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CITV – the channel that gave us Fraggle Rock, Danger Mouse and Rainbow – has left our terrestrial screens. CBBC – home of Blue Peter and Newsround – plans to follow.

Meanwhile real-term investment in children’s TV by public service broadcasters has dropped by 30% in the last 10 years.

And while Sky has bucked the trend by launching an ad free kids channel, overall, the future of kids TV is looking bleak.

But figures show young people are still watching TV – albeit in a different way. Recent BARB viewing data shows that while the average amount of broadcast TV minutes of children’s TV channels watched by four-year-olds per week has declined by 62% since 2019, viewing has risen by 30% in the same period, demonstrating the “streaming first” trend in children’s viewing habits.

So, if kids are ditching linear viewing in favour of streaming, some might say that public service broadcasters moving their content online makes sense. Others would rightly argue that not all children have access to the internet.

And then there’s the question of what kids are actually watching online. It’s an “explosion” of choice the longest-serving female presenter of Blue Peter, Konnie Huq, doesn’t think it’s necessarily a good thing.

Huq tells Sky News: “Kids will always go for the biggest, fastest dopamine hit… We live in a world of instant gratification culture and actually delayed gratification is much better for happiness and mental wellbeing in the long term.

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“And kids, obviously they’re not old enough to always make the right judgement calls.”

Rainbow's Geoffrey Hayes with Bungle, George and Zippy: Pic: FremantleMedia Ltd/REX/Shutterstock
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Geoffrey, Bungle, George and Zippy on Rainbow: Pic: Fremantle Media Ltd/REX/Shutterstock

Huq – who is a mother-of-two herself and now works as a children’s author and screenwriter – recognises the needs for government legislation to hold streaming companies to account for the content they’re putting out. But she also recognises the limitations of people trying to control a seemingly infinite web.

She says: “It’s hard for laws, legislation, parents, schools, and the control culture to keep up with the changes that are going on.

“So, it’s important to make sure that you know what your kid is seeing, because on YouTube, for instance, your child could be watching one thing, but then different suggestions pop up unselected, unbeknownst to you. So, a few programmes hop away could be something that you might not be comfy with your child watching.”

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The Online Safety Bill – a new set of laws to protect children and adults online – is due to come into law later this year.

And at the Royal Television Society Convention earlier this week, the Culture Secretary Lucy Frazer announced new plans to bring unregulated online channels under Ofcom content rules on traditional TV to ensure children and vulnerable viewers are protected from inappropriate or harmful material.

The Department for Culture, Media and Sport told Sky News: “The shows we watch as children shape the way we see the world, staying with us forever.

“From Thomas The Tank Engine to Shaun The Sheep and Horrible Histories, the UK is home to some of the world’s best children’s shows. Over 845 kids programmes have benefitted from the government’s generous animation and children’s tax reliefs, increased in this year’s budget, leading to more than a billion pounds of investment.

“The upcoming Media Bill will require mainstream on-demand streaming services to follow a new video-on-demand code protecting children from harmful or inappropriate content and we’re consulting on bringing unregulated online TV channels under Ofcom’s rules to deliver consistent protections.”

However, with investment in kids TV at its lowest level since 2012 (Ofcom’s Media Nations Report found that real-terms investment in children’s TV by public service broadcasters fell from £114m in 2013, to £80m last year) many would argue that investment just isn’t enough.

B3NEY5 Konnie Huq TV Presenter January 1998 The new presenter to join the Blue Peter Team
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Konnie Huq wearing her Blue Peter badge in 1998

Spending on original kid’s content in the UK has been slashed following the 2006 ban on advertising junk food to children.

And the Young Audiences Content Fund – a £44m fund designed to help support children’s programming on channels including ITV and Channel 5 – was scrapped by the government last year.

Former CBeebies series producer Jon Hancock, who is now managing director of kids and family production company Three Arrows Media, calls the ditching of the fund “a difficult pill to swallow”, particularly because it was such “a monumental success”.

Set up by the government, and administered by the BFI, the fund was created to help stimulate more commissioning of UK-specific content in public service broadcasters outside of the BBC (which is funded by the licence fee).

The BAFTA-winning producer says the fund “helped the likes of Channel Five commission some fantastic award-winning content and to have that scrapped as it was 18 months ago was a devastating blow to the children’s industry”.

Huq too also says the loss of original, sometimes boundary pushing content, is a blow to British children’s viewing.

“Kids programming has often been ahead of the curve, before grown up programming has even caught up with it. And you know, that comes to so much diversity, when you’re looking at stuff like gay rights, things you wouldn’t necessarily assume kids TV even touched with a barge pole or had a hand in, kids TV was always at the forefront.”

My Parents Are Aliens ran on CITV from 1999 to 2006
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My Parents Are Aliens ran on CITV from 1999 to 2006

As for BBC‘s plans to stop terrestrial broadcasting of its children’s channel CBBC – home to shows including Blue Peter and Newsround – in the future, Huq feels the broadcaster could be missing a trick.

“There’s less and less of these shared viewing experiences, which is why I think some of these Pixar films do so well these days, in that teatime viewing isn’t really a thing and everyone seems to just be watching their own thing on their own device. There is no family viewing as such.”

The BBC told Sky News: “We have said we won’t close any of our children’s channels before 2025 at the earliest, and we will maintain them for as long as they deliver value, and our audience needs them.

“Children’s content is a priority for the BBC and we are the major investor of original, culturally relevant British content for ages 0-12 – more than any other streamer or broadcaster in the UK and we still have the two leading linear channels for them.”

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So, while Bob The Builder and Horrid Henry have been forcibly evicted from their CITV terrestrial home, and plonked into ITVX Kids, Blue Peter at least has a temporary reprieve, and won’t weighing anchor quite yet.

Time will tell if the evolution of kids TV to online will crush its creative spark or whether the challenge of standing out in a crowded marketplace will inspire innovative new shows and approaches – a new golden age of children’s TV.

But as kids become the curators of their own content – the good, bad and ugly – might we do well to consider whether we’re handing over too much responsibility to our youngest – and arguably most important – viewers to consume whatever, wherever and whenever they want?

If you’re a parent or caregiver – or just love children’s TV – you can find Sky’s ad-free, 24-hour Sky Kids channel on Sky Q, Stream, Glass, and NOW.

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Eva Victor: The ‘superstar’ who rose to fame creating viral videos on why comparisons are ‘unhelpful’ and new film Sorry, Baby

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Eva Victor: The 'superstar' who rose to fame creating viral videos on why comparisons are 'unhelpful' and new film Sorry, Baby

The creator of a new movie about the aftermath of sexual assault says comparisons with stars including Phoebe Waller-Bridge and Michaela Coel are flattering, but “aren’t ultimately helpful”.

Eva Victor, who rose to fame after creating viral comedy videos on X, wrote and directed their debut feature – Sorry, Baby – as well as playing the lead role.

They were encouraged to both write and then direct the movie by Oscar-winning filmmaker Barry Jenkins, after he saw Victor’s videos online.

Eva Victor, who first gained attention for their viral comedy videos, has released their first feature, Sorry, Baby. Pic: A24
Image:
Eva Victor, who first gained attention for their viral comedy videos, has released their first feature, Sorry, Baby. Pic: A24

The film was warmly received at Sundance and Cannes, and its creator was hailed a “superstar”. But along with such accolades come inevitable comparisons.

Victor told Sky News: “The thing that that moved us so much about [Fleabag star Phoebe Waller-Bridge] and about Michaela Coel and about Greta Gerwig and those people is that it’s just a true voice.”

Phoebe Waller-Bridge in 2024. Pic: PA
Image:
Phoebe Waller-Bridge in 2024. Pic: PA

They admit “that part of the comparison means everything”, but go on: “I’m non-binary, so I use ‘they’ and ‘she’ pronouns and I think it’s interesting that we feel pretty binary about comparisons.

“People are pretty interested in putting me in a category of women. I mean, Denzel Washington directed himself. Albert Brooks directed himself. Jodie Foster directed after acting.

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“It’s an interesting conversation, and I think maybe comparisons aren’t ultimately so helpful. But also, I’m very honoured because they’re people I desperately look up to. Overall, it’s a very, very fine comparison.

Pic: A24
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Pic: A24

‘The bad thing’ at the heart of the movie

A triple threat, Victor studied acting and playwriting at Northwestern University, Illinois, before moving to New York in 2016 where they worked on the feminist satirical website Reductress. They later landed a role in Showtime drama series Billions.

A black comedy, Sorry, Baby tells the story of Agnes, a twenty-something New England literature student – and later academic – who is sexually assaulted by her college tutor.

Dubbed “the bad thing” in the movie, the assault – which occurs off camera – is a catalyst for the movie’s storyline but never becomes its focus.

Victor has called the writing of the project, “my soul on the page” – without speaking directly about whether any real-life experience inspired it – telling Sky News: “The process you go through privately, you’re exercising something very soul-forward. It’s very exposing.”

The impact of sexual assault around the world is something Victor calls “a big, big societal tragedy”. One in four women in England and Wales experiences sexual assault in their lifetime, according to the Office for National Statistics.

Victor says: “The reason I made the film was to try to make a film about an attempt at healing and much less about a kind of violence.”

They explain: “As someone who wanted to explore the intimate feelings of recovery from something like this, the only way through for me was to really think about Agnes and what is truthful to her story.”

Pic: A24
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Pic: A24

‘Less about violence, and more about love’

Several instances in the film show the system failing to effectively deal with or even fully acknowledge the abuse – first a hospital, then a university – and those scenes are handled with a lightness of touch not always applied to trauma-based stories.

Victor says: “Humour in those scenes is used as a way for punching up people in power. And these institutions that create a really difficult, painful time for people.”

In the current climate, as convicted sex offender Harvey Weinstein faces his third trial, and music star P Diddy awaits sentencing – where does Victor think the MeToo movement stands now?

Despite the movie’s themes, Victor is reticent to become a mouthpiece for the movement.

Measuring their words carefully, Victor offers a note of optimism in their answer – much like the message of the movie – looking to the future with hope, albeit in an imperfect world.

“I think there’s rehabilitation that is necessary for everyone, and I’m less interested in violence and punishment and much more interested in finding love and trying to hold each other.”

Sorry, Baby is in UK cinemas now.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

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Bridgerton creator Shonda Rhimes reacts to claims of ‘woke’ casting – and why she’s considering moving to the UK

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Bridgerton creator Shonda Rhimes reacts to claims of 'woke' casting - and why she's considering moving to the UK

Bridgerton creator Shonda Rhimes says filming the drama and its spin-off Queen Charlotte in England has prompted her to consider relocating to the UK.

The US producer, who is behind some of the most popular TV dramas of the past two decades, told Sky News working in Britain had been a “really welcoming experience”, adding: “I’ve been spending a little bit more time over here and I’m going to try to spend even more if I can swap my kids into a British school.

“I’m trying to figure that part out, but I do really love being here and it’s always been such a great experience.”

Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix
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Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix

Rhimes’ vast contribution to television has been recognised at this year’s Edinburgh TV festival, where she was given its inaugural fellowship award for the global impact of her shows.

Her first huge hit was Grey’s Anatomy. The medical drama, which began in 2005, is now in its 22nd season.

Shonda Rhimes created Grey's Anatomy. Pic: ABC/Kobal/Shutterstock
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Shonda Rhimes created Grey’s Anatomy. Pic: ABC/Kobal/Shutterstock

But finding an abandoned novel in a hotel room would motivate her to write Bridgerton, the drama that has become the biggest show on Netflix.

While its steamier scenes are often what garner most attention, she says after reading the books, she came to see it as a “workplace drama”.

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“These are women in their workplace because, in a world in which they have no power, they have no ability to do anything else; their only value is who they marry and their only worth is focused into that,” she adds.

‘Bizarre’ criticism

Rhimes says she is thinking about moving to the UK
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Rhimes says she is thinking about moving to the UK

Rhimes agrees there is something inherently condescending about the way critics use terms like “guilty pleasure” to describe her dramas.

“There are certain people for whom the world of women will never be considered as serious or as complex or as interesting as the world of men,” she says.

Rhimes says she finds some of the reaction to her decision to reflect a diverse range of actors in Bridgerton’s cast “bizarre” after critics accused the show’s makers of “pandering to woke culture”.

Bridgerton has been one of Netflix's most popular shows. Pic: Netflix
Image:
Bridgerton has been one of Netflix’s most popular shows. Pic: Netflix

She said: “The idea that I am writing the show looking like I look, that it wouldn’t occur to me that there should be more people in the show who look like me, I feel like that’s an obvious point. Why would I write something that doesn’t include me in any way?”

Given the thousands of episodes of drama she’s written over the years, she’s all too aware that it’s likely artificial intelligence is probably being used to scrape her scripts.

“There’s a danger of AI learning from my episodes, maybe it will learn to be better at what it does, but, most importantly, I don’t think that there’s any substitute for that germ of creativity that comes from a human imagination, I really don’t.”

As for what she enjoys watching on TV, her eyes light up when I mention having heard she’s a massive fan of a certain British sci-fi classic.

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“Oh my God, I’ve loved Doctor Who forever! Forever!” she says, describing writer Russell T Davies’ work as “amazing”.

She adds: “For a while, people were like ‘what’s wrong with you?’ because they didn’t know the show. I fell in love with the David Tennant years, and I haven’t been able to let it go because of the writing.”

I ask if she’s ever considered a crossover episode.

She laughs: “I don’t know if there’s a Bridgerton meets Doctor Who…, but I would work with Russell at any time.”

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.

Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.

The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.

“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.

A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.

The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.

Officers were unsure whether he was on any substances or in mental distress, the source said.

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A representative for Hill did not immediately respond to a request for comment.

NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.

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In the videos, Hill tells a driver to “come to the party” in one clip and in another tells the person, “Didn’t I tell you to put the phone down?”

“Uh oh, someone’s going to have to pay for that,” Hill says as he continues to walk away.

In some clips, Hill struts as if he’s on a catwalk, posing for onlookers, and at one point he places an orange traffic cone on his head.

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