Paris Hilton’s mansion is in a gated community in Beverly Park, one of Los Angeles’s most upmarket enclaves where Adele and Mark Wahlberg also live.
On the driveway is a pink Bentley and a blue Porsche. The grand entrance is flanked by a giant white model giraffe and a neon pink Chanel sign and the hallways are lined with framed prints of the woman herself.
We are led to a room upstairs with a full-sized bar and fluffy white chairs where even the cushions have prints of Hilton’s face.
It is a home befitting the original “It Girl” – a reality TV star who once traded off her ditzy persona.
But this is a grown-up Hilton and we’re here to discuss serious issues, specifically the two years she spent at boarding schools for so-called troubled teens.
“It was like something out of a horror film,” she says. “It’s like they enjoyed abusing children.”
In the early 2000s, Hilton was one of the most photographed women in the world, the leader of a party set that included Britney Spears, Kim Kardashian and Lindsay Lohan.
But behind the celebrity, there was a darker reality.
Image: Hilton was well known for her friendships with high profile stars, including Britney Spears – the pair are pictured with Sean ‘P Diddy’ Combs in Las Vegas in 2007
Image: She was the ‘original influencer’ and inspired Kim Kardashian, who features in her 2020 documentary, This Is Paris
“I was just a normal 16-year-old girl. My parents were very strict. They didn’t want me going out and I rebelled and started sneaking out and getting bad grades.
“My parents spoke to a therapist who recommended these schools. I later found out that this therapist and many others receive commissions sending children to these places.”
Image: Hilton with her parents, Rick and Kathy, and younger sister Nicky in 1990
Like many children who attend these schools, Hilton’s parents paid for secure transportation, in effect an authorised kidnapping, where strangers take teenagers from their beds in the middle of the night and bundle them into the back of waiting vans.
“At 4.30 in the morning, two large men came into my room and just shook me out of bed and said, ‘Do you want to go the easy way or the hard way?’.
“They were holding up handcuffs and I had no idea what was happening, I thought I was being kidnapped, I had no idea who these people were.
“It just blows my mind that there are people like this that exist in the world that could treat children like this and get away with it for so long.
Hilton ended up at Provo Canyon School, in the foothills of Utah’s Wasatch Mountains.
It is marketed as an “intensive, psychiatric youth residential treatment centre,” but she says every day there was a living hell.
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Paris Hilton: ‘Troubled teen’ school was a ‘living hell’
In her newly released autobiography, Paris: The Memoir, she alleges she was woken in the middle of the night by male staff – not doctors – and led to a private room, where they forced her to submit to cervical exams.
“To be treated like a criminal when you’re just a kid,” she says, “and the strip searches constantly”.
“As an adult now, I see that as sexual abuse. Male and female staff watching a young girl changing or naked or taking a shower, it was just dehumanising on all levels.”
Image: Sky’s Martha Kelner speaks to Paris Hilton
She also claims to have been force-fed medication.
“One time I was like, ‘I don’t want to take these anymore’. So I just kind of had the pills under my tongue and put them in a Kleenex.
“Later on someone found out and I got in so much trouble and they sent me to what they call ‘obs’, where you’re just locked in this tiny cell with blood stains on the wall.
“They put the air conditioning as cold as possible, take away all your clothes and they leave you there for hours and hours.”
In response to the allegations, Provo Canyon’s owners say the school was sold in 2000 and they cannot comment on the operations or student experience prior to that time. But that they do not condone or promote any form of abuse.
Hilton, now, 42 and the mother to a two-month-old son, Phoenix, says her perspective has hardened on the troubled teen industry.
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America’s ‘troubled teen’ industry
“I’m just so in love with my little baby boy,” she says.
“I want to do everything to protect him and I know by doing this work, I will protect future children.
“I just can’t imagine my little boy being anywhere near these type of people, my heart goes out to all the children who are locked up in there now.”
Image: Hilton announced the birth of her first child in January on social media. Pic: parishilton/Instagram
She thinks her own parents were victims of deceptive marketing by the troubled teen industry.
Hilton has become a figurehead for a movement that campaigns to shut down troubled teen schools across America.
She’s helped introduce new laws in Utah, which now put limits on the use of restraints, drugs and isolation rooms in youth treatment programmes. It also requires facilities to document any instance in which physical restraints and seclusion are used.
But she now wants to effect change on a national level.
“These people need to be held accountable,” she says.
“They need to have people that have proper licensing, people that don’t have a criminal record. There’s just so much that goes into it. For children to have rights, it should be common sense but unfortunately, in some states, it’s not that way.
“I know by us continuing to fight this fight, that we will succeed and they messed with the wrong girl.”
Listening to her reliving the darkest moments of her life and the determination to bring those responsible to justice, it is hard to dispute that they did indeed mess with the wrong girl.
“AI has changed my life, absolutely,” Lucas Horne tells Sky News. “When I play my music, I’m happy because the words I know mean a lot to me can now be heard by everyone else.”
Lucas was 17 when, in December 2016, with no warning, he suffered a large, traumatic bleed across his brain.
He didn’t wake up until almost four months later.
Unknowingly, he had been living with a defect in the blood vessels known as an AVM (arteriovenous malformation), a ticking time bomb which had ruptured, and the next three years of his life were spent in recovery in a care home.
Image: Lucas spent almost four months in a coma after suffering a brain bleed in 2016. Pic: Fanvue World AI Creator Awards
He couldn’t walk and struggled to talk. Writing down his thoughts, almost like a diary, was something he says he wanted to do from very early on.
“During my care home days when I couldn’t really express myself very well – I still can’t – but I could write about it, it was an outlet for me,” he says. “Since I woke up, I’ve been writing… but for a long time I couldn’t record anything.”
Lucas, now 26, has spent years working on his physical recovery and speech. But when he was eventually physically able to record the songs he had been writing himself, he became frustrated by the way his voice had changed.
“It never sounded how I had [it in] my head,” he says. “I’m very monotone in how I speak, I struggle to really display emotion.”
And so he turned to AI (artificial intelligence). Now, Lucas is also known as The BTO Kid, and is one of 15 creators from around the world, shortlisted from more than 500 entries, for the inaugural Future Sound Awards – celebrating artificial intelligence in music.
Image: DJ David Guetta is among the big-name artists who have embraced AI. Pic: Christoph Reichwein/picture-alliance/dpa/AP July 2025
While some artists such as will.i.am, David Guetta, Grimes, Timbaland and even Sir Paul McCartney have embraced certain aspects of AI, it can be a controversial subject in the creative industries – with concerns raised by many in the about issues including copyright, human replacement, fakes, and regulation.
Despite the criticism, AI isn’t going away. Last year was a “breakout” year for the technology in music, according to the International Music Summit’s latest annual business report, with 60m users using AI software.
Lucas says he is a perfect example of how the technology can be used for good.
“I’ve been able to use AI to express how I’m feeling,” he says. “It’s been big for me to create [music] that I’m proud of. I can see the arguments [against it], but from my view I know AI helped me create something I couldn’t before. I’m not Adele, but I have been able to make something that I’m proud of and that expresses my view point of what’s happened to me.”
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Will.i.am starts Sky News interview with AI app
‘AI is lowering the barriers’
BTO stands for Beat The Odds and his shortlisted track is titled AI Gave Me A Voice. “I pinch myself every day because this just can’t be true,” is the opening line – which he says reflects how far he has come from the moment he woke up and discovered what had happened.
“That comes from reality. I do have moments where I think so much has happened that it must not be true… every line means something to me.”
Lucas, who lives in Nottingham, used the AI-powered music production platform TwoShot to create the track, using prompts on what he wanted for the sound alongside his lyrics, inspired by melodic rap.
“I think we’re gonna get quite a lot more people like me that can’t record music and have been given a voice through AI,” he says. “AI is lowering the barriers to entry for a lot of things.” Which can be a negative as well as a positive, he acknowledges. “We’ll have to see where it goes.”
Image: Gallis is among 15 music creators shortlisted for the Future Sound Awards. Pic: Fanvue World AI Creator Awards
Launched by the Fanvue World AI Creator Awards, The Future Sound Awards aim to highlight the ethical use of AI in music, organisers say. Fanvue is a subscription creator platform with more than 180,000 users.
Some 15 artists from the US, Europe, Australia and Asia, as well as the UK, have been shortlisted for prizes, and the winners will be announced later in September.
Lucas is one of two British creators on the list, alongside Gallis, from Essex. The 31-year-old first dipped his toe into the waters of the music industry about 10 years ago, after joining the urban-pop boy band Mr Meanor, but says the industry was hard and “it all got a bit too much”.
He is now a tattoo artist and fine painter, but continued his songwriting and started to try out AI music production tools about 18 months ago.
Image: UK Music organised a protest against AI copyright plans at Westminster earlier in the summer
AI has ‘made me more creative’
As an artist, he says he had his own concerns about AI before he started using it himself, particularly after image generators started becoming prominent online.
“It was stealing the work that I was doing,” is how he describes his initial feelings. “But I ended up jumping on board with it and for me personally, it’s inspired me so much. It’s made me quicker at what I’m doing, it’s made me more creative. And I think it’s the same with music. I think it’s gonna, if anything, grow the industry.”
However, he says he agrees with criticism about the ethics of how some AI models are trained – following controversy about work by human music artists and authors being used without consent. “And trying to impersonate exactly someone else and using someone else’s voice, I don’t agree with that at all,” he adds.
Gallis’s shortlisted song, Chiropractor emerged from “friendly competition” with a community of creators he came across when he moved into AI, trading feedback and ratings. The genre is Trinibad, which he says there isn’t enough of “in the AI world”, and the track is designed to get people dancing.
“I mainly stick to urban music, but I like writing in a lot of different styles,” he says. “I’ve done house songs, I’ve done UK drill songs, Afrobeats, amapiano. I’m a bit of a vibes man so if it makes me dance and move and smile that’s when I really enjoy it.”
Narcis Marincat, head of AI at Fanvue, says the stories behind the selected songs show a “richness and human emotion” that appealed to him and other judges.
“The impact of AI in music continues to divide opinion,” he says. “But for the first time, via the Future Sound Awards, we’re able to show a different perspective on the positive impact of AI in music – uncovering the real people behind the technology and sharing their stories and music.”
A man has been found dead “in a pool of blood” at the Burning Man festival in Nevada, officials say.
The man’s body, described as a white adult, was found “lying on the ground” after 9pm on Saturday at the art and music festival in the Black Rock Desert, roughly 110 miles north of Reno, the Pershing County Sheriff’s Office said.
They said he was discovered while the festival’s large wooden effigy of a man at the centre of the festival was engulfed in flames – a tradition during the annual event.
Officials said a festival goer flagged down a sheriff’s deputy and reported seeing “a male subject lying in a pool of blood”.
The sheriff’s office set up a perimeter at the scene and has been treating it as a homicide, interviewing several participants.
The body, which has not been identified, was taken to a medical examiner’s office, while the festival continues until 6pm local time on Monday (2am Tuesday UK time).
“Although this act appears to be a singular crime, all participants should always be vigilant of their surroundings and acquaintances,” the sheriff’s office said.
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Officials say the crime scene is being preserved, but that the case is a “complicated investigation” as the makeshift Black Rock City where the event is located will be gone by the middle of the week.
Burning Man organisers said they were cooperating with law enforcement and asked participants not to interfere with their investigation.
“The safety and well-being of our community are paramount,” their statement said, adding that support services, including a crisis support team, were available and participants had access to free Wi-Fi if they need to communicate with loved ones.
Burning Man is a celebration of self-expression that culminates in the ceremonial burning of its towering 40ft effigy.
Its origins can be traced back to the incineration of an eight-foot wooden “man” on San Francisco’s Baker Beach in 1986, which eventually evolved into an annual gathering in the Black Rock Desert.
Hollywood star Rupert Everett has been working behind the bar of his village pub in a bid to keep the doors open.
Everett, known for his roles in Another Country and My Best Friend’s Wedding, has joined a roster of volunteers working to save The Swan, a local pub in Enford, Wiltshire, that is currently under threat of closure.
The pub is staffed by a rotation of 30 people after it was initially closed when the previous licensee left.
“There has been an amazing effort by our community to keep this pub open,” said the 66-year-old Shrek voice actor.
“Times are hard for rural pubs and this is the heart and hub of the village. I think that it is important to express my support. I have recently joined CAMRA – the Campaign for Real Ale – as I know that real ale is the lifeblood of pubs both locally and nationally.
“Our small local breweries need our help, cask ale must survive – it is almost a uniquely British tradition.”
Steve Stringer, secretary of the Salisbury and South Wiltshire branch of CAMRA and an Enford resident, told local media: “I am excited that Rupert has chosen to support the campaign.
“As a lover of cask ales, it is only natural that he wishes to join us and to see him behind the bar serving the locals, shows his solidarity with the community effort.”