‘It’s uncomfortable and it’s not depicted’: Rose Byrne on highlighting eating disorders in new show

Published

4 years ago

June 7, 2021

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“You’re nothing. You’re a ghost, a fat ghost,” says the critical inner voice of disillusioned housewife Sheila Rubin, who spends her days booking rooms in cheap motels to binge on fast food.

Beautiful, thin, privileged; on the outside, her life appears perfect. But inside, Sheila, played by Rose Byrne, is battling a complex eating disorder and plodding through a humdrum life in the shadow of her husband, a man who wants his wife to cook, clean, and have threesomes.

And then she discovers the shiny, spandex-wrapped world of aerobics. “Only you have the power to change you” becomes a new mantra.

Set against the backdrop of sun-soaked 1980s San Diego, Byrne’s new series Physical is a dark comedy about a woman’s rise from dutiful wife to lifestyle guru, all the time while fighting her inner demons; it explores the pressures on women – and the pressures women place on themselves – to look a certain way.

The actress, best known for her role as alpha bridesmaid Helen in Bridesmaids, says Sheila is “an extreme version of the duality” of many women.

“She obviously has a terrible illness, an addiction that she’s living with, and we meet her at a breaking point,” Byrne tells Sky News. “But there is that idea of appearance; on the outside, she looks perfect and she’s skinny and pretty and white and all these things but yet she’s completely self-destructive inside. She has all these privileges… but yet it doesn’t matter.

“I think that is uniquely female in a way, having that kind of inner-destruction. Often I see depictions of, you know, external, and this and that – drinking and that kind of destructive side of women. But I feel like it’s often an inside job that we do.”

Physical shows that anyone can suffer from issues with their body image, no matter what they look like.

Created by Annie Weisman, known for her work on shows including Desperate Housewives, the story of Sheila’s eating disorder is based on the writer’s own experiences when she was younger.

“It’s uncomfortable and it’s not depicted [very often on screen],” says Byrne. “I don’t know, why it is that? I mean, it’s a hard thing to write about and it’s a hard thing to show. I don’t think it’s particularly something people gravitate toward. This is sort of an opportunity to start a conversation about it.”

Sheila’s story shows the “seediness of the illness and that addictive quality that it has”, Byrne adds. “Like any addiction, you know, it’s always: ‘That was the last time. I just had to do it one more time, and then I’m good and I won’t do it again.’ And you just keep falling back into this very destructive pattern.”

At first, it’s the exercise part of the aerobics that Sheila craves, but real empowerment comes when she harnesses the burgeoning technology of videotape to revolutionise the industry. While on-screen workouts are everywhere now, whether it’s celebrity DVDs or Instagram lives with wellness gurus, it all stemmed from the trend that emerged in the 1980s.

“It was really hard,” Byrne tells Sky News, of channelling her inner Jane Fonda. “You know, I’m not co-ordinated, I’m not a dancer. I’m lazy, essentially. So I really was daunted by this task.”

Weisman says she wanted to use the typically female space of aerobics as a force for empowerment.

“Having struggled for decades with eating disorders and feeling really disconnected from my body, aerobics and exercise were a place where you could really embrace a kind of strength and power,” she tells Sky News. “And like so many things that are specifically female spaces, I think it gets easily dismissed.

“Whether or not women – or men – have that specific struggle with food, I think a lot of people relate to the idea of having a kind of shameful secret, an obsessive habit that allows them to contain some really difficult and unmanageable feelings.

“We’re not interested in exploitation or anything lurid, but really just emotional truth. So I don’t think you have to have had an eating disorder to relate. But, you know, eating disorders certainly are a persistent threat in in our culture today.”

Another issue the show explores is the power dynamics between men and women.

Sheila masks her problems and her desires and is seemingly a meek and mild wife, taking a backseat to her husband as he bids for state assembly – but while her character lives in the background (at first, at least), Byrne is very much the star of the show.

The issue of female-led films and TV series has been highlighted in recent years as diversity in front of and behind the camera slowly improves, but it seems there are lots of male stars who aren’t happy about playing second fiddle to a woman.

“Worth knowing that one of the big reasons so many female-centred projects weren’t being made for so long wasn’t because they weren’t being written and commissioned but because they couldn’t find a bankable male star who would agree to play second string,” Succession and I Hate Suzie writer Lucy Prebble tweeted earlier in June.

And in February, actress and director Olivia Wilde made headlines for praising her reported boyfriend Harry Styles for taking a supporting role in her female-led film, Don’t Worry Darling, saying that “the industry has raised [male actors] to believe it lessens their power (i.e financial value) to accept these roles, which is one of the reasons it’s so hard to get financing for movies focusing on female stories”.

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Comedian and actor Rory Scovel, who plays Sheila’s husband Danny Rubin, says he was more than happy to play a supporting role alongside Byrne.

“I like being employed, first and foremost,” he tells Sky News. “So I would do probably anything. I don’t relate to the sentiment of needing to be the lead or feel as though I won’t play a supporting character to a female lead. I do understand that that is something and I do understand that some people make their decisions and feel that way, but I truthfully just can’t relate to it.

“I don’t know that I’m so concerned where [a] character falls in the line-up or who the lead actually is. I think it’s just exciting to get to be a part of a show that is so well written, telling such an interesting story. It’s already fun that it’s set in the ’80s and we get to wear those clothes and have that look, but also, in quite the opposite sentiment, to get to follow someone like Rose and see her in action…

“I find it to be an education that I need as an artist. I would rather see someone like her showing me literally from the front row how she operates and what she brings to her roles so that I can, you know, hopefully try to educate myself in whatever that is, so that I can be better. So yeah, I feel quite the opposite. I feel very grateful that I got to be a part of the show.”

Apple Original series Physical, starring Rose Byrne, premieres on Apple TV+ on Friday 18 June

Entertainment

Robin Williams’s daughter begs people to stop sending her AI videos of her father

Published

21 hours ago

October 7, 2025

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Robin Williams's daughter begs people to stop sending her AI videos of her father

The daughter of late actor Robin Williams has begged people to stop sending her AI-generated “slop” of her father.

“Please, just stop sending me AI videos of Dad,” actor and director Zelda Williams wrote on Instagram on Monday.

“To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough’, just so other people can churn out horrible TikTok slop puppeteering them is maddening.”

She described the videos as “disgusting, over-processed hotdogs” made from the lives of human beings.

“You’re […] shoving them down someone else’s throat hoping they’ll give you a little thumbs up and like it. Gross,” she wrote.

It’s not the first time Williams has written about the impact of people sending her content about her father on social media.

In 2020, on the anniversary of her father’s death, Williams posted on Instagram saying:

“While I am constantly touched by all of your boundless continued love for him, some days it can feel a bit like being seen as a roadside memorial – a place, not a person – where people drive past and leave their sentiments to then go about their days comforted their love for him was witnessed.”

“But sometimes, that leaves me emotionally buried under a pile of others’ memories instead of my own.”

The death of Robin Williams in 2014, an actor and comedian known for his quick wit and wisdom, triggered a global outpouring of grief and tributes to the star still frequently surface on social media to this day.

In 2023, Zelda appealed for the end of AI-generated content, saying in a widely-reported post on Instagram:

“I’ve witnessed for YEARS how many people want to train these models to create/recreate actors who cannot consent, like Dad. This isn’t theoretical, it is very very real.”⁠
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“I’ve already heard AI used to get his ‘voice’ to say whatever people want and while I find it personally disturbing, the ramifications go far beyond my own feelings.”

Entertainment

Author Dame Jilly Cooper has died

Published

2 days ago

October 6, 2025

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Author Dame Jilly Cooper has died, her publisher has said.

“It is with great sadness that we announce the death of Dame Jilly Cooper, DBE who died on Sunday morning, after a fall, at the age of 88,” a statement said.

The Queen paid tribute to Dame Jilly, calling her a “legend” who was a “wonderfully witty and compassionate friend”.

The best-selling author was renowned for her raunchy, so-called “bonkbuster” novels, which portrayed the scandals and sex lives of wealthy country social circles, including Rivals, Riders and Polo.

She was praised for her blend of risqué storylines and critique of Britain’s class system, personified by showjumping lothario Rupert Campbell-Black.

Her children Felix and Emily said: “Mum was the shining light in all of our lives. Her love for all of her family and friends knew no bounds.

“Her unexpected death has come as a complete shock.

“We are so proud of everything she achieved in her life and can’t begin to imagine life without her infectious smile and laughter all around us.”

Dame Jilly was propelled to commercial success in the 1980s, and sold 11 million copies of her books during her more than fifty-year career.

Last year, Rivals was adapted into a successful TV series, which she worked on as an executive producer.

Tributes to author who created ‘a whole new genre’

Dame Jilly was a long-standing friend of the Queen.

In a statement released by Buckingham Palace, she said: “I was so saddened to learn of Dame Jilly’s death last night.

“Very few writers get to be a legend in their own lifetime but Jilly was one, creating a whole new genre of literature and making it her own through a career that spanned over five decades.

“In person she was a wonderfully witty and compassionate friend to me and so many – and it was a particular pleasure to see her just a few weeks ago at my Queen’s Reading Room Festival where she was, as ever, a star of the show.

“I join my husband the King in sending our thoughts and sympathies to all her family.

“And may her hereafter be filled with impossibly handsome men and devoted dogs.”

The author’s many fans included former prime minister Rishi Sunak, who said the books offered “escapism”.

‘Dame Jilly defined culture’

Her agent Felicity Blunt said: “The privilege of my career has been working with a woman who has defined culture, writing and conversation since she was first published over fifty years ago.”

She added: “You wouldn’t expect books categorised as bonkbusters to have so emphatically stood the test of time, but Jilly wrote with acuity and insight about all things – class, sex, marriage, rivalry, grief and fertility.”

The executive producers of the Disney+ adaptation, Rivals, said they are “broken-hearted” and “her legacy will endure”.

Dominic Treadwell-Collins and Alex Lamb added: “Jilly was and always will be one of the world’s greatest storytellers, and it has been the most incredible honour to have been able to work with her to adapt her incredible novels for television.”

As tributes rolled in on Monday, TV presenter Kirsty Allsopp wrote on X: “I know 88 is a good age, but this is very sad news.

“A British institution, funny, enthusiastic and self-deprecating, we don’t see enough of it these days.”

Her publisher Bill Scott-Kerr said: “Jilly may have worn her influence lightly, but she was a true trailblazer.

“As a journalist she went where others feared to tread, and as a novelist she did likewise.

“With a winning combination of glorious storytelling, wicked social commentary and deft, lacerating characterisation, she dissected the behaviour, bad mostly, of the English upper middle classes with the sharpest of scalpels.”

The ‘unholy terror’

Born in Essex in 1937, Jilly Cooper came from a Yorkshire family known for newspaper publishing and politics.

Her writing career began in 1956 as a junior reporter on the Middlesex Independent, covering everything from parties to football.

She had said she was known as the “unholy terror” at school, and was sacked from 22 jobs before finding her way into book publishing.

Dame Jilly started writing stories for women’s magazines in 1968, and found her break in 1969 when The Sunday Times published a story on being an ”undomesticated” homemaker. It gave rise to a column that lasted over 13 years.

In 2019 she won the inaugural Comedy Women in Print lifetime achievement award, and in 2024 was made a dame for her services to literature and charity.

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Entertainment

Robbie Williams forced to cancel world tour gig in ‘interests of public safety’

Published

3 days ago

October 5, 2025

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Robbie Williams forced to cancel world tour gig in 'interests of public safety'

Robbie Williams has said he is “deeply sorry” his concert in the Turkish city of Istanbul has had to be cancelled “in the interests of public safety”.

The former Take That singer said it was his “dream” to perform at Atakoy Marina on Tuesday but the decision by city authorities to cancel the show “was beyond our control”.

Williams’ Britpop world tour began in May and has taken him to cities including London, Amsterdam, Berlin, Helsinki and Athens.

The 51-year-old Angels singer said in a post on Instagram to his 3.7m followers: “The last thing I would ever want to do is to jeopardise the safety of my fans – their safety and security come first.

“We were very excited to be playing Istanbul for the first time, and purposely chose the city as the final show of the Britpop tour.

“To end this epic run of dates in front of my Turkish fans was my dream, given the close connections my family have with this wonderful country.

“To everyone in Istanbul who wanted to join the 1.2 million people who have shared this phenomenal tour this year with us, I am deeply sorry. We were so looking forward to this show, but the decision to cancel it was beyond our control.”

Williams is still expected to perform a small ticketed gig on Thursday at Camden’s Dingwalls venue in London.

He will run through his upcoming album Britpop, which is yet to be released, in full, with his first solo LP, Life Thru A Lens.

After leaving Take That in 1995, Williams released his chart-topping debut album in 1997, and has achieved seven UK number one singles and 15 UK number one albums.