Switzerland has won Eurovision, topping the leaderboard in a competition fraught with last-minute changes and backstage incidents.

The first non-binary performer to take the trophy, Nemo used their childhood opera experience to pull together an impressive performance mixing rap, rock, drum ‘n bass and classical opera, as well as balancing on a revolving disc spinning at speed as they sang.

The song – which took an early lead in the race – shares a message of self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgment.

When accepting their prize, Nemo said: “I hope this contest can live up to its promise, and continue to stand up for peace.” They then performed their song to wrap up the show.

Eurovision as it happened

Nemo is the first Swiss act to win the contest since Celine Dion took the prize in 1988.

Croatian act Baby Lasagne (whose real name is Marko Purisic) took second place with the anarchic rock track Rim Tim Tagi Dim.

The UK’s act, Dizzy, sung by Olly Alexander came 18th out of 25, with 46 points. He performed 13th in the running order – a number considered unlucky for some, and received a crushing “nul points” in the public vote.

The Years And Years star gave an energetic performance surrounded by his four dancers dressed in boxing shorts, writhing around a brightly lit cube decked out like a boxing ring.

Analysis: Is Eurovision broken? And can it be fixed?

Bethany Minelle

Arts and entertainment reporter

@BethanyMinelle

Fifty years ago Abba brought Waterloo to Eurovision and emerged triumphant. Today, very different battles were being fought within the competition, as it attempted – with limited success – to remain apolitical in the face of geo-politics too loud to ignore.

Critics of the war in Gaza wanted Israel to be pulled from the show, with thousands of pro-Palestine protesters taking to the streets for organised marches throughout competition week. Fans called on acts to boycott the event, with some screenings of the show cancelled in recognition of the contentious nature of the ongoing debate.

Calls of “art washing” rang out loud and clear, but as far as the show’s bosses – the European Broadcasting Union (EBU) – were concerned, it was a case of “the show must go on”.

A supplementary drama was thrown into the mix just eight hours before the show was due to start, when Dutch act Joost Klein was axed over allegations he made verbal threats to a female member of Eurovision staff. It was an unprecedented move.

Fans of his song – the painfully catchy happy hardcore number Europapa – were not impressed, venting their displeasure through boos directed at EBU boss Martin Osterdahl as he delivered the Netherlands’ scores during the show.

Following their history-making win, Switzerland’s Nemo admitted they’d broken the coveted Eurovision glass trophy within moments of being handed it. They also admitted to breaking EBU rules by bringing a non-binary flag into the venue, before calling out the “double standards” of the organisers who were reported to have forced some fans to throw away their non-binary flags before being allowed in.

Perhaps summing up the take home message of the night, the 26-year-old singer said: “I broke the code and I broke the trophy, maybe the trophy can be fixed – maybe Eurovision needs a little bit of fixing now and then too.”

With organisers clearly struggling to cope with performers who refuse to be gagged, this was certainly a difficult year for the competition. Can it weather the storm? Or will the hurricane instigated by brutal world conflict raze it to the ground?

Either way, the contest’s motto – “united by music” – must surely now be retired, as the Eurovision community steps away from the stage more divided than ever.

Ireland’s act Bambie Thug came sixth, with their self-named “Ouija pop” track Doomsday Blue.

Victoria, Crown Princess of Sweden, opened the show, speaking in a short, pre-recorded video, and wishing all the contestants luck, before Sweden’s identical twins Marcus and Martinus performed the first song.

Performers made some tentative moves towards bringing politics to the stage, with Lithuania signing off their song with the command, “Spread love to the world”, while Portugal’s act said, “Peace will prevail”.

At the end of France’s performance by Slimane, he said: “United by music, for love and peace, thank you so much.”

During an earlier performance he had cut his act short, saying: “Every artist here wants to sing about love and sing about peace. We need to be united by music yes but with love for peace. United by music yes but with love for peace”.

Meanwhile, Ireland’s act Bambie Thug rounded off their performance by saying: “Love will always triumph hate.”

Boos and toy fruit

During a cutaway of their team, which was played after all the songs had been performed in a round-up of the acts sat in the ‘green room’ area onstage, there was a large soft-toy watermelon clearly in the background behind Bambie.

The fruit is widely used as a symbol of Palestinian solidarity.

Earlier this week, the 31-year-old, who is non-binary, said the EBU prevented them from displaying a pro-Palestinian message during their performance during the first semi-final.

There was some audible booing when Israel’s Eden Golan performed, and more audible booing when Israel handed out their scores.

But the loudest booing of the night was reserved for the man in charge of the Eurovision Song Contest, Martin Osterdahl, who was almost drowned out by jeering from the crowd when he first spoke, and then again when he handed out the points for Netherlands.

This year’s Eurovision contest has been embroiled in controversy over the last few months, with demonstrations and calls for Israel to be banned due to their actions in the ongoing Israel-Hamas war.

On Thursday, between 10,000 and 12,000 people took part in a pro-Palestinian march through Malmo, the host city.

An unprecedented axing

But on Friday, drama unfolded closer to home when Dutch act Joost – who had been among the favourites to win – was axed over allegations he made verbal threats to a female Eurovision production worker after coming off stage following the second semi-final on Thursday.

It is the first time in Eurovision history that an act has been disqualified after reaching the grand final.

Then on Saturday, Irish contender Bambie Thug did not take part in the final rehearsal for the show, due to “a situation” they said needed “urgent attention” from organisers.

Several presenters scheduled to award the points of their country during the programme, withdrew from the show just hours before it was due to begin, including Finnish singer Kaarij (whose song Cha Cha Cha came second in last year’s show) and Norwegian singer Alessandra Mele.

Away from the political overtones the EBU was trying so hard to avoid, Swedish supergroup Abba – the most famous band ever to come out of the contest – were shown in hologram form and performed on stage in London.

The four “Abbatars” as they’ve been dubbed sang Waterloo, accompanied from the Malmo stage by fellow former winners Conchita Wurst, Charlotte Perrelli and Carola Haggkvist.

‘Maybe Eurovision needs a little bit of fixing’

Speaking to reporters after their win, Nemo admitted they had accidentally broken the glass microphone shortly after being presented with it on stage.

Nemo hit out at the EBU’s “double standards” when asked about fans reportedly not being allowed to bring non-binary flags into the auditorium, admitting: “I had to smuggle my flag in because Eurovision said no and I did it anyway. I hope some other people did that too… This is clearly like a double standard… I broke the code and I broke the trophy, maybe the trophy can be fixed – maybe Eurovision needs a little bit of fixing too”.

They said the experience of performing in Eurovision had been “intense, and not just pleasant all the way,” adding that the fact had not been “all about love and unity made them “really sad”.

When pressed on how they felt about Dutch act Joost not being in the final, Nemo refused to be drawn, saying, “I don’t really know any specifics” so would “refrain from “saying that if I don’t have anything smart to say”.

However, on their fellow Eurovision finalists, Nemo said they had made “friends for life,” adding that they hope to collaborate with some of their fellow acts, and would “love to do a song with Bambie [Thug]”.

Next year’s contest will be held in Switzerland.

A former SONDORS employee has revealed new details regarding the Metacycle electric motorcycle sold by the now-defunct SONDORS e-bike company, describing the project as “a freight train wreck turned into a dumpster fire.”

The Metacycle was the first motorcycle built and sold by SONDORS, a company that had previously built budget-priced electric bicycles.

The Metacycle made waves upon its unveiling in early 2021, both for its novel design and the shockingly low price for a supposedly highway-capable electric motorcycle at just US $5,000.

However, after a series of mismanagement issues and amid accusations of fraudulent business practices, the company was effectively closed and forced into receivership in late 2023. The closure occurred shortly after Electrek exposed the first images of warehouses full of thousands of SONDORS Metacycles sitting unpaid at the Chinese factory that had been contracted to build the bikes.

It is unclear how many Metacycles were delivered to customers, but import records put the number at likely between 1,400 to 1,500 units. At multiple points, SONDORS had claimed to have deposits or full pre-payments from customers for several thousand more Metacycle orders.

Former SONDORS Director of Project Management and Engineering Bill Ruehl recently shared a number of alarming revelations about both the bike and the company during an appearance on The ITC Show podcast.

Bill joined SONDORS after spending nearly 8 years at Zero Motorcycles, where he served as Director of Prototype and Test. His hiring came as SONDORS added several key additions from the automotive and motorcycling industries, including from companies such as Zero, Ducati, and Tesla.

Bill has a long history as an engineer working with electric motorcycle designs and a rider himself. While the Metacycle was already designed and had begun making deliveries before Bill joined the company, he explained that he quickly assumed a role that dealt in large part with solving the rapidly increasing issues discovered in the motorcycle.

“I took it upon myself to learn the nuances of this vehicle as quickly as I could,” Bill explained. “So it was regular calls with the factory. It was regular involvement in doing forensic involvement on failures, going to customers and looking at their problems.”

According to Bill, the issues proved to be widespread, covering everything from technical concerns to business practices and even road legality. On the technical side, the bike’s speed controller, which is essentially the brain of an electric motorcycle responsible for delivering power from the battery to the motor, would often fail due to poor components and construction. On the business side, the company had a tendency to skirt importation tariffs through improper classifications. And during homologation, major issues were overlooked that would render the bike non-street legal.

In the US, all motor vehicles operated on public roads must conform to regulations compiled in the Federal Motor Vehicle Safety Standards (FMVSS). Motorcycles have specific design requirements relating to their design, operation, and manufacturing.

The process of homologation refers to preparing and approving a vehicle to meet applicable regulations for sale in a certain market.

Unlike in Europe, the US does not have type approval, where the government or an appointed body inspects and certifies vehicles as road-worthy. Instead, the US uses a system known as self-certification, in which manufacturers are responsible for verifying that they have indeed met or exceeded federal regulations for homologation.

“If you don’t meet those requirements, basically you can’t sell your product for use on US roads, so it becomes unregisterable,” Bill explained. “And there were a lot of issues with the Metacycle. In fact, if you were to hold a gun to my head and ask me if it was legitimately homologated, it was not. There were shortcuts that were taken. The biggest one of these is that the braking system, by FMVSS definition, is not suitable for a vehicle called a ‘motorcycle’ on US roads.”

Bill explained that each time he attempted to raise these concerns, he was pushed aside. “I was told to be quiet, and not repeat this anymore.”

While many riders were able to register their Metacycles at their local DMVs, this was not always straightforward or even possible. Several states would not allow the motorcycles to be registered. And even for those that were registered successfully, the registration is not an indication that the vehicle is actually street legal, but merely that the DMV permitted the application to be processed. Several riders reported having to make multiple attempts on successive days before a DMV worker accepted and filed their registration application.

Another key issue the Metacycle encountered was a high controller failure rate due to poor MOSFET selection and implementation, which Bill attributed to cost-saving measures at the controller manufacturer. The failure tends to occur under heavy loading, such as hill climbing and other high-power scenarios.

The problem doesn’t affect all Metacycles and depends on how well the multiple MOSFET chips in the controller are paired to each other, which is essentially random luck without a process for evaluation during the controller manufacturing stage.

“There are good Metacycles out there. I’m not trying to say that all Metacycles are bad and all Metacycles have this controller issue, but many of them do,” he added.

Bill had choice words for several other components on the bike, including the Metacycle’s security system.

“Honestly, I believe that the security system they used on the Metacycle was probably the worst thing ever unleashed on the American public.”

Bill attributed the many problems at SONDORS to its leadership, namely the company’s founder and CEO Storm Sondors.

“I will say there were a lot of people behind the scenes at SONDORS who were really trying hard to make a difference. They were not all Storm. But the problem is when you have an individual like Storm at the head of a company like that, the lies and the BS trickle down.”

After SONDORS closed and the company entered receivership, Bill decided to put his experience with the bike to use in helping owners who need support or spare parts. He now consults by appointment and is currently working with the former Metacycle factory in China to hopefully provide original Metacycle equipment to owners.

DENVER — Peter DeBoer joked that coaches never really see perfect games, but he said the Dallas Stars‘ 4-1 win Saturday over the Colorado Avalanche was “as close to a perfect road game” that a team could have.

DeBoer said the Stars’ poise went a long way toward achieving that near perfection as they took a 2-1 series lead in the Western Conference semifinals.

“Coming in this situation, we knew they were going to come out guns blazing in the first period,” DeBoer said. “You knew their home record. You knew they had challenged their best players … after last game. We knew we were going to get a lot thrown at us early in that game, and our composure throughout the night I thought was outstanding.”

DeBoer’s prediction was accurate. The Avalanche broke through to finish with 11 shots on goal in an opening frame that saw them largely control possession with a 68.1% shot share, according to Natural Stat Trick. Yet it was the Stars who took a 1-0 lead because of a goal from rookie forward Logan Stankoven with 1:21 remaining in the first period and a perfect frame from goaltender Jake Oettinger.

Oettinger, who finished with 29 saves, continually found moments that kept the Avalanche from tying the score. His lone blemish came in the second, when the Avs used a more aggressive approach to attack the net. Center Nathan MacKinnon deked through Dallas’ zone before passing it to winger Mikko Rantanen, who tied the score with 9:36 remaining in the period.

Although the Avalanche have yet to hold a lead in any game this series, that hasn’t totally prevented them from winning games. The Stars took a 3-0 lead in Game 1 only for the Avalanche to score four straight goals, with the winner coming via Miles Wood in overtime. Game 2 witnessed the Stars create a four-goal lead, only for the Avs to cut it to 4-3 with less than three minutes remaining in the third — before Esa Lindell‘s empty-netter tied the series at a game apiece.

But Rantanen’s goal was the closest the Avs would get to mounting a potential comeback on Saturday. Stars forward Tyler Seguin scored less than five minutes later for a 2-1 lead.

“We knew coming into this rink how these guys play, and we also know how we play on the road,” Seguin said. “We knew it’d be a big challenge, and the next game is going to be a bigger challenge. But the playoffs are about those moments and getting the right bounces at times, as well.”

The Stars found comfort playing with a one-goal lead in a second period that saw the Avalanche have a consecutive frame with 11 shots while having a shot share that was at 67%. An example of that comfort came when MacKinnon and Rantanen were cycling in a one-two exchange that ended with Rantanen getting a point-blank shot on net that Oettinger contained. The save came around 90 seconds before Seguin’s goal gave the Stars the lead.

“I think it’s learning from our mistakes, and we did that,” Oettinger said. “I think that was one of the best third periods we’ve played this season. Just being smart and not taking penalties. Staying on the defensive side of the puck, and I don’t think they had many scoring chances in the third.”

After seeing 22 scoring chances between the first two periods, the Avalanche were held to just six in 5-on-5 play in the third.

The Stars’ blueprint Saturday came down to four things: limiting the Avs to fewer scoring chances in the third; the ability to hold onto a lead; keeping the Avs 0-for-3 on the power play; and holding on long enough for Seguin and Stankoven to score a pair of empty-net goals to effectively end the game.

A similar performance Monday in Game 4 could see the Stars return to Dallas with a chance to end the series in five games and return to the Western Conference final for a consecutive season.

And while DeBoer called it close to perfect, Stankoven believed there were still areas where the Stars could have improved.

“I thought the first part of our game, we didn’t really play to our best,” Stankoven said. “But it got a little bit better as the game went on. I don’t think we were perfect whatsoever, and I think we can keep on building.”