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One of Britain’s most legendary TV dramatists, Sir Phil Redmond, is no stranger to tackling difficult issues on screen.

Courting controversy famously with his hard-hitting storylines on his children’s show Grange Hill for the BBC in 1978, before he switched over to Channel 4 to give it its two most prominent soaps, Brookside (1982) and later Hollyoaks (1995).

He’s been a pivotal figure at Channel 4 from its inception, widely considered to be a father to the channel.

Sir Phil Redmond says the BBC and Channel 4 should team up to survive
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Sir Phil Redmond says the BBC and Channel 4 should team up to survive

While he’s been responsible for putting some of TV’s most impactful storylines to air for them – from the first lesbian kiss, to bodies buried under patios – off-screen nowadays, he’s equally radical about what should happen.

“Channel 4’s job in 1980 was to provide a platform for the voices, ideas, and people that weren’t able to break through into television. They did a fantastic job. I was part of that, and now it’s done.”

It’s not that he wants to kill off Channel 4 but – as broadcasting bosses gather for Edinburgh’s annual TV Festival – he believes they urgently should be talking about mergers.

A suggestion which goes down about as well as you might imagine, he says, when he brings it up with those at the top.

He laughs: “The people with the brains think it’s a good idea, the people who’ve got the expense accounts think it’s horrendous.”

Some of the original Grange Hill cast collecting a BAFTA special award in 2001. Pic: Shutterstock
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Some of the original Grange Hill cast collecting a BAFTA special award in 2001. Pic: Shutterstock

A ‘struggling’ BBC trying to ‘survive’

With charter renewal talks under way to determine the BBC’s future funding, Sir Phil says “there’s only one question, and that is what’s going to happen to the BBC?”

“We’ve got two public sector broadcasters – the BBC and Channel 4 – both owned by the government, by us as the taxpayers, and what they’re trying to do now is survive, right?

“No bureaucracy ever deconstructs itself… the BBC is struggling… Channel 4 has got about a billion quid coming in a year. If you mix that, all the transmissions, all the back office stuff, all the technical stuff, all that cash… you can keep that kind of coterie of expertise on youth programming and then say ‘don’t worry about the money, just go out and do what you used to do, upset people!’.”

Brookside's lesbian kiss between Margaret and Beth (L-R Nicola Stapleton and Anna Friel) was groundbreaking TV. Pic: Shutterstock
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Brookside’s lesbian kiss between Margaret and Beth (L-R Nicola Stapleton and Anna Friel) was groundbreaking TV. Pic: Shutterstock

How feasible would that be?

Redmond claims, practically, you could pull it off in a week – “we could do it now, it’s very simple, it’s all about keyboards and switches”.

But the screenwriter admits that winning people over mentally to his way of thinking would take a few years of persuading.

As for his thoughts on what could replace the BBC licence fee, he says charging people to download BBC apps on their phones seems like an obvious source of income.

“There are 25 million licences and roughly 90 million mobile phones. If you put a small levy on each mobile phone, you could reduce the actual cost of the licence fee right down, and then it could just be tagged on to VAT.

“Those parts are just moving the tax system around a bit. [then] you wouldn’t have to worry about all the criminality and single mothers being thrown in jail, all this kind of nonsense.”

Original Brookside stars at BAFTA - L:R: Michael Starke, Dean Sullivan, Claire Sweeney and Sue Jenkins. Pic: PA
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Original Brookside stars at BAFTA – L:R: Michael Starke, Dean Sullivan, Claire Sweeney and Sue Jenkins. Pic: PA

‘Subsidising through streaming is not the answer’

Earlier this year, Peter Kosminsky, the director of historical drama Wolf Hall, suggested a levy on UK streaming revenues could fund more high-end British TV on the BBC.

Sir Phil describes that as “a sign of desperation”.

“If you can’t actually survive within your own economic basis, you shouldn’t be doing it.

“I don’t think top slicing or subsidising one aspect of the business is the answer, you have to just look at the whole thing as a totality.”

Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC
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Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC

Since selling his production company, Mersey Television, two decades ago, much of his current work has focused on acting as an ambassador for the culture and creative industries.

Although he’s taken a step away from television, he admits he’s disappointed by how risk-averse programme makers appear to have become.

“Dare I say it? There needs to be an intellectual foundation to it all.”

The Hollyoaks cast in 1995. Pic: Shutterstock
Image:
The Hollyoaks cast in 1995. Pic: Shutterstock

TV’s ‘missing a trick’

He believes TV bosses are too scared of being fined by Ofcom, and that’s meant soaps are not going as far as they should.

“The benefits [system], you know, immigration, all these things are really relevant subjects for drama to bring out all the arguments, the conflicts.

“The majority of the people know the benefits system is broken, that it needs to be fixed because they see themselves living on their estate with a 10 or 12-year-old car and then there’s someone else down the road who knows how to fill a form in, and he’s driving around in a £65k BMW, right? Those debates would be really great to bring out on TV, they’re missing a trick.”

While some of TV’s biggest executives are slated to speak at the Edinburgh Television Festival, Redmond is not convinced they will be open to listening.

“They will go where the perceived wisdom is as to where the industry is going. The fact that the industry is taking a wrong turn, we really need somebody else to come along and go ‘Oi!'”

When I ask if that could be him, he laughs. Cue dramatic music and closing credits. As plot twists go, the idea of one of TV’s most radical voices making a boardroom comeback to stir the pot, realistic or not, is at the very least food for thought for the industry.

Edinburgh TV Festival runs from 19 – 22 August.

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Adolescence star Owen Cooper makes history at Emmys

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Adolescence star Owen Cooper makes history at Emmys

Owen Cooper, the star of TV drama Adolescence, has made history becoming the youngest to win an outstanding supporting actor Emmy.

Cooper, who is 15, played Jamie Miller in the highly-acclaimed Netflix series set in Liverpool.

Adolescence, which dominated Netflix’s most-watched list earlier this year, centres on the story of a 13-year-old boy arrested for the murder of a classmate.

It won a total of four Emmys.

Cooper was just 14 at the time of filming Adolescence and had never acted before.

Pic: Netflix
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Pic: Netflix

In his acceptance speech he said he was “nothing three years ago.”

“It’s just so surreal. Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind here.

“So I think tonight proves that if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”

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The four-part mini-series provoked a strong response from viewers and prompted a conversation in the UK – and worldwide – around misogyny and online safety, with co-creator Jack Thorne joining Prime Minister Keir Starmer for a discussion on the matter at the end of March.

It was also widely praised for its filming techniques, with each episode captured in one continuous take.

Gyllenhaal’s gift

Cooper’s co-star Erin Doherty (who played Jamie’s therapist) won best supporting actress in a limited series, director Philip Barantini took home the Emmy for outstanding directing for a limited or anthology series or movie, while writers Jack Thorne and Stephen Graham won for outstanding writing in the same category.

Before the awards ceremony, Cooper, from Warrington, had been surprised by his acting hero Jake Gyllenhaal, who walked in unannounced during an interview he was giving to press.

The pair hugged, and Gyllenhaal gave Cooper a small gift – a “lucky duck”.

“I made this movie [Brokeback Mountain], and I got nominated for an Academy Award, and a friend of mine sent me this before. Something just like this,” he said.

“It’s just a ‘Lucky Duck’ to keep in your pocket. To give you a little bit of luck.”

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From the general public to Hollywood and music stars, everybody wanted a piece of Ricky Hatton

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From the general public to Hollywood and music stars, everybody wanted a piece of Ricky Hatton

There are few sporting stars who cross from the newspaper back pages to become front page news… but Ricky Hatton always was one of them.

Aside from his boxing brilliance, it was his personality and humour which made people pay attention.

In recent years, his happy-go-lucky character saw him cast on reality shows like Dancing on Ice.

But what’s more interesting is how and why the public came to have such great affection for him back in the day.

Follow the latest: Tributes being paid to former boxing world champion

Putting it kindly, sports stars aren’t always known for their sparkling personalities.

It was Ricky’s lack of interest in the trappings of fame which accompanied his epic run of victories that made him all the more cool.

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He was the working-class hero who seemed unstoppable. It was a story that everyone wanted to follow.

Ricky Hatton smiles during a news conference in 2006. Pic: Reuters
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Ricky Hatton smiles during a news conference in 2006. Pic: Reuters

Celebrities wanted to be seen alongside him. Piggy-backing off his popularity the likes of Brad Pitt, Angelina Jolie, Denzel Washington and David Beckham were all pictured ringside at one time or another, drawn to his fan-friendly style and impressive winning streak.

At the same time as the Gallagher brothers were flying the flag for music from Manchester, Hatton was doing the same for boxing.

During his 2008 fight against Paulie Malignaggi, he had Liam and Noel escort him to the ring.

In an interview he said he thought all three of them might be killed when Liam held up Hatton’s IBO belt inches from Malignaggi’s face and with a swagger said ‘what do you think about that you d*** head?’.

Stories like that are why his appeal extended beyond sport. He was an ordinary bloke who’d done extraordinary things. He never lost sight of who he was and fans loved him for it.

Ricky Hatton is joined by Liam and Noel Gallagher after his 2008 fight against Paulie Malignaggi. Pic: Reuters
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Ricky Hatton is joined by Liam and Noel Gallagher after his 2008 fight against Paulie Malignaggi. Pic: Reuters

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Parasocial relationships: How well do we really know the people we follow online?

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Parasocial relationships: How well do we really know the people we follow online?

Ever found yourself religiously following the lives of people you’ve never met on social media?

Be it your favourite artist, influencer – or someone you met once at a party – those of us “chronically online” are likely familiar with that strange phenomenon of feeling like you know someone – without actually knowing them at all.

That funny feeling is what psychologists call a parasocial relationship: a one-sided attachment or bond with someone despite a lack of reciprocity.

The term was first used by academics in 1956 with the advent of television, which facilitated the “illusion of face-to-face relationships” with “performers” on our screens.

Today, it’s increasingly associated with influencers and podcasters, given the amount – and often intimate nature – of what they put online.

“Unrequited relationships are nothing new,” Dr Veronica Lamarche, a social personality psychologist at the University of Essex, says. “Throughout history there are lots of examples of people forming one-sided connections.

“It’s a case of all your connection with that person coming solely through what you’re presented with through those channels – be it your favourite TV show or a social media profile.”

A 2024 study co-authored by Dr Lamarche revealed that while people found their emotional needs were still best met by friends and family, parasocial relationships with YouTubers were valued more than relationships with “real” acquaintances or colleagues.

“Parasocial relationships are available whenever we need them,” Dr Lamarche adds.

“In the middle of the night, if you’re feeling a bit sad, you can turn to your favourite content creator and get that feeling of solace – whereas it might be inappropriate to wake up your best friend to call them for a chat. There aren’t those same boundaries.”

Four influencers share their experiences of parasocial relationships

One follower ‘turned up at my house’

Charlie Pauly, 34, is a travel blogger and content creator who knows those blurred boundaries all too well.

He and his then partner started documenting their round-the-world trip in 2017 and unwittingly became “the UK’s biggest Instagram travel couple”.

But when the couple separated in 2022, not only did he have to navigate a break-up but his followers’ reactions – and many had been invested in their “couple goals” persona for years.

Travel blogger Charlie Pauly in New York. Pic: Charlie Pauly/Instagram
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Travel blogger Charlie Pauly in New York. Pic: Charlie Pauly/Instagram

“The thing with social media is people love depth. They really want to get to know you – and people really believe that they know you,” he tells Sky News.

“I got lots of lovely messages of support, but it went crazy at first. I got [messages saying]: ‘I always knew she was gay’ and ‘he was definitely cheating on her’ – none of which was true.

“Even just recently a guy came up to me and kept saying ‘you were such a good couple’.

“I suppose that’s the perfect example of a parasocial relationship. I don’t know this person and yet he came and said all of this to my face. It’s just weird.”

Charlie travelling with his ex-partner. Pic: Charlie Pauly
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Charlie travelling with his ex-partner. Pic: Charlie Pauly

When Charlie was living on a narrowboat near his hometown of Peterborough, a follower sent a picture of himself standing beside it.

“He just turned up at the boat when we weren’t there – I had no idea,” he recalls. “He took a selfie and sent it to me on Instagram.”

Charlie, who has now rebranded as a solo traveller, still isn’t sure whether it was meant maliciously or not, but he felt it crossed privacy and safety boundaries.

“He said he ‘just wanted to say hi’, but I got quite defensive about it. I told him: ‘I don’t know where your head’s at, but that’s not cool. Don’t ever turn up at my house again’.”

‘I hadn’t realised my follower had died’

Lifestyle content creator Kristabel Plummer says she has felt the effects of the parasocial relationship in reverse – when she found out one of her most loyal followers had died.

The 37-year-old from London has been making a living from her social media channels for the past 12 years, with around 80,000 followers on Instagram and “lives” on TikTok roughly three times a week.

Lifestyle influencer Kristabel Plummer, from London. Pic: Kristabel Plummer/Instagram
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Lifestyle influencer Kristabel Plummer, from London. Pic: Kristabel Plummer/Instagram

Earlier this year, she realised she hadn’t heard from a follower she’d had on-off conversations with for years.

The follower, an aspiring influencer herself, would diligently follow tips and hacks Kristabel posted, and Kristabel had followed her back roughly two years ago.

“She was in South Africa and I’m not sure what the influencer scene is like there, but she wasn’t able to do it as a job – like me. So she would always remember very specific things I’d written and put them into practice,” she says.

She recalls: “She crossed my mind one day, so I checked her profile – only to find someone had posted about her passing away.”

Although she didn’t find out until eight months later, and she still doesn’t know how she died, Kristabel was brought to tears.

“It’s such a strange sort of relationship. If someone stops messaging you, you have no way of knowing what’s happened to them – so it was very upsetting to find out that way,” she adds.

Her experience is in line with academic research, which has shown people can still experience grief-like symptoms even if they have never met the person who has died, or if they’re not real.

Parasocial relationships ‘part of our psychological toolkit’

But there are plenty of positives to parasocial relationships. Dr Lamarche describes them as “part of our psychological toolkit for connection” when used in the right way.

Research has shown they can reduce social isolation, build confidence, and enhance our sense of identity.

Josh Fletcher, or ‘Anxiety Josh’, is a psychotherapist, author, and podcaster with around 240,000 Instagram followers and nearly two million podcast downloads.

'Anxiety Josh' from Manchester. Pic: Jon Shard Photography
Image:
‘Anxiety Josh’ from Manchester. Pic: Jon Shard Photography

After a breakdown in his early 20s, he was diagnosed with anxiety and OCD, and suffered from panic attacks and intrusive thoughts.

Having found the resources he’d been given of little use, he decided to create a platform to help others like him. His posts aim to show what various conditions and their symptoms look like in reality – and how people can separate themselves from how they feel in that moment.

“When you’re anxious you feel alone, you feel isolated – sometimes you don’t even have the words to describe how you’re feeling,” the 35-year-old from Manchester tells Sky News.

“I live a happy life now, but by me saying ‘I’ve been there’ gives people hope.”

Researchers who specialise in parasocial relationships have consistently found that minority groups, particularly the LGBTQ+ community, often get the most benefits from them – especially if they lack those peers in their social circles.

“Being able to see yourself mirrored back to you is a great antidote to that loneliness and hopelessness that comes with a lot of mental health conditions,” Josh says.

He sees the benefits of his followers’ parasocial relationships with him in the messages he gets, he adds.

On his podcast Disordered, his listeners share things they’ve achieved with the help of his online community, despite their mental health challenges.

And in response to his latest book, And How Does That Make You Feel: Everything You Never Wanted To Know About Therapy, he’s had “hundreds” of messages from people inspired to follow in his footsteps because he has “taught them it’s okay be a therapist – and still not have your all s*** sorted”.

Risk of social withdrawal

While parasocial connections have proven benefits, they’re not without their risks.

Following someone else’s experiences day in, day out, inevitably leads to social comparison – and can risk people developing unhealthy ideals or expectations.

And for those with low self-esteem or attachment issues, there is a risk of withdrawing from in-person relationships in favour of parasocial ones.

“The reason they can be so harmful is that one-sidedness,” Dr Lamarche says.

“While they’re useful, they can’t ever fully satiate our needs, so when things get really challenging, these people can’t tailor their behaviours to us – because they don’t know who we are.

“So if someone with low self-esteem starts putting all their eggs in their parasocial basket, that withdrawal can make them more vulnerable and actually lower their wellbeing long-term.”

So how do you strike the right balance?

Both Charlie and Kristabel admit they are “still figuring out their boundaries” when it comes to these kinds of parasocial relationships.

But as a psychotherapist, Josh says he has always been mindful that they can form and feels a responsibility to navigate them carefully.

“That over-familiarity can lead to disappointment,” he says.

“I come across as this caring, considerate person on social media, but if people reach out to me and I don’t respond, that can be perceived as a rejection.

“I have to put ‘no DM advice’ on my profile because I can’t provide individual advice – it’s unethical.”

So how do you strike the right balance – particularly when you make a living from sharing your life online?

Michelle Elman is a life coach, author, content creator, and self-styled “queen of boundaries”.

Life coach Michelle Elman, from London. Pic: Michelle Elman
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Life coach Michelle Elman, from London. Pic: Michelle Elman

Just over a year ago, having kept her relationship relatively private, she revealed that she had got engaged and discovered her fiance had been cheating on her with one of her followers – all on the same day.

Now, she has returned to posting about dating, friendships, and body positivity – having initially found internet fame for sharing pictures of her surgery scars.

“I think with my style of content there’s a perception that I share everything about my life – when I actually really don’t,” she tells Sky News.

Whenever she has felt the need to demonstrate this to her followers, she asks them how many siblings she has – so they realise they don’t know the answer.

“I’m very private about the people in my life – my family, friends, the people I’m dating,” she explains.

While she may share screenshots of WhatsApp messages or conversations on dating apps, she doesn’t reveal names or anything beyond the early stages of a relationship.

“Every so often, I might get a message asking ‘What happened to this guy?’, but I won’t answer, because the moment you start, it’s never going to be enough to meet people’s expectations.”

Asked how influencers can avoid the pitfalls of parasocial relationships, she advises them not to let followers dictate what they do and don’t talk about – and to be aware “oversharing” won’t increase their numbers.

“People can think that relatability thing, if you overshare, you’ll get a bigger following – but you have to ask yourself if that’s why you want people to follow you.

“If you look at my Instagram as a whole – it does sum up my life – but that doesn’t mean I’ve shared every thought I’ve ever had.”

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