A judge has ordered the BBC to release a large number of emails in relation to Martin Bashir’s now infamous 1995 interview with Princess Diana.
The emails all relate to a period in 2020 when the broadcaster was dealing with the scandal around the interview.
They were initially requested via a Freedom of Information (FOI) request submitted by Andrew Webb – a journalist and filmmaker who has been investigating the scandal.
Following a tribunal, Judge Brian Kennedy said the corporation had been “inconsistent, erroneous and unreliable” in the way it dealt with the initial request to release material under FOI law.
The judge added the BBC’s response was a “cause for serious concern”.
A BBC spokesperson said it “fully accepted” that “mistakes have been made in this case in the past” and it had apologised to Mr Webb.
“We are currently considering the tribunal’s decision carefully and it would not be appropriate to comment whilst the legal proceedings are ongoing,” the spokesperson added.
Mr Webb complained to a tribunal the BBC had failed to release more than 3,000 emails under FOI laws, related to its handling of the scandal in 2020. He described the BBC’s actions as a “cover up”.
Diana’s brother Earl Spencer criticised the broadcaster for trying to prevent the release of the emails, telling Radio 4: “The problem here is one of the integrity of people at the BBC.”
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Bashir’s interview with the princess – once hailed as the scoop of a generation – was broadcast by BBC Panorama in 1995.
In the interview, Diana famously said of her marriage to Charles: “There were three of us in this marriage, so it was a bit crowded.”
Earl Spencer maintained for years that Bashir showed him fake financial documents relating to Diana’s former private secretary Patrick Jephson and another former royal household member.
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William: ‘Deceitful’ BBC interview failed my mother
Earl Spencer also said the journalist had told outlandish and untrue stories about the Royal Family to get Diana onside, including that she was being spied on by the secret services.
The story about the faked documents was first reported in The Mail on Sunday a year after the interview, in 1996.
According to the BBC, Bashir admitted having the statements mocked up, but repeatedly denied showing these documents to Earl Spencer.
It was not until 2020, and an article in The Sunday Times, that the BBC admitted publicly for the first time that Earl Spencer had in fact been shown the faked bank documents by Bashir.
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Ex-BBC boss ‘deeply sorry’ to Prince William
In 2021, an independent inquiry, headed by Lord Dyson, found the broadcaster covered up “deceitful behaviour” used by journalist Bashir to secure the interview.
Bashir, meanwhile, was in “serious breach” of the BBC’s producer guidelines when he faked bank statements and showed them to Earl Spencer to gain access to the princess, Lord Dyson’s report found.
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Bashir left the BBC for ITV in 1999, but returned to the broadcaster in 2016, becoming its religious affairs editor. He officially stepped down from his job at the BBC in 2021.
In response to Lord Dyson’s findings, Bashir apologised, saying the faking of bank statements was “a stupid thing to do and was an action I deeply regret”.
But he added he felt it had “no bearing whatsoever on the personal choice by Princess Diana to take part in the interview”.
Taylor Swift’s new album helped fuel the highest weekly vinyl sales in 30 years – but is our rediscovered love of owning records environmentally reckless?
PVC (poly vinyl chloride), the plastic from which records have traditionally been made, isn’t great for the planet, and concerns have also been raised over packaging as vinyl sales have risedn in recent years.
Rou Reynolds, frontman of chart-topping rock band Enter Shikari, believes leading artists need to shoulder some responsibility to “push forward” change.
“The bigger you are as an artist, the more influence you have, the more you can push things forward and accelerate progression,” he says.
In an interview with Billboard in March, Billie Eilish criticised how “wasteful it is” when “some of the biggest artists in the world” make “40 different vinyl packages”, each with “a different unique thing just to get you to keep buying more”.
“Its reasonable criticism,” says Reynolds, “but I think it’ll basically dissipate as soon as it becomes the standard to use BioVinyl, for instance – that will really take away the possibility of criticism”.
Rather than make records out of regular PVC pellets, over the last few years it has become possible to use renewable sources such as cooking oil or wood pulp.
“Traditional vinyl is an oil-based product,” Reynolds explains. “No one really wants to support the extraction of any more fossil fuels.”
Enter Shikari now insist all their records are made using BioVinyl, and Reynolds is optimistic that if more artists make demands about what their records are made from, it would become the new norm.
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“A lot of independent artists, like myself, we can light these fires, then it spreads and before you know it, it will become the industry standard.”
‘The advances are incredible’
Leading voices within vinyl production want the music industry to listen.
“Along with the Vinyl Alliance and the Vinyl Records Manufacturers Association, we’re looking at the whole manufacturing chain,” says Karen Emanuel, chief executive of Key Production, the UK’s largest broker for physical music production.
“I’ve been in the business probably about 35 years and the advances that have been made, it’s incredible. A lot of the big plastics companies, for PVC they’ve found a way replacing the fossil fuel elements [which] could mean as much as a 90% reduction in the carbon footprint of the vinyl.”
The catch, at the moment, is the cost.
“It’s a bit more expensive to manufacture but if enough people manufacture with it then the price point will come down… it’s something that we’re really trying to push people towards.”
Would fans be happy to pay more for a greener product?
Lee Jefferies, the owner of Leicestershire-based vinyl pressing plant Sonic Wax Pressing, is such a big vinyl lover, he spent £100,000 buying the world’s most valuable Motown record.
“Ultimately everything works from retail back,” he says “And with retail prices already being quite high on vinyl it’s very hard for people to have the extra money to buy biodegradable vinyl.”
But a recent survey conducted by Key Production found more than two thirds (69%) of vinyl buyers indicated they would be encouraged to buy more if the records were made with a reduced environmental impact.
The findings also revealed that the vast majority, 77%, of regular vinyl customers are willing to pay a premium for reduced impact products, signalling a significant market demand for eco-friendly alternatives.
Is there a bigger problem?
Ultimately, either the consumer, artists or labels will have to shoulder the cost if vinyl is to be made more sustainably.
But while a big old hunk of PVC might feel like the least green option, are we getting ourselves in a spin when we should also be looking in another direction?
Figures from the Recording Industry Association of America (RIAA) and International Federation of the Phonographic Industry (IFPI) put global vinyl sales for last year at about 80 million – using the IMPALA indepdent music companies association’s music emissions calculator, that works out at producing around 156k tonnes of CO2 emissions.
If you compare that to streaming, with Spotify alone – responsible for about a third of the market – its own estimates for its global carbon emissions were 280k tonnes last year, with vast amounts of electricity being used to power its data storage servers.
For Enter Shikari’s Reynolds, the potential to make vinyl greener is exciting.
“It has the same quality, the same appearance, you really wouldn’t notice the difference, which is incredible,” he says. “I think it speaks to, you know, a lot of the time people think that the transition society is about to go through, we think we’re going to lose luxuries… but I think this is just an example of why that’s not the case.
“You know, all it takes is some thought and some adaptation, and then some adoption… it’s super exciting.”
Perhaps now it’s time for the music industry to take note.
Lily Tomlin, Morgan Fairchild and Ben Stiller have led tributes to “one-of-a-kind” actor Dabney Coleman following his death aged 92.
Coleman made his career playing comedic villains, mean-spirited bosses and villains in films including 9 to 5 and Tootsie, as well as playing Commodore Louis Kaestner in Boardwalk Empire.
Lily Tomlin, who starred alongside him in 9 To 5 with Jane Fonda and Dolly Parton, said: “We just loved him.”
In her post to X, the actress shared a photo of her character Violet Newstead dressed in a Snow White costume beside a tense-looking Coleman as her egotistical boss Franklin Hart Jr.
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Morgan Fairchild, who starred in Falcon Crest and Friends, described Coleman as a “great one”.
“So very sorry to hear of the death of the wonderful #DabneyColeman”, she wrote on X alongside a black and white photo of them together.
“We went out for a bit in the ’80s and I adored him. This town has lost one of a kind!”
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Coleman “took his last earthly breath peacefully and exquisitely” in his Santa Monica home on Thursday, his daughter said in a statement on Friday on behalf of the family.
“My father crafted his time here on Earth with a curious mind, a generous heart and a soul on fire with passion, desire and humour that tickled the funny bone of humanity”, she said.
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“As he lived, he moved through this final act of his life with elegance, excellence and mastery.”
Ben Stiller, Zoolander and Meet The Parents actor, praised Coleman for paving the way for character actors.
“The great Dabney Coleman literally created, or defined, really – in a uniquely singular way – an archetype as a character actor.
“He was so good at what he did it’s hard to imagine movies and television of the last 40 years without him.”
Coleman starred in a number of films and TV series in the 1960s, then made his breakthrough as a corrupt mayor in the satirical soap opera Mary Hartman, Mary Hartman, in 1976.
His film credits include a computer scientist in WarGames, Tom Hanks’ father in You’ve Got Mail and a chief firefighter in The Towering Inferno.
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He won a best actor Golden Globe for The Slap Maxwell Story and an Emmy for best supporting actor in Peter Levin’s 1987 legal drama Sworn To Silence.
Coleman also won two Screen Actors Guild Awards as part of the cast of crime drama Boardwalk Empire and received Emmy and Golden Globe nominations for his starring role in the NBC sitcom Buffalo Bill.
Blue Peter’s youngest ever presenter has claimed disgraced entertainer Rolf Harris sexually assaulted her when she was a teenage host of the children’s show.
Yvette Fielding, who joined the long-running BBCprogramme aged 18, told the Sun newspaper how the paedophile predator squeezed and patted her bottom after finding herself alone with him in a TV studio.
The now 55-year-old also recalled an uncomfortable experience with “grotesque” Jimmy Savile, who was later revealed to be one of Britain’s most prolific sex offenders.
Fielding has questioned the role of the BBC in allowing their behaviour, arguing people in the industry “must have known”.
She became a Blue Peter presenter in 1987 and left five years later, going on to host a string of BBC programmes including The Heaven And Earth Show, The General and City Hospital.
Recounting the incident with Harris, she said: “It was very confusing and shocking – just bizarre to think Rolf Harris was squeezing and patting my bottom and I am standing there, thinking ‘I don’t know what to do’.
“Other people in the industry must have known what he was like and you left me alone in the studio with him.
“That shouldn’t have happened. I must have been 18 or 19.
He was also known to be associated with Savile, who managed to conceal his crimes until after his death in 2011.
On her meeting with the late depraved DJ, Fielding told the Sun: “He took my hand and started stroking it. ‘Look into my eyes’, he said, ‘And tell me what you’re thinking’.”
“He was grotesque,” she added.
“I just don’t understand why the BBC allowed him to get away with that for as long as he did.”
Savile worked for much of his career at the BBC presenting programmes including Top Of The Pops and Jim’ll Fix It.