Ireland’s biggest TV star Ryan Tubridy will be grilled by politicians today, as a secret payments and “slush fund” scandal threatens the very existence of RTE.
From Champions League final tickets to complimentary flip flops, Sky’s Ireland correspondent (and former RTE staffer) Stephen Murphy explains how the crisis is enveloping Ireland’s national broadcaster.
Who is Ryan Tubridy?
Genial, bookish and with a geekish passion for US politics, the 50-year-old Dubliner has risen through the RTE ranks to become the broadcaster’s highest-paid star and one of Ireland’s most famous faces.
He hosts a daily morning radio show and until stepping down in March, presented the world’s longest-running TV chat show, The Late Late Show.
Tubridy has until now been well-regarded by colleagues within RTE, who find him approachable and affable despite his exalted status as the station’s favourite son.
So what happened?
Like the BBC, RTE is funded by a TV licence fee (although it also sells advertising as part of a dual-funding model). So, in the interest of transparency, it publishes an annual list of its top 10 earners.
Tubridy has topped that list for years, and was officially paid €440,000 (£375,500) in 2021. That may not sound huge by UK media standards, but his pay is considerably more than the likes of Jeremy Vine and Nicky Campbell (who have much larger audiences).
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Now, as part of an audit, it’s emerged that the RTE public figures understated Tubridy’s earnings by a total of €345,000 (£295,000) between 2017 and 2022.
The highest-earning star was – unknown to the licence fee-paying public – actually being paid a lot more than everyone thought.
And what’s more, Tubridy has been criticised for not correcting RTE’s published figures.
How did that happen?
Some of the overpayment remains to be explained. But we do know that an unusual deal was struck with a commercial partner and sponsor of The Late Late Show, Renault Ireland, which would pay Tubridy an additional €75,000 a year for three years in exchange for personal appearances at Renault events.
RTE – for reasons yet to be determined – agreed to underwrite the deal, so when the carmaker decided not to renew the arrangement after one year, the station paid Tubridy the remaining €150,000 (£128,000). It was routed through a London-based RTE barter account.
Barter accounts are commonly used by media companies to trade surplus advertising space for goods and services, rather than just cash. It was, critics say, a blatant attempt to keep the extra payments off the books.
But what’s the big deal?
The revelation of secretive overpayments to a star already earning top dollar, by a cash-strapped broadcaster partly funded by the same public given false wage figures, immediately sparked intense anger both from outside and within the organisation.
At the time of the overpayments, staff were being given pay cuts, and resources were being slashed. RTE News correspondent Emma O’Kelly recalls TV remote controls in the newsroom not working, as they couldn’t be replaced. “We are told time and time again that there’s no money,” she said.
Yet money was found for topping up Tubridy’s wages… and, it would emerge, many other expenses.
So the Tubridy money was just the start of the revelations?
As reviews were announced, and RTE executives appeared before Oireachtas (Irish parliament) committees, lurid details of further barter account spending emerged. There now appeared to be three barter accounts, which were used for lavish expenses.
€138,000 (£118,061) went on Ireland rugby tickets at the Aviva Stadium. €111,000 (£94,962) was spent on a client trip to the 2019 Rugby World Cup in Japan, with expenditure on the Champions League final between Liverpool and Spurs the same year costing €26,000 (£22,243).
Bizarrely, nearly €5,000 (£4,277) was spent on 200 pairs of Havaianas flip flops for a summer party for clients. Many thousands more went on tickets for Bruce Springsteen, Garth Brooks and Harry Styles gigs, as well as hotels, and expensive restaurant meals.
Almost €8,000 (£6,844) was allocated for a Spice Girls concert. €2,000 (£1,711) went on balloons. It was clear, aghast parliamentarians repeatedly said, that the barter account was in fact a slush fund.
How has RTE defended the spending?
The broadcaster says that around €1.6m (£1.4m) was spent in this fashion, but has to be set against commercial revenues of around €1.6bn (£1.37bn) generated from clients over the same period. Despite this, the broadcaster recognises the breach of public trust.
The director general of RTE, Dee Forbes, resigned on 26 June over the Tubridy payments. Director of strategy Rory Coveney resigned on 9 July.
He was responsible for a failed musical that cost RTE €2.2m (£1.88m) in losses. Some of the executives’ performances before the parliamentary committees have been appalling.
Infamously, RTE’s chief financial officer Richard Collins told politicians he didn’t know what his own salary was.
How are the rank-and-file reacting in RTE?
Morale has “gone through the floor”, one RTE journalist told Sky News. “I didn’t think it could have gotten any worse in that place, but it has. People are disgusted over all that’s emerged … there just seems to be no end to it.”
Another senior correspondent told me of finding out about the Tubridy overpayments at the same time RTE was quibbling over a distance of two kilometres in their monthly mileage claim.
Hundreds of RTE journalists who are affiliated with the NUJ union protested outside their own newsroom in Dublin, as well as regional offices.
It’s emerged that after RTE News closed its London bureau office at Millbank in Westminster (where Sky News and others have bases), its then London correspondent Fiona Mitchell, at the height of the Brexit saga, had to record bulletin-leading TV and radio voiceovers in cafe toilets.
But at the same time, RTE executives spent around €8,300 (£7,100) on membership of the exclusive Soho House club for their meetings with clients. The anger among many RTE staff is intense.
What will happen next?
All of this has been trundling on for three weeks.
Today, Tubridy himself will appear before Irish TDs (MPs) to face a grilling over how his overpayments occurred, and why he didn’t correct the public record. He will be accompanied by his agent, Noel Kelly, Ireland’s showbiz “super-agent”.
New director general Kevin Bakhurst, an Englishman who has worked at the BBC and Ofcom as well as a previous spell at RTE, has taken over the top post this week and faces a mammoth task to restore credibility and public confidence.
He started by immediately standing down the entire executive board. He was also noticeably lukewarm on Tubridy’s future at RTE, saying “we need to see how this week plays out”.
The Irish government has launched a wide-ranging external review of RTE’s governance, amid speculation the broadcaster could be split in two. And ominously, nearly everyone involved in this saga says they expect further financial revelations to emerge.
In the words of the new boss: “I suspect there may be more stuff to come out.”
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
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Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
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The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November