Secret DJ condemns ‘plague raves’ as he tells how he ‘died for five minutes’ during weeks-long COVID coma

Published

3 years ago

November 16, 2021

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A British DJ who spent weeks in a coma after contracting coronavirus in Ibiza has told how he “died for five minutes” during his ordeal – and says he has received death threats for speaking out against others in the industry who continued to perform during the pandemic.

Known as The Secret DJ, the 51-year-old has not played live since November 2019 and had been warning of the dangers of COVID-19 and “plague raves” long before he contracted the Delta variant himself early in July of this year.

However, he claims some in the industry travelled abroad during the pandemic to perform in countries with fewer restrictions than their own. “You’ve killed people and you don’t even want to know about it,” he says, of any who did.

Warning: This article contains images of injuries

After falling ill himself and being flown by helicopter to Majorca for treatment, the DJ – who does not reveal his identity, having written books anonymously about the industry – told Sky News he was left “like a corpse”, his body ravaged by the virus, and that he later found out his heart had stopped while he was in an induced coma.

Doctors told him being vaccinated had most likely saved his life. The virus left him with lung damage, while his weeks in a hospital bed left him with severe muscle atrophy, but by September he was back at home in Ibiza and having physio.

However, the story doesn’t stop there. During a cycle ride at the beginning of November, as he began exercising to get himself back to strength, he put his foot down coming to a stop – and his leg, weakened following his time in hospital, “shattered”.

After undergoing surgery, the DJ has been told it may be months before he can walk again. Unable to work, he has set up a GoFundMe account to help with his medical bills. Despite the discomfort, he describes his leg injury as “a birthday present” compared with the “six weeks of living hell” of having COVID-19, and wants to warn others that lives are still at risk.

“You very much learn the difference between discomfort and pain [when you are seriously ill with COVID],” he tells Sky News. “Constant and intense discomfort is the sort of thing you torture people with.

“Pain peaks and troughs, it disappears, but [this was] constant, intense discomfort, like every time you breathe – which is what, 20,000 times a day? It’s like drowning 20,000 times a day.”

‘You were dead’: Waking up in hospital on a different island

When he fell ill – he thinks he contracted the virus going out to watch England play Italy in the Euro 2020 final – he recognised the symptoms; the DJ believes he previously had COVID early in 2020, but could not test for it at the time. This time round, and after having his first vaccine, he decided to stay at home and isolate.

By day 10, he says he was passing out, injuring his head when he keeled over in his kitchen. Luckily, he came to long enough to call emergency services.

The DJ awoke in hospital in Majorca, not realising he had been there for several weeks. While he speaks a little Spanish, he says the language barrier meant he was not aware at first of the full extent of what he had been through.

“When I was welI enough one day I got up [out of bed] to adjust the blinds,” he says. “A doctor came in and said, ‘What are you doing, man? You had double pneumonia. I had my hand in your chest cavity two weeks ago. You were dead’.”

He says he was told his heart had stopped for five minutes.

By the time he was well enough to be discharged and fly home, his appearance had changed dramatically. “I was [like] a corpse. I was about half my size, I was practically translucent.”

He found himself being taken in a wheelchair through Ibiza airport, surrounded by “my people, the kids I make dance” as they arrived for holidays.

The after-effects of weeks in hospital

Determined to get back to normal, his recovery at home was going well – until the bike accident. His leg was snapped in three places, his foot dangling.

Now, he is starting recovery all over again. “[The doctor] says I will walk again one day,” he says. “He said it might take six months, might take a year, but he says you can come back from it. And I know I can come back from it because I’ve come back from worse than this.”

It is one of the many complications of being seriously ill with COVID-19, he says, of having to spend so long in a hospital bed without moving.

So he wants his story to be a cautionary tale.

“It’s really simple, you know, just imagine it might be you who dies. Just imagine it might be you that’s in an iron lung. Just imagine it might be your mum that dies.

“When I was in intensive care in Majorca, there were kids in there, perfectly healthy kids, children. There was people in their 80s. It doesn’t discriminate.

“The doctor said to me, ‘you’d be dead if you hadn’t had the vaccine’. People say, ‘you got the jab, but you got COVID anyway’, like it’s an excuse not to have a jab. No, I got the jab and I didn’t die because I had it.”

‘COVID isn’t going anywhere’: A warning to others

The Secret DJ has not performed since 2019, has had no paid DJing work for two years. He describes himself as “a mid-range DJ” who played internationally and had been a resident at some of Ibiza’s biggest clubs.

Before The Secret DJ took hold he performed under his own name, but had started performing under the guise – behind a screen – just before COVID-19 hit.

During the pandemic, he used social media and wrote for industry publications urging others not to travel to countries with fewer restrictions to perform when lockdowns were in place in the UK or Spain and elsewhere.

Now that many lockdowns have lifted, he says believes people still need to consider mass events carefully.

“I spent the entire COVID period telling people not to DJ,” he says. “We call them plague raves – don’t plague rave, don’t spread COVID. Because some DJs were individual super-spreader events, they were literally flying all over the world throughout COVID, wherever they could possibly play.

“My DJs, my people who have been travelling around the world – you’ve killed people.”

He says he has received death threats for speaking out.

“When you p*ss off the fans of somebody very famous, it goes very badly, basically. You can get hundreds of death threats a day if you p*ss off the right person.

“It’s not my place to tell anybody what to do, but you must be aware there are consequences. COVID is still there. If you go out, somebody could get sick. Are you okay with that?

“It’s your decision – but it’s not going anywhere, and it kills people.”

Entertainment

‘Music is back’ as Taylor Swift helps drive record UK sales

Published

2 hours ago

January 8, 2025

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'Music is back' as Taylor Swift helps drive record UK sales

UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.

Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.

Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.

Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.

Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.

Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.

More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.

The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.

ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.

Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”

Despite the increasingly strong performance by the British music industry, artists are said to be receiving less money.

Experts have said the musicians make less than people would think because of the role of streaming – platforms do not normally pay artists directly and divide any owed payments among the rights holders of songs.

Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.

Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.

Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.

Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.

Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.

EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.

Entertainment

Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: ‘I’d automatically get defensive’

Published

11 hours ago

January 8, 2025

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Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: 'I'd automatically get defensive'

Kieran Culkin says he doesn’t care if his projects get badly reviewed as long as he enjoyed himself doing them.

The 42-year-old recently won best supporting actor in a motion picture at the Golden Globes for his performance in A Real Pain.

He tells Sky News he isn’t dependent on positive feedback, but it is “cool” when people find a connection to his work.

“I’m doing this [acting] around 36 years. I’ve been sort of trained or whatever, conditioned, to just not care what an audience response is to something,” he says.

“I’ve been in plays that I think ‘this is bad, but I’m enjoying it’. I don’t really care or if it gets poorly reviewed, I don’t really care. So I still sort of have that mentality but it’s actually quite nice that people are connecting with [A Real Pain]. To hear people that have seen it say, I know a guy like Benji or talk about him, it’s like that’s what this feeling is”.

The Succession actor stars alongside Jesse Eisenberg in the film about cousins who take a trip to Poland to see the country their grandmother left.

Culkin says taking notes from a co-star, who also wrote and directed the film, was a new and challenging experience.

“That’s tough; it just is,” he says.

“[Jesse] would give me a note, my chest would puff up and I would automatically get really defensive, like, I’m gonna hit this guy.”

‘The biggest taboo on a movie’

Eisenberg says playing the role and being the filmmaker made him “nervous” because he sees actors giving notes to be the “biggest taboo on a movie”.

“You don’t give an actor notes – never do that. You can commit arson on a movie set before you can give an actor notes,” he says.

A Real Pain is set in Poland and is inspired by a real-life trip Eisenberg took with his now wife Anna Strout more than 20 years ago to retrace his family’s roots.

“Had the war not happened, this is where I would be living,” he says – and so looking at Poland and its history became a huge inspiration to him.

The Now You See Me actor first wrote a play, The Revisionist, which debuted off-Broadway in 2013, and spent the decade redeveloping it to become the “buddy road trip” A Real Pain.

‘It’s this beautiful, warm, welcoming country’

The film weaves through the story of cousins reconnecting on their journey to visit, for the first time, their grandmother’s home before she was displaced during the Holocaust.

Eisenberg is currently in the process of gaining Polish citizenship and says his relationship with the country has changed over the years.

He says: “With Polish heritage, you grow up hearing that it was the site of the murder of all of your family and you hear that it’s bleak and especially if you’re a kid of the 80s and 90s like I am, you hear about bread lines from the Soviet era. And so going there was just unbelievably the polar opposite of what I had heard growing up.

“It’s this beautiful, warm, welcoming country and not only beautiful, warm and welcoming, but like what they did for me and allowed me to do, to tell my family’s story, to be able to shoot at a concentration camp, to be able to shoot on this very hallowed grounds of the various locations we were on was just amazing. I’m in such debt to them.”

‘I grew up knowing performance was normal’

A Real Pain looks at how a person’s family history can shape who they become.

Eisenberg says growing up with a mother who worked as a birthday party clown helped him see acting as an attainable career.

He says: “Every morning I saw this woman get dressed up in a ridiculous outfit and put on crazy face makeup and tune her guitar to the piano. So, I grew up knowing that performance was normal.

“I didn’t grow up thinking that people who perform are weird and actors are weird and why do they? You know, I grew up thinking to behave in this silly way can be a professional job.

“So it just stayed in me. And now what we do is kind of ridiculous, but we take it seriously.”

A Real Pain is in cinemas now.

Entertainment

‘Music is back’ as Taylor Swift helps drive record UK sales

Published

14 hours ago