Kevin Spacey trial: Aspiring actor ‘woke to find Hollywood star performing sex act on him’, court hears
A former aspiring actor has told a court he believes he was drugged by “vile sexual predator” Kevin Spacey before he allegedly woke to find the Hollywood star performing a sex act on him at his London flat.
The man – the last of four complainants to give evidence against the double-Oscar winner during a trial at Southwark Crown Court in London – became emotional as he recalled the alleged offence in a police interview played to jurors, and later answered questions under cross-examination from behind a screen in court.
The alleged victim said that before he fell asleep, Spacey “circled like a shark” – and described the alleged attack as “completely traumatic and life-ruining”.
Later, responding to defence lawyer Patrick Gibbs KC’s questions about the complainant’s sexuality and whether he was confused about what happened, he called the questioning “reprehensible”.
“I was taken advantage of, I believe drugged, sexually assaulted,” the man told the court.
Spacey, 63, denies 12 sexual offence charges – including one charge of sexual assault and one charge of causing a person to engage in penetrative sexual activity, in relation to the fourth complainant.
Read more: Latest developments from court as they happened
A court sketch of Spacey in the dock. Pic: PA/Elizabeth Cook
Jurors heard how the aspiring actor wrote to the Hollywood star asking for mentorship and was “dumbstruck” to receive a call a few weeks later suggesting they meet later that evening.
He had been told the American Beauty and The Usual Suspects actor liked “young, straight men” but did not know at this point that “he was a predator”, jurors heard.
In his police interview, the man – who cannot be named for legal reasons – said the Hollywood star made him feel “weirdly special” by asking him to meet for a beer. The alleged victim was “starstruck” and did not question his intentions, the court heard.
Giving details of the night of the alleged sexual offence, the complainant said he met Spacey in London at about 11pm and that they walked for about 10 minutes before the actor invited him into his flat.
The man told the officer he drank a couple of beers and smoked part of a joint with Spacey. At some point, the House Of Cards star went to hug the man as they sat on the sofa in the living room area, and then rubbed his face into the complainant’s crotch, jurors heard.
The alleged victim said he remembered looking at the “bald patch” on the back of Spacey’s head and thinking what was happening was “one of the strangest moments of my life” – and something he would “never forget”.
Alleged victim ‘conked out’
The man told police he was “very nervous” and felt “vulnerable” during the alleged incident but he did not leave at this point.
He questioned his own behaviour, whether he was being a “d***head” and if this was just how some people behaved in the “theatre world”, jurors heard from his police interview.
He also did not want to “annoy” Spacey, the court was told.
“You just don’t want to annoy someone who is that powerful in the business you are trying to break in to,” the man told the police officer. “The social sway he had was massive.”
After about an hour at the flat, things started to become “hazy” and he “conked out”, the man told the officer, saying this was “unusual”.
When he woke a few hours later, Spacey was kneeling on the floor, performing a sex act on him, it was alleged.
“Going to sleep isn’t something I would normally do – it is unusual in my behaviour just to conk out,” the complainant told the officer.
“I remember four to five hours later waking up – my belt was still together but my button and my zip were down and he’s just performed [a sex act] on me.”
Spacey ‘incredibly dismissive’
The alleged victim said he told Spacey “no” and “pushed” him off.
“My belt was still together but the rest of it was undone,” he told the officer about his trousers. He was “massively in shock”, the court heard.
Spacey then said it was “best” that he left and told him not to tell anyone, the man claimed.
Becoming emotional in his police interview, the man said he did not know how long the alleged sex offence went on for or exactly what happened while he was asleep.
Spacey was “incredibly dismissive” afterwards, he added.
The complainant said he later “completely buried” the alleged incident. Asked by the officer whether he thought about reporting it to police before he eventually did, he said he feared this could have affected his acting career, and that he might have been “slammed” by a “hotshot” lawyer of Spacey’s.
“It’s David and Goliath,” he told the police officer.
The man added that while “your gut tells you” that you are not “unique” and there might have been others, he did not have the “confidence” to come forward.
The alleged victim said he eventually found the confidence to report the incident when allegations were first made about the now disgraced Hollywood producer Harvey Weinstein in 2017.
‘Nothing happened that was consensual’
Under cross-examination from Spacey’s lawyer in court, the complainant answered questions about phone calls on the night of the alleged sexual offence. He denied a call after midnight, lasting 19 seconds, was Spacey calling him after he left the flat – earlier than his account of how long he was there on the night.
Mr Gibbs put it to the alleged victim that he had “upped and left” without any proper explanation after “intimate contact” between the pair.
The man denied this. “Nothing happened that was consensual”, he said.
Mr Gibbs later asked if the complainant questioned his sexuality after the alleged incident with the Hollywood actor. He denied this but said the incident had been a “confusing thing to come to terms with”.
Asked about his sexuality and if his way of processing a consensual act might have been to say it happened when he was asleep, the alleged victim said he found the line of questioning “reprehensible”.
Mr Gibbs then asked what the complainant would think of someone who engaged in a sexual act with someone solely in the “hope of advancing their career”. The man said this would be “abhorrent”.
He told the court that if he was attracted to men he would be happy to explore this, but he isn’t. “The only time I have experienced something sexual with a man is when I was sexually assaulted by that vile sexual predator,” the man said.
Spacey pleaded not guilty in July 2022 to four charges of sexual assault and one of causing a person to engage in penetrative sexual activity without consent.
In January this year, he pleaded not guilty to seven further charges – three counts of indecent assault, three counts of sexual assault, and one count of causing a person to engage in sexual activity without consent.
The trial continues.
A British version of long-running US sketch show Saturday Night Live (SNL) will be coming to Sky next year.
An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell.
Donald Trump on a Mothers Day episode SNL in 1993. Pic: AP
It’s also featured a host of celebrity and political guests, including tech billionaire Elon Musk and Donald Trump when he was a presidential candidate.
SNL celebrated 50 years on air in February.
British comedians will be cast in the UK spin-off, which will be overseen by US producer Lorne Michaels alongside the US version.
Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.
The beginnings of SNL, which started in 1975, was recently made into the 2024 film Saturday Night, featuring Spider-Man star Willem Dafoe and Succession actor Nicholas Braun.
The success of SNL, which airs on NBC in the US, has led to past attempts at international versions of the programme, with a French version Le Saturday Night Live running for just one season in 2017.
OJ Simpson on SNL in 1978 with Gilda Radner (L), and Jane Curtin. Pic: AP
Cecile Frot-Coutaz, chief executive of Sky Studios and chief content officer at Sky, said: “For over 50 years Saturday Night Live has held a unique position in TV and in our collective culture, reflecting and creating the global conversation, all under the masterful comedic guidance of Lorne Michaels.
“The show has discovered and nurtured countless comedy and musical talents over the years and we are thrilled to be partnering with Lorne and the SNL team to bring an all-British version of the show to UK audiences next year – all live from London on Saturday night.”
Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.
Details about the UK version’s cast, hosts, and premiere will be announced in the coming months.
Entertainment
Wolf Hall director on streaming levies: ‘The government needs the guts to stand up to the bully in the White House’
The director of hit BBC period drama Wolf Hall says the government “needs to have enough guts to stand up to the bully in the White House” to protect the future of public service broadcasting.
Peter Kosminsky told Sky News’ Breakfast with Anna Jones that calls for a streaming levy to support British high-end TV production was urgently needed to stop the “decimation” of the UK industry.
His comments follow the release of a new report from the Culture, Media and Sport (CMS) committee, calling for the government to improve support measures for the UK’s high-quality drama sector while safeguarding the creation of distinctly British content.
Specifically, the report calls for streamers – including Netflix, Amazon, Apple TV+ and Disney+, all of which are based in the US – to commit to paying 5% of their UK subscriber revenue into a cultural fund to help finance drama with a specific interest to British audiences.
Kosminsky, who made the case for the levy and gave evidence to the committee in January, called global tariffs recently introduced by Donald Trump “the elephant in the room”.
He said he feared they would make the government reticent to introduce a streaming levy, but said it was a necessary step to “defend a hundred years of honourable tradition of public service broadcasting in this country and not see it go to the wall because [the government are] frightened of the consequences from the bully in the States”.
The second series of Wolf Hall, starring Mark Rylance (L) and Damian Lewis, nearly didn’t happen. Pic: BBC
Kosminsky also noted that the streamers would be able to apply for money from the fund themselves, as long as they were in co-production with a UK public service broadcaster.
Earlier this year, a White House memorandum referenced levies on US streaming services, calling them “one-sided, anti-competitive policies” that “violate American sovereignty”.
In response to the call for streaming levies, a Netflix spokesperson said such a move would “penalise audiences” and “diminish competitiveness”.
They added: “The UK is Netflix’s biggest production hub outside of North America – and we want it to stay that way.”
The Association for Commercial Broadcasters and On-Demand Services (COBA) said such a levy “risks damaging UK growth and the global success story of the UK TV sector,” and “would risk dampening streamers’ existing investment in domestic content and would inevitably increase costs for businesses”.
Pic: BBC
COBA said it welcomed the committee’s support for targeted tax breaks for domestic drama.
Kosminsky also told Sky News the second series of Wolf Hall was nearly called off just six weeks before it was due to start shooting due to financial pressures, adding: “It was only because the producer, the director, writer and the leading actor all agreed to take huge cuts in their own remuneration that the show actually got made.”
He said that both he and the show’s executive producer, Sir Colin Callender, had “worked on the show unpaid for 11 years on the basis that we would get a payment when the show went into production”, calling it “a bitter blow” to see that disappear.
Working in public service broadcasting for his entire career, Kosminsky said it was “absolutely heartbreaking for me and others like me to see that the industry we have been nurtured by and we care about is being decimated”.
While he said he was a “huge fan of the streamers”, he said it was their “very deep pockets” that had “driven up the price of what we do”, to the point where the traditional broadcasters can no longer afford to make high-end television.
Adolescence. Pic: Netflix
Just this week, Adolescence, created by British talent Jack Thorne and Stephen Graham, became the fourth most popular English-language series in Netflix’s history with 114 million views.
But while some very British shows might get taken on by the streamers due to universal appeal, Kosminsky said dramas including ITV’s Mr Bates Vs The Post Office and Hillsborough, and BBC drama Three Girls about the grooming of young girls by gangs in the north of England were examples of game-changing productions that could be lost in the future.
He warned: “These are not dramas that the streamers would ever make, they’re about free speech in this country. That’s part of what we think of as a democratic society, where we can make these dramas and programmes that challenge on issues of public policy that would never be of any interest in America.”
Mr Bates vs the Post Office. Pic: ITV/Shutterstock
The CMS report comes following an inquiry into British film and high-end television, which considered how domestic and inward investment production was being affected by the rise of streaming platforms.
Chairwoman of the CMS committee, Dame Caroline Dinenage, said “there will be countless distinctly British stories that never make it to our screens” unless the government intervenes to “rebalance the playing field” between streamers and public service broadcasters (PSBs).
A DCMS spokesperson said: “We acknowledge the challenges facing our brilliant film and TV industry and are working with it through our Industrial Strategy to consider what more needs to be done to unlock growth and develop the skills pipeline. We thank the committee for its report which we will respond to in due course.”
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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Chancellor responds to tariffs: ‘We’ve got your backs’
It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
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