New Zealand’s prime minister has distanced herself from plans for a film that would focus on her response to the Christchurch mosque attacks.
US-based FilmNation Entertainment is in the early stages of producing a film called They Are Us – the title is a line from one of Jacinda Ardern’s speeches in the days after the attacks.
But the plans have been criticised by many New Zealanders, some unhappy about reports that the film will focus on the prime minister, leaving the victims in the background.
Others have said the 15 March 2019 tragedy is still too raw and that Hollywood should not be able to profit from the suffering of those who are still recovering or grieving.
Ms Ardern told news website Stuff: “While it’s for the community to speak for themselves, it’s my view 15 March remains very raw for New Zealand.
“There are plenty of stories from 15 March that could be told, but I don’t consider mine to be one of them.”
She also confirmed she “had nothing to do with the film in any form and wasn’t consulted on it”.
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Fifty-one people were killed when Australian white supremacist Brenton Tarrant opened fire on worshippers in the two mosques.
Image: They are us – the prime minister’s words about the attack’s victims
He was jailed for life without parole last August for the 51 murders, 40 attempted murders and a charge of terrorism.
But in the days after the attacks, New Zealanders were praised for uniting in compassion for the victims and their community, led by Ms Ardern.
She was also lauded for her successful efforts to ban the deadliest types of semi-automatic weapons in the country.
According to Hollywood news outlet Deadline, which broke news of the film, Ms Ardern will be played by Australian actress Rose Byrne.
The film will be made in New Zealand and directed by New Zealand filmmaker Andrew Niccol.
But more than 23,500 people have signed a petition calling for the movie to be abandoned and the hashtag #TheyAreUsShutdown was trending on Twitter in New Zealand on Friday.
Image: Omar Nabi lost his father Haji Daoud in the attacks
Those behind the petition said the film’s focus on white voices “will continue to white-wash the horrific violence perpetrated against Muslim communities”.
Niccol “has not experienced racism or Islamophobia” so he should not “lead and profit” from a “story that is not his to tell”, they added.
Deadline reported that the film’s script was developed in consultation with several members of the mosques who were affected by the tragedy but this has been disputed by members of New Zealand’s Muslim community.
Image: Survivor Farhid Ahmed poses with a photo of his wife Husna, who was killed in the attack
Sondos Qur’aan, co-chair of the National Islamic Youth Association, said the movie “is insensitive and would only serve to invalidate the experiences of survivors and victims of the attack and cannot be supported by our organisation”.
Fellow co-chair Haris Murtaza added: “The shuhadaa’ (martyrs), their families, and the wider victim community deserve to be thoroughly consulted and at the heart of any projects that relate to the 15 March terror attacks.
“Entities and individuals should not seek to commercialise or profit from a tragedy that befell our community, neither should such an atrocity be sensationalised.”
Mohamed Hassan, who hosts podcast The Guest House, which explored how Muslims made sense of the attacks, told Radio NZ: “In its essence, (the film) is a story about an act of white supremacy that is centred around white voices, white feelings and white heroism. The irony is nauseating. The lack of self-awareness is profound.”
Sky News sought comment from FilmNation early on Saturday but Niccol earlier told Deadline: “They Are Us is not so much about the attack but the response to the attack [and] how an unprecedented act of hate was overcome by an outpouring of love and support.
“The film addresses our common humanity, which is why I think it will speak to people around the world. It is an example of how we should respond when there’s an attack on our fellow human beings.”
American actress and Wild at Heart star Diane Ladd has died aged 89.
Laura Dern, Ladd’s daughter who is also an actress, announced her mother’s death on Monday.
Ladd was a triple Academy Award nominee for her supporting roles in Alice Doesn’t Live Here Anymore, Wild at Heart and Rambling Rose.
She also starred in 1973 film White Lightning and HBO’s Enlightened in 2011 with her daughter. Often, they played mother and daughter together.
For the 1991 drama Rambling Rose they were the first, and only, mother and daughter duo to receive Oscar nominations for the same film in the same year.
Image: Diane Ladd pictured with daughter Laura Dern, holding her award for Enlightened in 2012. Pic: Reuters
‘She doesn’t care what anybody thinks’
Ms Dern, who starred in Jurassic Park, said of her mother in 2019: “She is just the greatest actress, ever. You don’t even use the word brave because she just shows up like that in life. She doesn’t care what anybody thinks.
“She leads with a boundarylessness.”
In 2023 they released a joint memoir together titled Honey, Baby, Mine: A Mother and Daughter Talk Life, Death, Love.
The book was based on their conversations together during daily walks after Ladd was given only months to live, after she was diagnosed with lung disease.
Ms Dern said at the time: “The more we talked and the deeper and more complicated subjects we shared, my mother got better and better and better.
“It’s been a great gift.”
Ladd was married three times and worked into her 80s.
Culture lovers have long believed in the healing power art. Now, science has caught up, with new research showing it has measurable benefits on the body.
A study from King’s College London has found that looking at original artworks, in a gallery, doesn’t just lift us emotionally – it also has a positive impact on our physical health.
Fifty people aged between 18 and 40 were shown art by a selection of leading 19th-century artists: Toulouse-Lautrec, Manet, van Gogh and Gauguin.
Image: Henri de Toulouse-Lautrec (1864 – 1901), Jane Avril in the Entrance to the Moulin Rouge (c. 1892)
Image: Édouard Manet (1832 – 1883), Banks of the Seine at Argenteuil (1874)
Image: Édouard Manet (1832 – 1883), A Bar at the Folies-Bergere (1882)
Image: Vincent van Gogh (1853 – 1890), Self-Portrait with Bandaged Ear (1889)
Image: Paul Gauguin (1848 – 1903), Te Rerioa (The Dream) (1897)
Participants viewed five paintings for three minutes each, in a 20-minute session.
But while half viewed the original paintings in the Courtauld Gallery in London, the others looked at reproductions in a neutral setting.
Their heart rates and skin temperature were measured with research-grade digital watches to indicate levels of interest and arousal, and saliva samples were taken with swabs before and after the session to measure stress hormones.
The results in those looking at the results in the gallery were significant, and immediate: The stress hormone cortisol fell by 22% and inflammatory markers linked to health problems including heart disease, diabetes and depression were reduced by as much as 30%.
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No change was observed in the reproduction group.
Image: Dr Tony Woods, researcher at King’s College London
Dr Tony Woods of King’s College London, who was the study’s lead researcher, told Sky News: “The magnitude of the difference between being in here and looking at the real art, looking at the copies in the laboratory, the difference between the two participant groups was quite enormous.”
It’s good news for the NHS, which is increasing its use of social prescribing, which can include visits to galleries.
Dr Woods went on: “The government’s health strategy is all about prevention. And this is a gift to [Health Secretary] Wes Streeting. Art is very well worth investing in because of the return on investment – it will keep people out of hospitals.”
Over one and a half million people in the UK accessed social prescribing between September and August this year across the UK, and NHS England told Sky News their ambition is to make it available to every person in England.
Dr Woods says the next steps of the study will be to find out how long the positive effects last, and research further into the effects of art on older participants.
Russell Tovey, actor, art lover and co-host of Talk Art, chatted to Sky News about his favourite piece at the gallery – van Gogh’s Self-Portrait with Bandaged Ear (1889).
Image: Talk Art podcast hosts Russell Tovey and Robert Diament
Tovey jokes: “Look at this painting here. It’s quite a troublesome picture, especially for me with my ears…
“But you can look at the surface and the way that he makes brushstrokes and the scale of the things and the colour he used. And you think about his life at the time and where he was living, and all those questions and answers will reveal the painting.”
Tovey adds: “Art is intrinsic to humanity,” and “shows us who we are”.
And now with the new findings, the hope is that gallery visits will be considered just as good as your ‘five-a-day’.
Tovey goes on: “It’s good for your health, it’s beneficial to your mental health and to your wellbeing to be in a museum and to be around art…
“If you eat well, go to the gym and go to a regular art gallery visit, then your health will be through the roof.”
Tovey’s podcast co-host, gallery owner Robert Diament, agrees: “I think it’s really important just to slow down a bit. Going to a museum or gallery can be part of your self-care routine… It will improve your life.”
Amid rising costs, reduced funding and dwindling visitor numbers, the findings could also provide a boost to galleries.
Jenny Waldman, Art Fund director, told Sky News: “These museums and galleries were set up in all cities and towns by people, you know, hundreds of years ago, who felt that it was good for people. So, this is the evidence, finally, that they were right.”
Image: Jenny Waldman, Art Fund director
The national charity for museums and galleries, Art Fund champions art around the country, with initiatives including the National Art Pass which offers free or discounted entry to hundreds of museums, galleries and historic places around the UK.
So, what do gallery visitors think of the news that their time looking at art will positively impact their wellbeing?
Charlie, 10, from London said: “It makes me feel quite calm, and it draws me in.”
His dad Patrick, who had brought Charlie with his two young brothers to see the exhibition, added: “Looking at them on screens, or even in books, you just don’t get the full impression.”
Taeseok, an arts student from Amsterdam visiting the UK for the first time, said it felt good to stand and focus on just one thing, with no distractions. He summed it up: “Things around you start to not matter at all… It’s just you and the artwork.”
Re-framed as a course of treatment instead of an indulgent pastime, could the hard edge of science change the role galleries play in society?
If so, it could be a fitting reminder to the government of the true power of art, at a time when so many institutions are struggling to survive.
Thieves have stolen more than 1,000 items from a museum’s collection in California, including jewellery, carvings and Native American artefacts.
The burglary took place at an off-site storage facility holding items for the Oakland Museum of California (OMCA) on 15 October.
Image: A neckpiece by Florence Resnikoff was also taken. Pic: Leopold Macaya/Oakland Museum of California/AP
The museum’s director said on Thursday details about the incident were being made public because the items might show up at flea markets, pawn shops and antique stores.
“The theft that occurred represents a brazen act that robs the public of our state’s cultural heritage,” said Lori Fogarty.
“They’re not just a loss to the museum. They’re a loss to the public, to our community and we’re hoping our community can help us bring them home.”
She also said she believed it was an opportunistic crime, rather than a targeted raid.
“We think the thieves found a way to enter the building, and they grabbed what they could easily find and snatch and get out of the building with,” she said.
Image: Oakland Museum of California. Pic: Leopold Macaya/Oakland Museum of California/AP
A metal neckpiece by the late artist Florence Resnikoff, scrimshaw walrus tusks and Native American baskets were taken, with the thieves also making off with historic memorabilia like pins and sporting items.
Experts believe some items may have already been sold.
John Romero, a retired police captain, told the Los Angeles Times he expects detectives are looking at resale platforms such as Craigslist and Ebay, as well as networks specialising in historic or collectable goods.
“These people are interested in fast cash, not the full appraisal value,” he said. “They need to get rid of it quickly.”
Oakland Police Department is working with a specialist art crime unit of the FBI to track down the items.