The author embracing AI to help write novels – and why he’s not worried about it taking his job
The rain tapped lightly against the windowpanes of my London apartment, a steady rhythm that mirrored the musings within my little grey cells.
It was a day like any other, or so I believed, until a peculiar letter arrived. As I delicately unfolded the note, its contents gave rise to a most intriguing puzzle.
‘Mr Hercule Poirot,’ it began in elegant script, ‘I implore you to lend your unparalleled expertise to a matter of utmost secrecy and importance.
‘An enigma of art, an amalgamation of shadows, a crescendo of whispers, await your perceptive insight.’
Asked to open a new novel starring detective Hercule Poirot, one of Agatha Christie’s most famous creations, that’s ChatGPT‘s first attempt at grabbing your attention.
Ciphers Of The Midnight Mind is the artificial intelligence (AI) chatbot’s suggested title – and it could no doubt craft the entire rest of the story in a matter of seconds.
For fans of the more than century-old character, whose popularity has endured beyond Christie’s death in 1976, new stories composed on demand may be a tantalising prospect.
After all, the author’s estate – like those who hold the keys to James Bond and Sherlock Holmes – has happily commissioned other writers to give readers new Poirot and Miss Marple adventures. Who’s to say those same fans couldn’t find enjoyment in a passable imitation by AI?
For many writers, it’s an existential question that has them fearing for their livelihoods.
But for Ajay Chowdhury, an award-winning crime author, it presents an opportunity for them to reach new heights.
“There’s a lot of fear around it for a writer – but I don’t believe it is going to replace us,” he says.
“I started experimenting with AI in writing six or seven months ago, and it was of course slightly scary.
“But it’s like having a fantastic editor on demand.”
Ajay Chowdhury
Useful editor or existential threat?
Chowdhury’s fascination with AI speaks to his background in tech, one which included co-founding the music discovery app Shazam, later bought by Apple for a reported $400m (then £300m).
But he is now known for his Kamil Rahman crime series, inspired by his Indian roots, which has won him several awards and will see a fifth entry – The Spy – released next year.
AI tools are playing a key role in its development – helping Chowdhury bounce thoughts around, generate potential outcomes for certain scenes, and rephrase sections to help with pacing.
He even used an image generator, Midjourney, to visualise a dramatic chase scene through a cave on the island of Elephanta, a world heritage site off the coast of Mumbai. It helped spark ideas about how it could play out.
“Eight out of 10 times, whatever AI gives you might be thrown away, but the other two times you might think it’s a decent idea that can be expanded on,” he says.
“Using a combination of these tools is giving me a much better draft to submit. I am finding that I get to what would have been a fifth draft by the second draft.”
For Chowdhury, there’s no shame in using AI to help get there, despite what many of his contemporaries fear.
Earlier this month, author Jane Friedman had to contend with AI-generated books purportedly written in her name, falsely listed as such on Amazon. She managed to have them removed, despite them not technically falling foul of copyright law because she had not trademarked her name.
“This promises to be a serious problem for the book publishing world,” she warns.
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‘Without writers we have nothing’
‘Marvel formula’ most at risk
More than 100,000 writers have endorsed an open letter by America’s Authors Guild, which has demanded AI’s development show “respect for human creators and copyright”.
Generative models like ChatGPT are trained on huge amounts of trademarked material, prompting writers including comedian Sarah Silverman to sue its creator OpenAI for copyright infringement.
This potential to imitate human work is a driving force behind ongoing writers’ strikes in Hollywood.
TV and theatre writer Lisa Holdsworth, who is chair of the Writers’ Guild of Great Britain, told the Sky News Daily podcast that would constitute theft more than creation, and the longer AI models are left to be trained without safeguards in place, “the more of a threat it becomes”.
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Chowdhury backs the cause, saying left to its own devices, AI will only serve to indulge mediocrity.
“That beige world of creativity where everything is sequel 32 to something, that worries me,” he admits.
“Look at films like Oppenheimer and Barbie, both extremely well written. Could AI create those? No. But could they write the next Marvel? Possibly, it’s a pretty clear formula.”
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Brian Cox: ‘Strikes may get unpleasant’
A world of mediocrity?
For Chowdhury, the genie is out of the bottle and there’s no going back – writers, like all of us, need to adapt.
Aside from the next main entry in his Kamil Rahman series, AI helped Chowdhury find time to work with Google on interactive novel The Invitation, a crime story set in London’s East End.
The free short story – which includes puzzles to solve, a countdown timer, and sound effects – was made with commuters in mind and only takes around 20 minutes to get through.
It’s a little heavy on the Google product placement, with nods to Gmail and Maps that are clever or eye-rolling depending on your level of cynicism, though as a proof of concept for quick to make, accessible interactive novels, the kinds of which gamers have long been familiar, overall it’s quite effective.
The whole thing came together in six weeks to mark the UK launch of the tech giant’s new Pixel Fold phone, optimised to take advantage of its book-like screen. The production speed helped by Chowdhury generating the artwork using Midjourney.
It does the job, but it’s a move that will no doubt rub some the wrong way given the criticism levelled at Marvel for using AI to generate opening title graphics for its latest TV series.
Read more:
How AI could transform future of crime
Music labels in talks over AI-generated songs
Google insists AI won’t be replacing journalists
But Chowdhury still sees AI as a tool to take him and others “to another level”.
“The utopia to me is people using AI to enhance their creativity,” he says.
“The side that worries me is if large corporations start to think we don’t need creatives any more.
“That will become a world of mediocrity.”
As the rain continued to dance its elegy on the windowpane, Poirot leaned back in his chair, his little grey cells still whirring with satisfaction.
For within the labyrinthine corridors of art and deception, he had once again illuminated the truth, dispelling the shadows that sought refuge in the enigmatic corners of the human soul.
Thanks, ChatGPT, but when it comes to Poirot, I think I’ll stick with Christie.
Ticketmaster may have misled music fans over Oasis concert ticket prices, a competition watchdog investigation has found.
The Competition and Markets Authority (CMA) has urged the online platform to change the way it labels its tickets and provide better pricing information to fans.
The CMA has been investigating the site following widespread complaints about the sale of Oasis gig tickets last year, which saw over 900,000 tickets purchased through the site.
Over 900,000 tickets were purchased through the Ticketmaster site
Liam and Noel Gallagher announced the band would reunite for a tour in 2025, but fans suffered various problems when trying to get tickets, including some ending up paying as much as £355 for tickets originally advertised for £148 on Ticketmaster.
The controversy prompted the CMA to look at how ‘dynamic pricing’ – a form of surge pricing – may have been used, and whether the sale by Ticketmaster may have breached consumer protection law.
While the investigation is still ongoing, the CMA said it is “concerned” Ticketmaster may have breached consumer protection law.
It said the company labelled certain seated tickets as “platinum” and sold them for nearly two-and-a-half times the price of equivalent standard tickets, without explaining why they were more expensive.
“This risked giving consumers the misleading impression that platinum tickets were better,” it said.
Noel and Liam Gallagher pictured at Wembley in 2009 – the year the band broke up. Pic: PA
It also found Ticketmaster did not inform fans that there were two categories of standing tickets at different prices, and there was no evidence that it used dynamic pricing.
“Many fans were under the impression that Ticketmaster used an algorithmic pricing model during the Oasis sale, with ticket prices adjusted in real time according to changing conditions like high demand,” the watchdog said.
“The CMA has not found evidence that this was the case. Instead, Ticketmaster released a number of standing tickets at a lower price and, once they had sold out, then released the remaining standing tickets at a much higher price.”
Downing Street has said “everyone deserves a fair shot at getting tickets” for music and sport events.
Asked what message the prime minister had for fans affected by the Oasis sale, a Number 10 spokesman said: “In general terms, the chance to see your favourite musicians or sports teams live is something that all of us enjoy, and everyone deserves a fair shot at getting tickets.
“But for too long, fans have had to endure the misery of touts hoovering up tickets for resale at vastly inflated prices. We’ve also seen cases where a lack of transparency has meant customers have been caught unawares by last minute price rises for high demand events.”
The spokesman said there would be a full response to a consultation issued in due course.
At the time of the backlash, a spokesperson for Ticketmaster said: “Fans can resell their Oasis tickets at the full price they paid through Ticketmaster or Twickets.”
The gigs kick off this July in Cardiff, running until September when the band will perform two final Wembley Stadium shows.
Laurence Fox has been charged with a sexual offence, the Metropolitan Police have confirmed.
The charge, which has been brought under section 66A of the Sexual Offences Act 2003, relates to an image that was posted on social media in April last year.
The act makes it illegal to intentionally share sexual images of someone without their consent, with the aim of causing alarm, distress, or humiliation, or for sexual gratification.
Narinder Kaur reported the image to police last year. Pic: PA
Presenter Narinder Kaur – who has waived her right to anonymity – alleges the image shows her as she got out of a taxi in 1996, and was taken without her knowledge and consent.
Kaur, 52, reported the image when it was shared online, triggering an 11-month investigation by the Metropolitan Police.
She has previously said she felt “violated, humiliated and degraded” by the incident.
Fox, 46, who has recently attempted to enter the world of politics, will appear at Westminster Magistrates’ Court on 24 April, where he is expected to enter a plea.
If convicted, he faces up to two years in prison and could be placed on the Sex Offenders Register.
The Metropolitan Police told Sky News in a statement: “A man has been charged with a sexual offence following an investigation by the Metropolitan Police.
“Laurence Fox, 46, will appear at Westminster Magistrates’ Court on 24 April charged with an offence contrary to section 66A of the Sexual Offences Act 2003.
“The charge relates to an image that was posted on social media platform in April 2024.”
Entertainment
Oscar-winning Palestinian filmmaker Hamdan Ballal detained by Israeli military after being beaten up, say activists
An Oscar-winning Palestinian filmmaker has been held by the Israeli military in the occupied West Bank, according to activists.
Hamdan Ballal had earlier been beaten up by Israeli settlers who were among dozens who attacked the Palestinian village of Susya in the Masafer Yatta area and destroyed property, said the Centre for Jewish Nonviolence.
The activist group said Mr Ballal suffered a bleeding head in the assault, and as he was being treated in an ambulance, he and another Palestinian man were detained.
“We don’t know where Hamdan is because he was taken away in a blindfold,” said 28-year-old Josh Kimelman, who was at the scene.
Hamdan Ballal is detained in the Israeli-occupied West Bank. Pic: Raviv Rose via AP
During the incident, around 10-20 masked settlers reportedly attacked Jewish activists with stones and sticks, smashing car windows and slashing tyres. One settler swung his fists at two activists before the pair rushed back to their vehicle, video provided by the Centre for Jewish Nonviolence showed.
The Israel Defence Forces (IDF) said in a statement to Sky News that on Monday night “several terrorists hurled rocks at Israeli citizens, damaging their vehicles near Susya”.
The IDF also said a violent confrontation then broke out involving “mutual rock-hurling between Palestinians and Israelis at the scene”.
“IDF and Israeli Police forces arrived to disperse the confrontation, at this point, several terrorists began hurling rocks at the security forces,” according to the statement.
“In response, the forces apprehended three Palestinians suspected of hurling rocks at them, as well as an Israeli civilian involved in the violent confrontation. The detainees were taken for further questioning by the Israel police. An Israeli citizen was injured in the incident and was evacuated to receive medical treatment.
“Contrary to claims, no Palestinian was apprehended from inside an ambulance.”
(L-R) Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham with their Oscars. Pic: AP
Best documentary
Mr Ballal is one of the co-directors of No Other Land which won the best documentary Oscar this year.
The film follows Masafer Yatta residents as they struggle to stop Israel’s army from demolishing their villages.
No Other Land has two Palestinian co-directors, Ballal and Basel Adra, both Masafar Yatta residents, and two Israeli directors, Yuval Abraham and Rachel Szor.
Read more from Sky News:
What happened to Israel-Hamas ceasefire?
West Bank areas ‘turning into mini-Gaza’
Hundreds of Palestinians have been killed in the West Bank in Israeli military operations during the Gaza war, and there has also been a rise in settler attacks on Palestinians.
There has also been a surge in Palestinian attacks on Israelis.
Red Cross office damaged
Meanwhile, in the southern Gazan city of Rafah, a Red Cross office was damaged by an explosive projectile.
The Israeli military said its forces fired at a building belonging to the charity after identifying suspects and sensing a threat.
But it admitted it had opened fire due to an incorrect identification.
“The structure’s ownership was unknown to the force at the time of the shooting,” the military added.
No one was injured, according to the International Committee of the Red Cross, which said the attack had a direct impact on its ability to operate.
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