Sound in film: The ‘uber geniuses’ of the invisible art you just can’t cheat
Oscar-nominated actors like Cillian Murphy and Carey Mulligan might be the headline-grabbing stars you’ll hear mentioned everywhere ahead of this Sunday’s ceremony.
Lesser known are the names of the “uber geniuses” who’ve made audiences sit-up and listen in what’s been a stand-out year for sound in film.
Cillian Murphy in Oppenheimer. Pic: Universal Pictures
From the small matter of recreating the noise of an atomic bomb going off for Oppenheimer, to the subtle but menacing churning of the concentration camp crematorium in The Zone Of Interest.
Sound is typically one of the least discussed categories at the Academy Awards, but this year there’s plenty to talk about.
On paper the nominees couldn’t be more different, there’s the team who had to work out how noisy Tom Cruise‘s death-defying Mission Impossible stunts should be, those tasked with setting the right tempo for Bradley Cooper’s Maestro mood swings, not forgetting the nominees who somehow conjured up what a future war with robots might sound like in The Creator.
But sound designer Johnnie Burn is arguably the one to watch having already won a BAFTA for his work The Zone Of Interest.
“This reaction to me is surprising,” Burn told Sky News on the red carpet before his win.
“We are a small team of people who worked together for a year and a half, and I wasn’t really aware that sound was doing such an enormous load.”
The concept was director Jonathan Glazer’s idea to use sound to show the banality of evil unfolding through what we hear, challenging viewers to really listen to scenes of domestic bliss set against the muted sound of execution gunshots in the distance.
Sandra Huller in The Zone Of Interest. Pic: A24
As Burn explained: “It was a lot of research, it was reading witness testimony and understanding what happened to Auschwitz in 1943.
“Understanding what the motorbikes and the guns sounded like… Reading events of torture and murder that I could imagine would have a sound attributed to them, then going and re-enacting that as best as possible using sometimes actors but more so trying to find sound in the real world that’s similar and repurposing that, because that’s more credible than having an actor pretend.”
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Not only did his team have to meticulously research the details of what the concentration camp would have sounded like, they also had to contend with a cast whose performances were being recorded on hidden cameras.
Unable to use booms they had to wire the house that’s at the centre of the film with three-quarters of a mile of microphone cable to capture their dialogue.
Johnnie Burn. Pic: Reuters
While there is a quiet power to how and when sound is used in The Zone Of Interest, cinematically at the other end of the spectrum, Mission: Impossible – Dead Reckoning Part One, is packed full of action and noise.
Sound engineer Chris Burdon – who won the Oscar last year for Top Gun: Maverick and was nominated for Banshees Of Inisherin before that – had a massive task on his hands.
“On a car chase in Rome you’ve got 450 elements over a series of minutes, then you’ve got music with all the layers,” he said.
“It’s a kind of layering process… even a simple scene would have 20 layers of sound effects, whether it’s birds, footsteps, a door… Often you speak to family members or friends and they’re surprised that what they hear or see isn’t just recorded on location.”
Chris Burdon. Pic: PA
When cinema transitioned from silent movies to talkies, filmmaking was transformed by the addition of sound. Cinema-goers quickly developed an insatiable appetite for musicals and gangster films.
The entire experience was a brand-new sensation – from hearing the mobster machine guns ring out across the cinema seats to the screeching tyres in a car chase.
Nowadays the addition of sound is something most of us take for granted but it remains an invisible art. And while a filmmaker can actually quite easily swap out a dodgy actor, they can’t cheat bad sound.
Bradley Cooper and Carey Mulligan in Maestro. Pic: Jason McDonald/Netflix
According to The Creator director Gareth Edwards, experts in the field are “worth their weight in gold”.
“Tom [Ozanich] and Dean [Zupancic] who did our sound mix for The Creator are also nominated for Maestro, that’s no accident… These people are these uber geniuses of the industry.”
It is perhaps more obvious that a film about composer Leonard Bernstein had to be note perfect in terms of its audio, but how did the same duo set about figuring out what a war between humans and robots with artificial intelligence would sound like?
Gareth Edwards. Pic: Europa Press/AP
Edwards said: “The tricky thing about doing sound design for a sci-fi movie… is that if you go too far you don’t even know what you’re listening to.
“You’ve got to try to find sounds that are one step away from what we know those sounds to be now.”
Whoever wins, while few watching this Sunday’s ceremony at home will recognise their faces, it’s highly likely you will have heard their work.
Instinctively while we may see filmmaking as a visual medium, this year’s brilliantly diverse range of films nominated for their sound demonstrate the transfixing and transporting hold it can have over an audience, often without us even realising it.
Entertainment
Jessica Chastain criticises decision to delay release of The Savant after Charlie Kirk killing
Jessica Chastain has criticised Apple’s decision to delay the release of political thriller series The Savant after the killing of Charlie Kirk.
The actress, who is also executive producer of the show for the tech giant’s TV+ streaming service, said she was “not aligned on the decision to pause the release”.
In a post on Instagram, she said the programme, in which she plays a woman who tries to draw out potential terrorists online, is “so relevant” and she has never “shied away from difficult subjects”.
Chastain portrays a military veteran who works at the Anti-Hate Alliance, where she secretly visits 4Chan-like message boards and poses as a white nationalist to identify possible terrorists.
“‘The Savant’ is about the heroes who work every day to stop violence before it happens, and honouring their courage feels more urgent than ever,” Chastain said.
“I remain hopeful the show will reach audiences soon. Until then, I’m wishing safety and strength for everyone.”
She listed several acts of political violence in the US in recent years, including a plot to kidnap Michigan’s governor Gretchen Whitmer, the attempted assassinations of Donald Trump last year and also the killing of controversial influencer Kirk.
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Apple said it chose to postpone the show after “careful consideration” but did not give a reason why.
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Meanwhile, millions of people tuned in to watch Jimmy Kimmel on Tuesday after he returned to TV after Disney suspended him for nearly a week after he made comments about Kirk.
Jimmy Kimmel hosting his late night show. Pic: AP
ABC said 6.26 million people watched Kimmel as he said it was “never my intention to make light of” Kirk’s death. It was the late-night show’s highest-rated regularly scheduled episode.
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“I don’t think there’s anything funny about it,” he said as he choked up.
“Nor was it my intention to blame any specific group for the actions of what was obviously a deeply disturbed individual. That was really the opposite of the point I was trying to make”.
Kimmel had been accused of being “offensive and insensitive” after using his programme, Jimmy Kimmel Live, to accuse Donald Trump and his allies of capitalising on the killing.
Entertainment
Claudia Cardinale: Star of The Pink Panther and Once Upon A Time In The West dies aged 87
Acclaimed Italian actress Claudia Cardinale, who starred in The Pink Panther and Once Upon A Time In The West, has died aged 87, according to French media reports.
The actress, who starred in more than 100 films and made-for-TV productions, died in Nemours, France, surrounded by her children, her agent told the AFP news agency.
At the age of 17 she won a beauty contest in Tunisia, where she was born to Sicilian parents, and was rewarded with a trip to the Venice Film Festival, kick-starting her acting career.
She had expected to become a schoolteacher before she entered the beauty contest.
Claudia Cardinale at the Prix Lumieres awards ceremony in Paris in January 2013. Pic: AP
Cardinale gained international fame in 1963 when she starred in both Federico Fellini’s 8-1/2 and The Leopard.
She went on to star in the comedy The Pink Panther and Sergio Leone’s Once Upon A Time In The West in 1968.
She considered 1966’s The Professionals as the best of her Hollywood films.
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When she was awarded a lifetime achievement at the Berlin Film Festival in 2002, she said acting had been a great career.
“I’ve lived more than 150 lives, prostitute, saint, romantic, every kind of woman, and that is marvellous to have this opportunity to change yourself,” she said.
“I’ve worked with the most important directors. They gave me everything.”
Cardinale was named a goodwill ambassador for the UN Educational, Scientific and Cultural Organisation for the defence of women’s rights in 2000.
She is survived by two children.
A convicted killer who turned up at Cheryl Tweedy’s home for a fourth time has been jailed.
Daniel Bannister, 50, was sentenced to 12 months after admitting a single charge of breaching a restraining order.
He was also given a new restraining order, which warns him against contacting the former Girls Aloud singer.
“You are causing her anxiety,” Judge Alan Blake told him.
“She does not wish any contact with you. You have shown defiance to the court order. You need to draw a line under that behaviour.”
Bannister turned up at Tweedy’s rural home for the fourth time on 19 June.
Reading Crown Court heard he arrived in a taxi just before 10pm and rang the intercom twice before peering over the gate.
Bannister believed the singer had invited him to her home over Microsoft Teams, the court was told.
Daniel Bannister. Pic: Thames Valley Police
Tweedy said she was “stunned” when Bannister visited her home yet again and had been forced to hire security.
“Each time he returns the worry of his intentions intensifies,” she said in a victim impact statement.
“I’m worried, nervous and on edge every time I open my gate. No person should have to feel this way.
“Daniel has made my young child scared,” she added.
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Bannister was initially jailed for four months in September last year – and handed a three-year restraining order.
But he breached it by turning up at Tweedy’s home in December.
In March, he was jailed for 16 weeks at Wycombe Magistrates’ Court for repeatedly going to Tweedy’s Buckinghamshire home while under the restraining order.
During that appearance, the court heard that Tweedy “immediately panicked” and was “terrified” when she saw him outside her home, fearing for the safety of her eight-year-old son Bear.
Bannister killed Rajendra Patel, 48, at a south London YMCA shelter in 2012 and pleaded guilty to manslaughter.
Mr Patel died from an injury to his leg, a court heard.
Tweedy’s former partner Liam Payne died last year in Buenos Aires, Argentina, after falling from his third-floor hotel balcony.
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