Rishi Sunak is known to love tech, so could it offer a way out of his awkward diplomatic row with Greece over the Elgin Marbles?
The augmented reality (AR) boffins at Snap think it could.
The creators of the app most people associate with wearing silly filters have branched out into culture and the arts, offering new ways for visitors to experience history at some of the world’s most illustrious museums and galleries.
Snap’s AR has been used to reinvent exhibitions at Amsterdam‘s Rijksmuseum, Miami‘s trendy Art Basel fair, London‘s Design Museum, and most recently the iconic Louvre in Paris.
The museum’s department of Egyptian antiquities now features 3D reconstructions of long-lost artwork and other historic monuments, viewable on phones via QR codes or the Snapchat camera.
If it’s good enough for the Louvre, could it be good enough for the British Museum, and allow the Elgin Marbles to return to Greece?
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4:53
What’s the Elgin Marbles row about?
History in your hands
“We have initiated discussions,” jokes Donatien Bozon, director of Snap’s AR studio in Paris.
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His 14-strong team was formed last year with the mission of bringing AR to art, culture, and education, proving Snapchat’s tech can go well beyond putting virtual dog ears on your friends.
Cultural institutions showed interest in tapping into the app’s audience of 750 million users, he says, as well as bringing new experiences to regular visitors – all without needing any extra physical space.
“We were convinced we could not only leverage the front camera of the phone,” he says, referring to Snapchat’s common use case as a selfie-driven messaging app, “but also the back camera.”
“You can augment the world,” he adds. “And open up so many opportunities.”
Also at the Louvre sits a digital twin of the 222-tonne granite Luxor Obelisks. Built for Egypt’s Luxor Temple during Ramesses II’s reign, one was later moved to the Place de la Concorde in Paris.
But it had initially been considered for a spot in the Louvre’s courtyard. And so in their own bid to rewrite history, the museum worked with Snap to “remove the constraint of physics” and have one installed virtually.
Point your phone’s camera towards the spot where it could have stood, and so it appears.
Image: A Luxor Obelisk stands at the Louvre using augmented reality technology. Pic: Snap
Where tradition meets technology
Not that AR could ever truly replace the real thing.
“It’s in the name,” says Bozon. “It’s augmenting the experience, not replacing it.”
Probably not actually a satisfying solution to the Elgin Marbles row, then.
But the British Museum has dabbled in AR. Primarily aimed at children, it lets guests embark on AR-driven tours through the Roman Empire and Parthenon using Samsung tablets.
The British Library has also leveraged the tech for its own exhibitions, as some of the world’s oldest institutions, proudly steeped in tradition, look to keep up with the times.
Qi Pan, Snap’s director of computer vision, says AR lets them “do things that were not possible before”.
His London team is responsible for how the firm’s tech actually works, both on phones and in a hypothetical future where millions of us walk around wearing futuristic spectacles.
“A lot of AR today is on mobile, where we’re limited by seeing it through a small rectangle,” he says.
“AR glasses will let you see it directly in the world around you.”
Accessible artwork
Despite previous attempts at such lenses from the likes of Google and Snap itself having failed to achieve a mainstream breakthrough, Pan is confident AR is on the cusp of a “hardware paradigm shift”.
For now, the appeal of AR artwork is its accessibility – not just for users who just need a phone to experience it, but also the creators behind what they see.
Ozzy Osbourne has taken his final tour of Birmingham – with his family experiencing the love of thousands of fans who turned out to see the heavy metal star come home.
“We love you, Ozzy!” came the shouts from the crowd as his cortege stopped at Black Sabbath Bridge in the city, a site that has become a shrine to the performer since his death at 76 last week.
His family and loved ones, including his wife Sharon Osbourne and their children Jack, Kelly and Aimee, spent several minutes taking in all the flowers, messages and other tributes left in an outpouring of love from fans.
Image: Jack, Sharon and Kelly Osbourne laid flowers. Pic: PA
Sharon was in tears as she took it all in. Supported by her children, she gave a peace sign to the crowd before returning to the procession vehicles.
Each family member carried a pink rose, wrapped in black paper, tied with a purple ribbon – the traditional Black Sabbath colours. The flowers bearing his name in the hearse were also purple.
Before reaching the city centre, the cortege had travelled past Ozzy’s childhood home in Aston. Just a few weeks ago, he was on stage at Villa Park performing his final gig alongside many of the musicians his music had inspired, from Metallica to Guns N’ Roses to Yungblud.
Image: Tributes to Ozzy can be seen all over Birmingham. Pic: Reuters
On a hugely emotional day, his presence could be felt throughout the city, with the star’s music playing in pubs and posters paying tribute: “Birmingham will always love you.”
For fans, this was a chance to say not just goodbye, but also thank you to a star who never forgot where he came from. His remarkable achievements from humble beginnings and continued love for his hometown, even when he lived thousands of miles away in Los Angeles, meant that for many, the loss feels incredibly personal.
Image: The Black Sabbath Bridge has become a shrine in recent days. Pic: Reuters
‘The Prince of Laughter – not Darkness’
Graham Wright, a roadie who worked with Black Sabbath in the 1970s and beyond, up to the Back To The Beginning reunion gig at Villa Park, told Sky News he would remember Ozzy not by his traditional nickname, the Prince of Darkness – but as the Prince of Laughter instead.
“It was a shock he left us so soon after [the show],” he said. “The show was tough for him but he was determined to say goodbye to his fans, that was the main thing. It was important for all four of [Black Sabbath] to get back together and do a farewell.
“The tears will be flowing today to see the Ozz man – the Prince of Laughter, not Darkness. He really was. We’ll all miss him.”
Image: Pic: Reuters
‘My mum used to say he was a lovely boy’
Chris Mason, general manager of The Brasshouse pub, which is next to Black Sabbath Bridge, said music by the band and Ozzy’s solo material had been played pretty much “on loop” since his death.
“I’m a metal fan and Ozzy being the godfather of the scene – if not for Ozzy and Black Sabbath, we wouldn’t have heavy metal,” he said. “This is what Birmingham is about, bringing people together, and Ozzy and Black Sabbath did that.
“He was Mr Birmingham and his family have brought him back.”
Mohabbat Ali, who used to live on the same street as Ozzy’s childhood home, said the property had become one of the focal points for tributes in the city.
Describing what it was like living near him, he said: “He played guitars, very loud at night sometimes, but my mum used to say he was a lovely boy.”
From an era of preening rock gods, Ozzy was the real deal
The sea of black was always a given – but this wasn’t about respecting funeral traditions. Ozzy himself had previously said he wanted his send-off, when it came, to be a celebration and not a “mope-fest”.
This was his final tour in the city that meant so much to him.
For fans, he meant so much to them.
For his family, the emotion was raw.
Sharon, his soulmate, has spent her life and career organising his shows, and it was clear how hard this day was for her.
After they left, fans flooded the streets to lay flowers.
Not since David Bowie has an artist’s death prompted such an outpouring of emotion. From an era of preening rock gods, Ozzy was the real deal – one of the most notorious figures in rock, but a man who remained as Brummie as can be.
‘A true legend who never forgot his roots’
Birmingham’s lord mayor, Councillor Zafar Iqbal, also attended the procession and spoke of the city’s pride in Ozzy.
“What a great honour for us to have him here one last time,” he said. “The love for Ozzy – well, you can feel it in the air.”
The star put both Aston and Birmingham on the map, he said, and always took the time to get to know people.
Mr Iqbal said Ozzy sent him a letter after reading on the mayor’s website biography how he had struggled with dyslexia at school – something the star identified with.
“I’ve got the letter in a frame and it’s in my office… he was just a natural human being, down to earth. You wouldn’t have known he was a rock star – but he was a true legend, who never forgot his roots.”
Disgraced hip hop mogul Sean “Diddy” Combs has asked a judge to release him on a $50m bond as he waits to be sentenced for prostitution-related offences.
Combs’s lawyer has argued that conditions at the Metropolitan Detention Centre in Brooklyn are dangerous and noted that others convicted of similar offences were typically released before sentencing.
“Sean Combs should not be in jail for this conduct,” Marc Agnifilo said in a court filing on Tuesday.
“In fact, he may be the only person currently in a United States jail for being any sort of John, and certainly the only person in jail for hiring adult male escorts for him and his girlfriend.”
A “John” in the US is a slang term for somebody who hires a prostitute.
A spokesperson for the US attorney’s office in Manhattan did not immediately respond to a request for comment.
Prosecutors have previously insisted he remains a flight risk and should therefore not be granted bail.
The 55-year-old, one of the most influential hip-hop producers of all time, faces up to a decade in prison after he was convicted earlier this month of two counts of transportation to engage in prostitution.
The charges relate to how he flew people around the US, including his girlfriends and male sex workers, for sexual encounters.
Image: Combs knelt at his chair and appeared to pray after the verdicts
Combs was cleared of three more serious charges – two for sex trafficking and one for racketeering conspiracy – following his landmark trial in New York.
A conviction on one of those charges could have put him in prison for life.
Immediately after he was acquitted of those charges on 2 July, Mr Agnifilo had asked that Combs be released on bond.
But Judge Arun Subramanian denied it, saying Combs at the time had not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.
Combs is the latest celebrity inmate to be locked up at MDC Brooklyn, the only federal jail in New York City, joining a list that includes R Kelly, Ghislaine Maxwell and cryptocurrency fraudster Sam Bankman-Fried.
Ozzy Osbourne fans will be able to say goodbye to the heavy metal pioneer at a procession for his cortege through his home city of Birmingham tomorrow.
The star’s hearse will make its way down Broad Street towards the Black Sabbath bridge and bench – where thousands of fans have left flowers, messages and other tributes since his death.
Osbourne, 76, died less than three weeks after performing his “final bow” in the city – the Back The Beginning reunion with his Sabbath bandmates at Villa Park, which raised about £140m for charity.
Image: Ozzy Osbourne on stage at Villa Park just a few weeks before his death. Pic: Reuters
Large crowds are expected to gather tomorrow as fans pay their respects to the performer who shaped heavy metal music and “proudly carried the spirit of Birmingham throughout his career”, the city council said.
Members of Osbourne’s family will also be in attendance and have funded the event, the council added.
“Ozzy was more than a music legend – he was a son of Birmingham,” said the city’s lord mayor, Councillor Zafar Iqbal. “We know how much this moment will mean to his fans. We’re proud to host it here with his loving family in the place where it all began.”
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The life of Ozzy Osbourne
Mr Iqbal said it was important to the city to give the star “a fitting, dignified tribute ahead of a private family funeral”.
Osbourne and his Black Sabbath bandmates Terence “Geezer” Butler, Tony Iommi and Bill Ward were awarded the Freedom of the City in June, before the Back To The Beginning show, honouring their “significance to the cultural and musical identity of Birmingham”.
The star’s cortege will travel down Broad Street from about 1pm tomorrow, accompanied by a live brass band, Bostin’ Brass. For those not able to make it, a live stream of the Black Sabbath bench, which has been running since Osbourne’s death, will continue.
There is also a book of condolence for public messages at Birmingham Museum and Art Gallery, alongside theOzzy Osbourne Working Class Hero exhibition, highlighting his solo career achievements.
Osbourne, the self-styled Prince of Darkness, pioneered heavy metal with Black Sabbath before going on to have huge success in his own right. He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.
The singer also found a different kind of fame thanks to noughties MTV reality show The Osbournes, which followed his somewhat chaotic life with wife Sharon and two of their children, Kelly and Jack.
Following his death, his family released a statement saying he died alongside them, “surrounded by love”.