For performance venues around England, it is the week they have been waiting for – being able to legally fill their auditoriums after 17 months.
But despite all legal limits being lifted, venues and theatres, while excited, are tentatively making changes to their policies – with some opting to keep some restrictions.
Ahead of Monday, Sky News has spoken to a number of people from the industry that have expressed their relief, anxieties and hopes for the next step in its social and financial recovery.
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‘Important’ for UK that theatres reopen – McKellen
Nica Burns, co-owner of Nimax Theatres in London
Six of London’s best known theatres, such as the Lyric and the Palace, are co-owned by Nica Burns – making her a major player in the city’s entertainment district.
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Speaking to Sky News from her office on Zoom, she said that while restrictions across the UK are lifting, her theatres would not be immediately increasing capacity and relaxing mask rules.
A number of her venues opened in May at the initial lifting of restrictions, meaning she has already had a head start.
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“A lot of tickets that were already sold, had been sold at 50%,” she said. “The advance ticket sales go back a couple of months when what they were promised were the capacity and robust mitigation measures – and we’re giving them 50%, and 60% and 70% capacity will go up to potentially go to 75%.”
Explaining her more cautious approach, she said: “I think it’s that I just thought that was the right thing to do.”
Ms Burns added that some of her theatres are old and narrow, meaning, for now, reduced capacity will help alleviate pinch points and keep people safe.
The approach taken by Ms Burns is different to that of counterpart Andrew Lloyd Webber, who is planning to pack his auditoriums as soon as possible and is hosting what he calls a “Freedom Day” performance of Cinderella – but his theatres will still require patrons to wear masks and present recent proof of a negative test, according to his website.
Delfont Mackintosh Theatres, home to shows such as Mary Poppins and Hamilton, also says online that it will be asking for proof of vaccination status and encouraging mask use from 21 July when auditoriums fully reopen.
Shows in the West End are booking now.
Chris Stafford, chief executive of Curve Theatre in Leicester
The Curve Theatre in Leicester will open on Tuesday, without any social distancing, for the first time since the pandemic when the national tour of Magic Goes Wrong opens.
“We’re really pleased to say audiences feel confident returning to theatre,” Mr Stafford told Sky News over Zoom from the venue’s auditorium.
“We are seeing audiences booking tickets to come back and have a shared experience together.
“But also, one of the really important things for us is that we offer audiences as they build their confidence security, that the theatre coming back and returning to live events will be as safe as it possibly can be.”
Mr Stafford explained that while his venue received culture recovery grants from the government, and that his venue is partially subsidised by the Arts Council, audiences need to return to “pre-COVID levels”.
He added that 330,000 people a year were visiting his venue before the pandemic – making it a key part of Leicester’s economy
“It’s essential that they survive this pandemic,” he concluded.
Masks will still be required at the venue, Mr Stafford confirmed, while social distancing will be dropped.
Leicester Curve reopens on Tuesday 20 July, with a touring production of Magic Goes Wrong.
Loki Mackay, manager of The Comedy Store in London
“There are so many things to do still,” Loki Mackay told Sky News ahead of The Comedy Store reopening, adding: “The short notice made it difficult to plan ahead.”
The iconic central London venue will open its doors again next week and invite punters back in to what is one of the world’s most famous comedy clubs.
Upon reopening, the club will go pretty much back to standard trading – masks will be optional, no social distancing will be in place, and visitors won’t need to prove their health status.
Mr Mackay told Sky News he was “doing okay with tickets” but added there will be no full houses for a while.
He says comics are “raring to go” after 18 months of podcasting and blogging to make ends meet.
On support over the last year, he said that it was “b***** all” and that everything they have heard has been through the newspapers. And while he has had some some Arts Council funding, it all went on rent.
The venue reopens later this week, with acts such as Marcus Brigstocke, Kiri Pritchard-Maclean and Tom Stade.
Sir Ian McKellen, theatre legend appearing in Hamlet at the Theatre Royal Windsor
Sir Ian McKellen, 82, who is starring in Hamlet at the Theatre Royal in Windsor, told Sky News he believes audiences will be nervous to come back into venues.
He said: “I am a little bit nervous about that. I daresay the audience will be nervous too.
“Do audiences really want to come back and sit next to people with a cough, who’s a bit fidgety?”
He said he didn’t know if “our patterns of behaviour” will have changed, or “will swing back to normality”.
Sir Ian added: “I suspect not for a little bit.”
Tickets for Hamlet, which has just extended its Windsor run, are available now.
Mazz Murray and Ben Forster, West End performers and appearing at the Royal Albert Hall
The Royal Albert Hall will be back with a bang this week, as it hosts its delayed 150th birthday celebrations.
On Monday it will host its very own 150th birthday party, then on Wednesday, stars of the West End will take to the stage in aid of charity Acting For Others.
Ben Forster, who has performed iconic roles such as Jesus, in Jesus Chris Superstar, and the Phantom, in Phantom Of The Opera, will be one of the stars on stage that night.
“The last 18 months has been terrible. We would never have expected coming into the pandemic that it would have lasted for so long,” he told Sky News from the Royal Albert Hall.
“I just want people to feel the love again, and it heightens people’s spirits. That’s why people go and watch musicals, because it lifts them and takes them on a journey for for a moment. And that’s what this show is going to do.”
Mazz Murray, who will be taking on the role of Donna in Mamma Mia in August, will also perform, and says it’s going to be a “real mix of emotions”.
Murray added that while performers have had little support over the past year-and-a-half, “there’s been no precedent and that unfortunately their professions were spent in dark, busy unventilated spaces”.
“So if anyone’s going to have to take the rough end, then I’m prepared to take it,” she said. “It was it was very, very difficult. I’m hoping that we’re at the end of it, but I love what I do – so on this occasion, we all got the short straw.”
Like other venues, the Royal Albert Hall is asking people to wear masks and take tests – but won’t enforce it as the hall feels it is unfair when the government permits taking masks off.
Tickets to The Best Of The West End on Wednesday 21 July are available now.
Jenna Boyd, West End performer in Come From Away
Jenna Boyd will be part of the cast of the Olivier-winning Come From Away when it reopens later this week.
It’s based on the true events in the immediate aftermath of 9/11 when planes were rerouted to Gander in Newfoundland, Canada.
Speaking to Sky News during a rehearsal break at the Phoenix Theatre, Ms Boyd said the last 18 months had been “hideous”.
“This industry has felt abandoned,” she said. “There are a number of people who have been fortunate enough to be able to receive some sort of financial aid – but the huge majority of people have been literally hung out to dry.”
Speaking about getting back on stage, she said: “I think it’s going to be fairly overwhelming for all of us. There’s going to be a few tears as we walk out and there’s going to be a few tears as we finish, and it’s all because the love that the audience gives from their appreciation of what goes on on that stage and the story that’s been told is so, so mammoth.”
Come From Away opens on 22 July at London’s Phoenix Theatre.
Steve Cowley, local theatre performer, appearing in one man show Battle Cry
Steve Cowley from Chesterfield in Derbyshire says he is “really excited” to get back on to stages over the next few weeks. He’ll perform in one man show Battle Cry in Birmingham and Buxton – the first time he’ll have appeared on stage in the flesh since early 2020.
The show is about a veteran suffering with PTSD, which opened to acclaim when it debuted a couple of years ago.
Mr Cowley teaches acting as well as treading the boards for a living, but last year left him at a loss when his only work suddenly dried up.
“Even my agent had to get another job,” he told Sky News from his local theatre, adding: “It’s scary to see the industry on its knees.
“We were probably overlooked, and I thought I might quit at one point.
“I used the government’s job retraining tool, and it gave me things like market trader, funeral director and beauty consultant – none of them were me.”
You can watch Battle Cry at the Buxton Fringe on 23 and 24 July.
Cinemas and gig venues
It’s a busy time for large parts of the industry right now, understandably, so many of the people Sky News contacted were unable to chat.
However, cinemas such as Vue and Curzon said in statements that masks would still be encouraged at their screenings with safety protocols – like enhanced cleaning – largely unchanged. The UK’s biggest chain, Cineworld, says masks remain mandatory in Scotland, Wales and Northern Ireland, as per the government guidance there, but won’t be in England anymore (they will be encouraged for staff, though).
At gig venues – the Academy Group, which looks after the local O2 venues across the country, says while masks are no longer mandatory, their use is encouraged. Its venues will also be asking for proof of a negative test or that both vaccinations have been had.
It is important to note that each venue, company and operator will have different rules, and it is advised to check with them before making any decisions to book events.
Andrew Garfield says he bakes cookies every year in memory of his late mother.
The double Oscar nominee‘s mother Lynn Garfield, from Essex, died in 2019 from pancreatic cancer.
In a conversation about his new film We Live In Time, he told Sky News about the special ways he likes to remember her.
“My mum had the most incredible chocolate chip cookie recipe that I will do every year on the anniversary of her birth and on the anniversary of her death.
“So, I will bake them, and we will all eat them, but I’ll leave a few out for her somewhere, you know, like Rudolph the Red-Nosed Reindeer or Santa Claus at Christmas or something.”
The English-American actor says he looks to keep the connection to his mother alive and notes that he has some of her keepsakes in his own home.
“I have her perfume in my house that my mum used to wear when I was a kid. I have it, like, in a very special place. I’ll just like [smell it], when I need it.
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“It’s like in the missing and the longing, you actually get closer to the person. It’s a weird thing. As we reach out in grief, we actually feel much closer to the person so it’s this weird conundrum”.
‘Leaving a legacy behind’
Garfield stars alongside Florence Pugh in the romance film We Live In Time, which follows an up-and-coming chef and a Weetabix salesman through a decade of their love story.
Pugh says she loves playing “really strong-willed women” and says playing a woman dealing with ovarian cancer allowed her to look at the idea of creating a legacy.
“She’s constantly juggling whether she does something for herself, does something for her daughter, does something for her family and ultimately, she’s allowed to do all of those things.
“I do believe that she is trying to leave that kind of legacy behind so that her daughter is proud of her.
“Just because you are a parent and you’re a mum does not mean that your wills and wants also completely vanish and disappear and you can’t have or want them too”.
‘A level of detail and care’
We Live In Time is directed by Brooklyn filmmaker John Crowley.
Having previously worked with Garfield on Boy A, the Irish director says seeing Garfield and Pugh on screen together is magic.
“All that life experience is present in his performance,” he says.
“I wouldn’t say he’s vastly different. I think the level of detail and care that he puts in the work is every bit as much as it was back then, there’s just more there now”.
We Live In Time is in cinemas on Wednesday 1 January.
Elizabeth J. Birch has been a musician for a decade, has won several awards, and loves her job. However, she continues to feel like an outsider in a competitive and precarious industry.
As a wheelchair user, she commonly experiences accessibility barriers at venues, but there’s a more pressing issue – tokenism.
Birch tells Sky News: “While it’s not explicitly stated that it’s tokenistic, it feels tokenistic because [organisations] need a certain amount of disabled people on their board.
“For example, I was once called a poster girl for inclusion.”
When asked how the experience made her feel, she pauses and reflects: “Perhaps it didn’t make me feel like an individual or it made me feel less than human because I was narrowed down to one aspect of myself.
“It’s not about trying to look inclusive, it’s about trying to be inclusive.”
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A recent report by Help Musicians and the Musicians’ Union found 94% of those who have experienced discrimination based on their disability said it impacted their ability to work or advance their career progression.
Nyrobi Beckett-Messam, one half of the sister duo ALT BLK ERA, was diagnosed with multiple chronic conditions in 2021.
Out of the fear of discrimination, she wasn’t open about her hidden disability until only a few months ago.
“I didn’t feel comfortable sharing that side of me because society doesn’t accept it,” she says.
And she doesn’t regret opening up.
“I think the biggest benefit of me disclosing my disability is seeing how it’s impacted others,” she says.
“It’s really empowering, I wake up feeling every morning like the effect I’m having on the community.”
Among other key findings, the Musicians’ Census identified the following areas of concern when it comes to financial security, fair pay, and discrimination in the workplace:
• On average there is a £4,400 pay gap between disabled and non-disabled musicians • The gap widens a further £1,700 for musicians with mental health conditions and/or neurodivergent profiles • 27% of disabled musicians said they had experienced racism, compared with 7% of non-disabled musicians • 73% of disabled respondents said they aren’t in receipt of any state benefits, tax credits, or support
Grace Meadows, head of engagement at Help Musicians and Music Minds Matter, said: “What this report really starkly highlights is just how much more work the industry needs to do to support disabled musicians but also to support anybody who may have a disability to speak up without fear of discrimination or disadvantage.
“And with benefits, really what we are needing to see is a change in what those systems look like so people can get the support they need when they need it.”
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A government spokesperson told Sky News: “We are bringing forward proposals to reform health and disability benefits in spring as part of a proper plan to genuinely support disabled people.
“We will work closely with disabled people and their organisations, whose views will be at the heart of these plans.”
Both Birch and Beckett-Messam believe in the social model of disability which recognises that people are disabled by barriers in society, not by their impairment or difference.
For now, they are determined to stay in the industry, but that could change if it stays the same.
The family of Gavin & Stacey star Laura Aikman only found out she was returning to the sitcom while they watched the finale on Christmas Day.
The 39-year-old actress shared a video on her Instagram showing her family screaming in shock as her character Sonia appeared in the episode.
Sonia, the ex-girlfriend of James Corden’s character Neil “Smithy” Smith, appears in the final Christmas special in a crucial plot twist.
One member of Aikman’s family can be heard shouting “press pause” while another tells her “you never told me”.
“We never told anyone,” Aikman replies.
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Sharing the video on Instagram she wrote “the moment my family realise Sonia is ruining Christmas again” and captioned it: “I take an NDA very seriously.”
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She also shared a photo of a cast board of all the Gavin & Stacey characters, with a space missing where her picture would have been.
Aikman joined Gavin & Stacey as Sonia in the last Christmas Day episode in 2019, when Smithy brought his girlfriend to meet his family and friends.
But she did not get on with the group and left before Smithy could propose to her as he had planned.
Vanessa “Nessa” Jenkins, played by Ruth Jones, later got down on one knee and confessed her love for Smithy, but before he could respond to her proposal the episode ended on a cliffhanger.
Fans have waited five years to find out his answer, with the 2024 Christmas Day episode opening with the family of Stacey Shipman, played by Joanna Page, and her husband Gavin, portrayed by Mathew Horne, preparing for a wedding.
The BBC said the episode secured the highest overnight Christmas Day ratings since 2008.
The 90-minute episode drew an average audience of 12.3 million, according to overnight figures, surpassing the show’s 2019 Christmas special by more than half-a-million viewers.