For performance venues around England, it is the week they have been waiting for – being able to legally fill their auditoriums after 17 months.
But despite all legal limits being lifted, venues and theatres, while excited, are tentatively making changes to their policies – with some opting to keep some restrictions.
Ahead of Monday, Sky News has spoken to a number of people from the industry that have expressed their relief, anxieties and hopes for the next step in its social and financial recovery.
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‘Important’ for UK that theatres reopen – McKellen
Nica Burns, co-owner of Nimax Theatres in London
Six of London’s best known theatres, such as the Lyric and the Palace, are co-owned by Nica Burns – making her a major player in the city’s entertainment district.
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Speaking to Sky News from her office on Zoom, she said that while restrictions across the UK are lifting, her theatres would not be immediately increasing capacity and relaxing mask rules.
A number of her venues opened in May at the initial lifting of restrictions, meaning she has already had a head start.
More on Covid-19
“A lot of tickets that were already sold, had been sold at 50%,” she said. “The advance ticket sales go back a couple of months when what they were promised were the capacity and robust mitigation measures – and we’re giving them 50%, and 60% and 70% capacity will go up to potentially go to 75%.”
Explaining her more cautious approach, she said: “I think it’s that I just thought that was the right thing to do.”
Ms Burns added that some of her theatres are old and narrow, meaning, for now, reduced capacity will help alleviate pinch points and keep people safe.
The approach taken by Ms Burns is different to that of counterpart Andrew Lloyd Webber, who is planning to pack his auditoriums as soon as possible and is hosting what he calls a “Freedom Day” performance of Cinderella – but his theatres will still require patrons to wear masks and present recent proof of a negative test, according to his website.
Delfont Mackintosh Theatres, home to shows such as Mary Poppins and Hamilton, also says online that it will be asking for proof of vaccination status and encouraging mask use from 21 July when auditoriums fully reopen.
Shows in the West End are booking now.
Image: The Palace Theatre, co-owned by Ms Burns, has been dark since last March
Chris Stafford, chief executive of Curve Theatre in Leicester
The Curve Theatre in Leicester will open on Tuesday, without any social distancing, for the first time since the pandemic when the national tour of Magic Goes Wrong opens.
“We’re really pleased to say audiences feel confident returning to theatre,” Mr Stafford told Sky News over Zoom from the venue’s auditorium.
“We are seeing audiences booking tickets to come back and have a shared experience together.
“But also, one of the really important things for us is that we offer audiences as they build their confidence security, that the theatre coming back and returning to live events will be as safe as it possibly can be.”
Mr Stafford explained that while his venue received culture recovery grants from the government, and that his venue is partially subsidised by the Arts Council, audiences need to return to “pre-COVID levels”.
He added that 330,000 people a year were visiting his venue before the pandemic – making it a key part of Leicester’s economy
“It’s essential that they survive this pandemic,” he concluded.
Masks will still be required at the venue, Mr Stafford confirmed, while social distancing will be dropped.
Leicester Curve reopens on Tuesday 20 July, with a touring production of Magic Goes Wrong.
Image: Magic Goes Wrong will reopen Leicester’s Curve. Pic: Robert Day
Loki Mackay, manager of The Comedy Store in London
“There are so many things to do still,” Loki Mackay told Sky News ahead of The Comedy Store reopening, adding: “The short notice made it difficult to plan ahead.”
The iconic central London venue will open its doors again next week and invite punters back in to what is one of the world’s most famous comedy clubs.
Upon reopening, the club will go pretty much back to standard trading – masks will be optional, no social distancing will be in place, and visitors won’t need to prove their health status.
Mr Mackay told Sky News he was “doing okay with tickets” but added there will be no full houses for a while.
He says comics are “raring to go” after 18 months of podcasting and blogging to make ends meet.
On support over the last year, he said that it was “b***** all” and that everything they have heard has been through the newspapers. And while he has had some some Arts Council funding, it all went on rent.
The venue reopens later this week, with acts such as Marcus Brigstocke, Kiri Pritchard-Maclean and Tom Stade.
Image: A view of The Comedy Store sign in central London
Sir Ian McKellen, theatre legend appearing in Hamlet at the Theatre Royal Windsor
Sir Ian McKellen, 82, who is starring in Hamlet at the Theatre Royal in Windsor, told Sky News he believes audiences will be nervous to come back into venues.
He said: “I am a little bit nervous about that. I daresay the audience will be nervous too.
“Do audiences really want to come back and sit next to people with a cough, who’s a bit fidgety?”
He said he didn’t know if “our patterns of behaviour” will have changed, or “will swing back to normality”.
Sir Ian added: “I suspect not for a little bit.”
Tickets for Hamlet, which has just extended its Windsor run, are available now.
Image: Sir Ian McKellen, who stars in Hamlet at the Theatre Royal in Windsor, which runs until 25 September 2021
Mazz Murray and Ben Forster, West End performers and appearing at the Royal Albert Hall
The Royal Albert Hall will be back with a bang this week, as it hosts its delayed 150th birthday celebrations.
On Monday it will host its very own 150th birthday party, then on Wednesday, stars of the West End will take to the stage in aid of charity Acting For Others.
Ben Forster, who has performed iconic roles such as Jesus, in Jesus Chris Superstar, and the Phantom, in Phantom Of The Opera, will be one of the stars on stage that night.
“The last 18 months has been terrible. We would never have expected coming into the pandemic that it would have lasted for so long,” he told Sky News from the Royal Albert Hall.
“I just want people to feel the love again, and it heightens people’s spirits. That’s why people go and watch musicals, because it lifts them and takes them on a journey for for a moment. And that’s what this show is going to do.”
Mazz Murray, who will be taking on the role of Donna in Mamma Mia in August, will also perform, and says it’s going to be a “real mix of emotions”.
Murray added that while performers have had little support over the past year-and-a-half, “there’s been no precedent and that unfortunately their professions were spent in dark, busy unventilated spaces”.
“So if anyone’s going to have to take the rough end, then I’m prepared to take it,” she said. “It was it was very, very difficult. I’m hoping that we’re at the end of it, but I love what I do – so on this occasion, we all got the short straw.”
Like other venues, the Royal Albert Hall is asking people to wear masks and take tests – but won’t enforce it as the hall feels it is unfair when the government permits taking masks off.
Tickets to The Best Of The West End on Wednesday 21 July are available now.
Image: Staff install and switch on a new sign at the Royal Albert Hall in London, as it prepares to celebrate its 150th anniversary
Jenna Boyd, West End performer in Come From Away
Jenna Boyd will be part of the cast of the Olivier-winning Come From Away when it reopens later this week.
It’s based on the true events in the immediate aftermath of 9/11 when planes were rerouted to Gander in Newfoundland, Canada.
Speaking to Sky News during a rehearsal break at the Phoenix Theatre, Ms Boyd said the last 18 months had been “hideous”.
“This industry has felt abandoned,” she said. “There are a number of people who have been fortunate enough to be able to receive some sort of financial aid – but the huge majority of people have been literally hung out to dry.”
Speaking about getting back on stage, she said: “I think it’s going to be fairly overwhelming for all of us. There’s going to be a few tears as we walk out and there’s going to be a few tears as we finish, and it’s all because the love that the audience gives from their appreciation of what goes on on that stage and the story that’s been told is so, so mammoth.”
Come From Away opens on 22 July at London’s Phoenix Theatre.
Image: Come From Away tells the true story of the flights that were diverted to Newfoundland after 9/11
Steve Cowley, local theatre performer, appearing in one man show Battle Cry
Steve Cowley from Chesterfield in Derbyshire says he is “really excited” to get back on to stages over the next few weeks. He’ll perform in one man show Battle Cry in Birmingham and Buxton – the first time he’ll have appeared on stage in the flesh since early 2020.
The show is about a veteran suffering with PTSD, which opened to acclaim when it debuted a couple of years ago.
Mr Cowley teaches acting as well as treading the boards for a living, but last year left him at a loss when his only work suddenly dried up.
“Even my agent had to get another job,” he told Sky News from his local theatre, adding: “It’s scary to see the industry on its knees.
“We were probably overlooked, and I thought I might quit at one point.
“I used the government’s job retraining tool, and it gave me things like market trader, funeral director and beauty consultant – none of them were me.”
You can watch Battle Cry at the Buxton Fringe on 23 and 24 July.
Image: Buxton will host an arts festival later this week
Cinemas and gig venues
It’s a busy time for large parts of the industry right now, understandably, so many of the people Sky News contacted were unable to chat.
However, cinemas such as Vue and Curzon said in statements that masks would still be encouraged at their screenings with safety protocols – like enhanced cleaning – largely unchanged. The UK’s biggest chain, Cineworld, says masks remain mandatory in Scotland, Wales and Northern Ireland, as per the government guidance there, but won’t be in England anymore (they will be encouraged for staff, though).
At gig venues – the Academy Group, which looks after the local O2 venues across the country, says while masks are no longer mandatory, their use is encouraged. Its venues will also be asking for proof of a negative test or that both vaccinations have been had.
It is important to note that each venue, company and operator will have different rules, and it is advised to check with them before making any decisions to book events.
He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.
His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.
It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.
While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.
Image: Pic: Adam Warzawa/EPA/Shutterstock
“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.
“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.
“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”
Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.
“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”
Selfless selfishness or selfish selflessness
Image: Pic: Wael Hamzeh/EPA/Shutterstock
Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.
“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.
“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”
The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.
Remix culture and creative processes
“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.
“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”
The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”
Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”
He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”
This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.
A lawyer representing Sean “Diddy” Combs has told a court there was “mutual” domestic violence between him and his ex-girlfriend Casandra ‘Cassie’ Ventura.
Marc Agnifilo made the claim as he outlined some of the music star’s defence case ahead of the full opening of his trial next week.
Combs has pleaded not guilty to one count of racketeering conspiracy, two counts of sex trafficking and two counts of transportation for prostitution. If convicted, he faces up to life in prison.
Ms Ventura is expected to testify as a star witness for the prosecution during the trial in New York. The final stage of jury selection is due to be held on Monday morning.
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2:51
Why is Sean Combs on trial?
Mr Agnifilo told the court on Friday that the defence would “take the position that there was mutual violence” during the pair’s relationship and called on the judge to allow evidence related to this.
The lawyer said Combs‘s legal team intended to argue that “there was hitting on both sides, behaviour on both sides” that constituted violence.
He added: “It is relevant in terms of the coercive aspects, we are admitting domestic violence.”
Image: A court sketch showing Sean ‘Diddy’ Combs (right) as he listens to his lawyer Marc Agnifilo addressing the court. Pic: Reuters
Ms Ventura’s lawyers declined to comment on the allegations.
US District Judge Arun Subramanian said he would rule on whether to allow the evidence on Monday.
Combs, 55, was present in the court on Friday.
He has been held in custody in Brooklyn since his arrest last September.
Prosecutors allege that Combs used his business empire for two decades to lure women with promises of romantic relationships or financial support, then violently coerced them to take part in days-long, drug-fuelled sexual performances known as “Freak Offs”.
Combs’s lawyers say prosecutors are improperly seeking to criminalise his “swinger lifestyle”. They have suggested they will attack the credibility of alleged victims in the case by claiming their allegations are financially motivated.
An ex-model has tearfully told a court that being sexually assaulted by Harvey Weinstein when she was 16 was the most “horrifying thing I ever experienced” to that point.
Warning: This article contains references to sexual assault
Kaja Sokola told the film producer’s retrial that he ordered her to remove her blouse, put his hand in her underwear, and made her touch his genitals.
She said he’d stared at her in the mirror with “black and scary” eyes and told her to stay quiet about the alleged assault in a Manhattan hotel in 2002.
Ms Sokola told the New York court that Weinstein had dropped names such as Penelope Cruz and Gwyneth Paltrow, and said he could help fulfil her Hollywood dream.
“I’d never been in a situation like this,” said Polish-born Ms Sokola. “I felt stupid and ashamed and like it’s my fault for putting myself in this position.”
Weinstein denies sexually assaulting anyone and is back in court for a retrial after his conviction was overturned last year.
Image: Weinstein denies the allegations. Pic: Reuters
The 73-year-old is not charged over the alleged sexual assault because it happened too long ago to bring criminal charges.
However, he is facing charges over an incident four years later when he’s said to have forced Ms Sokola to perform oral sex on him.
Prosecutors claim it happened after Weinstein arranged for her to be an extra in a film.
“My soul was removed from me,” she told the court of the alleged 2006 assault, describing how she tried to push Weinstein away but that he held her down.
Ms Sokola – who’s waived her right to anonymity – is the second of three women to testify and the only one who wasn’t part of the first trial in 2020.
Image: Miriam Haley testified previously in the retrial. Pic: AP
Miriam Haley last week told the court that Weinstein forced oral sex on her in 2006. The other accuser, Jessica Mann, is yet to appear.
Claims against the film mogul were a major driver for the #MeToo movement against sexual harassment and abuse in 2017.
Weinstein’s lawyers allege the women consented to sexual activity in the hope of getting film and TV work and that they stayed in contact with him for a while afterwards.