charge the suspects, release them or seek a judge’s extension.
Image: Paris prosecutor Laure Beccuau speaks during a press conference about the investigation into the Louvre robbery. Pic: Reuters
One suspect is a 34-year-old Algerian national who has been living in France since 2010, Ms Beccuau said. He was arrested Saturday night at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket.
Ms Beccuau said that he was living in the Paris suburb of Aubervilliers, and was known to police mostly for road traffic offences.
The other suspect, 39, was arrested Saturday night at his home in Aubervilliers.
“There is no evidence to suggest that he was about to leave the country,” said Ms Beccuau.
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Louvre jewels ‘have not returned’
The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed, and on items the thieves left behind, she added.
Earlier, French police acknowledged major gaps in the Louvre’s defences.
Paris police chief Patrice Faure told politicians that ageing security systems had left weak spots.
“A technological step has not been taken,” he said.
Mr Faure also revealed that the Louvre’s authorisation to operate its security cameras quietly expired in July and had not been renewed.
He said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialled the emergency line after seeing helmeted men with a basket lift.
Image: Members of a forensic team inspect a window believed to have been used by the culprits. Pic: Reuters
Mr Faure also rejected calls for a permanent police post inside the museum, warning it would set an unworkable precedent and do little against fast and mobile thieves.
“I am firmly opposed,” he said. “The issue is not a guard at a door; it is speeding the chain of alert.”