The biggest night in gaming – the closest thing the industry has to its own Oscars ceremony – is almost upon us.
Live from Los Angeles in just a few days, The Game Awards will honour the best the medium had to offer this year, honouring everything from the biggest blockbusters to the smallest independent debuts.
Gaming reporter Martin Kimber and technology reporter Tom Acres are here with their tips for some of the most competitive categories – and you can keep scrolling for the full list of nominees.
Best game
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Horizon Forbidden West Stray Xenoblade Chronicles 3
Martin’s pick: Horizon Forbidden West
It’s very difficult to pull off a successful sequel, but Guerrilla Games has done just that. You’ll struggle to find a prettier game with a bigger, more expansive map. It offers excellent replayability and thus value for money, it is addictive, and did I mention it’s pretty? Plus, robot dinosaurs! What’s not to like?!
Tom’s pick: Stray
Quite the debut from French indie studio BlueTwelve Studio. This surprisingly moving dystopian adventure painted a bleak yet hopeful picture of the fragility of life, and how it endures. Not content with nuanced commentary on capitalism and its impact on the planet, you also play as a very cute cat. And there’s a meow button!
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Image: ‘Robot dinosaurs’ made their return in Guerilla’s sequel. Pic: Sony
Image: Stray features inarguably the cutest main character of the year
Best narrative
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Horizon Forbidden West Immortality
Martin’s pick: Horizon Forbidden West
In the first Horizon, it felt like the developers came up with the concept of robot dinosaurs and built the whole game around that idea. However, this sequel boasts a much more fleshed out story, captivating even the players who just want to take on a mechanised velociraptor with a bow and arrow.
Tom’s pick: God Of War Ragnarok
God Of War’s reinvention four years ago was a triumph, plucking the vengeful protagonist Kratos out of his Greek comfort zone and into Norse mythology – with a son, no less. The stranger in a strange land setup was inherently less novel this time, but his metamorphosis from one of gaming’s most two-dimensional meatheads into a touching and relatable depiction of fatherhood goes from strength to strength, with quite the emotional pay-off.
Image: Horizon Forbidden West was one of the best looking games of the year. Pic: Sony
Image: Kratos meets all manner of great characters on his latest journey, including Ratatoskr the squirrel
Best art direction
Elden Ring God Of War Ragnarok Horizon Forbidden West Scorn Stray
Martin’s pick: God Of War Ragnarok
I played this recently with some friends, who genuinely couldn’t tell the difference between the cinematics and the gameplay. If you basically want a playable, violent Pixar film, this is the game for you.
Tom’s pick: Elden Ring
FromSoftware’s games have always boasted tremendous art direction, and each have brought its dark, fantasy tendencies to bigger audiences. Elden Ring was a collaboration with Game Of Thrones creator George RR Martin, showcased by the sheer scope and detail of its world. There’s an almost impossible-to-imagine level of variety, with every corner you turn invariably offering something new. Best art or not, it’s definitely got the most.
Image: God Of War Ragnarok boasts some typically enormous creatures
Image: The scope and variety of Elden Ring’s world is unmatched. Pic: Bandai Namco
Best family game
Kirby And The Forgotten Land LEGO Star Wars: The Skywalker Saga Mario + Rabbids Sparks Of Hope Nintendo Switch Sports Splatoon 3
Martin’s pick: Lego Star Wars: The Skywalker Saga
If I could give this game all of the above awards, I would. It’s been so long since they released one of these, I was worried they’d mess with the perfect recipe – but they didn’t. Collectible characters, stud multipliers and hilarious cinematics all make a return. A must-play for every family member (and Star Wars nerd).
Tom’s pick: Nintendo Switch Sports
I didn’t realise how much I missed the thrill of family competition in Wii Sports until its spiritual successor arrived on Nintendo’s Switch console. As was the case with the original, your mileage with each sport will vary and tennis and bowling remain by far the best, but each is boosted by far more precise motion controls and online multiplayer.
Image: LEGO Star Wars lets you play through all nine main films. Pic: Warner Bros Interactive Entertainment
Image: Bowling was one of the highlights of Nintendo’s return to sports games. Pic: Nintendo
Best multiplayer game
Call Of Duty: Modern Warfare II MultiVersus Overwatch 2 Splatoon 3 Teenage Mutant Ninja Turtles: Shredder’s Revenge
Martin’s pick: Call Of Duty: Modern Warfare II
Boy, this game is hard. It’s so bloomin’ hard. I haven’t died this much in a game since… well, ever. But the new multiplayer maps are well-designed, the gun play is satisfying and balanced, and it’s fast. Infinity Ward has had a long time to perfect the FPS formula, and they’ve done just that.
Tom’s pick: Splatoon 3
Infinity Ward may have perfected the FPS formula, but Nintendo has a monopoly on futuristic paintball. Splatoon 3 was very much more of the same, with an emphasis on the more. While the fast-paced matches and tight controls were familiar to anyone who played prior instalments, a bolstered selection of maps, modes, and weapons made it a worthy entry in a series which remains unlike anything else almost six years after it debuted.
Image: Call Of Duty: Modern Warfare II was the biggest launch in franchise history
Image: Splatoon 3 offered more of the same – but it was all good. Pic: Nintendo
Best game direction
Elden Ring God of War Ragnarok Horizon Forbidden West Immortality Stray
Best score and music
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Metal: Hellsinger Xenoblade Chronicles 3
Best audio design
Call Of Duty: Modern Warfare II Elden Ring God Of War Ragnarok Gran Turismo 7 Horizon Forbidden West
Best performance
Ashly Burch, Horizon Forbidden West Charlotte McBurney, A Plague Tale: Requiem Christopher Judge, God Of War Ragnarok Manon Gage, Immortality Sunny Suljic, God Of War Ragnarok
Games for impact
A Memoir Blue As Dusk Falls Citizen Sleeper Endling – Extinction is Forever Hindsight I Was a Teenage Exocolonist
Best ongoing game
Apex Legends Destiny 2 Final Fantasy XIV Fortnite Genshin Impact
Best indie game
Cult Of The Lamb Neon White Sifu Stray Tunic
Best debut indie
Neon White Norco Stray Tunic Vampire Survivors
Best community support
Apex Legends Destiny 2 Final Fantasy XIV Fortnite No Man’s Sky
Best mobile game
Apex Legends Diablo Immortal Genshin Impact Marvel Snap Tower Of Fantasy
Best VR/AR game
After The Fall Among Us Bonelab Moss: Book II Red Matter 2
Best action game
Bayonetta 3 Call Of Duty: Modern Warfare II Neon White Sifu Teenage Mutant Ninja Turtles: Shredder’s Revenge
Best action/adventure game
A Plague Tale: Requiem God Of War Ragnarok Horizon Forbidden West Stray Tunic
Best role-playing game
Elden Ring Live A Live Pokemon Legends: Arceus Triangle Strategy Xenoblade Chronicles 3
Best fighting game
DNF Duel Arc JoJo’s Bizarre Adventure The King Of Fighters XV MultiVersus Sifu
Best sim/strategy game
Dune: Spice Wars Mario + Rabbids Sparks Of Hope Total War: Warhammer III Two Point Campus Victoria 3
Best sports/racing game
F1 22 FIFA 23 NBA 2K23 Gran Turismo 7 OlliOlli World
The Game Awards takes place on 9 December at 12.30am UK time.
Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).
They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.
The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.
The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.
Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.
“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”
What has research found?
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Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.
Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.
Image: File pic: iStock
‘Change the system’
The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”
But some think SATs do not serve any child.
Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.
He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”
He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.
Image: Primary school teacher Lee Parkinson
‘Speed rewarded over understanding’
Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.
“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”
Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.
“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”
The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.
Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.
“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.
What does the government say?
A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”
“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.
“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”
Joshua, who goes in with a record of 28 wins and four losses, promised the American “no mercy” ahead of his comeback.
“I took some time out, and I’m coming back with a mega show. It’s a big opportunity for me. Whether you like it or not, I’m here to do massive numbers, have big fights and break every record whilst keeping cool, calm and collected,” he said.
“Mark my words, you’ll see a lot more fighters take these opportunities in the future. I’m about to break the internet over Jake Paul’s face.”
If Jake Paul wins, he’ll be in the running for a title, according to his manager, Nakisa Bidarian, chief executive of Most Valuable Promotions.
More from UK
Image: Jake Paul. File pic: Reuters
He said: “For Jake it’s doing the impossible, silencing the doubters and putting himself in a position to be in conversation for a belt, and he gets that if he beats Anthony Joshua.
“And for Joshua it’s pretty simple: he’s been out for quite a bit of time, he comes back and does one of the biggest events in the world, and if he knocks out Jake Paul he will be idolised by many within boxing.”
He continued: “What we’ve accomplished in four years with Jake, with no amateur background, with no Olympic pedigree, makes everyone kind of take a step back and say, ‘What is going on here? How is this possible?’
“It angers people in boxing that we can come in and get as much attention and notoriety as we have, as quickly as we have.”
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2:46
‘Joshua could inflict horrendous damage on Paul’
Paul was due to face Gervonta Davis this month, but the bout was cancelled after a civil lawsuit was filed against the WBA lightweight champion.
The 28-year-old, who has a 12-1 record, last fought at heavyweight when he beat Mike Tyson by unanimous decision in November last year, in what was the then 58-year-old’s first fight in 19 years, before following that up in June with another unanimous decision victory over Julio Cesar Chavez Jr.
Paul labelled the fight in Miami as “Judgement Day.”
“A professional heavyweight fight against an elite world champion in his prime. When I beat Anthony Joshua, every doubt disappears and no one can deny me the opportunity to fight for a world title.
“To all my haters, this is what you wanted. To the people of the United Kingdom, I am sorry. On Friday, December 19, under the lights in Miami, live globally only on Netflix, the torch gets passed and Britain’s Goliath gets put to sleep.”
The government is reportedly set to ban the resale of tickets for live events above their face value.
Music and sport fans have long complained about live event tickets being quickly bought up only to be immediately relisted at grossly inflated prices.
The process is often carried out using bots – automated apps that repeatedly mimic customers to sweep up large numbers of tickets as soon as they’re released.
The people operating them can be based anywhere in the world.
A government consultation had sought views on a proposed cap of 30% above cost, but The Guardian and Financial Times say ministers are expected to set the resale limit at face value.
Service fees charged will also reportedly be capped.
The government refused to comment when approached by Sky News, but it’s believed an announcement could come on Wednesday.
Labour pledged in their manifesto to put an end to rip-off tickets and repeated the promise when they came to power.
But there has been little word on the policy since, with seven months having gone by since a consultation ended.
Dua Lipa, Coldplay, Sam Fender, Iron Maiden, and Radiohead were among acts who last week urged the government to follow through and “restore faith in the ticketing system”.
Image: Dua Lipa is also sipporting the campaign to reform ticket resales. Pic: AP
The Football Supporters’ Association, some ticketing firms, and groups representing the theatre and music industries also signed the statement.
Ticketmaster parent company, Live Nation Entertainment, said it “fully supports” banning resale above face value and added that it already had such a policy.
Some UK secondary ticketing sites already have a face value cap or limit the mark-up. Others allow prices far in excess of face value.
For example, Viagogo and Stubhub are listing tickets for Radiohead’s Saturday show in London from around £400 for seating and from over £700 for standing.
The official price was £85 for standing and between £75 to £195 for seating (plus fees).
Those prices are almost pocket change compared with some of the amounts quoted earlier this year for the Oasis reunion shows – consumer group Which? found tickets as high as £4,442.
StubHub International warned a price cap would “condemn fans to take risks to see their favourite live events”.
“With a price cap on regulated marketplaces, ticket transactions will move to black markets,” said a spokesperson.
“When a regulated market becomes a black market, only bad things happen for consumers. Fraud, fear, and zero recourse.”
Viagogo made similar claims and said regulated price caps has “repeatedly failed fans”.
“In countries like Ireland and Australia fraud rates are nearly four times higher than in the UK as price caps push consumers towards unregulated sites,” said a spokesperson.