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Rhod Gilbert says his new show, which he’s planning to tour next year, will be “the darkest” he’s ever done, following treatment for cancer.

The 54-year-old Welsh stand up was diagnosed with stage four head and neck cancer last year, and has since undergone surgery, radiotherapy and chemotherapy.

Now back on our screens for season five of Growing Pains, he tells Sky News: “I’m feeling pretty good. I’m bouncing back and very happy to be working again.”

Gilbert would have been heading out to Morocco any day now, to trek up Mount Toubka – the highest peak in the Atlas Mountains – as part of a charity hike he’s led since 2013 and the first since his cancer diagnosis, raising money for Velindre Cancer Centre in Cardiff, Wales.

Now earthquakes in the country – estimated to have killed nearly 3,000 – have clearly altered plans, but Gilbert says if it’s possible to go, he will still go: “We’ve got people on the ground assessing the situation. And I guess if we can go, we probably should because we’ll be employing local people and putting money into our local economy and we may be able to help. The primary concern is obviously for the for the people there.”

The star has already completed five previous treks for the cancer centre, raising over £1.8m, and had been their patron for a decade before joining them as a patient – a situation he describes as “odd”.

Clearly, with a tour, a trek and new TV show all on the go, Gilbert’s a busy man.

More on Rhod Gilbert

Opening up about next year’s tour, he says: “It’s going to be pretty dark, but from what I’ve done so far – I’ve done a few little works in progress in Edinburgh and things – I’m really happy with the way it’s coming along.

“While it’s the darkest stuff I’ve ever done, clearly, after what I’ve been through, I think for me it’s up there with the funniest. It’s certainly making me laugh. And it seems so far to be working.”

Rhod Gilbert is receiving treatment at the Velindre Cancer Centre in Cardiff. Pic: Rhod Gilbert/Facebook
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Velindre Cancer Centre in Cardiff. Pic: Rhod Gilbert/Facebook

As to whether the funny man ever fears being cancelled, as culture wars rage and some claim fear of causing offence is killing comedy, Gilbert says he isn’t worried.

‘I’m just laughing at my own life’

“In the past, I was talking about things like electric toothbrushes, duvets, lost luggage, mince pies. If anybody’s ever cancelled about those things, I’d be interested to hear. But I doubt it.

“Now, in my last show the Book of John and this next one, I’m talking about me and my experiences and you know, my mum’s Alzheimer’s, my stroke, my infertility, my struggle to have kids, my cancer. So, I’m talking about my stuff, my experiences, so, no I don’t give it any thought whatsoever.

“While I’m talking about stuff that is big controversial subjects, I guess I’m talking about my experiences, and I think people are fine with that.”

He adds: “I never seek to try and get headlines with it or be especially edgy with it, I’m just laughing at my own life.”

Having used his platform to help break the silence around health issues in the past, he admits it’s not always easy joking about cancer.

“[My show’s] on a whole new topic that is a really tricky thing to navigate, you know, And that’s a real challenge and really exciting…

“It has the potential to move people more, it has as a potential to have a bigger impact on people, I think, than toothbrushes, duvets and stuff.”

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Away from the tricky topics his next live show, Gilbert has some more light-hearted fare in his latest TV show, Growing Pains, featuring a host of fellow celebrities opening up about their cringingly embarrassing teenage years.

The ex-girlfriend he owes everything to

Gilbert himself had suffered crippling shyness throughout his childhood and teens, lasting into adulthood – despite his attention-grabbing choice of career.

He explains: “I was terribly shy, you know, I’d never been on stage, until I was in my thirties. I did one school play where the only reason the drama person made me do it was to try and get me out of my shell, to try and push me to be less shy and less self-conscious. It didn’t really work, and I didn’t enjoy it.”

So, what happened between his unsuccessful performance of Oh What A Lovely War and becoming one of the country’s best loved stand ups?

It turns out it was an ex-girlfriend who changed his life.

“I had a girlfriend who just thought I could do it and just kept on at me and just kept encouraging, kept nagging, whatever way you want to say it for about eight years, she kept on at me and in the end, I went, ‘Alright, I’ll give it a go’.

“But by that point I suppose I’d been a director of a market research company. I was used to standing up in front of people and presenting. I was probably a bit less shy than I had been in my teens and twenties, certainly. But university was a write-off, you know, an absolute social anxiety, shyness right-off. I barely left my room.”

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The ex in question was Bryony Katherine Worthington – now Baroness Worthington – a British environmental campaigner and life peer in the House of Lords.

“I owe her everything… without her, I would never, ever, ever in a million years entertain the idea of doing this. It wasn’t in my head one jot.”

Made a peer for her lead role in drafting the UK’s 2008 Climate Change Act, Baroness Worthington is clearly a woman with many strings to her bow – she was also the first woman to breastfeed in the House of Lords.

Gilbert jokingly adds: “I think she makes a significant difference to my life, but then in their work on the environment has probably made a significant difference to more.”

Dermot O'Leary on Rhod Gilbert's Growing Pains S5
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Dermot O’Leary

On Dermot O’Leary’s potty mouth: ‘I nearly fell off my chair’

Guest appearances on Growing Pains include comedian Greg Davies (Gilbert says the Taskmaster star “used to chase [his sister] around a field on a on a moped with a cricket bat”); Presenter Dermot O’Leary (Gilbert says: “He swore in the studio, and I almost fell off my chair. I was like, ‘Dermot O’Leary, what!'”); and pop star Sophie Ellis Bextor (Gilbert admits to being jealous of her teen years: “The reason her life’s embarrassing is because it’s so bloody cool”).

As for what lies in store for Gilbert – who seems to be somewhat of a workaholic – he says: “I don’t have a goal, I don’t have a five-year plan. I don’t have a bucket list of professional things I want to do. But I’m still really enjoying what I do and evolving, I think, and, you know, pushing it into different areas, which is nice.”

And looking back, he’s pretty happy with what he’s achieved so far: “There’s nothing that I think, ‘Well I must correct that record and go back and, and successfully do that thing I didn’t successfully do’. What I’m really enjoying about my career at the moment is that it’s always changing.

“I guess [I need to] keep evolving, keep it changing, and keep surprising myself and keep enjoying what I do.”

And despite being unable to stop working for long, he’s hoping to take brief break in the sun – after he’s attended an obligatory end-of-summer wedding.

Still in touch with all his old schoolfriends, Gilbert is travelling back to Wales from his holiday in the South of France just to go to a pal’s wedding. Admitting they’ve been together “a long time,” but are only now tying the knot he jokes: “They’ve waited 30 years until I was on holiday, I do begrudge them a bit!”

Growing Pains is on Mondays at 9pm on Comedy Central.

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Broadcaster John Stapleton has died aged 79

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Broadcaster John Stapleton has died aged 79

Broadcaster John Stapleton has died, his agent has said.

The 79-year-old, who had Parkinson’s disease complicated by pneumonia, died peacefully in hospital this morning.

Stapleton was known for his work on programmes such as Newsnight, Panorama and GMTV’s News Hour. He was among Sky News’ original presenters.

Stapleton’s agent, Jackie Gil, said: “His son Nick and daughter-in-law Lisa have been constantly at his side and John died peacefully in hospital this morning.”

This breaking news story is being updated and more details will be published shortly.

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Could Eurovision boycotts over Israel lead to a competition crisis?

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Could Eurovision boycotts over Israel lead to a competition crisis?

From soaring power ballads to novelty earworms, disco to metal and even “ouija pop”, there’s nothing quite like Eurovision – watched by millions around the world, tuning in to celebrate live music’s weird and wonderful. 

Politics has always played a part, despite insistence by organisers the European Broadcasting Union (EBU) that it remains politically neutral.

Countries have pulled out or been banned in previous years – most notably Russia in 2022, just days after the invasion of Ukraine.

But it now seems like Eurovision could be facing its biggest political crisis yet.

Yuval Raphael represented Israel at this year's contest, held in Basel in May. Pic: AP
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Yuval Raphael represented Israel at this year’s contest, held in Basel in May. Pic: AP

In the last two years, there has been growing controversy over Israel’s participation, with protests in host city Basel, Switzerland, earlier this year, and Malmo in Sweden when it held the competition in 2024.

Ahead of next year’s ceremony in Vienna, Austria, tensions have risen already.

Earlier this month, Irish broadcaster RTE made an announcement: it will boycott the competition if Israel is allowed to take part. The Netherlands and Spain quickly followed suit, and other countries including Slovenia and Iceland have suggested similar.

It comes amid increasing criticism of Israel’s continued military action in Gaza, launched in response to the attack by Hamas militants on southern Israel on 7 October 2023, which left some 1,200 people dead.

The Eurovision Song Contest Reference Group, the competition’s governing body, has extended the deadline for broadcasters to confirm participation to mid-December. It says a decision on Israel’s participation is pending and that it has “taken note of the concerns expressed by several broadcasters”.

Politics at Eurovision – and why is this different?

Kalush Orchestra won for Ukraine in 2022. Pic: AP/Luca Bruno
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Kalush Orchestra won for Ukraine in 2022. Pic: AP/Luca Bruno

What is unfolding now is unlike anything that has come before, says Dean Vuletic, a historian of contemporary Europe and author of Postwar Europe In The Eurovision Song Contest.

“Politics has always been there,” he says. “Countries have always used the contest to send political messages. For example, in the very first contest in 1956, West Germany was represented by a Jew and a Holocaust survivor.

“In recent years, though, things have changed because the European Broadcasting Union has had to make political decisions.”

Vuletic cites Belarus’s exclusion in 2021, after the country had experienced large protests over the disputed re-election of leader Alexander Lukashenko, and its entry was deemed too political.

The following year, Russia was kicked out just a few days after the start of the invasion on Ukraine. The EBU said at the time that Russia’s participation would “bring the competition into disrepute”.

But these are not the first examples of countries being excluded from the competition; this first happened in the early 1990s, when the then Federal Republic of Yugoslavia was banned due to UN sanctions.

“When it came to Belarus, Russia, there were also European sanctions,” says Vuletic. “Israel was for a long time not subject to sanctions from European countries for its actions in Gaza – although in recent days we’ve seen that changing.”

What have the different countries said? 

Ireland (RTE): “RTE feels that Ireland’s participation would be unconscionable given the ongoing and appalling loss of lives in Gaza. RTE is also deeply concerned by the targeted killing of journalists in Gaza, and the denial of access to international journalists to the territory, and the plight of the remaining hostages.”

The Netherlands (AVROTROS): “AVROTROS can no longer justify Israel’s participation in the current situation, given the ongoing and severe human suffering in Gaza. The broadcaster also expresses deep concern about the serious erosion of press freedom: the deliberate exclusion of independent international reporting and the many casualties among journalists. In addition, there is proven evidence of interference by the Israeli government during the most recent edition of the Eurovision Song Contest, in which the event was used as a political instrument.”

Spain (RTVE): “Spain will withdraw from Eurovision if Israel remains in the contest. The board of directors of the corporation made this decision… by an absolute majority of its members. 
Spain is the first member of the ‘Big Five’ to adopt this agreement and joins other European countries that have already announced their withdrawal.”

Slovenia (RTVSLO): “At the EBU General Assembly, which was held in London at the beginning of July, RTV Slovenia presented its position that if Israel were to participate in the Eurovision Song Contest – due to the genocide in Gaza – it would not participate in the competition.”

Iceland (RUV): “I think it is likely that if there is no change in EBU’s position and it does not respond to these voices of concern coming from us, from Spain and Slovenia and others, then that will call for reactions from these broadcasters. But let’s just wait and see.”

What about the BBC?

Remember Monday represented the UK at Eurovision in 2025. Pic: MANDOGA MEDIA/picture-alliance/dpa/AP
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Remember Monday represented the UK at Eurovision in 2025. Pic: MANDOGA MEDIA/picture-alliance/dpa/AP

BBC director general Tim Davie has said the corporation is “aware of the concerns” raised, but the song contest has “never been about politics”.

A spokesperson for the broadcaster sent a similar statement to Sky News, saying: “We are aware of the various views and concerns which have been expressed in recent days in relation to next year’s Eurovision. At this stage, we will continue to be part of the discussions, led by the European Broadcasting Union, with other members and broadcasters.

“Eurovision has never been led by politics, it has been – and is – a celebration of music and culture that brings people together from across the world.”

Why is Spain’s stance particularly important?

Spain is one of Eurovision’s “Big Five” countries, a group which also includes France, Germany, Italy and the UK. While the host broadcaster – decided by the previous year’s winner – will often contribute most towards the cost of staging the contest, the Big Five will also make up a significant amount.

These countries are big markets for Eurovision and acts are given direct entry to the final because of this. They also act as reserve countries should a winning country not be able to host; in 2023, the UK stepped in following Ukraine’s win the previous year.

Pic: Corinne Cumming/ EBU
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Pic: Corinne Cumming/ EBU

“Dr Eurovision” Paul Jordan, who has a PhD in the subject and also worked behind the scenes as part of the EBU’s communications team between 2015 and 2018, says Spain’s stance has increased the pressure.

“There’s always been these tensions but there’s never been a kind of threat of a mass boycott in the way that has happened now,” he says. “The fact they are now outwardly saying they won’t participate with Israel in, that could make the EBU sit up and take notice because there is potential funding pitfalls and audience pitfalls.

“Having a big five country not part of the contest could potentially unravel the funding model. I also think the funding itself potentially needs to be looked at in the context of the financial challenges facing public broadcasters today.”

The EBU has said it is “assessing the potential impacts” of broadcasters pulling out. When asked by Sky News if this includes financial ones they, simply said that “all impacts will be assessed”.

Are other countries likely to follow suit?

Germany, represented by Abor & Tinny at this year's event, has said it will support the EBU's decision. Pic: MANDOGA MEDIA/picture-alliance/dpa/AP
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Germany, represented by Abor & Tinny at this year’s event, has said it will support the EBU’s decision. Pic: MANDOGA MEDIA/picture-alliance/dpa/AP

Sky News has contacted broadcasters set to take part in the event. Italy’s RAI, another of the Big Five, said it hoped to have news on the issue soon. Germany’s SWR said its parent company, ARD, supports the consultation process and will back the EBU’s decision.

In a statement, an SWR spokesperson said the goal is “to reach a well-founded and sustainable agreement that aligns with the values” of the EBU.

“The ESC has been a major musical event for decades, connecting people across Europe and beyond through diversity, respect, and openness, regardless of origin, religion, or beliefs. It is a competition organised by EBU broadcasters, not by governments.”

Experts agree the number of countries threatening a boycott will likely increase – although it could work both ways.

“We have to see what this period of consultation will bring, which countries will also join the calls for a boycott of the contest if Israel does participate, which countries might be steadfast in their support of Israel,” says Vuletic.

“For now, that’s not clear, whether countries will actually be so supportive of Israel so as to themselves contribute to a boycott of the contest. That would be a very big political message because if they take the side of Israel and not of their European partners, then we might see even greater ramifications of this crisis.”

What has Israel said?

Netta won the competition for Israel in 2018. Pic: Armando Franca/AP
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Netta won the competition for Israel in 2018. Pic: Armando Franca/AP

Israel’s broadcaster, Kan, did not respond to Sky News’ request for comment.

However, chief executive Golan Yochpaz reportedly told the Times of Israel that the event should not become political and that that there is “no reason” why Israel should not be part of it.

He also highlighted Israel’s success in the competition, with one win in 2018 and three other top-five finishes in recent years.

The situation in Gaza

More than 65,000 people in Gaza have now been killed in the war, according to the Hamas-run health ministry. The figure does not specify the number of Hamas members killed.

The ongoing military action continues following the Hamas terror attack on Israel in October 2023, which saw around 1,200 people killed and 251 people taken hostage. Forty-eight remain in Gaza, but fewer then half are thought to still be alive.

Earlier in September, a UN commission agreed Israel is committing genocide – the first time such an explosive allegation has been made publicly by a UN body. Israel has vehemently denied this claim as “distorted and false”.

Sky News analysis shows thousands of families remain in crowded tent camps in Gaza City, with the UN estimating last week that a million people remain there.

Israel, however, believes 40% of the population has already fled south and earlier this week opened a new evacuation route for 48 hours.

What happened at the contest this year and in 2024?

Final scores for the Eurovision Song Contest 2025. Pic: BBC
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Final scores for the Eurovision Song Contest 2025. Pic: BBC

Israeli contestant Yuval Raphael, a survivor of the October 2-23 Hamas attack, won the public vote with the song New Day Will Rise, and at one point looked set to be crowned the overall winner of this year’s competition – but ultimately finished second when the jury vote was included.

There were protests before and during her performance.

“I was just metres away from pro-Palestinian protesters who threw red paint when the Israeli artist appeared on stage,” says Vuletic. “And of course, it must be hugely stressful for these artists. There are also increased security measures, especially for these artists who are targeted.

“You could sense the tension in the arena when it became apparent that Israel could win the contest. A lot of people were willing to allow Israel to participate in the contest, they were not necessarily supporting the Netanyahu government… but when it appeared that Israel really could win the contest you could really sense this fear among the live audience in the arena, that the contest could be held in Israel the following year.”

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Protest during Israel’s Eurovision song

Having Israel as a host country would lead to a lot more countries boycotting, he says.

“It’s become so toxic,” says Jordan. “You see now, booing on the stage in a way that you had for Russia before. But really, in 2024, it became much more pronounced.

“Eurovision is meant to be joyous. And I remember the day of the [2024] final being with friends in a pub. And it just felt like an impending sense of doom, something was going to go wrong… it just felt that this is a house of cards that could potentially come falling down…

“Eurovision for me was all about escapism, they call it the Eurovision bubble. And that was a very special thing. And I feel now that’s kind of changing. It feels like an event that we all grew up with, now at 70 years old, and it could potentially start to unravel. It’d be a great shame, I think, culturally, if that does happen.”

Who else has commented?

Austria will host the event in 2026 following singer JJ's win. Pic: Reuters
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Austria will host the event in 2026 following singer JJ’s win. Pic: Reuters

Austrian singer JJ, who won this year’s competition, has also reportedly called for Israel’s exclusion in 2026.

Following his win in May, singer JJ said it was “disappointing to see Israel still participating”, according to Spanish newspaper El Pais. “I would like the next Eurovision to be held in Vienna and without Israel,” he added.

And Austria will of course host the show next year.

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In a statement sent to Sky News, broadcaster ORF said the decision is a matter for the EBU.

“It is always the public broadcaster of a country that takes part in the Eurovision Song Contest, not the government or country itself,” an ORF spokesperson said. “Ultimately, however, the decision regarding participation is a matter for the EBU and its members. ORF will be a good host for all delegations in May 2026.”

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Russia’s alternative Eurovision

What happens now?

The competition’s director, Martin Green, has said the EBU understands “the concerns and deeply held views around the ongoing conflict in the Middle East” and that the organisation is still consulting with all members “to gather views on how we manage participation and geopolitical tensions”.

Broadcasters have until mid-December to confirm whether or not they are taking part – and the EBU then has a decision to make.

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Jonathan Pie: British satirist’s free speech warning to UK after Jimmy Kimmel show taken off air

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Jonathan Pie: British satirist's free speech warning to UK after Jimmy Kimmel show taken off air

The UK has to be “careful” and protect free speech as debate becomes “more and more toxic” on both sides of the Atlantic, a British satirist has said.

Tom Walker, better known as the ranting fictitious newsreader Jonathan Pie, has issued the warning after US talk show Jimmy Kimmel was taken off air for comments he made following the death of Charlie Kirk.

Speaking to Niall Paterson on the Sky News Daily podcast, Walker said he believes he wouldn’t be able work as a satirist in America today as the Trump administration appears to be cracking down on those who speak out against him.

Tom Walker as his satirical creation. Pic: Jonathan Pie
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Tom Walker as his satirical creation. Pic: Jonathan Pie

He added: “I genuinely don’t think I would be allowed into the country. That might sound dramatic, but they go through your social media posts. I think Trump thinks that not agreeing with him is anti-American, whereas it’s not, it’s anti-Trump, it’s anti-Republican. So a lot of my posts would be seen as anti-American.”

Walker went viral in 2016 after posting a clip of Jonathan Pie passionately blaming “the left” for Mr Trump’s victory in the US election the same year.

The comedian argued that left-leaning people had “lost the art” of engaging with anyone with a different opinion to them and urged them to “stop thinking everyone who disagrees with you is evil, racist or sexist or stupid”.

Asked by Niall if he believes Kimmel, who has a long history of speaking out against Mr Trump, is partly responsible for the rise of the populist president, Walker said: “No, I don’t… Most of these late-night hosts are left-leaning and Trump is an own goal for satire.

More on Jimmy Kimmel

“I don’t think there was much that Jimmy Kimmel said in his monologue the other day that was anywhere near as divisive as the rhetoric coming from Donald Trump or (vice president) JD Vance, so there is an inherent hypocrisy there.”

However, Walker believes “right-wingers” are not the only reason free speech is under a “huge amount of threat in America”.

The satirist, who counts himself as being left-wing, continued: “I think the left have enabled a culture where people don’t feel that they’re able to express their views.

“The left-wing were the flag-bearers of cancel culture. And now it’s sort of coming back to bite us in a terrifying way.”

Kimmel was taken off air months after US talk show host Stephen Colbert had his show cancelled – something his fans have attributed to his criticism of Mr Trump.

Read more:
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What did Jimmy Kimmel say about Charlie Kirk?
US talk show hosts react to Jimmy Kimmel cancellation

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US talk show titans speak out

Meanwhile, the US president appeared to encourage NBC to cancel the talk shows of Jimmy Fallon and Seth Meyers in a Truth Social post on Thursday. Both presenters are known to have made jokes about Mr Trump in the past.

Asked whether the UK should be worried about free speech apparently being targeted in the UK in a similar way, Walker said: “I think that there are issues of free speech in this country. I don’t think it is quite as bad as what’s happening in America, but we have to be careful. The debate on both sides of the Atlantic is becoming more and more toxic, I think. And it’s divide and conquer. ‘You’re either with me or you’re against me’. And I think both sides have to take some responsibility for that.”

Walker pointed out that when he posted a satirical video on X called “The Death Of Discourse” in relation to the Kirk assassination, he was attacked by social media users on both the left and right of politics.

He added: “I think that’s the problem… We have forgotten how to talk and listen to people that we fundamentally disagree with.”

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