Raye on the fight to release debut album My 21st Century Blues: ‘It’s been a real wild journey’
Raye is gaining her power back. Not just from the industry that made her feel “mediocre” for so many years, but over past traumas she kept bottled up for a long time.
“Some of my closest friends didn’t even know some of the stuff I’m discussing on my album,” she tells Sky News. “It’s probably the most honest I’ve been. It’s deep and it’s real.”
Raye, real name Rachel Keen, is only 25 but already a music industry veteran; a platinum-selling performer and a songwriter with credits for everyone from Charli XCX and Little Mix to John Legend and Beyonce.
She was just 15 when she released her first song and 17 when all her dreams came true, in the form of a four-album contract with record label Polydor. But after years of what seemed to be a successful career as a vocalist collaborating mainly on other artists’ dance hits, in 2021 she posted a string of tweets claiming the label was holding her back from releasing her own album.
“I’m done being a polite pop star,” she wrote, her frustration and anger palpable. The singer says after years of “trying to make it work”, she had reached the point where she had nothing to lose. “You get to that breaking point, really.”
Shortly after her tweets, it was announced she and Polydor were parting ways, with the label saying the decision had been “amicable and mutual” and wishing her “all the very best for the future”.
Raye claimed her first number one with Escapism at the beginning of 2023. Pic: Official Charts
Fast-forward 18 months or so and Raye is in a very different place; now an independent artist, earlier in January she topped the UK charts for the first time with viral hit Escapism. In February, the debut album she fought so hard to make, My 21st Century Blues, will finally be released. No longer pigeonholed or stifled, this is the real Raye, she says, and it’s been a long time coming.
“The album is discussing a lot of different topics… the deepest depths of really ugly stories about assaults and body dysmorphia and environmental anxiety. I think there’s no limit on what I’ve really spoken on in terms of my perspective on my blues as a woman in the 21st Century.”
‘It’s things I’ve been silent about for so long’
Always outspoken, Raye is not an artist who sticks to trotting out lines of approved PR-speak when she’s being interviewed, and this candidness is evident throughout her music. “Being real and transparent is really important to me, to skip out metaphors and similes and cut straight to the point of what I’m talking about,” she says. “Some of these things I haven’t also entirely healed from.
“It’s definitely going to be a rollercoaster for sure, but one that I’m making the decision to go on. That’s kind of the artist I like to be, transparent, honest. I think that’s what I’m like in real life.”
One song, Ice Cream Man, deals with sexual assault. “It’s things I’ve been silent about for so long and swallowed for so long and self-managed for so long in non-constructive ways,” she says.
“I’ve written pretty transparently about sexual violence… multiple things that occur in a life that you just bury, bury down, hide in a box, don’t tell anyone. And it just festers and manipulates itself into something quite ugly.”
As with Escapism, a dark electro banger about using alcohol, drugs and casual sex as coping mechanisms for dealing with emotional pain, the album is a contrast of often melancholy or dark lyrics, with beats that will fill a dance floor, as well as a range of genres.
“You’ve got songs with a contrasting sonic landscape,” she says. “I find it really exciting to tell a story and then the music feel the opposite so I think there’s a lot of juxtaposition there.”
Irony in its ‘most hilarious and ridiculous form’
Escapism’s success feels ironic to Raye. “With the previous music, not in a bad way, but it was more about the song than about the artist. The big dance songs or whatever, they don’t necessarily say anything about me as a person. I never necessarily wanted to be someone who did huge, huge hits, but without depth and substance or discussing things I’m passionate about, or breaking a couple of rules.
“Escapism is such a personal story. It’s kind of dark. It’s extremely explicit and honest and raw… I really told myself on the beginning of this next chapter, I’m not creating music with the intent or purpose to sell loads of copies, it’s about integrity and telling these uncomfortable stories that I think are really important.
“I had all the preparation in the world for building a small, steady fanbase bit by bit, and to not expect anything in terms of mainstream reflection. So this is like irony in its most hilarious and ridiculous form, that this is the biggest song of my entire career.”
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‘I was right to back myself’: Raye rises to first number one
Raye speaks out after leaving record label
Despite it not necessarily being the plan, she admits topping the charts does feel like vindication.
“[I feel] like anything is possible and I was right to back myself,” she says. “Never give up on your dreams. For someone who [felt] so, like, mediocre and… such a disappointment, actually, for so long, to just receive all the affirmation in the world that I was right to back my music is just…”
She doesn’t need to finish the sentence. “For someone who puts words together for a living, I don’t necessarily really have the best words to describe how crazy this is.”
‘Fear is the driving factor of secrets’
Emboldened, Raye says artists need to speak out more about the inner workings of the industry. And despite moves to improve diversity and equality making headlines in recent years, she says misogyny is still rife.
“We do need to be telling these stories more,” she says. “I think things that happen in the darkness have so much more power than they do when they’re brought out to the light, you know? Fear is the driving factor of secrets, and truths and stories being withheld. But there is still that very sad view that women need to be guided and controlled and taught and given instructions to follow and meet these requirements.”
She sighs. “I don’t know… I think it’s probably the same for all artists but especially for women, especially for everything I’ve witnessed in 10 years in the industry. I think a lot needs to change, but I don’t think anything will truly be equal and fair until we’ve got the same amount of female CEOs as we do male CEOs, we’ve got the same amount of female staff working a video shoot as male staff, the same amount of female A&Rs, and the same amount of, you know, different ethnicities in these same roles.
“Balance overall is so important, and until we have that, there’s always going to be issues and problems when you have men deciding what they think is best for women.”
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‘Seven years old, wide-eyed with a dream’: The album cover for My 21st Century Blues
Raye is looking to the future. She says she has had little communication with her former label bosses since she left, but wants to make it clear it wasn’t all bad. There were “some great people there who really believed in me… but obviously it came down to the big people making big decisions”, she says.
I ask her about the artwork for My 21st Century Blues; it features a little girl, dressed for the workplace but teetering in red stilettos hanging off her heels, standing atop a pile of instruments and recording equipment bearing the names of her songs, grabbing hands reaching out from inside. It feels poignant.
“That’s actually my baby sister on top of that big structure we built,” says Raye. “But that little girl up there is me, you know, seven years old, wide-eyed with a dream, not realising what the next 10 or 15 years of my life would be like.
“All the different life – in the industry and out of the industry – that I’ve had to navigate, process, understand, learn in my transition to being a woman, to being an artist, to being an independent artist. It’s been a real wild journey.”
Raye’s debut album, My 21st Century Blues, is out from 3 February
The next leader of the SNP could be “crowned… with no contest”, the Scottish Conservatives have claimed, after Humza Yousaf stepped down from the role on Monday.
Mr Yousaf – who has been leader and first minister of Scotland for just over a year – announced his resignation after his decision last week to cut power-sharing ties with the Scottish Green Party saw his leadership collapse.
Now the focus is moving onto who will replace him with nominations now open until midday on Monday 6 June.
Former deputy of the party John Swinney appears to be leading the pack.
Politics live: Next Scottish FM tipped to be ‘crowned with no contest’
Mr Swinney – was was Nicola Sturgeon’s number two between 2014 and 2023 – has yet to confirm he is running for the leadership, telling Sky News he was “giving very careful consideration” to the decision.
But senior figures have already given him their backing, with the SNP’s Westminster leader Stephen Flynn telling Sky News: “Serious times demand serious politics and serious people, and the best person to take that forward now for the Scottish Nationalist Party is John Swinney.”
He may not have a straight path to victory, however, with sources close to Kate Forbes – who lost out to Mr Yousaf during last year’s leadership contest – saying the MSP was also “actively considering” another run for the top job.
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Swinney ‘considering’ SNP leadership bid
Speaking to the Politics Hub With Sophy Ridge, leader of the Scottish Conservatives Douglas Ross said he didn’t think there would be a contest though.
“My reading of the situation now is John Swinney will be crowned as SNP leader with no contest, and I think as soon as next week there will be a vote in the Scottish Parliament to elect him as the first minister,” he said.
“You’ve seen countless senior politicians both here at Westminster and in Edinburgh back John Swinney. Of course, it’s the same John Swinney that last year ruled himself out and said it’s time for fresh talent to come through.”
He added: “That’s not really going to be a change, it’ll be more of the same, that’s focusing on independence at the expense of the real priorities that people across Scotland have.”
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Meanwhile, former first minister and now leader of rival party Alba Alex Salmond has been expressing sympathy for Mr Yousaf, telling Sophy Ridge it was “a great wrench” to leave the role.
But he questioned whether those around the outgoing leader were “acting in his best interests”, hinting at a plot to oust him in favour of Mr Swinney.
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Yousaf: ‘I’m sad my time is ending’
Asked whether the contest would be a “stitch up” by “the boys club” at the top of the SNP – as party MP Joanna Cherry suggested earlier – the current deputy leader, Keith Brown, said no.
He told Sophy Ridge: “The majority of the cabinet are female and of course we had a very lengthy period with a female leader, so anybody can come forward for this contest.”
However, Mr Brown gave his support to Mr Swinney, saying he was “somebody who is experienced and somebody who will bring unity hopefully to the parliament but also to the party”.
UK
Duchess of Edinburgh: Sophie becomes first member of Royal Family to visit Ukraine since Russia’s invasion
The Duchess of Edinburgh has become the first member of the Royal Family to visit Ukraine since Russia’s full-scale invasion began in February 2022.
Sophie’s trip was to “demonstrate solidarity with the women, men and children impacted by the war”, said Buckingham Palace.
The palace also said it was a continuation of her work to champion survivors of conflict-related sexual violence.
The duchess, 59, met Ukrainian President Volodymyr Zelenskyy and the first lady Olena Zelenska.
The Duchess of Edinburgh visited a memorial for victims of the Bucha massacre
The duchess met an Orthodox priest in Bucha
Sophie, who is a full-time working member of the Royal Family, also delivered a private message to them in a letter from the King.
The royal visited the site of a mass grave in Bucha where victims of the Russian occupation were buried.
The duchess laid flowers at a memorial that contains the names of the victims.
Early on in the war after Russian forces left the town, a number of dead bodies were found with their hands tied behind their backs – seemingly shot at close range. President Vladimir Putin’s troops are accused of war crimes there, including executions and rapes.
During her visit, the duchess also met survivors of conflict-related sexual violence and survivors of torture, said the Foreign, Commonwealth and Development Office (FCDO).
Sophie met children of families affected by the war
And she met children who have now been safely returned to Ukraine, after being forcibly separated from their families and taken by Russia.
She also met female volunteers who have helped their communities cope with the aftermath of attacks with mental healthcare activities for children.
In a speech during her visit, Sophie said: “It’s true that women and girls pay the highest price in terms of human cost when it comes to the way that they are affected, the way that they can be used as weapons of war.
“Rape is used to demean, to degrade and to destroy, and we have to get better at trying to prevent that from happening.”
She added: “I’ve been meeting with survivors of sexual violence and the conflict. I thank them for that honesty in telling me what happened to them. Their stories are sad… but I appreciate their time and their openness.”
The royal visited the Romanivska Bridge in the town of Irpin. Pic: AP
As part of her trip, Sophie visited the “Road to Life” in Irpin, also known as the Romanivska Bridge, that was blown up to stop Mr Putin’s troops proceeding to Kyiv, and later became a key route for people fleeing to safety from the Russian occupation.
The royal also visited the Saint Sophia Cathedral with the first lady in the capital Kyiv.
The Duchess of Edinburgh with the First Lady of Ukraine Olena Zelenska at the Saint Sophia Cathedral in Kyiv. Pic: PA
The Ukraine trip was at the request of the FCDO.
In the two years since the war began on 24 February 2022, at least 10,582 civilians have been killed and 19,875 injured in conflict-related violence in the country, according to the UN Human Rights Monitoring Mission in Ukraine (HRMMU).
Those killed include 5,017 men, 3,093 women, 311 boys and 248 girls.
Sophie signs the guest book at the cathedral. Pic: PA
Pic: PA
The King, when he was Prince of Wales, visited Ukraine in 1996. As monarch, he sent a message of support to the people of Ukraine on the second anniversary of the war.
He wrote: “Despite the tremendous hardship and pain inflicted upon them, Ukrainians continue to show the heroism with which the world associates them so closely. Theirs is true valour, in the face of indescribable aggression.”
In March 2023, Prince William visited Poland to thank British and Polish troops involved in providing support to Ukraine, before meeting refugees who have fled the conflict with Russia to hear of their experiences.
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Sophie announced her commitment to champion the UK’s Preventing Sexual Violence in Conflict Initiative (PSVI) and the United Nations’ Women, Peace and Security Agenda (WPS) on International Women’s Day in 2019.
Over the years, the duchess has visited a number of countries to highlight the impact of historical and ongoing conflict.
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They include Kosovo, Sierra Leone, South Sudan, the Democratic Republic of the Congo and Colombia.
And she has heard first-hand testimonies from survivors of conflict-related sexual violence.
A dad who suffered a brain injury just days after receiving a British-developed COVID vaccine has told Sky News he would never have had the jab if he had known of the risk of rare but serious side effects.
Jamie Scott, who has two young boys and is now unable to work, is suing AstraZeneca for what he says is damage caused by the jab in April 2021.
He alleges the pharmaceutical giant exaggerated the vaccine’s effectiveness and downplayed its risks.
AstraZeneca denies the claims made against them.
In his first TV interview, Mr Scott told Sky News: “I took it to protect the elderly people around me.
“AstraZeneca and the government need to explain the risk whenever you take medicine. If there’s a risk – I’ve got a young family – I would never have taken it.”
Ten days after having his first dose of the vaccine, Mr Scott woke up with a severe headache, started vomiting and had trouble speaking.
He was taken to hospital where he was diagnosed with a clot that was stopping blood draining from his brain, as well as a haemorrhage in the brain itself.
He had surgery and was in a coma for just over a month. His wife Kate was told that if he survived he would never be the same again.
Kate Scott
Mr Scott now has a poor memory, has trouble reading, writing, listening and speaking, is partially blind in both eyes and suffers from pain and fatigue.
He says he can’t drive or play an active part in his boys’ lives.
“Everything about me has changed. Everything is difficult,” he said.
“I am happy to be alive. But I’m a shadow of what I was and every day is difficult.”
There are 51 cases lodged with the High Court with people claiming damage as a result of vaccination. Some are bereaved relatives.
Vials of the Oxford-AstraZeneca coronavirus vaccine. File pic: PA
Mr Scott was given a payout of £120,000 from the government’s Vaccine Damage Payment (VDP) scheme.
But that comes nowhere near to replacing the career income he would have received as an IT professional.
“If Jamie was in a car crash there would have been insurance to cover the injuries and loss of income,” said Mrs Scott.
“We should not have to lose our house, or not be able to afford to fix our cooker when it breaks down or not be able to take the kids on holiday.
“If VDP was reformed, we would not have to litigate.”
To be given the full £120,000 payout from the vaccine damage scheme claimants have to be assessed as at least 60% disabled. Those with a lower degree of disability – which can still be life-changing – don’t qualify.
The AstraZeneca vaccine was developed by scientists at the University of Oxford. It went through accelerated testing and licensing because of the urgency of the pandemic and was authorised for emergency supply in December 2020.
Jamie Scott
The government and many doctors assured the public that the vaccine was safe and urged people to take the jab.
But in the spring of 2021, there were reports around Europe of people suffering unusual blood clotting several days after vaccination.
Sarah Moore, a lawyer at Leigh Day Solicitors who is representing Mr Scott and the other claimants, told Sky News: “As early as the beginning of March in 2021, other European countries had withdrawn or suspended this product from the market because they had seen this problem.
“Our argument is that on the date upon which Jamie’s vaccine was applied, there was no warning.
“Now, if you are going to take a healthy person and give them any medical product, then generally most people would accept that has to be a warning within the product literature that specifies that risk, particularly when we’re talking about the gravity of risk in this context.”
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AstraZeneca says it updated product information for the vaccine in April 2021 to reflect the possibility in very rare cases that it could be a trigger for thrombosis with thrombocytopenia syndrome.
In a statement, it said: “Our sympathy goes out to anyone who has lost loved ones or reported health problems. Patient safety is our highest priority and regulatory authorities have clear and stringent standards to ensure the safe use of all medicines, including vaccines.
“From the body of evidence in clinical trials and real-world data, the AstraZeneca-Oxford vaccine has continuously been shown to have an acceptable safety profile and regulators around the world consistently state that the benefits of vaccination outweigh the risks of extremely rare potential side effects.”
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The Department of Health and Social Care said it doesn’t comment on ongoing litigation or specific cases.
It added that the AstraZeneca jab hasn’t been used in the UK since the start of the booster programme in the autumn of 2021 because alternative mRNA vaccines were shown to be more effective.
However, the vaccine has been widely used around the world. In the first year of use, more than two billion doses were given, saving an estimated six million lives.
At the time of the rollout – and since – there has been a vocal minority of people who campaigned against COVID vaccines.
But Mr and Mrs Scott say they are not anti-vaxxers.
Mrs Scott said: “I would say we are vaccine-hesitant now because if it goes wrong you are left out in the cold.
“There has to be protection for those people who did the right thing when the government said it was safe and effective, time and time again.
“Even now if you try and question that narrative you’re shut down and told that’s anti-vax – and it just can’t be.”
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