‘He’s a walking, talking Wikipedia’: How Tom Hiddleston helped Richard E Grant play Loki
A few days after delighting fans with behind-the-scenes pictures of his costume for Loki, Richard E Grant is sitting in front of me on a video call to tell me all about his cameo role – although this time there are sadly no green tights or “baggy, yellow Y-fronts”, as he puts it, in sight.
But first, it’s the day after the Euro 2020 final when we speak, and there’s only one thing anyone is talking about. “Heartbreaking,” says the actor, of England losing to Italy on penalties.
Grant, a West Ham fan, reflects on the cruel nature of spot kicks deciding the outcome. He thinks there must be a better way. “I would rather they played three more hours than resort to penalties,” he says. “What do you feel?”
Grant plays Classic Loki in Marvel’s Loki series, starring Tom Hiddleston. Pic: Marvel Studios/Disney+
Unfailingly friendly and polite, Richard E Grant likes to ask his own questions back. Whether it’s football, favourite Marvel characters (Spider-Man) or the government’s handling of the COVID-19 pandemic (not impressed), the answer is usually followed by a variation of: “And what about you?”
We’re here to talk about Loki, the six-part TV series spin-off featuring the mercurial God of Mischief Loki, played by Tom Hiddleston, with the character stepping out of his brother Thor’s shadow following the events of Avengers: Endgame.
Grant’s character is an older variant of Hiddleston’s Loki. Pic: Marvel Studios/ Disney+
Grant’s debut as Classic Loki, an older Loki variant, came in the penultimate episode of the series, which aired earlier in July. With so many Marvel films and spin-offs, did the British actor have to do much homework before signing up?
“Well, the advantage is that Tom Hiddleston is literally a walking, talking Wikipedia, Loki-centric guru, fundi, whatever you call it, of all things Loki and Norse legends,” says Grant. “So when in doubt, if there was anything that I was curious about or didn’t know about, you just ask Tom and he could explain everything with enormous eloquence and passion and detail.
“And even though he’s played this role for over a decade, his commitment to it is absolutely off the chart. I’ve never, never come across anything like it. There’s certainly nothing exhausted about him or thinking, ‘oh I’m going to phone this in, I’m doing Loki again’. He is as enthusiastic and passionate about doing it as he was the first time he ever played the part.”
Grant says because of his “long face and V-shaped hairline” similar to Loki’s, he and Hiddleston had joked about him playing his father in the past.
“Not that you see it once I’m in the helmet and the headgear,” he says of his hair. “But every time I’d seen Tom socially down the last decade, we’d joked about playing father and son in something. So the fact that I ended up being an old, classic version of Loki to his Loki seemed serendipitous at some level. I was glad that’s how it worked out.”
One thing he was disappointed with was Classic Loki’s lack of muscles; Grant had been hoping to be transformed into a hulking superhero. “I was absolutely gutted that I didn’t have all the muscles that the [comic book artist] Jack Kirby drawings of Classi Loki had, and I absolutely assumed that… I would have a full Marvel muscle suit to step into, having been born without any.
The series follows Loki after the events of Avengers: Endgame. Pic: Marvel Studios/Disney+
“And the costume designer and the director, Kate Herron, said, no, no, no, you’re just going to be as you are. And I said, but look, how can I possibly fight when I’m like an old string bean? And they said, no, no, don’t worry about that. So I had to in my head say, well, old, withered Loki is going to be trying to fight off all forces of evil. But I would love to have had the muscles.”
In June, the series made headlines when it was revealed that Loki is bisexual and gender-fluid, something of a first for Marvel. “From the moment I joined @LokiOfficial it was very important to me, and my goal, to acknowledge Loki was bisexual,” director Kate Herron tweeted at the time. “It is a part of who he is and who I am too. I know this is a small step but I’m happy, and heart is so full, to say that this is now Canon in #mcu #Loki.”
Grant says it was an important step. “I think that because there are so many Loki variants and at this particular moment in the zeitgeist of where we’re living, people feeling disenfranchised or marginalised being included and seen and acknowledged is something that is so… profoundly in all humans that I’ve ever come across, that Loki being gender-fluid, it fits the moment in which we’re living, if that makes sense.
“I think that anything that promotes tolerance, inclusivity, is something that is hugely worth championing and celebrating.”
The actor says he was struck by Loki not just being God of Mischief, but of outcasts, too. “I think that that keyed me into the loneliness of somebody that’s… as much as you’d like to think you could live forever and the fantasy that we would live eternally, the reality is that you would be very lonely, and the need for human connection is so strong in us that that’s… [Loki] longs to see a family member and as a result is caught by the TVA (Time Variance Authority), in the story, so I completely identify with that.”
Grant was nominated for an Oscar in 2019, for his role in Can You Ever Forgive Me?
Grant’s appearance in the Marvel series comes off the back of something of a late blooming for his acting career, with a role in Star Wars: The Rise Of Skywalker in 2019 and his first Oscar nomination coming earlier that year, for his supporting role in Can You Ever Forgive Me? alongside Melissa McCarthy, after more than 30 years in showbiz. (None of this topped meeting his hero Barbra Streisand, though). Later this year, the 64-year-old will be seen playing drag queen Loco Chanelle in the film version of the award-winning musical, Everybody’s Talking About Jamie.
Grant, whose character in Can You Ever Forgive Me? was also gay, is aware of the current debate about whether straight actors should play gay roles, and says it is an issue he has discussed. “I’d just come off an award season for… God, what’s it called, the film with Melissa McCarthy that I did, called…” Just that film he was Oscar nominated for. “Can You Forgive Me? Yeah. In which there had been this ongoing conversation at that point two years ago about whether heterosexual actors could play… whether you were denying gay actors the opportunity to do that.
“So it was a thing that I brought up with [Everybody’s Talking About Jamie director] Jonathan Butterell time and again, and he said, I have chosen you, as a gay director and co-writer of the story, to play this part and you have to trust me that all of us are behind you doing this. So I thought, well, if they if they’re determined to do that, I’m not going to miss this opportunity to do it. And it was a very, very challenging and entertaining thing to do and I had an amazing team of people that helped me do all of it.”
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Grant goes on to compare his Loco Chanelle costume with his Classic Loki ensemble. “What nobody tells you is that when you are in full drag, you can’t go to the loo at all for about 12 hours, so you drink a tiny amount through a straw. Whereas on Loki at least those sort of baggy, yellow Y fronts could be removed fairly fast, with a couple of snaps underneath.”
And if Grant were able to take on the powers of God of Mischief in real life, what would he get up to?
“I think the first thing I would have done is, as we are an island, and when COVID was announced in March last year, I think that I would have closed the airports and the ports – just for starters – like Australia and Japan and Taiwan and all the other islands, New Zealand,” he says. “I think that would have been my first thing.”
It’s fair to say he’s not a fan of the way the pandemic has been handled then? “I think that’s very fair to say. What do you think?” I think closing the borders and trying to handle the pandemic better sounds like a very sensible use of his powers, but not very mischievous.
“Yes,” Grant replies. “But if I had to say who the mischief was going to be landed upon, I would be in political deep water instantaneously!”
Loki is out now on Disney+
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought
earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Read more: Everything you need to know about the Sean Combs trial
A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Entertainment
Warfare’s Alex Garland: ‘Being anti-war is not the same as saying it should never happen’
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
(L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
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D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
Warfare is in cinemas now.
Birmingham band UB40 say the city’s striking bin workers and their union should “keep fighting” in their dispute over pay.
It comes as the government and the council urged them to accept a “fair and reasonable offer”.
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Rubbish has blighted the city’s streets for weeks . Pic: PA
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Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
Read more:
Bin workers urged to accept ‘fair’ offer
Military planners help with bin crisis
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.
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