Celebrity columnist Perez Hilton was visibly incensed as he spoke to Sky News today on the “exploitation” of Britney Spears.
He also apologised for the abuse he had given her over the years on his blog, saying he felt “deep shame and regret” for his part in fuelling the media circus that brought Britney to her knees in the noughties.
Justin Timberlake was also quick to tweet support for Britney following her court appearance in which she is trying to overthrow the controversial conservatorship in place since she had a breakdown in 2008.
Image: Justin Timberlake’s support for his ex-girlfriend sits awkwardly
Timberlake’s words of support sit awkwardly next to the apology he issued to his ex-girlfriend after seemingly realising his own contribution to the damage done to the singer over the last 25 years. (He used his music video to brand Spears a cheat, and told the world he took her virginity.)
Britney’s father, Jamie Spears, via his lawyer, said he was sorry his daughter is suffering.
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Entertainment journalist Ashley Pearson says the case has confirmed fans’ worst fears – that Spears has been living like a prisoner, but questions whether the conservatorship was needed in the first place and who ultimately is to blame?
“This is not just an overcontrolling dad,” says Pearson.
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“He couldn’t do this on his own. There were judges, doctors and experts along the way who agreed to this. Why? What do they know that we don’t?”
Could this episode even trigger a reckoning in the music industry on a similar scale to that of Hollywood and MeToo?
Image: Spears’s life change forever in 1998 when Baby One More Time became a worldwide hit
In the noughties – not unlike Whitney Houston and Amy Winehouse – Britney Spears was tabloid fodder, judged not on her talent, but her private life and subsequent collapse of her marriage to Kevin Federline, the father of her two children.
After her breakdown in 2008 she was placed under the conservatorship, with her father assigned her legal guardian – the measures she is currently trying to have lifted.
It seems then Britney did need ‘saving’. Saving from the pressures of fame, the paparazzi, addiction, the people who might exploit, steal from her, use and abuse her.
Music manager Jonathan Shalit understands the harm that can be done when the entertainment industry and media are reckless. He managed Charlotte Church and Tulisa among others.
Shalit finds the Britney case deeply uncomfortable.
Image: The case has put the singer firmly back into the media spotlight. Pic: AP
“In 1998 the world embraced Britney in a manner which would now be regarded as entirely inappropriate. Britney was globally sexualised with endorsement of even her own parents at the age of 17.
“As to whether Britney’s affairs need controlling for reasons alleged they do, the courts need to decide.
“But what I find immensely concerning is that all these years later, it is her father who continues to be the one in control, with so many issues of seemingly legitimate concern about his suitability,” Shalit told Sky News.
If the overriding concern aside from her mental health was that she would end up losing her money, so what?
She wouldn’t be the first star to go broke or file for bankruptcy, Michael Jackson, 50 Cent and MC Hammer have all been there.
Could it be that they were saved from having their assets and finances taken over by a conservatorship because they are men?
A conservatorship is usually reserved for people with dementia and at serious risk of making damaging decisions.
We can only assume the judge who granted this conservatorship had the singer’s best interests in mind, and that most likely her dad did too. But the conservatorship has lasted 13 years, and many question why Spears has only now been permitted to speak publicly about it.
With so many people around her, where was the duty of care? Rock and roll might revel in a reputation for chaos, but the well-oiled machine driving it is anything but chaotic.
Image: Jamie Spears, pictured in 2012, says he saved his daughter from financial ruin. Pic: AP
The priority is understandably ensuring the ‘talent’ is protected so they can continue to be profitable. So you might assume their best interests are guaranteed.
But as this case proves, that’s a dangerous assumption.
And while the world of red carpets, private jets and decadence might seem a long way from most people’s reality, Britney’s story resonates.
By comparing her situation to being “sex trafficked” says it all.
Spears says contraceptives and lithium have been forced on her. That she is a slave. And that her father should be in jail.
Image: The singer’s case is an ’emblem’ for the toxicity of fame, says one PR agent
Having just had her backstory packaged by the revealing New York Times documentary Framing Britney, we were prepared to be shocked by this court appearance, but still this is truly shocking.
It says so much about the controlling nature of the music industry and misogyny in entertainment.
Mark Borkowski, a PR agent and author who worked with Michael Jackson among others, concedes we’d be foolish to write off the case as an isolated or unique situation.
He describes it as a “cypher” and “emblem” for the toxicity of fame.
“There is a dark side of fame… There is currently a state of unhinged acceleration towards a… culture of hyper-egocentrism. These conditions have a profound effect on mental wellbeing. For many, the residue of fame in the 21st century is a pressurised life defined by the crowd,” says Borkowski.
So who next should apologise to Britney? Will all be revealed in the end on Oprah? Will any lessons be learnt about treating women in the spotlight with basic respect and human decency? Watch this space.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Image: Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Image: Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Image: Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.