Plans for film about Christchurch mosque attacks sparks anger among New Zealanders
New Zealand’s prime minister has distanced herself from plans for a film that would focus on her response to the Christchurch mosque attacks.
US-based FilmNation Entertainment is in the early stages of producing a film called They Are Us – the title is a line from one of Jacinda Ardern’s speeches in the days after the attacks.
But the plans have been criticised by many New Zealanders, some unhappy about reports that the film will focus on the prime minister, leaving the victims in the background.
Others have said the 15 March 2019 tragedy is still too raw and that Hollywood should not be able to profit from the suffering of those who are still recovering or grieving.
Ms Ardern told news website Stuff: “While it’s for the community to speak for themselves, it’s my view 15 March remains very raw for New Zealand.
“There are plenty of stories from 15 March that could be told, but I don’t consider mine to be one of them.”
She also confirmed she “had nothing to do with the film in any form and wasn’t consulted on it”.
Fifty-one people were killed when Australian white supremacist Brenton Tarrant opened fire on worshippers in the two mosques.
They are us – the prime minister’s words about the attack’s victims
He was jailed for life without parole last August for the 51 murders, 40 attempted murders and a charge of terrorism.
But in the days after the attacks, New Zealanders were praised for uniting in compassion for the victims and their community, led by Ms Ardern.
She was also lauded for her successful efforts to ban the deadliest types of semi-automatic weapons in the country.
According to Hollywood news outlet Deadline, which broke news of the film, Ms Ardern will be played by Australian actress Rose Byrne.
The film will be made in New Zealand and directed by New Zealand filmmaker Andrew Niccol.
But more than 23,500 people have signed a petition calling for the movie to be abandoned and the hashtag #TheyAreUsShutdown was trending on Twitter in New Zealand on Friday.
Omar Nabi lost his father Haji Daoud in the attacks
Those behind the petition said the film’s focus on white voices “will continue to white-wash the horrific violence perpetrated against Muslim communities”.
Niccol “has not experienced racism or Islamophobia” so he should not “lead and profit” from a “story that is not his to tell”, they added.
Deadline reported that the film’s script was developed in consultation with several members of the mosques who were affected by the tragedy but this has been disputed by members of New Zealand’s Muslim community.
Survivor Farhid Ahmed poses with a photo of his wife Husna, who was killed in the attack
Sondos Qur’aan, co-chair of the National Islamic Youth Association, said the movie “is insensitive and would only serve to invalidate the experiences of survivors and victims of the attack and cannot be supported by our organisation”.
Fellow co-chair Haris Murtaza added: “The shuhadaa’ (martyrs), their families, and the wider victim community deserve to be thoroughly consulted and at the heart of any projects that relate to the 15 March terror attacks.
“Entities and individuals should not seek to commercialise or profit from a tragedy that befell our community, neither should such an atrocity be sensationalised.”
Mohamed Hassan, who hosts podcast The Guest House, which explored how Muslims made sense of the attacks, told Radio NZ: “In its essence, (the film) is a story about an act of white supremacy that is centred around white voices, white feelings and white heroism. The irony is nauseating. The lack of self-awareness is profound.”
Sky News sought comment from FilmNation early on Saturday but Niccol earlier told Deadline: “They Are Us is not so much about the attack but the response to the attack [and] how an unprecedented act of hate was overcome by an outpouring of love and support.
“The film addresses our common humanity, which is why I think it will speak to people around the world. It is an example of how we should respond when there’s an attack on our fellow human beings.”
Eddie Murphy has told Sky News he doesn’t ever expect to win awards – but will happily accept an honorary Oscar when he’s 90.
Murphy is one of the biggest stars in comedy after starting out on Saturday Night Live (SNL) in 1980 and starring in a number of big franchises from Beverly Hills Cop to Shrek.
His latest project is heist comedy The Pickup, centred on two security van drivers. Keke Palmer and Pete Davidson star alongside him.
Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios
Murphy says award recognition was never something that shaped the projects he chose.
“The movies are timeless, and they’re special, so for years and years those movies play and the movies have commercial success.
“So you make a lot of money and people love it, so you don’t even think about ‘I didn’t win a trophy!’ The response from the people and that the movie has legs, that’s the trophy.
“You know what I’ve earned over these years? One day, they’ll give me one of those honorary Oscars. When I’m really old. And I’ll say thank you so much for this wonderful honour. I’ll be old like that and I’ll have no teeth. I’m cool with getting my honorary Oscar when I’m 90.”
Murphy, 64, has only been nominated once – for Dreamgirls in 2007, when Alan Arkin won the best supporting actor Oscar for Little Miss Sunshine.
Murphy’s co-star Palmer says she considers Murphy an icon in the industry, and The Nutty Professor was a true display of his artistry.
Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters
“I feel like recognition and [being] underrated and all this stuff, it annoys me a little bit because I think impact is really the greatest thing, like how people were moved by your work, which can’t really be measured by an award or really anything,” Palmer says.
“It’s very hard to make people laugh, and so when I think about it like The Nutty Professor, Eddie was doing everything, and I swear that the family members were real people.
“He didn’t camp it to the point where they weren’t realistic. His roles had integrity, even when he was in full costume. And I do think that’s something that should change in our industry. Comedy, it should be looked at just as prestigious as when you see somebody cry, because it’s that hard to make somebody laugh.”
Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios
Recalling his time on the 90s comedy, Murphy says he’s still in disbelief of what they achieved in making the film with him playing seven characters – Professor Sherman Klump, Buddy Love, Lance Perkins, Young Papa Klump, Granny Klump, Ernie Klump and Mama Klump.
“You can only shoot one character a day. And the rest of the time you’re shooting, I’m talking to tennis balls where the people were sitting.
“So to this day when I watch it, I’m like, wow, that’s a trip. But we were able to mix all that stuff up and different voices and make it feel so that you don’t even feel like when you’re watching it, someone have to tell you, hey, you know, those are all one person.”
The film won best makeup at the 1997 Academy Awards.
Security guards buddy comedy
Palmer says their new project, The Pickup, is responsible for one of the most memorable moments of her life when she mistook Murphy’s acting for real praise.
“First of all, Eddie gives me this big speech before I do the monologue, where he’s like, ‘this is not playing around. This is a pivotal point in the movie’.
“I’m crying in the scene, and then it comes to the end, and Eddie’s [clapping] like, and I’m literally like, ‘oh my gosh, thank you so much’. And he’s like, ‘I’m acting’. When I tell you, it was so crazy, yeah. That’s like one of my most memorable moments in life.”
Keke Palmer and Pete Davidson star in The Pickup
Davidson is excited to see how the UK puts its own stamp on SNL, the show where both he and Murphy got their start on-screen.
“It’s a smart idea to have SNL over there because it’s not that it’s a different brand of comedy, but it is a little bit. A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does.
“This is the first time I’ve ever heard anything American going to the UK, so I think it’s great. I think it’s great to have two opposite sorts of takes on things, but both be funny. That just shows you how broad comedy can be, you know?
The Pickup is out on Prime Video now.
Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.
The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.
He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.
“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.
Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.
He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.
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“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”
ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.
Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.
Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”
One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”
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