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More than 200 hours of audio tapes provide the best “evidence” for the Enfield poltergeist there is.

Screams and bangs; interviews with those who said they had just experienced the supernatural; the voice of a 72-year-old man purportedly coming out of an 11-year-old girl called Janet.

They form the basis of a four-part docuseries exploring a phenomenon that gripped the north London suburb of Enfield – and the rest of the country – in the 1970s.

Not that director Jerry Rothwell is setting out to prove or disprove any theories with The Enfield Poltergeist. He wants to keep audiences in the space between knowing and not knowing, he told Sky News.

“It’s about how do we know what’s real and what might be beyond our perceptions, beyond our senses?”

Olivia Booth-Ford as Janet Hodgson and Ingrid Evans as Maisie Besant in “The Enfield Poltergeist,” premiering October 27, 2023 on Apple TV+.
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Janet, played by Olivia Booth-Ford, appeared to be the focus of the poltergeist. Pic: Apple TV+

Set in a reconstruction of the semi-detached council house where the Hodgson family was seemingly plagued by the paranormal for 18 months, the series weaves together audio recordings with contemporary interviews and photos from the time.

Paranormal investigator Maurice Grosse from the Society for Psychical Research was sent to investigate, spending months at the family home between 1977 and 1979. The audio he recorded there is central to the series. As well as interviewing people, he would leave the tape running for long periods.

“What you get out is a sense of the context of family life that’s going on. Sometimes you’ll hear a noise, a scream, a bang or a rap and people’s response to it,” Rothwell said.

But the origin of those noises is “incredibly ambiguous”.

“I don’t think there’s many incidents where we see the paranormal cause of something, what we see is the effects of this on people.

“If we see a kettle fall over, we catch it in the last inches of its flight rather than see how it started – which I think is consistent with people’s experience of the paranormal.”

Christopher Ettridge as Maurice Grosse in “The Enfield Poltergeist,” premiering October 27, 2023 on Apple TV+.
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Grosse (played by Ettridge) was sent to investigate the paranormal activities at the council house in Enfield. Pic: Apple TV+

Witnessing the unexplainable

Former Daily Mirror photographer Graham Morris was one of the first people at the Enfield home after the Hodgsons’ neighbours called the newspaper about the strange events.

“Up to 18 months I spent on and off in that house and saw so, so much happen, from the first night being hit by that Lego brick,” he told Sky News.

He said as soon as 11-year-old Janet entered the house, loose objects such as marbles and Lego pieces started to “whiz around the room” – with one of them hitting him above the eye and leaving a lump that lasted days.

From his vantage point through the camera lens, he could see nobody had thrown it, he said.

It was “unexplainable” he said – but he knew it was “true”.

“So, so much happened. It would have been impossible for the girls or any member of the family to have done it. It’s just too much. It was constant, it was relentless.”

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One of Mr Morris’s photos was used by the paranormal investigators as evidence of the supernatural; they said it showed Janet levitating.

The image of Janet “flying across the room” was taken in the dark, with Mr Morris operating the camera remotely from downstairs, primed to press the button at any noise.

“They [the paranormal investigators] are the experts. If they want to say she’s levitating, fine.

“I was there as a photographer. I’m not there to say what’s happening – I’ve got my own theories – but as a pure layman, I just left it to the experts.”

So as one of the few witnesses still alive, what is Mr Morris’ theory?

“I don’t believe in ghosts, I don’t believe that’s what it was.

“I believe that there was something that as yet we don’t know about, some sort of force that was centered on Janet.”

Janet was trying to relate to her family, who “for various reasons, weren’t that communicative”, he said.

“She must have found it so, so frustrating that for some reason this energy is being let off and things are happening – kinetic energy, so things are moving.”

Christopher Ettridge as Maurice Grosse, Paula Benson as Peggy Hodgson, Charlotte Miller as Margaret Hodgson and Olivia Booth-Ford as Janet Hodgson in “The Enfield Poltergeist,” premiering October 27, 2023 on Apple TV+.
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Janet and Margaret’s bedroom was the centre of much of the paranormal activity. Pic: Apple TV+

Interviewing the Hodgson sisters

In the new Apple TV documentary, merging recreation with reality went as far as the set, which featured items from the Hodgson family home including pots and pans, a stack of Jackie magazines – and even some Lego.

They were provided by the Hodgson sisters, Janet and Margaret, who were 11 and 13 when the strange happenings started.

Both are interviewed in the series. Rothwell said he wanted to put them back at the heart of the story.

“For me, it is primarily their story and it was absolutely crucial to involve them in that because I think otherwise… you are making them public property without much control.

“These events at the time were very traumatic and have in many ways shaped the direction of their lives.

“Firstly, because of the events themselves, but also because of people’s fascination with those events and the ways in which that fascination, you know, fixes who they are.”

Christopher Ettridge as Maurice Grosse in “The Enfield Poltergeist,” premiering October 27, 2023 on Apple TV+.
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Christopher Ettridge as paranormal investigator Maurice Grosse. Pic: Apple TV+

Marrying past and present

Actors in the series also lip sync the recordings from the audio tapes – a skill that was easier for the younger TikTok generation to master than the older cast members, Rothwell said.

“You’re taking away one of the tools that an actor has in their armoury, which is how they deliver a line.”

A lot of the actors said the key was “finding the way the person breathed – and as soon as you got that, you could lip sync”.

The tapes also became something of a director in their own right, Rothwell said.

“The more we listened to the tapes, the more you’d realise about what it was telling you about things that were going on in the room.

“We’d be shooting a scene and we suddenly realised there’s no way that person can be in that position, they have to be over there.”

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The Enfield poltergeist has sometimes taken on something of a life of its own. It was front-page news in the 1970s – not always portrayed in ways the Hodgson family agreed with – and has spawned multiple documentaries as well as inspiring The Conjuring 2.

What is sometimes forgotten in retellings – and what Rothwell wanted to get back to – is that this is a real family, and their story.

“It was important to honour people’s experience,” he said. “You know, people are absolutely saying they have had these experiences, they’ve seen this, they’ve heard this – and I wasn’t there, so who am I to argue with it?

“This is essentially a working-class family with few resources who are beset by middle-class ghost hunters or physicists or academics, and whose house sort of came out of their control.”

The Enfield Poltergeist is available on Apple TV+ from 27 October.

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Warfare’s Alex Garland: ‘Being anti-war is not the same as saying it should never happen’

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Warfare's Alex Garland: 'Being anti-war is not the same as saying it should never happen'

Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.

The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.

“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”

Pic: A24
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(L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24

His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.

Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”

Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…

“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”

The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.

Pic: A24
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The film opens to Swedish dance hit Call On Me. Pic: A24

‘War veterans feel invisible and forgotten’

Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.

It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.

Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.

Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.

Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”

Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.

Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”

With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”

As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”

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Pic: A24
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D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24

‘I’m an actor – I love my hair’

A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.

Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.

Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.

Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.

“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.

“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”

Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.

Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”

He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.

“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”

Warfare is in cinemas now.

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UB40 say striking Birmingham bin workers ‘shouldn’t give up’

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UB40 say striking Birmingham bin workers 'shouldn't give up'

Birmingham band UB40 say the city’s striking bin workers and their union should “keep fighting” in their dispute over pay.

It comes as the government and the council urged them to accept a “fair and reasonable offer”.

“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.

“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.

“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”

Members of Unite on the picket line in Tyseley, Birmingham, amid an ongoing refuse workers' strike in the city. Birmingham City Council says it is declaring a major incident over the impact of the ongoing bin strike, as it estimates 17,000 tonnes of waste remains uncollected around the city. Picture date: Tuesday April 1, 2025.
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Members of the Unite union in Birmingham earlier this month. Pic: PA

Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.

“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.

“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”

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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”

About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.

Rubbish bags in Poplar Road in Birmingham.  
Pic: PA
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Rubbish has blighted the city’s streets for weeks . Pic: PA

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Bin situation ‘pains me’ – council boss

On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.

He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.

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“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.

Sky News understands talks are not set to resume until next week.

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Drummer Zak Starkey speaks out after leaving The Who

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Drummer Zak Starkey speaks out after leaving The Who

Drummer Zak Starkey has said he is “surprised and saddened” after parting ways with The Who following recent charity shows at the Royal Albert Hall.

The musician, who is the son of The Beatles drummer Ringo Starr and his first wife, Maureen Starkey, had been with the band since 1996, when he joined for their Quadrophenia tour.

He was introduced to drumming as a child by “Uncle Keith” – The Who drummer and family friend Keith Moon, who died in 1978.

20 June 2023, Berlin: Zak Starkey, drummer, of the band The Who plays at the concert of The Who with Orchestra - "Hits Back!" at the Waldb'hne in Berlin. Photo by: Carsten Koall/picture-alliance/dpa/AP Images
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Pic: Carsten Koall/picture-alliance/dpa/AP Images

Earlier this week, the band issued a statement saying a “collective decision” had been made about his departure. It came after their Teenage Cancer Trust shows in March.

A review of one gig, published in the Metro, suggested frontman Roger Daltrey – who launched the annual gig series for the charity in 2000 – was “frustrated” with the drumming during some tracks.

Now, Starkey has issued a statement to Rolling Stone, saying he is “very proud” of his near 30 years with The Who.

“Filling the shoes of my Godfather, ‘Uncle Keith’ has been the biggest honour and I remain their biggest fan,” he said. “They’ve been like family to me.”

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In January, Starkey suffered a blood clot in his right leg and a performance with his other band Mantra Of The Cosmos – which also features Shaun Ryder and Bez from Happy Mondays, and Andy Bell of Ride and Oasis – was cancelled.

Referencing this in his statement to Rolling Stone, Starkey said: “I suffered a serious medical emergency with blood clots in my right bass drum calf. This is now completely healed and does not affect my drumming or running.”

He continued: “After playing those songs with the band for so many decades, I’m surprised and saddened anyone would have an issue with my performance that night, but what can you do?”

Starkey said he planned to “take some much needed time off with my family” and focus on the release of Mantra Of The Cosmos single Domino Bones, which features Noel Gallagher, as well as his autobiography.

“Twenty-nine years at any job is a good old run, and I wish them the best,” he added.

Starkey has also previously played with Oasis, Lightning Seeds and Johnny Marr.

While Daltrey starts a solo tour at the weekend, The Who have two shows planned for Italy in July but no full tour. Details of a replacement for Starkey have not been announced.

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