“My world exploded,” Kevin Spacey told jurors as he gave evidence during his sexual assault trial. “There was a rush to judgement and before the first question was asked or answered I lost my job, I lost my reputation – I lost everything, in a matter of days.”
The Hollywood star fought back tears as he sat in the witness box at Southwark Crown Court in London, describing how initial allegations in the US in October 2017 – which were followed by those here in the UK, leading to the London court case – created a domino effect of claims, ruining his Oscar-winning career.
Jurors had to decide whether he was telling the truth, or if this was simply another performance.
As the initial allegations emerged, Spacey was largely shunned in Hollywood; quickly erased from Ridley Scott’s All The Money In The World, released in December 2017 – with Christopher Plummer reshooting his scenes as billionaire John Paul Getty – and axed from his Golden Globe-winning role as scheming politician Frank Underwood in the Netflix political drama series House Of Cards.
The court was told that allegations by one man were “madness”, and that Spacey had consensual sexual encounters with two others. He conceded to making a “clumsy pass” at a fourth man, but said the incident was no more than this.
‘Easy for accusers to lie’ about ‘promiscuous’ Spacey, court told
Jurors were told by the star of his determination to prove his innocence, doggedly digging through old records, boxes of photos and any evidence that could disprove the claims. And his barrister, Patrick Gibbs KC, told them the star had been “cancelled” and “tried by social media”.
It was “easy” to lie about Spacey, Mr Gibbs said: “A man who is promiscuous, not publicly out, although everyone in the businesses knows he’s gay, who wants to be just a normal guy, or at least some of the time he does – to drink beer and laugh and smoke weed and sit in the front and spend time with younger people who he’s attracted to…
“It’s not my life, it’s not your life, perhaps it’s a bit of an odd life, but it’s a life that makes you an easy target when the internet turns against you and you’re tried by social media.”
‘Does this verdict allow Kevin Spacey to be Kevin Spacey?’
Now, Spacey has been found not guilty. Does this mean he can revive his career?
“The verdict is a major victory for Spacey in clearing his name,” said US celebrity lawyer Christopher Melcher. “Although he faced four accusers who told similar accounts of sexually aggressive behaviour, Spacey steadfastly maintained his innocence.
“The verdict supports Spacey’s denials of the accusations and provides a clear path for him to return to work as an actor. Producers are able to work with Spacey because he has been acquitted, which lessens their exposure if he is hired.”
However, celebrity PR and brand expert Mark Borkowski is not so sure.
“Certainly the result has put a lot of the sort of noise that’s surrounded this case behind him,” he said. “The question is, does this verdict allow Kevin Spacey to be Kevin Spacey? To be that iconic actor who has oodles of talent to regain his position as one of the A-listers of Hollywood?
“Sadly not. We live in a corporate world now and raising money, getting insurance, all those other factors exist on social media, where mainstream media has not got the same power.”
Before the court case, in an interview, Spacey said there were directors and producers “ready to hire me the moment I am cleared of these charges in London”.
Despite that happening, many filmmakers might still be wary of working with Spacey knowing any project could still be “dogged by negativity”, Mr Borkowski said.
“Kevin Spacey, if he wants to move forward, will be clinging to the hope that there is a radical independent filmmaker who is fearless, who has a wonderful script and a remarkable project with a number of actors who are willing to work on the project.
“And if it gets picked up on the independent movie circuit, you know where there are, how shall we say, countries like Italy, France, around the world that don’t have the same perceptions as an American or a British audience or a German audience might have on this, there could be people who think, oh, that’s been a commercial success, let’s think about the next project.
“But it won’t be a franchise movie, it will not be Disney or Marvel coming forward to take that on. It just is something that they would feel that is too dangerous in terms of negative publicity for their brand and some of the values that they project.”
The stories about Sir Elton John and Dame Judi Dench
During the trial, Sir Elton John – who was chairman of The Old Vic when Spacey was appointed – was called to give evidence, and the court also heard tales of Spacey teaching Dame Judi Dench to play ping pong; there was no avoiding the strange and surreal world of celebrity at the centre of the case.
The timings of the UK claims mostly coincided with the actor’s time working at the theatre. He was involved from 2001, and began his tenure as artistic director from 2003 to 2015. Signing him had been quite the coup, a chance to turn the venue’s fortunes around.
Alistair Smith, editor of entertainment newspaper The Stage, interviewed Spacey towards the beginning of his tenure at the theatre, after he arrived as “a sort of Old Vic saviour figure” after a period in which it struggled financially.
“Previously, there was a real threat to its future,” says Smith. “There was talk of it turning into a bingo hall or even a lap dancing club… [Spacey] coming in brought a lot more attention to it, it brought funding, it brought sponsors, and attention in the media. And so there was, when he joined, quite a lot of excitement about it.”
Spacey’s arrival was seen as a chance to revive an important theatrical institution, and people in the industry were excited to have a Hollywood star committing to London theatre.
Things didn’t start well, but improved as Spacey performed more himself. By the time he left, the Old Vic “was financially secure and had rebuilt its artistic reputation”. For a period, he had re-established the venue as one of London’s leading theatres.
Whatever the verdict, there were accounts of ‘inappropriate conduct in the workplace’
But in November 2017, shortly after the allegations came out in the US, the Old Vic said it had received 20 allegations of inappropriate behaviour made against Spacey. Only one of the claims was reported, an investigation found, but staff were “unclear about how to respond”.
In the wake of the scandal, the theatre implemented a “Guardians” programme, designed to allow employees a confidential means of sharing concerns about behaviour at work.
Despite the star now being cleared of criminal charges in the UK, the fallout from the accusations against him has still had a “massively damaging effect” on the venue’s reputation, Smith says.
“Even before this court case, this trial, the 20 allegations against Kevin Spacey that came out of the Old Vic’s own investigation in 2017, I think had raised some very serious questions about the Old Vic and how it handled having a star at its helm over that period.”
Paul Fleming, general secretary of actors’ union Equity, says that despite the verdict, “nobody who is poorly treated in a workplace should ever be put in the position of having to bring something to a criminal trial”.
He told Sky News: “There should be processes in a workplace to keep them healthy and safe. And that duty rests with the employer. I’m not convinced, six years on, that theatre producers, TV producers, film producers, have put in place robust enough systems to prevent allegations like this arising significantly after the event.”
Mr Fleming said that there has been movement since the rise of #MeToo, but not enough. “There is no doubt that there are a series of accounts of inappropriate conduct in the workplace,” he said. “Whether they’re criminal or not has been a matter for the courts. The fact of the matter is there’s a lot of behaviour that is inappropriate, that is unsafe in the workplace, that there should be processes in place to allow people to resolve them.”
For Spacey, these claims have overshadowed his once glittering acting career for six years – but all criminal charges are now behind him. After telling the court how he lost his work and his fortune, it’s likely the star will be hoping this verdict can finally signal his Hollywood return.
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
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Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
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The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November