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Autonomous rideshare rivals Waymo and Cruise have both reportedly applied for permits to charge passengers for self-driving rides in the San Francisco Bay area. Some of the applications are still under review, but it could be a major step toward autonomous rideshare vehicles operating as commonplace soon.

June 7 update: As of June 4, Cruise has been authorized by the CPUC to provide driverless autonomous vehicle passenger service in test vehicles. According to the CPUC press release:

Cruise is the first entrant into the CPUC’s Driverless Pilot program, in which passengers can ride in a test vehicle that operates without a driver in the vehicle. Cruise may not charge passengers for any rides in test AVs.

It now appears Cruise has a jump on Waymo, at least in cutting through the red tape with permits, but it’s still waiting for its driverless deployment permit from the DMV. Waymo has received a permit from the CPUC, but is currently authorized for driving permits only, not driverless like Cruise.


Waymo was launched in 2009 by Google’s parent company Alphabet, Inc., as a self-driving car project. In 2016, the Google project was officially renamed Waymo, derived from “a new way forward in mobility.” Since then, Waymo has tested its various self-driving vehicles in several states. Furthermore, it has been charging driverless rides for people in Chandler, Arizona, since 2019, apart from a slight halt during the COVID-19 pandemic.

Cruise is a younger company founded in 2013 in San Francisco. In 2016, General Motors (GM) purchased Cruise, focusing on making the automaker’s Bolt EV fully autonomous, backed by $14 million in funding. While both Waymo and Cruise have operated their respective autonomous vehicles in San Francisco, these rides have remained on a testing basis only up to this point.

Waymo and Cruise apply for DMV permits in CA

According to a report from Reuters, state documents in California reveal that both Waymo and Cruise have applied for permits to begin charging for autonomous rideshare services in San Francisco. Waymo applied for said permits on January 19 of this year, while Cruise followed suit on March 29. According to the report, the California DMV is still reviewing these applications and has not offered a timeline of when they will offer a decision.

In its application, Waymo stated it has logged over 83,000 autonomous miles in the San Francisco area, although its total autonomous miles are much higher. Since Cruise is headquartered in SF and has stayed focused on that geographical area since its inception, its permit application claims 2 million logged autonomous miles in San Fran alone.

Waymo Cruise
Waymo’s two current autonomous offerings – the Chrysler Pacifica minivan and the Jaguar I-Pace SUV

Waymo told Reuters that approval of the permit in California would allow the company to begin operating paid rides in autonomous vehicles, although there will be a driver behind the wheel, at least to begin. Waymo also said it might even switch off autonomous mode within its Chrysler Pacifica or Jaguar I-Pace models driving in especially tricky areas, such as freeway ramps and construction zones. This could also apply to less than ideal driving conditions, such as heavy rain and wet roads.

Cruise also stated it could possibly limit its self-driving deployment to more specific routes focused on operating in “non-inclement weather conditions.” The documents also show that Cruise initially plans to operate during the late evening to early morning hours, at speeds up to 30 mph. Waymo, on the other hand, stated plans to operate around the clock with speeds up to 65 mph.

Voyager Cruise self-driving
Cruise’s upcoming Origin vehicle

DMV approval is just the start

While permit approval from the California DMV will be crucial to both Waymo and Cruise in deploying paid autonomous rides, there’s another step after that. Both companies will then be required to apply for a permit from the California Public Utilities Commission (CPUC) before either can begin charging passengers.

At this point, neither tech company has revealed when they intend to launch these rideshare services. A lot will depend on if and when they are approved by the DMV and how quickly they can get that additional permit from the CPUC.

While both Waymo and Cruise offer the same service using similar technology, both have shared very different deployment plans. Contrary to the previous statement of Waymo beginning with drivers behind the wheel, Cruise has stated it is expecting to deploy its vehicles sans humans driver. That could be a big reason behind its decision to operate at non-peak hours at a much slower pace than Waymo.

Check back with our autonomous driving guide for the latest news surrounding these permit applications, as well as self-driving updates from all the automakers.

Electrek’s Take

Regardless of when it actually happens, the reality is that autonomous rideshare implementation is inevitable. We’re also likely to see this tech roll out from companies like Waymo and Cruise before consumer EVs, too. This is based on the strategy of shorter rides at lower speeds that can even be controlled through geofencing. Having major backing from companies like Google, GM, and Honda certainly helps the cause.

The decision to begin with drivers behind the wheel as a safety net feels like a smart move for Waymo, especially as it has much more ambitious plans for an initial rollout than Cruise, pending permits, of course. At the same time, Cruise is taking its own unique approach by skipping the driver altogether and operating at times and in areas with less risk — perhaps a smaller sample size of data but potentially more explicit without driver interference.

Both strategies could prove effective if approved, but they are not alone. Startup Nuro already has the DMV permit from California and is working on autonomous food delivery. So there’s certainly optimism that these companies could see DMV approval, helping the technology lay another paver closer toward cities flush with robotaxis. Driverless burrito delivery sounds pretty cool.


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Andrew Garfield on baking cookies and keeping perfume to remember his mum

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Andrew Garfield on baking cookies and keeping perfume to remember his mum

Andrew Garfield says he bakes cookies every year in memory of his late mother.

The double Oscar nominee‘s mother Lynn Garfield, from Essex, died in 2019 from pancreatic cancer.

In a conversation about his new film We Live In Time, he told Sky News about the special ways he likes to remember her.

“My mum had the most incredible chocolate chip cookie recipe that I will do every year on the anniversary of her birth and on the anniversary of her death.

Pic: StudioCanal
Image:
Pic: StudioCanal

“So, I will bake them, and we will all eat them, but I’ll leave a few out for her somewhere, you know, like Rudolph the Red-Nosed Reindeer or Santa Claus at Christmas or something.”

The English-American actor says he looks to keep the connection to his mother alive and notes that he has some of her keepsakes in his own home.

“I have her perfume in my house that my mum used to wear when I was a kid. I have it, like, in a very special place. I’ll just like [smell it], when I need it.

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“It’s like in the missing and the longing, you actually get closer to the person. It’s a weird thing. As we reach out in grief, we actually feel much closer to the person so it’s this weird conundrum”.

Pic: StudioCanal
Image:
Pic: StudioCanal

‘Leaving a legacy behind’

Garfield stars alongside Florence Pugh in the romance film We Live In Time, which follows an up-and-coming chef and a Weetabix salesman through a decade of their love story.

Pugh says she loves playing “really strong-willed women” and says playing a woman dealing with ovarian cancer allowed her to look at the idea of creating a legacy.

“She’s constantly juggling whether she does something for herself, does something for her daughter, does something for her family and ultimately, she’s allowed to do all of those things.

“I do believe that she is trying to leave that kind of legacy behind so that her daughter is proud of her.

“Just because you are a parent and you’re a mum does not mean that your wills and wants also completely vanish and disappear and you can’t have or want them too”.

Pic: StudioCanal
Image:
Pic: StudioCanal

‘A level of detail and care’

We Live In Time is directed by Brooklyn filmmaker John Crowley.

Having previously worked with Garfield on Boy A, the Irish director says seeing Garfield and Pugh on screen together is magic.

“All that life experience is present in his performance,” he says.

“I wouldn’t say he’s vastly different. I think the level of detail and care that he puts in the work is every bit as much as it was back then, there’s just more there now”.

We Live In Time is in cinemas on Wednesday 1 January.

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‘It made me feel less than human’: Disabled musicians demand greater inclusivity

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'It made me feel less than human': Disabled musicians demand greater inclusivity

Elizabeth J. Birch has been a musician for a decade, has won several awards, and loves her job. However, she continues to feel like an outsider in a competitive and precarious industry.

As a wheelchair user, she commonly experiences accessibility barriers at venues, but there’s a more pressing issue – tokenism.

Birch tells Sky News: “While it’s not explicitly stated that it’s tokenistic, it feels tokenistic because [organisations] need a certain amount of disabled people on their board.

“For example, I was once called a poster girl for inclusion.”

Due to her own experiences, Elizabeth acknowledges why some with hidden disabilities choose not to disclose their conditions

When asked how the experience made her feel, she pauses and reflects: “Perhaps it didn’t make me feel like an individual or it made me feel less than human because I was narrowed down to one aspect of myself.

“It’s not about trying to look inclusive, it’s about trying to be inclusive.”

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A recent report by Help Musicians and the Musicians’ Union found 94% of those who have experienced discrimination based on their disability said it impacted their ability to work or advance their career progression.

Nyrobi Beckett-Messam, one half of the sister duo ALT BLK ERA, was diagnosed with multiple chronic conditions in 2021.

Out of the fear of discrimination, she wasn’t open about her hidden disability until only a few months ago.

“I didn’t feel comfortable sharing that side of me because society doesn’t accept it,” she says.

And she doesn’t regret opening up.

“I think the biggest benefit of me disclosing my disability is seeing how it’s impacted others,” she says.

“It’s really empowering, I wake up feeling every morning like the effect I’m having on the community.”

Nyrobi felt inspired to open up about her hidden disability after Lady Gaga revealed that she had chronic illness fibromyalgia in 2017

Among other key findings, the Musicians’ Census identified the following areas of concern when it comes to financial security, fair pay, and discrimination in the workplace:

• On average there is a £4,400 pay gap between disabled and non-disabled musicians
• The gap widens a further £1,700 for musicians with mental health conditions and/or neurodivergent profiles
• 27% of disabled musicians said they had experienced racism, compared with 7% of non-disabled musicians
• 73% of disabled respondents said they aren’t in receipt of any state benefits, tax credits, or support

Grace Meadows, head of engagement at Help Musicians and Music Minds Matter, said: “What this report really starkly highlights is just how much more work the industry needs to do to support disabled musicians but also to support anybody who may have a disability to speak up without fear of discrimination or disadvantage.

“And with benefits, really what we are needing to see is a change in what those systems look like so people can get the support they need when they need it.”

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A government spokesperson told Sky News: “We are bringing forward proposals to reform health and disability benefits in spring as part of a proper plan to genuinely support disabled people.

“We will work closely with disabled people and their organisations, whose views will be at the heart of these plans.”

Both Birch and Beckett-Messam believe in the social model of disability which recognises that people are disabled by barriers in society, not by their impairment or difference.

For now, they are determined to stay in the industry, but that could change if it stays the same.

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Gavin & Stacey star Laura Aikman’s family only discovered her secret return while watching show

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Gavin & Stacey star Laura Aikman's family only discovered her secret return while watching show

The family of Gavin & Stacey star Laura Aikman only found out she was returning to the sitcom while they watched the finale on Christmas Day.

The 39-year-old actress shared a video on her Instagram showing her family screaming in shock as her character Sonia appeared in the episode.

Sonia, the ex-girlfriend of James Corden’s character Neil “Smithy” Smith, appears in the final Christmas special in a crucial plot twist.

Laura Aikman. Pic: PA
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Laura Aikman. File pic: PA

One member of Aikman’s family can be heard shouting “press pause” while another tells her “you never told me”.

“We never told anyone,” Aikman replies.

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Sharing the video on Instagram she wrote “the moment my family realise Sonia is ruining Christmas again” and captioned it: “I take an NDA very seriously.”

She also shared a photo of a cast board of all the Gavin & Stacey characters, with a space missing where her picture would have been.

Aikman joined Gavin & Stacey as Sonia in the last Christmas Day episode in 2019, when Smithy brought his girlfriend to meet his family and friends.

Ruth Jones as Nessa, Joanna Page as Stacey, Melanie Walters as Gwen, Rob Brydon as Bryn, and Matthew Horne as Gavin.
Pic:Toffee International Ltd/Tom Jackson/PA
Image:
Pic: Toffee International Ltd/Tom Jackson/PA

But she did not get on with the group and left before Smithy could propose to her as he had planned.

Vanessa “Nessa” Jenkins, played by Ruth Jones, later got down on one knee and confessed her love for Smithy, but before he could respond to her proposal the episode ended on a cliffhanger.

Fans have waited five years to find out his answer, with the 2024 Christmas Day episode opening with the family of Stacey Shipman, played by Joanna Page, and her husband Gavin, portrayed by Mathew Horne, preparing for a wedding.

The BBC said the episode secured the highest overnight Christmas Day ratings since 2008.

The 90-minute episode drew an average audience of 12.3 million, according to overnight figures, surpassing the show’s 2019 Christmas special by more than half-a-million viewers.

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