Harrison Ford has told Sky News that playing a character who spans generations has been a “boon” to his career.
The star returns as Indiana Jones for the fifth and final time in Indiana Jones And The Dial Of Destiny.
Speaking at the UK premiere for the film he explained how special the role has been to him.
“There aren’t too many roles that anybody plays for so long,” he admitted.
“I mean, it’s kind of silly, it’s 42 years we’ve been going on with this. But the reason for that, I think, is because these are family films and they’re passed on from generation to generation of young people when their parents feel it’s the right time.
“And that’s exposed me, and this film, and these characters, to a new generation of [audiences] and that’s been a boon to my career.”
The film is out in cinemas on Wednesday – and, as a Disney property, will make its way to Disney Plus in the future.
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But Ford doesn’t want to people to wait – and hopes most will experience it in cinemas before watching it on TV.
“I want people to go to the theatre and see this movie – for the first time at least,” he said.
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“A place away from their lives where they can enjoy the incredible experience with strangers because it just strips away the differences when we’re watching the same thing and feeling the same thing.
“There’s no conflict, it’s a way to feel your common humanity and expose your children to an experience with people you’re not mad at or scared of.”
‘It’s very meaningful’
For those joining the franchise, the opportunity – and privilege – to work on Ford’s last “Indi” isn’t lost on them.
“It had a real gravitas, the whole experience, actually,” Phoebe Waller-Bridge, who plays the archaeologist’s god-daughter, told Sky News.
“And even when we were doing the sort of madcap fun stuff every now and again, it would hit us that this is the last adventure he’s going to go on.
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‘Can you please stop smiling?’
“It’s very meaningful, and I think it’s very obvious how meaningful it is to Harrison – we were all on that journey with him, so it’s a real privilege.”
While Mads Mikkelsen, who plays the villain of the film, says that during filming there were some moments that left everyone feeling a bit teary.
“When he hung up his hat it was quite emotional for all of us,” he explained.
“We were all there for the last take, the last scene, and so we applauded and, humble as he is, he just wants to leave, he just wants to get out of there.
“But it was a big part of him that wanted to stay there for a thousand years as well, so that was quite beautiful.”
The End?
While there is no doubt Ford is leaving the franchise, there does seem to be a question mark over whether it’s really the last time we’ll hear from Indiana Jones altogether.
The adventurer certainly has form for returning – 1989’s Indiana Jones And The Last Crusade even had the word “last” in the title, but still wasn’t the final film.
With Waller-Bridge’s character having such a big part in this new movie, she seems like an obvious choice to perhaps carry the films forward.
But the actress herself isn’t so sure.
“Oh no, I took this film because I wanted to be in THIS film,” she said.
Indiana Jones And The Dial Of Destiny is out in UK cinemas on Wednesday
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
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Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
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The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November