Everything Everywhere All At Once leads the Oscar nominations, as blockbuster films triumph in the best picture category.
The sci-fi fantasy, which has been a word-of-mouth hit around the world, landed 11 nominations, closely followed by The Banshees Of Inisherin and All Quiet On The Western Front with nine nods each.
Somewhat unusually, the prestigious best picture category included films that performed brilliantly at the box office as well as pleasing the critics, with Top Gun: Maverick, Avatar: The Way Of Water and Elvis all making the cut.
Image: Tom Cruise is back in Top Gun: Maverick. Pic: Paramount Pictures
All about the sequels
In another first for the category, two sequels were nominated – Top Gun and Avatar. Only eight sequels have ever made the cut in Oscar history, and never before have two been chosen in a single year.
Last year, in a bid to open it up to genres that might not be typically thought of as Oscars-material, the best picture category was expanded to 10 films.
The other films up for best picture are The Fabelmans, Tar, Women Talking and Triangle Of Sadness.
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Which actors got a nod?
The best actor category saw five first time nominees, with British star Bill Nighy getting his first nod for his portrayal of a buttoned-up businessman learning to enjoy life.
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Irish stars Colin Farrell and Paul Mescal also made the cut, nominated for The Banshees Of Inisherin and Aftersun respectively. They will go up against US stars Brendan Fraser, for The Whale, and Austin Butler, for Elvis.
In the best actress race, four-time nominee Michelle Williams will be hoping this year is her time, and goes up against Cate Blanchett for Tar, Michelle Yeo for Everything Everywhere, Ana de Armas for Blonde and Andrea Riseborough for To Leslie.
Image: Andrea Riseborough
Riseborough’s nomination is a shock to many, with her film – about an alcoholic seeking redemption after squandering her lottery winnings and abandoning her son – made on a modest budget and filmed in just 19 days.
Endorsed by a host of Hollywood stars including Gwyneth Paltrow, Kate Winslet, Jennifer Aniston and Amy Adams in recent weeks – the last minute push has clearly done the trick.
Banshees continues to impress
Martin McDonagh’s The Banshees – a comedy about a man left bewildered after his best friend kicks him to the curb – continued its success in the supporting actor categories, with Brendan Gleeson, Barry Keoghan and Kerry Condon all gaining nods.
Image: Barry Keoghan also stars in the film. Pic: 20th Century Studios
Image: Michelle Yeoh, Ke Huy Quan, and Stephanie Hsu in Everything Everywhere All at Once. Pic: A24
In the best supporting actor category Glesson and Keoghan will be up against former child-star Ke Huy Quan in Everything Everywhere, Brian Tyree Henry in Causeway and Judd Hirsch in The Fabelmans.
In the best supporting actress category, Condon will be up against Angela Bassett – whose nod for Black Panther: Wakanda Forever marks the first acting nomination for a Marvel film, aside from Chadwick Boseman’s posthumous 2021 nod.
The other best supporting actress nominations are Hong Chau for The Whale, and Jamie Lee Curtis and and Stephanie Hsu for Everything Everywhere.
Female directors snubbed
An all-male best director list means that despite women winning the category two years running (Chloe Zhao in 2021 and Jane Campion 2022) it will not be a woman taking home the gong this year.
Spielberg and McDonagh will continue their rivalry for best director accolades, both having received nominations in the parallel categories at other award shows.
The other men up for the best director Oscar are Todd Field for Tar, Daniel Kwan and Daniel Scheinert (known collectively as “The Daniels”) for Everything Everywhere and Ruben Ostlund for Triangle Of Sadness.
Nominations across 23 categories were announced by Oscar-winner actor and producer Riz Ahmed and Girls star Allison Williams.
When and where can I watch the actual Oscars?
Three hundred and one films were eligible for this year’s awards, which will take place in March, in a star-studded ceremony hosted by US chat show host Jimmy Kimmel.
All nominated movies must have opened in a commercial motion picture theatre in at least one of six US metropolitan areas between 1 January and 31 December, last year.
They must also have completed a minimum of seven consecutive days in the same venue and must have a running time of more than 40 minutes.
You can watch the Oscars exclusively on Sky Showcase on Sunday 12 March from midnight.
Sky News will be live on the red carpet at the ceremony in Hollywood on Sunday 12 and live with the winners at the Vanity Fair party on Breakfast with Kay Burley, Monday 13 March.
A painting that helped save the life of its Jewish subject during the Holocaust has become the most expensive piece of modern art and the second most expensive painting ever sold at auction.
The Portrait of Elisabeth Lederer, by Austrian artist Gustav Klimt, was bought for $236.4m (£180m) by an unnamed buyer after a 20-minute bidding war at Sotheby’s in New York on Tuesday.
Its sale price beat the previous record for 20th-century art set by Andy Warhol’s Shot Sage Blue Marilyn, a portrait of Marilyn Monroe bought for $195m (£148m) in 2022.
Image: Shot Sage Blue Marilyn by Andy Warhol. Pic: Associated Press
The most expensive painting ever sold at auction was Leonardo da Vinci’s Salvator Mundi, which fetched $450m (£342m) in 2017, Christie’s said on its website.
Sotheby’s said on X the price for the Klimt was “astonishing”, making the piece “the most valuable work of modern art ever sold at auction”.
The portrait, which Klimt worked on between 1914 and 1916, depicts the daughter of one of Vienna’s wealthiest families wearing an East Asian emperor’s cloak.
Evaded fire and Nazi looters
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Measuring 1.8m (6ft), the colourful piece, which was completed in 1916, illustrates the Lederer family’s life of luxury before Nazi Germany annexed Austria in 1938.
It was kept separate from other Klimt paintings that burned in a fire at an Austrian castle.
It also escaped being looted by the Nazis, who plundered the Lederer art collection.
They left only the family portraits, which they held to be “too Jewish” to be worth stealing, according to the National Gallery of Canada, where the painting was previously on loan.
Father lie saved her life
To save her own life, Elisabeth Lederer made up a story that Klimt, who was not Jewish and died in 1918, was her father.
It helped that the artist spent years working meticulously on her portrait.
She convinced the Nazis to give her a document stating that she descended from Klimt, which allowed her to live safely in Vienna until her death from illness in 1944.
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The painting, which is one of two full-length portraits by the Austrian artist that remain privately owned, was part of the collection of billionaire Leonard A Lauder, heir to the Estée Lauder cosmetics empire, who died this year.
Five Klimt pieces from Lauder’s collection sold at the auction for a total of $392m (£298m), which also included pieces by Vincent van Gogh, Henri Matisse and Edvard Munch, Sotheby’s said.
An 18-carat-gold toilet by Maurizio Cattelan – the provocative Italian artist known for taping a banana to a wall – sold for a reported $12.1m (£9.2m).
The fully-functioning toilet, one of two he created in 2016 satirising superwealth, was stolen while on display at Blenheim Palace, the country manor where Winston Churchill was born, in 2019.
The Kessler Twins, German sisters famous across Europe for their singing and dancing, have died together through assisted means, local police have said.
Content warning: this article contains references to suicide
Munich officers said in a statement on Tuesday that Alice and Ellen Kessler had died by “joint suicide” at their shared home in Grunwald. They were 89.
The German Society for Humane Dying, a group in support of assisted dying, told Sky’s US partner network NBC News that the sisters had “been considering this option for some time”.
It added they had been members for more than a year and that “a lawyer and a doctor conducted preliminary discussions with them”, and said: “People who choose this option in Germany must be absolutely clear-headed, meaning free and responsible.
“The decision must be thoughtful and consistent, meaning made over a long period of time and not impulsive.”
In an interview last year with the Italian news outlet Corriere della Sera, the sisters said they wished to die together on the same day.
Image: Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP
A ban on assisted dying in Germanywas overturned by the country’s federal court in 2020.
While the practice is not explicitly permitted, judges said at the time the previous law outlawing it infringed on constitutional rights.
Alice and Ellen were born in 1936 and trained as ballet dancers in their youth. They began their entertainment careers in the 1950s after their family fled from East Germany to West Germany.
Professionally known as The Kessler Twins, they were then discovered by the director of the Lido cabaret theatre in Paris in 1955, launching their international career.
In 1959, the sisters also represented a now-unified Germany at the Eurovision Song Contest, held in Cannes, France.
Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).
They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.
The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.
The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.
Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.
“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”
What has research found?
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Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.
Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.
Image: File pic: iStock
‘Change the system’
The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”
But some think SATs do not serve any child.
Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.
He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”
He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.
Image: Primary school teacher Lee Parkinson
‘Speed rewarded over understanding’
Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.
“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”
Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.
“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”
The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.
Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.
“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.
What does the government say?
A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”
“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.
“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”