Jeff Bridges on The Old Man – and instilling joy on set
Life in between filming the first and second series of The Old Man has been vastly different for Jeff Bridges.
The Oscar-winning actor led the first season of the action thriller at 70, seemingly healthy and ready to take on the world. However, unbeknown to him at the time, he had undiagnosed non-Hodgkin lymphoma and a 9×12 inch tumour in his stomach, which would require intense treatment.
Rather than the often used language of “fighting” the cancer, Bridges described himself as being “in surrender mode” as he not only went through chemotherapy but also contracted COVID-19.
Jeff Bridges returns in The Old Man. Pic: Kurt Iswarienko/FX/Disney+
However, he set himself the goal of walking his daughter down the aisle, which he did in 2021, and has since said his tumour has been reduced to “the size of a marble”.
Now, The Big Lebowski actor has returned to the small screen for the second season of Disney+ show The Old Man, which tells the story of a former CIA operative on the run and also stars Conclave’s John Lithgow and Blink Twice actress Alia Shawkat.
John Lithgow (right) co-stars alongside Bridges. Pic: Kurt Iswarienko/FX/Disney+
Despite a vast career in film, this is Bridges’ first time leading a TV series – a format he saw his father Lloyd Bridges excel in when he was a child.
“With movies, you have a beginning, middle and an end,” he tells Sky News. “You know where you’re going. That’s not the case in the series, it’s exciting.”
The American actor says he makes an effort to instil “joy” and kindness on his sets, crediting his father’s love for the art of acting for why he remains so positive.
“I mean, he taught me all the basics of acting and he, unlike a lot of parents who are in showbiz, wanted all his kids to go into showbusiness. He loved it so much.”
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Bridges has appeared on screen since he was just six months old and would leave school to join his father on the set of his series.
“The way he approached his work with such joy [was admirable] and that was the main thing I learned from him… Whenever he came on the set, that joy was kind of contagious and everybody would say, hey, this is kind of fun, what we’re doing to get to play, dance, pretend here with all these great folks and we can have a good time.”
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Bridges says he was lucky to work with his father a few times as an adult and that the ability to create a relaxing and fun environment that allowed artists to flourish was something he wanted to replicate in his own work.
On set, he meets with every creative taking part in his films and shows, from costume designers to the production team.
“That’s such an important aspect of my work, getting a perspective from their take… all these things start to come together and they have a cumulative effect on how your character comes off, and they’re thinking of it from a completely different point of view.
“That’s very valuable to me, you know, to hear the history, why the person got that particular piece of clothing and what not.”
Season two of The Old Man is available to stream on Disney+ from 6 November.
Indian actor Dhanush says he has been left “completely disturbed” by the re-release of one of his hit films with an alternative ending assisted by AI – but the production company behind it has rejected criticism of the move.
Hindi-language romantic drama Raanjhanaa, called Ambikapathy in its Tamil-language title, has made headlines over its re-release 12 years after first hitting cinemas in 2013.
Eros Media World says the new version, which sees the film’s original ending switched to a happier one, is a “lawful and creative reinterpretation, not a replacement”, and that the change and use of artificial intelligence has been made clear to viewers.
The company says the alternate ending was “crafted under the direction of a human creative team using AI only as an assistive tool – not as an autonomous content generator”.
In a statement sent to Sky News, group chief executive Pradeep Dwivedi said the studio wanted to offer “fresh dimensions for audiences” and never intended “to undermine the original essence” of the film.
However, the AI-assisted re-release has already drawn criticism from the film’s director Aanand L Rai, and now its star Dhanush has released a statement to say the “AI-altered climax” had left him “completely disturbed”.
“This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection,” Dhanush said in a message posted on X. “This is not the film I committed to 12 years ago.”
Dhanush said the use of AI to alter films or other content “is a deeply concerning precedent for both art and artists” that “threatens the integrity of storytelling and the legacy of cinema”.
He added: “I sincerely hope that stricter regulations are put in place to prevent such practices in the future.”
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Eros said Dhanush’s “wonderful performance” in the role of Kundan had brought the character to life “in an unforgettable way”. However, the studio said the actor’s team had been aware of the plans before the re-release and that they had received “no formal objection”.
“While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences – never to undermine the original essence of a film,” Mr Dwivedi said. “The original Raanjhanaa and Ambikapathy remains much loved and widely available, and the IP is fully preserved.”
He added: “Just as storytelling evolves, so too does music – and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul.
“We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts. As one of India’s most storied film studios, Eros remains committed to celebrating Indian cinema, nurturing talent, and embracing technology responsibly.”
Dhanush’s comments come after statements posted by Rai, who has described the re-release as “a betrayal” to the original that has been “dressed up as innovation”.
Writing on Instagram, he said: “This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul.”
Responding to the director’s criticism, Mr Dwivedi reiterated that the re-release is “a respectful creative reinterpretation – clearly labelled and separate from the original version” and said such practices are “common in global cinema, and reflect our long-standing commitment to innovation, audience engagement, and cultural preservation”.
He also highlighted an ongoing legal dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai.
Strikes by video game actors ended in June after starting last year. File pic: AP
The re-release comes as artificial intelligence continues to cause concern among some in the creative industries. In June, video game actors in the US ended a strike after nearly a year of industrial action over the use of AI by game studios – an issue that was also part of the concerns raised by the Hollywood writers’ and actors’ strikes in 2023.
Earlier this year, Oscar-nominated film The Brutalist made headlines for using the technology to “refine” Hungarian accents.
It has also been used for de-aging stars such as Harrison Ford for the latest Indiana Jones film and Tom Hanks in the 2024 picture Here – and for helping to create “the last Beatles record” featuring John Lennon’s vocals, released in 2023.
There is a “good side” to the technology but also a “scary side”, Sir Paul McCartney has said, adding: “We will just have to see where that leads.”
Oasis have said they are “shocked and saddened to hear of the tragic death of a fan” at their Wembley Stadium concert on Saturday.
Together with their bandmates, Liam and Noel Gallagher have offered their “sincere condolences to the family and friends of the person involved”.
Metropolitan Police said officers on duty at the stadium responded, alongside venue medics and the London Ambulance Service, to reports a person had been injured at around 10.20pm.
The statement continued: “A man – aged in his 40s – was found with injuries consistent with a fall. He was sadly pronounced dead at the scene.”
According to media reports, the man fell from the stadium’s upper tier.
A concertgoer on social media said they saw the incident and described it as “horrific”.
Liam and Noel Gallagher on stage at their first reunion gig. Pic: AP
Metropolitan Police said: “The stadium was busy, and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage.
“If you have any information that could help us to confirm what happened, please call 101.”
Oasis performed at the venue as planned on Sunday night, delivering the final concert of a five-night run at Wembley.
Addressing fans at the stadium, singer Liam said: “This one’s for all the people who can’t be here tonight, but who are here if you know what I mean, and aren’t they looking lovely. Live Forever.”
The band then played the track of the same name.
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Oasis support act Richard Ashcroft paid tribute on Instagram, writing: “I was shocked to hear of the death of one of the audience last night sending my love to the family and friends.”
A spokesperson for Wembley Stadium said: “Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers.”
They will then head to Scotland, Ireland, Canada and the United States, before returning to Wembley for two more dates in September.
The reunion tour began at the start of July and marks the Gallagher brothers’ first performances together since Oasis split acrimoniously in 2009.
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