Switzerland has won Eurovision, topping the leaderboard in a competition fraught with last-minute changes and backstage incidents.

Non-binary performer Nemo used their childhood opera experience to pull together an impressive performance mixing rap, rock, drum ‘n bass and classical opera, as well as balancing on a revolving disc spinning at speed as they sang.

The song – which took an early lead in the race – shares a message of self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgment.

When accepting their glass trophy, Nemo said: “I hope this contest can live up to its promise, and continue to stand up for peace.” They then performed their song to wrap the show.

Croatian act Baby Lasagne (whose real name is Marko Purisic) took second place with the anarchic rock track Rim Tim Tagi Dim.

The UK’s act, Dizzy, sung by Olly Alexander came 18th out of 25, with 46 points. He performed 13th in the running order – a number considered unlucky for some, and received a crushing “Nul Points” in the public vote.

The Years And Years star gave an energetic performance surrounded by his four dancers dressed in boxing shorts, writhing around a brightly lit cube decked out like a boxing ring.

Ireland’s act, Bambie Thug, came a sixth, with their self-named “Ouija pop” track Doomsday Blue.

Victoria, Crown Princess of Sweden, opened the show, speaking in a short, pre-recorded video, and wishing all the contestants luck, before Sweden’s identical twins Marcus and Martinus performed the first song.

Performers made some tentative moves towards bringing politics to the stage, with Lithuania signing off their song with the command, “Spread love to the world”, while Portugal’s act said, “Peace will prevail”.

At the end of France’s performance by Slimane, he said: “United by music, for love and peace, thank you so much.”

During an earlier performance he had cut his act short, saying: “Every artist here want to sing about love and sing about peace. We need to be united by music yes but with love for peace. United by music yes but with love for peace”.

Meanwhile, Ireland’s act Bambie Thug rounded off their performance by saying: “Love will always triumph hate.”

During a cutaway of their team, which was played after all the songs had performed in a round-up of the acts sat in the ‘green room’ area onstage, there was a large soft-toy watermelon clearly in the background behind Bambie.

The fruit is widely used as a symbol of Palestinian solidarity.

Earlier this week, the 31-year-old, who is non-binary, said the EBU prevented them from displaying a pro-Palestinian message during their performance during the first semi-final.

There was some audible booing when Israel’s Eden Golan performed, and more audible booing when Israel handed out their scores.

But the loudest booing of the night was reserved for the man in charge of the Eurovision Song Contest, Martin Osterdahl, who was almost drowned out by jeering from the crowd when he first spoke, and then again when he handed out the points for Netherlands.

This year’s Eurovision contest has been embroiled in controversy over the last few months, with demonstrations and calls for Israel to be banned due to their actions in the ongoing Israel-Hamas war.

On Thursday, between 10,000 and 12,000 people took part in a pro-Palestinian march through Malmo, the host city.

But on Friday, drama unfolded closer to home when Dutch act Joost – who had been among the favourites to win – was axed over allegations he made verbal threats to a female Eurovision production worker after coming off stage following the second semi-final on Thursday.

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It is the first time in Eurovision history that an act has been disqualified after reaching the grand final.

Then on Saturday, Irish contender Bambie Thug did not take part in the final rehearsal for the show, due to “a situation” they said needed “urgent attention” from organisers.

Several presenters scheduled to award the points of their country during the programme, withdrew from the show just hours before it was due to begin, including Finnish singer Kaarij (whose song Cha Cha Cha came second in last year’s show) and Norwegian singer Alessandra Mele.

Away from the political overtones the EBU was trying so hard to avoid, Swedish supergroup Abba – the most famous band ever to come out of the contest – were shown in hologram form and performed on stage in London.

The four “Abbatars” as they’ve been dubbed sang Waterloo, accompanied from the Malmo stage by fellow former winners Conchita Wurst, Charlotte Perrelli and Carola Haggkvist.

Next year’s contest will be held in Switzerland.

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Consistently billed by organisers as non-political, this year’s Eurovision Song Contest had become mired in controversy before the first act even took to stage

As thousands protest against Israel’s inclusion while its war in Gaza continues – despite international calls for restraint – organisers resisted pressure to exclude Israel.

While Israeli artist Eden Golan was asked to change lyrics organisers felt referred to Hamas’s deadly 7 October attacks, large protests have continued in Swedish host city Malmo throughout this week.

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Waving Palestinian flags, demonstrators shouted “Eurovision united by genocide” – a twist on the contest’s official slogan “united by music”. Israel’s Prime Minister Benjamin Netanyahu previously dismissed genocide claims as “outrageous”.

Calls to ban Israel

Ahead of Saturday’s final, between 6,000 and 8,000 people joined a demonstration, according to police estimates.

Security has been ramped up in the city, which expected to welcome 100,000 Eurovision fans on top of the thousands of pro-Palestinian protesters.

More than 10,000 campaigners, including climate activist Greta Thunberg, staged a non-violent protest ahead of the semi-final on Thursday.

A smaller group of pro-Israeli supporters, including members of Malmo’s Jewish community, also staged a peaceful demonstration on Thursday, defending Golan’s right to take part in the contest.

This week, former Swedish contestant Eric Saade, who is said to be of Palestinian origin, wore a keffiyeh – a traditional scarf that has become a symbol of support – tied around his wrist as he sang.

Organisers at the European Broadcasting Union (EBU) put out a statement expressing “regret” over Saade’s actions.

Dutch act expelled

As preparations on the day got into full swing, organisers would be hit with two major blows from two of this year’s hotly-tipped performers.

The first of those came from the Netherlands, with organisers announcing Dutch entry Joost Klein had been expelled from the competition after a complaint by a production worker.

According to Dutch broadcaster AVROTROS, Klein was filmed despite clearly made agreements, just after getting off stage after his performance at Thursday’s semi final.

“This wasn’t respected,” AVROTROS said in a post on social media platform X, adding: “This led to a threatening movement from Joost towards the camera.”

Klein did not touch the camerawoman, according to AVROTROS, who said it found the artist’s penalty “very heavy and disproportionate”.

Irish act calls for ‘urgent attention’

Barely a few hours later, Ireland’s entry Bambie Thug missed the flag parade in the show’s final rehearsal due to a “situation” needing “urgent attention” from organisers.

The singer has previously hit out at Golan competing in the contest and been outspoken about their pro-Palestinian views before becoming the first Irish qualifier since 2018.

Irish broadcaster RTE reported that the singer called on organisers to address commentary made on Israeli television before their performance in Tuesday’s semi-final.

They told the broadcaster: “I’m angry with other teams breaching their rules of the EBU, and still being allowed in.

“So there’s definitely a war drum sounding in my heart to push the performance even more than I have done before.”

Earlier this week, Bambie Thug told reporters they had been forced to change writing painted on their body ahead of the semi-final performance.

The 31-year-old said the painted script in Ogham – an early Medieval alphabet – had translated to “ceasefire and freedom”.

‘United by love’

While Bambie Thug missed a chunk of rehearsals, another act used his practice on stage to make a statement.

In an apparent reference to Eurovision’s motto, French contestant Slimane stopped mid-way through his rehearsal to say “united by music, yes, but for love, for peace”.

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His chant appeared to be met with a loud round of applause in the auditorium.

Meanwhile, Norway’s Alessandra Mele, who was scheduled to award her country’s points during the show, withdrew due to the “inflamed situation in Malmo this year”, according to broadcaster NRK.

PITTSBURGH — The moment hardly looked too big for Paul Skenes.

The top-ranked pitching prospect in baseball had a promising major league debut for the Pittsburgh Pirates, working into the fifth inning against the Chicago Cubs on Saturday while offering a glimpse of what might be to come.

Skenes was charged with three runs in four-plus innings. He struck out seven, throwing 17 pitches of 100 mph or more. He also walked two and gave up a homer to Nico Hoerner in the fourth that just reached the first row of bleachers beyond the left-field wall.

As he walked off the field, the mustachioed 21-year-old received a loud ovation from a near-sellout crowd that included his more famous girlfriend, LSU gymnast and social media influencer Livvy Dunne.

Skenes became the first Pirates pitcher aged 21 or younger to record at least seven strikeouts in his major league debut since Nick Maddox fanned 11 against the St. Louis Cardinals in 1907 — 95 years before Skenes was born.

The Pirates teased Skenes’ call-up on Wednesday after he breezed through seven starts at Triple-A Indianapolis. His arrival gave PNC Park a playoff-like atmosphere, or at least as much as it can feel like the playoffs in mid-May for a team that hasn’t reached the postseason since 2015.

Fans lined up two and three deep behind the Pirates’ bullpen beyond the center-field fence to try to catch some of Skenes’ pregame routine. Nearby, the team store under the left-field bleachers did a brisk business, with some ponying up $200 for jerseys with Skenes’ No. 30 stitched on the back.

It has been a dizzying rise for Skenes from somewhat anonymous Air Force Academy cadet to College World Series MVP at LSU to first pick in the 2023 draft to possible franchise cornerstone. And yet he looked plenty comfortable.

Skenes, black socks pulled up high against his white pants, confidently strolled out of the dugout and bounded over the third-base line to start what he has likened to the end of one portion of his life and the beginning of another.

A significant portion of the crowd, including Dunne, stood while Skenes warmed up as “Cue Country Roads” by Charles Wesley Godwin blared over the speakers.

Then Chicago designated hitter Mike Tauchman stepped into the batter’s box, and hype gave way to reality. Skenes unfurled his 6-foot-6 frame and, with his funky delivery, fired a 101 mph fastball to Trautman that plate umpire Paul Clemons called a ball.

Six pitches later, Trautman was walking back to the dugout after swinging at another fastball — 100.9 mph this time — that he tipped into catcher Yasmani Grandal‘s mitt for Skenes’ first strikeout.

His second followed three pitches later.

Cubs right fielder Seiya Suzuki took a pair of called strikes — the second an 87 mph slider that left Suzuki shaking his head — before flailing at another slider.

Chicago center fielder Cody Bellinger worked a walk, but only after taking a ball that registered 101.9 mph, the fastest by a Pirates pitcher since Major League Baseball began tracking pitch speed in 2008.

Skenes worked out of the inning by getting Christopher Morel to fly out to deep center. A walk, a hit batter and a single in the second loaded the bases with one out. No matter. Yan Gomes struck out looking at a fastball, and Tauchman grounded out to second.

The next two innings were more of the same, with Skenes mixing triple-digit fastballs with off-speed stuff that remains a work in progress. Hoerner went deep on a hanging first-pitch slider.

Pittsburgh manager Derek Shelton, who has stressed the team will remain mindful of Skenes’ workload, took the rookie out after his pitch count reached 84 following a pair of hits by the Cubs to lead off the fifth. The runners later scored when reliever Kyle Nicolas walked in a pair of runs.

Pirates general manager Ben Cherington said a few hours before the first pitch that Skenes has nothing left to prove in the minors, even with the outsized attention he has received every step of the way.

“There is no reason to put any ceiling on [him],” Cherington said. “It will be fun to watch that play out. That’s all I can say. I’m very confident that’s how he’s thinking about it. That’s the fun of it for someone like him and some of the other elite performers. It’s finding a way to find that next level.”