Curtis Jackson also goes by the name 50 Cent, but despite the moniker suggesting otherwise it seems the star doesn’t do things by halves.
When he put out his first album Get Rich Or Die Tryin’ it became the best-selling debut hip-hop record ever, while his TV show Power has been one of the most successful series on premium pay television in the US, according to network Starz.
It led to four spin-off series being commissioned and the latest, Power Book III: Raising Kanan, focuses on how Jackson’s character in Power, drug dealer Kanan Stark, became the man he did.
Jackson tells Sky News he requested to the show’s creator Courtney A Kemp that he wanted to play “the worst character that they’ve seen on television – so if I play a bad guy, I want to play a real bad guy”.
But the prequel shows how he ended up that way, with Jackson narrating the story of Kanan’s younger years.
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“To go into the prequel on his character is to show all of his trauma and all of the things that he – the things you go through make you who you are, I believe that – and the things that he went through and his experiences that hardened him to the point that he was that guy that we saw in Power at the beginning,” he says. “So you kind of see the things that he’s gone through that turned him into that.”
In order to give the character authenticity, Jackson borrowed from his own experiences growing up in the borough of Queens in New York City.
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One of the show’s opening scenes sees a young Kanan running home to his mother after being beaten up, but instead of comforting him she tells him he needs to learn to fight back and accompanies him for the rematch.
“These are real things, like, I really experienced being roughed up in the park before my mom sent me back to the park, and I was just more afraid of her than the kids in the park, so I ended up going back to fight them instead of dealing with my mom,” he says.
“And you deal with that and it kind of changes your perspective, like, I’m not going to go back whining to my mother for her to send me back, I’ll just handle it before she finds out that I’m scared or afraid of the other person, so it kind of changed a part of my character in the very early stages.
“It was probably the biggest thing to describe what my relationship with my mom was like fairly early on, you know, because she was the only provider, so she was like the source of everything that’s good; if she’s angry with you then nothing good is around, you know what I’m saying, and you’re like, wow, no, just take me back to the park, I’d rather fight than deal with this.”
As a father himself now, Jackson recognises that idolising of parents by their children from the other side of the relationship.
“There’s a point where kids view their parents as superheroes because they don’t understand everything else in life that they have to do, work and everything else to create the comforts.
“My little guy now, he sees me like that, he thinks, ‘my dad could do it – there’s no question my dad could do it’, like if somebody can jump further and he’ll say ‘my dad can jump that far’, he thinks I can do everything, and it’s amazing.”
Jackson’s own mother passed away when he was eight, and he went on to be raised by grandparents. There, he was one of nine and there wasn’t a lot of money to go around, but his mother’s friends kept him in their lives; the star says it was them who inspired him to do whatever it took to make money.
“I look at my journey, some of the decisions that my mom made have guided mine, and it’s because people from her life had what was a representation of financial freedom, they had those nice things in front of me,” he says.
“They got everything that you would want, so it kind of led me down the same path of the hustling and going to do different things, and, you know, I just hit the roof of that and wanted to do more, so I got involved in music and entertainment where we do things that exceed that level of success, completely.
“Like, that [what his mum’s friends had] is the smallest thing, you know what I mean, it just felt big at that point, when I was little.”
Jackson has returned to the studio to make new music for Raising Kanan. The tracks see him collaborating with up-and-coming artists – mirroring his own experiences of starting out in the music industry, when he worked with Eminem and Dr Dre – but now it’s Jackson who’s the experienced one boosting the profile of others.
The start of his career was strange to negotiate, he says. “My first album Get Rich Or Die Tryin’ was the largest debuting hip-hop album – still – 13 million records sold on the first album. If your first record is that big – you know that saying, you never have a second chance at a first impression – so people will never really appreciate you as much as they did at that point.”
With a second series of Power Book III: Raising Kanan commissioned before the first even aired, another Starz show called Black Mafia Family and a series for Netflix in the works, Jackson has plenty to keep him busy.
He says that in terms of his TV career, he was inspired to make his own shows by someone he looks up to.
“Sylvester Stallone’s career is my hero career, and it’s because he made the projects that made his career work. He made Rocky, he made Rambo, made Escape Plan – he makes these franchises himself, comes up with the right idea that could work for him and writes the project and everything.”
“So I like that, to develop the things that I’m involved in, that I feel passionate enough about the project after I’ve gone through it step by step.”
Power Book III: Raising Kanan is out now on streaming service Starzplay
Kate Nash says selling photos of her bottom on the X-rated site OnlyFans has allowed her to add an extra crew member to her tour staff.
The 37-year-old singer says the fact she is having to subsidise her shows in this way shows that the music industry is “completely broken”.
She announced she was launching her OnlyFans account last week as she began the UK leg of her tour, and has previously said on Instagram that, “touring makes losses not profits”.
Speaking about her new venture to BBC Radio 4’s Today programme she said it was “very funny” and “fun to do,” adding, “My industry is completely broken, I don’t think it’s sustainable, and I think it’s a complete failure, I think it will collapse as well”.
Going on to talk about “people finding solutions to fund their art,” she said: “I think it’s quite empowering, and I’m also creating jobs with my bum now.
“For example, I couldn’t bring a crew member that’s on tour with me in the UK to Europe, but now I can, because of my OnlyFans website.”
She has previously described the career move as a “punk protest,” containing “lots of comedy”.
Speaking to LBC last week, she said: “The cost of touring has gone up. Just like the cost of living crisis, there’s a cost-of-touring crisis – where the cost of travel, accommodation, crew wages, bus rental, all the things that you need to pay for when you go on tour, everything’s gone up.
“But a lot of bands’ and artists’ fees for gigs have not gone up, whereas ticket prices have gone up.”
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Nash also said music was an “exploitative industry,” adding, “I have had lots of experience of being exploited”.
She said it could “learn a lot from the sex industry”.
Beginning her career in 2005, Nash has had one UK top 10 single – 2007’s Foundations – and two UK top 10 albums.
She has just finished a three-week US tour and is now touring the UK before moving on to Europe. Her London gig later this week is sold out.
And Nash isn’t the only one branching out to bring in cash. Lily Allen said earlier this year that she had joined OnlyFans to sell photographs of her feet.
The 39-year-old Smile singer, who moved to the US in 2020, says she has “very strict guidelines” and is charging subscribers $10 (£8) a month to view images of her feet on the platform.
Davina McCall has said her short-term memory is “a bit remiss” as she recovers from brain tumour surgery.
Speaking from her bed, the visibly emotional TV presenterposted a short video updating her Instagram followers on her condition, saying it had been a “mad” time.
She expressed an “enormous heartfelt thank you” to people who had messaged her after she revealed this month she had a benign brain tumour, a colloid cyst, which she described as “very rare”.
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Looking bright, but with a visibly bruised left eye, McCall said: “My short-term memory is a bit remiss.
“But that is something I can work on, so I’m really happy about that. I’m writing everything down, to keep myself feeling safe.”
She added: “It’s been mad, and it’s just really nice to be back home, I’m on the other side.”
In a message posted with the video, she reiterated her thanks for all the support she has received, adding: “Had a great night’s sleep in my own bed. Have a couple of sleeps during the day which keeps my brain clear… Slowly, slowly…”
When she first shared her diagnosis, she said chances of having it were “three in a million” and that she had discovered it several months previously after a company offered her a health scan in return for giving a menopause talk.
The 57-year-old star said support from her fans had “meant the world”.
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She said she was being “brilliantly looked after” by her partner, hairdresser Michael Douglas, and her stepmother, Gabby, who she calls mum.
Becoming tearful, the presenter said: “I’d quickly like to say big up the stepmums. I don’t really say thank you to Gabby enough. She’s been an amazing rock my whole life.”
McCall was estranged from her birth mother, Florence McCall, who died in 2008.
With a catch in her voice, McCall went on: “I’ve got a massive dose of vitamin G – I’m just really grateful. I’ve always been really lucky in my life, but I feel unbelievably grateful right now. So, thanks for everything, all of you.
“I’m on the mend, I’m resting and sleeping loads and I feel really good. I’m just very lucky.”
Stars including presenter Alison Hammond, singer Craig David and radio host Zoe Ball quickly shared their delight at the positive update.
McCall rose to fame presenting on MTV in the mid-1990s, and later on Channel 4’s Streetmate, before becoming a household name as the host of Big Brother from 2000 to 2010.
She’s gone on to present programmes across the networks, the most recent being ITV dating show My Mum, Your Dad.
Last year, McCall was appointed Member of the Order of the British Empire (MBE) in the 2023 Birthday Honours for services to broadcasting.
Married twice, McCall has three children, two daughters and a son, with her second husband, presenter Matthew Robertson.
She has lived with Douglas since 2022, and they present a weekly lifestyle podcast together, Making The Cut.
Barbara Taylor Bradford, the bestselling novelist who wrote A Woman Of Substance, has died at the age of 91.
The Leeds-born author, who sold more than 90 million books, died peacefully at her home on Sunday after a short illness and was “surrounded by loved ones to the very end”, a spokeswoman said.
Taylor Bradford, who was often labelled “the grand dame of blockbusters”, hit the big time when A Woman Of Substance was published in 1979, making her an overnight success.
The story sold millions of copies and traced the journey of Emma Harte from life as a servant in rural Yorkshire to heading a business empire.
The rags to riches story was followed by many other successful books with the author’s works being published in more than 40 languages across 90 countries.
Charlie Redmayne, chief executive of publisher HarperCollins, said the author was a “natural storyteller”, adding: “Barbara Taylor Bradford was a truly exceptional writer whose first book, the international bestseller A Woman Of Substance, changed the lives of so many who read it – and still does to this day.”
Taylor Bradford, who was made an OBE in 2007 for services to literature, wrote a total of 40 novels during her career – her most recent was The Wonder Of It All, published last year.
Born in May 1933 as the only child of Winston and Freda Taylor, she worked as a typist for the Yorkshire Evening Post before becoming a reporter and then the paper’s first woman’s editor.
At the age of 20, she moved to London and worked in Fleet Street for Woman’s Own and the London Evening News.
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She met her husband, American film producer Robert Bradford, in 1961 and they married in London on Christmas Eve in 1963 before moving to New York the following year.