Southgate, you’re the one: Atomic Kitten on their love letter to the England boss
When England beat Ukraine 4-0 in their Euro 2020 quarter-final, it wasn’t just the goals, the images of manager Gareth Southgate and the praise for the players that were sweeping the internet.
Footage of Atomic Kitten’s Natasha Hamilton and Liz McClarnon performing the fan-made reworking of their 2001 hit Whole Again – now a declaration of love for the England boss/new national treasure – at Croydon’s Boxpark was also going viral, too.
While football fans refashioning pop songs into terrace chants is nothing new, this one has taken on a life of its own. In July 2021, you are probably never more than eight minutes away from hearing that football’s coming home, again.
Following the Croydon gig, phone calls were quickly made and bandmate Jenny Frost was brought back to re-record the song, which at the time of writing is currently sitting at number five in the Apple Music chart (Three Lions is number four, Vindaloo six and World In Motion just outside the top 10 at number 11).
They’ve done the obligatory England flag photo-shoot and belted out the “football’s coming home again” line to seemingly every news outlet in the country (including this one, because it’s impossible to interview Atomic Kitten now without asking them to go a cappella).
The band – (L-R) Natasha Hamilton, Liz McClarnon and Jenny Frost – have re-recorded Whole Again, now an unnoffical England anthem. Pic: Brett Cove/SOPA Images/Shutterstock
The adoption of Whole Again, the platinum-selling chart-topper that propelled the girl band to fame, actually first did the rounds during the World Cup in 2018, to a lesser extent; in 2021 it is now the unofficial soundtrack to England’s first final in an international men’s football tournament since they won it that time in 1966. Atomic Kitten are now a part of English football history. There are even rumours they will be performing at Wembley on the day itself. Keep your Nessun Dorma, Italy; we’re gonna sing about Gareth Southgate turning us on!
So, Atomic Kitten are coming home again. But is football? “Hell, yes!” says Hamilton, speaking to Sky News on Zoom. She’s joined by McClarnon, who affirms for the record that football is “definitely coming home on Sunday”. McClarnon is also on Zoom, but from a different location. Both are in car passenger seats; they’re even working during their travel time. Have they had much chance to sleep?
“It’s been absolutely chaotic,” says Hamilton. “It’s been brilliant, though. I think we did a 20-hour day the other day, so that was quite intense. We’ve been getting sleep but our working schedule has taken us right back, like, 20 years. [It’s] really intense but this is a special moment in time and this time next week it won’t be here. So we’re just making the most of it now.”
“We’re amazed by it,” says McClarnon. “Honestly… we wanted to be a part of it and we had loads of messages to say, ‘please release it, please release it’, after the Box Park video went viral, and we were just like, oh, okay… we’re all a bit shocked. We just thought we’d release it and a couple of people would buy it and it would be nice to do. It’s just a bit mad.”
Clearly, the fans have taken the song to their hearts, but Hamilton and McClarnon aren’t sure what the reaction is from the England camp. “I mean, they’ve probably heard it but I think they’re focusing on other things,” says McClarnon. “They might have something more important on their minds. I don’t know what that would be.”
Whole Again is a ballad, a song about pining for someone after a break-up. But now it has become Football’s Coming Home again, and an ode to the man in charge. “Looking back on when we first met, I cannot escape and I cannot forget,” fans now sing. “Southgate you’re the one, you still turn me on, football’s coming home again.”
This is the man who took England to the semi-finals of the World Cup in 2018, for the first time since Italia ’90, and inspired a soar in sales of waistcoats. Now he has gone one step further and is, according to a viral Twitter thread, the “ultimate middle-aged crush”.
‘One, two, three, four: looking back on when we first met…’ Whole Again has become a declaration of love for the England manager
Has Atomic Kitten’s love song struck an unlikely chord with football fans because we’re all longing for Gareth? “I don’t think there was much thought into the origins of the song,” says Hamilton. “I think it was more the fact that it was a really catchy song and it was such a successful song 20 years ago. It was number one for four weeks. It increased its sales every week over the four weeks, it was number one in 19 countries worldwide. You know, it’s a huge song. So it’s kind of in people’s minds. You only…”
“I didn’t think it would be in football fans’ minds, though,” McClarnon chimes in.
“No, but you only have to hear it once to know the melody,” says Hamilton. “It’s got that very catchy, simple melody. And it just kind of makes it the perfect song to chant along to… it just so happens that everyone’s saying that Southgate turns them on now.”
“We’re just pretending not to hear that bit every time we sing it,” laughs McClarnon.
Whole Again is undeniably a brilliant ear-worm of a pop song. According to the Official Charts, it ranks among the UK’s bestselling singles of all time with 1.03 million pure sales (CD and downloads) – making it the UK’s fourth best-selling girl band single ever behind Spice Girls’ Wannabe, 2 Become 1 and All Saints’ Never Ever.
“You know what?” says Hamilton. “I feel really proud that there is a girl band song that has crossed over to the football crowds. It’s usually really bloke-ish, most songs are male sang. So, yeah, I feel like we’re making history.”
Meeting then England manager Sven-Goran Eriksson in 2002 wasn’t so memorable for all the band
They may be making history, but this isn’t Atomic Kitten’s first foray into the world of football. Searches on photo agency archives throw up pictures of the girls singing on the pitch at the Division 1 play-off final between Birmingham City and Norwich City in 2002, and meeting then England manager Sven-Goran Eriksson earlier that year. Coincidentally, they also performed the official England song in the 2001 Ricky Tomlinson film Mike Bassett: England manager.
“We were talking about this the other day,” says McClarnon. “I found a picture online of us and I was like, ‘that’s when we met Sven’. And you know what, we all have different memories of different things and some of us have blanked things out – not on purpose, just because there’s not much space to remember half the things that happened. And I think…”
“Why did we meet Sven?” asks Hamilton, quizzically. By the looks of things, he didn’t make much of an impact. (Sorry, Sven).
McClarnon tells her it was an “advertising thing” for a mobile phone provider. “Oh. I vaguely remember it, but…”
Maybe Southgate would be more memorable? “Yeah, he would now,” says McClarnon. “He’s the nation’s hero.”
Whole Again topped the charts for four weeks in 2001
Perhaps they can serenade him at Wembley on Sunday?
“We don’t know what we’re doing on Sunday yet, there’s a lot of conversations,” is all Hamilton will say. “Lots of offers to sing in lots of different places.”
Before they go, I ask for the obligatory sing-along, although Zoom doesn’t work too well for harmonising. “We attempted it on Zoom a while ago and it was completely out of time so I will let Tash sing the top line,” says McClarnon, before Hamilton gives the camera the famous line, followed by a cheer.
They may have sung it before, but this is the first time from a car, so an exclusive, of sorts.
Finally, before they go, their message to Southgate and the England team.
“Our message so far is that you’ve done us proud already,” says McClarnon. “Just want one little step more. But we are so grateful and proud already.”
“Super grateful, super proud,” says Hamilton. “And we’re behind you all the way.”
Football’s Coming Home Again, by Atomic Kitten, is out now
Entertainment
It Ends With Us star Justin Baldoni sues New York Times for libel over Blake Lively harassment allegations
Actor and director Justin Baldoni has sued The New York Times newspaper for libel after it published allegations that he had sexually harassed and tried to smear the reputation of his It Ends With Us co-star Blake Lively.
The lawsuit, which seeks at least $250m (£199m) in damages, was the latest in a legal battle that has engulfed the two stars. Lively has filed a separate federal lawsuit against Baldoni and others alleging harassment.
The Baldoni lawsuit was filed in Los Angeles Superior Court on Tuesday by the director, 40, and by other defendants named in the Lively lawsuit.
It accuses The New York Times of accepting a “self-serving narrative” by the actress, 37, who claimed Baldoni, production company Wayfarer Studios and others attempted to damage her reputation after she and her husband Ryan Reynolds, 48, addressed “repeated sexual harassment and other disturbing behaviour” by the actor and a producer on the set of the film.
According to Lively’s complaint, the plan included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories that are critical of her.
But Baldoni’s libel lawsuit claims The Times article, which was called ‘We Can Bury Anyone’: Inside a Hollywood Smear Machine, “disregard[s] an abundance of evidence” that contradicts Lively’s accusations.
Lively and her husband Ryan Reynolds at the premiere of It Ends With Us. Pic: AP
The Times has defended its reporting and said it plans to “vigorously defend” against the lawsuit.
In a statement, it said: “The role of an independent news organisation is to follow the facts where they lead.
“Our story was meticulously and responsibly reported. It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”
Baldoni was dropped by his agency, WME, immediately after Lively filed her complaint and The Times published its story. The agency represents both Lively and Reynolds.
Bryan Freedman, a lawyer who represents Baldoni, Wayfarer Studios, and its representatives, previously called the accusations “completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media”.
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Why is Blake Lively suing Justin Baldoni?
He said on Wednesday that The Times had “aided and abetted their own devastating PR smear campaign designed to revitalise Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public”.
Lively is not a defendant in the libel lawsuit against the paper.
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In a statement, lawyers representing the actress said: “Nothing in this lawsuit changes anything about the claims advanced in Ms Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”
It Ends With Us, which is an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair at the time of its release in August.
Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.
Neil Young has announced he will not be performing at this year’s Glastonbury, saying he believes the BBC’s involvement in the popular festival means it is “now under corporate control”.
The 79-year-old musician wrote on his website that both he and his band, The Chrome Hearts, were pulling out because it was a “corporate turn-off”.
Glastonbury, which takes place at Worthy Farm in Somerset in summer, has worked closely with the BBC since 1997.
The BBC is the festival’s exclusive broadcast partner.
Canadian-born Young had yet to be announced as an act at this year’s event.
Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.
“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.
“It seems Glastonbury is now under corporate control and is not the way I remember it being.”
Young performing at Glastonbury in 2009. Pic: PA
Young, who headlined the famous Pyramid Stage in 2009, thanked fans for supporting both him and his band the last time they were at the festival.
He added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.
“Hope to see you at one of the other venues on the tour.”
Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.
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Following his headline performance in 2009, viewers were left disappointed when only a portion of his set was broadcast on the BBC.
In a statement at the time, the corporation said it had “spent the last couple of months” negotiating with Young’s management over what it could show on TV, radio and online.
The broadcaster added: “Neil Young’s career has been conducted on his own terms.
“Last night Neil’s management agreed to let TV and radio broadcast five songs as they watched and listened to his performance.
“They believe in the live event and retaining its mystery and that of their artist.
“They have decided to make one song available online over the weekend to give a flavour of his set. That’s Rockin’ In The Free World and that’s their decision.”
Glastonbury is one of the UK’s largest music festivals.
It is set to take place between 25 and 29 June, with Sir Rod Stewart booked for the Sunday teatime legend slot.
The BBC and Glastonbury Festival were contacted for comment.
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