For performance venues around England, it is the week they have been waiting for – being able to legally fill their auditoriums after 17 months.
But despite all legal limits being lifted, venues and theatres, while excited, are tentatively making changes to their policies – with some opting to keep some restrictions.
Ahead of Monday, Sky News has spoken to a number of people from the industry that have expressed their relief, anxieties and hopes for the next step in its social and financial recovery.
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‘Important’ for UK that theatres reopen – McKellen
Nica Burns, co-owner of Nimax Theatres in London
Six of London’s best known theatres, such as the Lyric and the Palace, are co-owned by Nica Burns – making her a major player in the city’s entertainment district.
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Speaking to Sky News from her office on Zoom, she said that while restrictions across the UK are lifting, her theatres would not be immediately increasing capacity and relaxing mask rules.
A number of her venues opened in May at the initial lifting of restrictions, meaning she has already had a head start.
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“A lot of tickets that were already sold, had been sold at 50%,” she said. “The advance ticket sales go back a couple of months when what they were promised were the capacity and robust mitigation measures – and we’re giving them 50%, and 60% and 70% capacity will go up to potentially go to 75%.”
Explaining her more cautious approach, she said: “I think it’s that I just thought that was the right thing to do.”
Ms Burns added that some of her theatres are old and narrow, meaning, for now, reduced capacity will help alleviate pinch points and keep people safe.
The approach taken by Ms Burns is different to that of counterpart Andrew Lloyd Webber, who is planning to pack his auditoriums as soon as possible and is hosting what he calls a “Freedom Day” performance of Cinderella – but his theatres will still require patrons to wear masks and present recent proof of a negative test, according to his website.
Delfont Mackintosh Theatres, home to shows such as Mary Poppins and Hamilton, also says online that it will be asking for proof of vaccination status and encouraging mask use from 21 July when auditoriums fully reopen.
Shows in the West End are booking now.
Image: The Palace Theatre, co-owned by Ms Burns, has been dark since last March
Chris Stafford, chief executive of Curve Theatre in Leicester
The Curve Theatre in Leicester will open on Tuesday, without any social distancing, for the first time since the pandemic when the national tour of Magic Goes Wrong opens.
“We’re really pleased to say audiences feel confident returning to theatre,” Mr Stafford told Sky News over Zoom from the venue’s auditorium.
“We are seeing audiences booking tickets to come back and have a shared experience together.
“But also, one of the really important things for us is that we offer audiences as they build their confidence security, that the theatre coming back and returning to live events will be as safe as it possibly can be.”
Mr Stafford explained that while his venue received culture recovery grants from the government, and that his venue is partially subsidised by the Arts Council, audiences need to return to “pre-COVID levels”.
He added that 330,000 people a year were visiting his venue before the pandemic – making it a key part of Leicester’s economy
“It’s essential that they survive this pandemic,” he concluded.
Masks will still be required at the venue, Mr Stafford confirmed, while social distancing will be dropped.
Leicester Curve reopens on Tuesday 20 July, with a touring production of Magic Goes Wrong.
Image: Magic Goes Wrong will reopen Leicester’s Curve. Pic: Robert Day
Loki Mackay, manager of The Comedy Store in London
“There are so many things to do still,” Loki Mackay told Sky News ahead of The Comedy Store reopening, adding: “The short notice made it difficult to plan ahead.”
The iconic central London venue will open its doors again next week and invite punters back in to what is one of the world’s most famous comedy clubs.
Upon reopening, the club will go pretty much back to standard trading – masks will be optional, no social distancing will be in place, and visitors won’t need to prove their health status.
Mr Mackay told Sky News he was “doing okay with tickets” but added there will be no full houses for a while.
He says comics are “raring to go” after 18 months of podcasting and blogging to make ends meet.
On support over the last year, he said that it was “b***** all” and that everything they have heard has been through the newspapers. And while he has had some some Arts Council funding, it all went on rent.
The venue reopens later this week, with acts such as Marcus Brigstocke, Kiri Pritchard-Maclean and Tom Stade.
Image: A view of The Comedy Store sign in central London
Sir Ian McKellen, theatre legend appearing in Hamlet at the Theatre Royal Windsor
Sir Ian McKellen, 82, who is starring in Hamlet at the Theatre Royal in Windsor, told Sky News he believes audiences will be nervous to come back into venues.
He said: “I am a little bit nervous about that. I daresay the audience will be nervous too.
“Do audiences really want to come back and sit next to people with a cough, who’s a bit fidgety?”
He said he didn’t know if “our patterns of behaviour” will have changed, or “will swing back to normality”.
Sir Ian added: “I suspect not for a little bit.”
Tickets for Hamlet, which has just extended its Windsor run, are available now.
Image: Sir Ian McKellen, who stars in Hamlet at the Theatre Royal in Windsor, which runs until 25 September 2021
Mazz Murray and Ben Forster, West End performers and appearing at the Royal Albert Hall
The Royal Albert Hall will be back with a bang this week, as it hosts its delayed 150th birthday celebrations.
On Monday it will host its very own 150th birthday party, then on Wednesday, stars of the West End will take to the stage in aid of charity Acting For Others.
Ben Forster, who has performed iconic roles such as Jesus, in Jesus Chris Superstar, and the Phantom, in Phantom Of The Opera, will be one of the stars on stage that night.
“The last 18 months has been terrible. We would never have expected coming into the pandemic that it would have lasted for so long,” he told Sky News from the Royal Albert Hall.
“I just want people to feel the love again, and it heightens people’s spirits. That’s why people go and watch musicals, because it lifts them and takes them on a journey for for a moment. And that’s what this show is going to do.”
Mazz Murray, who will be taking on the role of Donna in Mamma Mia in August, will also perform, and says it’s going to be a “real mix of emotions”.
Murray added that while performers have had little support over the past year-and-a-half, “there’s been no precedent and that unfortunately their professions were spent in dark, busy unventilated spaces”.
“So if anyone’s going to have to take the rough end, then I’m prepared to take it,” she said. “It was it was very, very difficult. I’m hoping that we’re at the end of it, but I love what I do – so on this occasion, we all got the short straw.”
Like other venues, the Royal Albert Hall is asking people to wear masks and take tests – but won’t enforce it as the hall feels it is unfair when the government permits taking masks off.
Tickets to The Best Of The West End on Wednesday 21 July are available now.
Image: Staff install and switch on a new sign at the Royal Albert Hall in London, as it prepares to celebrate its 150th anniversary
Jenna Boyd, West End performer in Come From Away
Jenna Boyd will be part of the cast of the Olivier-winning Come From Away when it reopens later this week.
It’s based on the true events in the immediate aftermath of 9/11 when planes were rerouted to Gander in Newfoundland, Canada.
Speaking to Sky News during a rehearsal break at the Phoenix Theatre, Ms Boyd said the last 18 months had been “hideous”.
“This industry has felt abandoned,” she said. “There are a number of people who have been fortunate enough to be able to receive some sort of financial aid – but the huge majority of people have been literally hung out to dry.”
Speaking about getting back on stage, she said: “I think it’s going to be fairly overwhelming for all of us. There’s going to be a few tears as we walk out and there’s going to be a few tears as we finish, and it’s all because the love that the audience gives from their appreciation of what goes on on that stage and the story that’s been told is so, so mammoth.”
Come From Away opens on 22 July at London’s Phoenix Theatre.
Image: Come From Away tells the true story of the flights that were diverted to Newfoundland after 9/11
Steve Cowley, local theatre performer, appearing in one man show Battle Cry
Steve Cowley from Chesterfield in Derbyshire says he is “really excited” to get back on to stages over the next few weeks. He’ll perform in one man show Battle Cry in Birmingham and Buxton – the first time he’ll have appeared on stage in the flesh since early 2020.
The show is about a veteran suffering with PTSD, which opened to acclaim when it debuted a couple of years ago.
Mr Cowley teaches acting as well as treading the boards for a living, but last year left him at a loss when his only work suddenly dried up.
“Even my agent had to get another job,” he told Sky News from his local theatre, adding: “It’s scary to see the industry on its knees.
“We were probably overlooked, and I thought I might quit at one point.
“I used the government’s job retraining tool, and it gave me things like market trader, funeral director and beauty consultant – none of them were me.”
You can watch Battle Cry at the Buxton Fringe on 23 and 24 July.
Image: Buxton will host an arts festival later this week
Cinemas and gig venues
It’s a busy time for large parts of the industry right now, understandably, so many of the people Sky News contacted were unable to chat.
However, cinemas such as Vue and Curzon said in statements that masks would still be encouraged at their screenings with safety protocols – like enhanced cleaning – largely unchanged. The UK’s biggest chain, Cineworld, says masks remain mandatory in Scotland, Wales and Northern Ireland, as per the government guidance there, but won’t be in England anymore (they will be encouraged for staff, though).
At gig venues – the Academy Group, which looks after the local O2 venues across the country, says while masks are no longer mandatory, their use is encouraged. Its venues will also be asking for proof of a negative test or that both vaccinations have been had.
It is important to note that each venue, company and operator will have different rules, and it is advised to check with them before making any decisions to book events.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
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0:57
Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.
Drummer Zak Starkey has said he is “surprised and saddened” after parting ways with The Who following recent charity shows at the Royal Albert Hall.
The musician, who is the son of The Beatles drummer Ringo Starr and his first wife, Maureen Starkey, had been with the band since 1996, when he joined for their Quadrophenia tour.
He was introduced to drumming as a child by “Uncle Keith” – The Whodrummer and family friendKeith Moon, who died in 1978.
Earlier this week, the band issued a statement saying a “collective decision” had been made about his departure. It came after their Teenage Cancer Trust shows in March.
A review of one gig, published in the Metro, suggested frontman Roger Daltrey – who launched the annual gig series for the charity in 2000 – was “frustrated” with the drumming during some tracks.
“Filling the shoes of my Godfather, ‘Uncle Keith’ has been the biggest honour and I remain their biggest fan,” he said. “They’ve been like family to me.”
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In January, Starkey suffered a blood clot in his right leg and a performance with his other band Mantra Of The Cosmos – which also features Shaun Ryder and Bez from Happy Mondays, and Andy Bell of Ride and Oasis – was cancelled.
Referencing this in his statement to Rolling Stone, Starkey said: “I suffered a serious medical emergency with blood clots in my right bass drum calf. This is now completely healed and does not affect my drumming or running.”
He continued: “After playing those songs with the band for so many decades, I’m surprised and saddened anyone would have an issue with my performance that night, but what can you do?”
Starkey said he planned to “take some much needed time off with my family” and focus on the release of Mantra Of The Cosmos single Domino Bones, which features Noel Gallagher, as well as his autobiography.
“Twenty-nine years at any job is a good old run, and I wish them the best,” he added.
Starkey has also previously played with Oasis, Lightning Seeds and Johnny Marr.
While Daltrey starts a solo tour at the weekend, The Who have two shows planned for Italy in July but no full tour. Details of a replacement for Starkey have not been announced.