How Tina Turner inspired domestic violence survivors – but never let abuse define her
In 1993, when asked in an interview with Vanity Fair what she had stood up for, Tina Turner’s response was simple: “I stood up for my life.”
A rock and feminist icon, when the star first spoke out about the violence she had suffered at the hands of her ex-husband and musical partner, Ike, her openness about the subject was groundbreaking.
Turner was one of the first high-profile figures to do so, giving a voice to thousands of others experiencing similar situations and paving the way for a culture shift in the way domestic abuse is discussed and how survivors are treated. At the same time, she refused to let it define her.
Tina Turner on stage with Ike Turner in 1966
After first revealing the abuse to People magazine in 1981, in her memoirs and when asked subsequently in interviews, she spoke of the “torture” of her 16-year marriage; about the broken bones and the humiliation, the beatings before she would have to dazzle audiences alongside him on stage.
“I was living a life of death,” she said in the 2021 documentary about her life. “I didn’t exist. But I survived it. And when I walked out, I walked. And I didn’t look back.”
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Turner was already a star. But after her marriage, she would later become an icon: the Queen of Rock’n’Roll.
“When a survivor who is in an abusive relationship hears a woman like Tina Turner talk about her experiences, talk about her survival journey, and then can see the success and recovery that she’s achieved – it really does give survivors and those experiencing domestic abuse the courage and the hope to reach out and seek help,” Women’s Aid chief executive Farah Nazeer told Sky News.
“[Turner shows] it is possible to move away from these harmful relationships, which can feel all-encompassing, which can feel like imprisonment. It’s incredibly powerful to have a woman like Tina Turner, an iconic woman, a celebrity, speak out in this way.”
‘It wasn’t something socially acceptable to talk about’
When Turner first revealed the abuse she had endured, it was “revolutionary”, Ms Nazeer says. “It provided a voice to those women who felt that they could not talk about it; it wasn’t something that was societally acceptable to talk about.
“It began that transformation where we now do talk about these issues, and we now do accept more and more that domestic abuse is the crime of the perpetrator and survivors shouldn’t feel guilt, they shouldn’t feel shame. But that was very much the culture in those days.”
Boney M singer Liz Mitchell, who was friends with Turner, praised the star’s courage in overcoming the struggles she faced in life. “Today, her whole image is a testimony for many women to realise that things can go wrong in your life, but if you can find a way out of it, take the way, and move on like she did. She just stayed strong.”
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Boney M star on Tina Turner
‘She was the reason I left abusive relationship’
Turner’s bravery in speaking about abuse has prompted a swell of praise following her death at the age of 83, with survivors sharing stories of how she inspired them.
“My heart is broken,” wrote Trisha Jopson, from New York, in a tribute on Instagram. “She was the reason I left an abusive relationship. She was so much more than an entertainer. She was an absolute inspiration.”
Spice Girl Melanie Brown, who has spoken out about her own experiences of alleged domestic abuse, is also among those who have praised the star.
The West End production of Tina – The Tina Turner Musical had partnered with Women’s Aid, and as a patron of the charity the singer had been in the audience for the show the night before Turner’s death.
“She did the impossible,” Brown wrote on Instagram. “She left him, she survived, she got away, and gave ALL survivors like me hope.”
Campaigners say that as well as her music, this is Turner’s legacy.
“That’s the incredible message this iconic woman portrays,” says Ms Nazeer. “You can really see the success and the hope and the joy in Tina Turner, post-Ike.
“That really gives courage and a sense of hope to women who are experiencing domestic abuse – this is what life could be like afterwards.”
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Joy star James Norton on the ‘postcode lottery’ of IVF – and playing the scientist who was part of creating the first ‘test-tube baby’
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
In the UK, statistics show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Bill Nighy, Thomasin McKenzie and James Norton star in Joy. All pics: Netflix/ Kerry Brown
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
The couple went through seven rounds of IVF themselves to conceive their son.
Norton portrays scientist Bob Edwards, while McKenzie plays embryologist Jean Purdy
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
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In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November
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