Kevin Spacey said he is “humbled” after being found not guilty of committing sexual offences against four men in the UK between 2001 and 2013.
The 64-year-old double Oscar winner cried as he was cleared after a trial which started at the end of June, during which he was described as a “sexual bully” by the prosecution.
On his birthday, he nodded at jurors as they left court, crying and wiping his face with a tissue, before letting out a big sigh and thanking court staff.
In a short statement to the crowd of waiting media outside Southwark Crown Court, Spacey said: “I imagine that many of you can understand that there is a lot for me to process after what has just happened today.
“But I would like to say that I am enormously grateful to the jury for having taken the time to examine all of the evidence and all of the facts carefully before they reached their decision and I am humbled by the outcome today.
“I also want to thank the staff inside this courthouse, the security and all those who took care of us every single day, my legal team Evan and Lucy for being here every day and that’s all I have to say for the moment. Thank you very much.”
Members of the public cheered and filmed Spacey as he left the building, with one wishing him a happy birthday and another shouting “we love you Kevin” as he got into a taxi to leave.
Giving evidence, Spaceyfought back tears as he told how his world “exploded” when other allegations first emerged against him in the US in 2017.
“There was a rush to judgment and before the first question was asked or answered I lost my job, I lost my reputation, I lost everything in a matter of days,” he told jurors.
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Actor Kevin Spacey had denied all the charges against him
Spacey, who was artistic director at The Old Vic theatre in London between 2004 and 2015, was accused of drugging and performing a sex act on a former aspiring actor while he slept, and of several assaults on another man – a driver who claimed the actor grabbed his crotch so hard on one occasion that he “almost come off the road”.
Another man claimed the Hollywood actor subjected him to a “barrage” of “vile” sexual abuse before grabbing his crotch “like a cobra” at a West End event, while the fourth said the Hollywood star kissed his neck and told him to “be cool”, again before grabbing his crotch.
Spacey, best known for films including American Beauty and The Usual Suspects and for political drama series House Of Cards, vehemently denied all the allegations.
A jury cleared him of all the charges after deliberating for 12 hours and 26 minutes.
The judge, Mr Justice Wall, said jurors must have felt like they were in a “goldfish bowl” because of the level of interest in the case.
Denying the separate allegations by each of the men, Spacey told the court:
He shared an “intimate” consensual moment with a former aspiring actor who claimed the star drugged him and performed a sex act on him while he was asleep in his flat;
He had a “somewhat intimate” relationship with another complainant, but denied assaulting him in a “violent, aggressive, painful way” – and said it felt like he had been stabbed in the back when he learned of the claims;
That allegations by a man he met in a West End theatre in the mid-2000s were “madness” and the incident described “never happened”;
That he may have “made a pass” at another complainant but was “happy that he testified that the moment he told me he was not interested, I stopped”.
His defence team had labelled the prosecution’s case against him as “weak” – accusing some of the complainants of being after money.
The actor told the court he was a “flirt” and had been “open” about times he had been “promiscuous”, adding: “It doesn’t make me a bad person.”
He later told jurors he found it “harder to trust people because of who I was”, due to his fame and status.
The actor also said he felt under pressure to come out publicly as gay after allegations of sexual misconduct were first levelled at him.
After he was cleared, the Crown Prosecution Service said prosecutors “respect the decision of the court” as a crowd gathered outside.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”