Glastonbury 2023: Hair salons and beauty bars – how festival has gone from grime to glam
There once was a time, not so long ago, that the only type of bath you’d get at Glastonbury would be a mud bath.
Over five or six days, the best the average hygienic camper might hope for was a tap rinse or wet-wipe wash and a hide-all bucket hat – but really, anyone getting the true Worthy Farm festival experience had to leave grand notions of looking glamorous back at home.
Photographs of particularly wet and grimy years – such as 2005, when some tents were submerged – were part and parcel of the Glastonbury experience, as were sensible waterproofs, sturdy boots, and long-drop toilet horror stories.
We don’t want to jinx it, but it’s been a long time since Glastonbury-goers spent their weekend drenched in mud, like in 1998…
Now, however, while the toilets might still be an ordeal, the festival looks very different. Thank Kate Moss and her micro shorts. And Sienna Miller and her boho belts, Alexa Chung and her PVC skinnies. It started with the celebs, and filtered out to the 200,000-ish non-famouses who now attend each year.
Glastonbury has moved with the times, and it’s not just about the outfits. In 2023, festival-goers might be sleeping in tents, but are able to look like they just stepped out of a salon, thanks to hairdressing and beauty pop-ups on site.
At the Blowfest stall, not far from the Pyramid stage, you can treat yourself to anything from a simple hair wash for £15 to a creative blow-dry and styling for £60. Bookings opened in March – and just like the sale for tickets for the festival itself, demand was so high that the website crashed.
On site, the queue had started to build by 8.30am on Friday.
Natalie Walton, 29, from Kent, joined the line snaking outside to get her hair washed.
“There’s no better feeling as a girl,” she told Sky News. “I just hate the feeling of sweat in my hair… there should be more tents [like this], I think, personally. There’s so many girls here that need their hair done.”
At home, Natalie straightens her hair every day – and sleeping in a tent means too many kinks.
“I’ve been once before and I got it last year as well,” she said. “I appreciate it.”
Elton John and Lizzo (below) are among the glam stars playing this year. Pic: AP
Because of social media, festival-goers want to look their best. Gone are the mobile phone-less days, when what went on at Glastonbury stayed at Glastonbury.
But it’s partly down to the changing weather, too. It’s been a few years since Glastonbury has seen the torrential downpours and mud-wading of particularly rain years such as 1997 and 2005. Sunshine equals summer clothes and, for most, better hair.
For Amy Roberts, 27, from Liverpool, this is her fifth time at the festival. At home, she only washes her hair once a week – but Glastonbury requires more effort.
“I woke up this morning and there were spiders in it and everything,” she said. “I’m not really a glamour person, but… I want to look nice. I don’t want to look a mess.
“The first time I came here I was only 19, I didn’t wash my hair… it was on and off raining, [my hair] was awful.”
Other Glastonbury-goers choose to get clean without the help of the experts
Rachel Bacon, who runs the stall, is here for the second year after huge demand in 2022. The salon offers mainly washes and blow-drying, but can include trims as well and a barber’s service.
“Friday and Saturday will always be fairly busy,” she said. “I think last Saturday [in 2022], people waited about up to three hours just to get a hair wash.
“I think with the way that life is changing, with social media and camera phones and the technology that we’ve got now, everybody wants to look good all the time to be able to take photos and post them online. So if that includes being at a festival and having fabulous hair you just just go with it.”
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Blowfest even had clients on the first official day of the festival on Wednesday – when music fans had only just left their homes and clean bathrooms – after rain earlier in the day.
“People just wanted to come in and dry their hair off or restraighten it,” Rachel said, “even on Wednesday”.
While some may say hair washing and blow-dries are a world away from the Glastonbury of old, the demand is there – and what’s wrong with looking your best?
“There’s a bit of a mixed feeling towards, you know, ‘oh, it’s not a hippie festival anymore if people are going to get hair washed’,” Rachel said. “But everybody’s individual and everybody wants their own thing.”
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Cara Delevingne reveals how Topshop inspired her fashion sense – as brand relaunches in London
Fashion brand Topshop celebrated its relaunch with its first catwalk in seven years.
The company’s website promised everyone was invited as models strutted down a runway on Trafalgar Square in front of noughties fashion icons Cara Delevingne and Adwoa Aboah and the London Mayor Sir Sadiq Khan.
The label has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020.
Topshop held a catwalk in Trafalgar Square. Pic: PA
A model on the catwalk
Its previous owner, Sir Philip Green’s Arcadia group, collapsed into administration and all of Topshop’s physical stores – including the Oxford Circus flagship in London’s West End – closed soon after.
Delevingne told Sky News she was “totally blown away” by the relaunch event.
“It was like nostalgia mixed with something eclectic but also something brand new,” she said.
“For me, it really brings back a time of exploration of my own fashion sense because I think for me at Topshop I got to discover so much.”
The model, who is working on a capsule collection for next year, has already unveiled a choice edit in this year’s show and said her relationship with Topshop precedes her fame.
She said: “I would go in and my friends would be like ‘you would look good in that’ and I would go ‘no, that’s not really me’, and then you’d try it on and be like ‘oh maybe I can explore more’.
“They really have everything for everyone, and I feel like they brought that back.”
The runway showcased highlights from its Autumn-Winter 2025 collection, as well as an early preview of pieces set to drop later this season, including showstopper gowns, the classic white tee, and an aloe vera-coloured faux fur coat that surely should not have been on display – to prevent just about everyone rushing to buy it.
Topshop’s relaunch was staged at Trafalgar Square
Models in front of the National Gallery in London’s Trafalgar Square. Pic: PA
Reclaiming the high street
But sharp tailoring and statement outerwear suggest the brand is ready to reclaim the high street.
Must-have denim pieces completed the womenswear line-up while the Topman collection screamed modern utility by blending refined formal wear with sharp new silhouettes.
Casual pieces are grounded by authentic denim in deep indigos, which stood out on Trafalgar Square’s magnificent stone steps.
Topshop’s relaunch comes as the high street continues to struggle and as the UK operation of Chinese fashion giant Shein announced pre-tax profits of £38.3m for the year, up some £14m from 2023.
‘Top end of the market’
Moses Rashid, global marketing director at Topshop/Topman said they are competing in a different space.
Topshop has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020
“We’re at the top end of the market. We’re about elevation. We pride ourselves on the quality of the product,” he said.
Those products are being designed in north London, and managing director Michelle Wilson said the aim is to stay that way.
“We are a British brand, we want to be a positive force for fashion. We want to bring London to the world. It’s fundamental to who we are as a brand, our style is very much London-driven.”
The majority Danish-owned company has suggested it will slow fashion down by opening physical stores where customers can touch the products, browse collections and try things on, though the flagship on Oxford Circus is unlikely to return because a Swedish fast furniture brand has since occupied the space.
Designer Wayne Hemingway has previously collaborated with Topshop and said the relaunch must be more than nostalgia.
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“They can’t rely on their old customers because their old customers have now got kids of their own to spend their money on, and they’ve got mortgages and all of those things of what being an adult means.
“They’ve got to have designers, marketeers, people who understand – who are on the pulse – who understood, number one, what was a success back then, and also a young generation of people who are there saying, ‘this is what our generation needs’, and who are bright and can help deliver that. They can’t rely on the past.”
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