P Diddy: Raids on Sean Combs’s homes were ‘unprecedented ambush’, lawyer says
Police raids on two properties owned by rapper Sean “Diddy” Combs were an “unprecedented ambush” and a “gross use of military-level force”, his lawyer has said.
Combs’s homes in Los Angeles and Miami were searched by Homeland Security Investigations agents on Monday.
The searches were connected to a sex trafficking investigation by federal authorities in New York, US news outlets reported on Tuesday.
In the first statement released on behalf of the rapper and music mogul since Monday’s raids, his lawyer Aaron Dyer said: “Yesterday, there was a gross overuse of military-level force as search warrants were executed at Mr Combs’ residences.
“There is no excuse for the excessive show of force and hostility exhibited by authorities or the way his children and employees were treated.
“Mr Combs was never detained but spoke to and cooperated with authorities.
“Despite media speculation, neither Mr Combs nor any of his family members have been arrested nor has their ability to travel been restricted in any way. This unprecedented ambush – paired with an advanced, coordinated media presence – leads to a premature rush to judgment of Mr Combs and is nothing more than a witch hunt based on meritless accusations made in civil lawsuits.
“There has been no finding of criminal or civil liability with any of these allegations. Mr Combs is innocent and will continue to fight every single day to clear his name.”
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Diddy’s homes raided
Sean Combs’s home in Los Angeles is raided by federal law enforcement.
Sky’s US partner network NBC News understands that several phones were seized from Combs in Miami on Monday before he was scheduled to depart on a trip to the Bahamas.
According to NBC News, three women and a man have been interviewed by federal officials in Manhattan in relation to the sex-trafficking investigation and further allegations of sexual assault, solicitation and distribution of illegal narcotics and firearms.
Representatives for Combs did not immediately respond to NBC News’ request for comment.
The American music mogul, 54, has been the subject of several lawsuits, including for sexual assault, in recent months.
Sean Combs’s Los Angeles home is raided by federal law enforcement.
In February, a music producer filed a lawsuit alleging Combs coerced him to solicit sex workers and pressured him to have sex with them.
Combs’s lawyer said that for those allegations, “we have overwhelming, indisputable proof that his claims are complete lies”.
The rapper’s former protege and girlfriend, R&B singer Cassie, sued him in November alleging she was trafficked, raped, plied with drugs and beaten by Combs over a 10-year period.
The lawsuit said he forced her to have sex with male sex workers while he filmed them. The suit was settled the day after it was filed.
Also in November, Combs was sued by Joie Dickerson-Neal who claimed he drugged and sexually assaulted her when she was a psychology student at Syracuse University in January 1991 and filmed the attack.
But rejecting the claims as “made up and not credible”, a spokesperson for the star branded them “purely a money grab and nothing more”.
Another of Combs’s accusers is a woman who claims he “gang raped” her two decades ago after she was plied with drugs and alcohol when she was 17 years old.
Combs has denied all the allegations.
In a statement in December, he described the claims as “sickening” and said his accusers were “looking for a quick payday”.
“Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth,” he said.
Combs is among the most influential hip-hop producers and executives of the past three decades.
Also known as Puff Daddy and P Diddy, he built one of hip-hop’s biggest empires, blazing a trail with several entities attached to his name.
He is the founder of Bad Boy Records and a three-time Grammy winner who has worked with several top-tier artists including Notorious B.I.G., Mary J Blige, Usher, Lil Kim, Faith Evans and 112.
His latest album, The Love Album – Off the Grid, was released last year days after Combs was honoured at the MTV VMAs. It was nominated for best progressive R&B album at February’s Grammy Awards, which he did not attend.
Video footage has shown the moment singer and actress Ariana Grande was accosted by a fan at a film premiere.
Ms Grande was in Singapore for the debut of Wicked: For Good when the incident unfolded on Thursday.
The video captured the moment the fan scaled the barricade and pushed past photographers towards Ms Grande.
Pic: tacotrvck_vb/X/via REUTERS
He then threw his arms around her, before co-star Cynthia Erivo intervened and security swoops in to stop him.
The man, now identified as Johnson Wen, 26, is reportedly a notorious red carpet crasher.
Wen, who has since been charged with being a public nuisance, goes by the nickname Pyjama Man, and gloated as he shared footage of the intrusion online.
“Dear Ariana Grande, Thank You for letting me Jump on the Yellow Carpet with You,” he wrote on Instagram.
Pic: tacotrvck_vb/X/via REUTERS
In video stories posted to the site beforehand, he was seen at the Universal Studios venue, revealing his intentions.
In one, he said: “I feel like I’m in a dream, that’s my best friend, Ariana Grande, and I’m gonna meet her. I’ve been dreaming about that.”
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The Australian has ambushed several performers on stage, according to reports, including Katy Perry and The Chainsmokers at concerts in Sydney, and The Weeknd in Melbourne.
It has been reported that Wen intends to plead guilty and that he could face a fine of more than £1,000.
Ariana Grande and Cynthia Erivo at the London premiere for Wicked: For Good
Ms Grande took a moment to gather herself in the aftermath of the intrusion, visibly shocked by the incident.
She didn’t address the incident on her own Instagram, but shared some photos with the caption “thank you, Singapore”, adding “we love you”.
The singer battled post-traumatic stress disorder after her 2017 concert in Manchester was bombed, leaving 22 people dead.
She told Vogue in 2018: “It’s hard to talk about because so many people have suffered such severe, tremendous loss. But, yeah, it’s a real thing.
“I know those families and my fans, and everyone there experienced a tremendous amount of it as well. Time is the biggest thing.
“I feel like I shouldn’t even be talking about my own experience – like I shouldn’t even say anything. I don’t think I’ll ever know how to talk about it and not cry.”
In the same interview she also addressed her own anxiety, saying she has “always” had it.
Ms Grande plays Galinda Upland in Wicked: For Good, the character who becomes Glinda the Good Witch. Ms Erivo plays Elphaba, the character who becomes the Wicked Witch of the West.
The film is released in UK cinemas on 21 November.
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
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