For a specific generation of Koreans, playing the harmonica is a reminder of their youth and their home — whereas not playing the harmonica for decades reminds them of what they left behind to pursue something more.
This includes Donna Lee. Now that she’s 80 years old, Lee can look back on a life growing up in Seoul, where she played the harmonica as a child in music class. She immigrated to the United States, and that led her to Southern California. She found a place in Koreatown, near downtown Los Angeles, where she still lives to this day, and worked at a local hospital for nearly 30 years before retiring.
Retiring left her bored and wanting more. That drew her to the Koreatown Senior and Community Center of Los Angeles. The center offered Lee and many of her compatriots a chance to take classes and enjoy the life they worked so hard to create. Then, in 2023, Lee joined the center’s harmonica class, in which she and her classmates repeatedly practiced “The Star-Spangled Banner.”
“We have a weekly practice that’s one or two hours,” Lee said. “We’ve done it almost every week and have played it so many times I can’t count.”
With Los Angeles having the largest Korean community in the nation, the class was asked to perform at various events throughout the area. In January, the Los Angeles Kings reached out to the KSCC and invited the harmonica class to perform in March as part of the team’s Korean heritage night.
The response they received was so strong that they were invited to perform the national anthem before Game 1 of the Kings’ first-round Western Conference series against the Edmonton Oilers on April 21. Lee and 12 of her classmates donning hanbok — which is traditional Korean clothing — performed the national anthem and immediately went viral in a game the Kings won.
The performance was so popular that it led to the group being invited to perform at Game 2, which not only saw them gain more fans, but the Kings also won to take a 2-0 series lead. Since then? They’ve turned into a sensation that has not only caught the attention of the hockey world and Southern California, but it’s even getting attention in South Korea.
“I could have never imagined that this would happen,” Lee said.
IN THE SPAN of two years, the KSCC’s harmonica class went from only playing the national anthem in a classroom to performing in front of 18,000 fans on heritage night.
That was already the experience of a lifetime. But to receive an invite to perform at a Stanley Cup playoff game? Not only once, but twice? And to have nearly everyone in the building sing with their performance, and have social media go into a frenzy, with fans asking that they return for every home game?
It’s the sort of encounter that goes well beyond hockey, treading into a place that is deeper and more meaningful for Kwan-Il Park, a retired political journalist in South Korea who is now the KSCC’s executive director.
“There hasn’t been that many chances where the Korean community and the mainstream community was able to come together in this way,” Park said through Sandra Choi, who serves as an interpreter and is also a volunteer at the KSCC. “The key point in this is that the harmonica is not an expensive instrument. It’s $15 or $20 and it’s an everyday instrument for everybody.”
Park said the fact that the class was able to perform the national anthem with an instrument that is so universal created a moment that saw them feel immersed in their culture, while also paying homage to a place they’ve now called home for many years.
“We’ve always been perceived to be outsiders, immigrants with cultural barriers and language barriers,” Park said. “You come here, work straight for 30 or 40 years. This time, we were able to stand shoulder-to-shoulder as a Korean American and not just as an immigrant and to perform in front of 20,000 people? I don’t even know what the right word is for that.”
Park said Koreans first began immigrating to the U.S. in 1903, with many coming to cities along the Pacific Ocean. After the Korean War in the 1950s, there would be a second wave that contributed to the current landscape in which nearly 2 million Koreans live in the U.S.
Although Chicago, New York City and Washington D.C. have sizable Korean communities, Los Angeles has the largest, with 17% of all people of Korean descent in America living there, according to the Pew Research Center.
But what makes playing the national anthem on a harmonica so special? It’s because of how the instrument ties a life they once knew with the one they came to build for themselves and future generations.
KSCC chairperson Yong-Sin Shin said a certain generation of children growing up in South Korea were introduced to the harmonica in second grade as part of music class. While those children had a chance to play for a few more years, many of them stopped playing after immigrating to the U.S.
For the group at the KSCC, the harmonica connected them to those times.
Choi said that for many older Koreans, playing the harmonica was a chance for them to relax, which was something that often wasn’t afforded to a group that spent many of their years working to take care of their families.
“We would find a harmonica in my house because my dad had one,” Choi said. “If he plays it, it somehow rings a soul of my childhood as a Korean American. Even though I’m not from Korea, it has kind of a tie to all of us with the tone and the songs that we play on it.”
Shin said the KSCC was founded with the intent that older generations of Koreans could find community while providing them classes to fulfill them in their later years.
At first, the KSCC offered five classes per week. Since then, the center has expanded its offerings to 47 classes every Monday through Friday. Shin said the center attracts nearly 1,500 people per week.
Those classes range from developing skills that can be used in daily life to subjects that are meant as a hobby. For example, the KSCC offers multiple classes for those interested in improving their oral and written skills in English. They also provide beginner- and intermediate-level classes for those who want to learn how to use a smartphone.
Yet the crown jewel of the KSCC curriculum? It might be the 11:10 a.m. Wednesday harmonica class that lasts for 50 minutes.
Shin said the harmonica class started in 2021. The class started off by practicing for weeks at a time before they felt comfortable performing in public. Shin said the class would perform at events such as Mother’s Day, Thanksgiving or Seollal, which is Korean Lunar New Year in February. The profile of the class began to grow when the group was invited to perform at Los Angeles City Hall in 2023.
“Our senior harmonica class performed in front of 100 people and everybody liked it,” Shin said. “So, we continued to perform at our events at the senior center and they got better and better, and we started to get more invitations to play the harmonica.”
THERE’S A POINT that Park, Shin and Choi, even speaking outside of her role as an interpreter, all get across when it comes to the performance of the harmonica class and the popularity it achieved in such a short window.
Nobody saw this coming.
“I have a child in high school, and she even showed me the clip because it was so viral,” Choi said. “She said, ‘Isn’t this where we volunteer?'”
Part of the reason for that surprise can be measured through social media. It’s not easy to find a video of the group’s first performance for the Kings, probably because it was a regular-season game.
Compare that to the playoffs, when the anthem was televised nationally in North America.
Granted, anthem singers are no strangers to attention. But when it’s around a dozen Korean senior citizens performing — with harmonicas? Something that distinctive was bound to attract attention inside and outside the sport.
And it did, resulting in the group being invited back for Game 2, but this time instead of wearing traditional Korean clothing, they were decked out in Kings jerseys — while also having even more expectations now that the masses knew what was coming.
Their performances have led to people posting comments on social media that range from “Oilers comeback bid was cool but you ain’t beating the Kings in the house that the Korean Harmonica Grannies built” to an Oilers fan asking, “Does anyone in the Edmonton Korean Community play Harmonica? We need to fight fire with fire here.”
“We were not nervous,” Lee said of herself and her classmates. “It was my first time going to the arena because of the performance. So many people were surprised, and we just enjoyed the wonderful arena. It was a big place with a lot of people. We thought the performance was good and we just did a lot of preparing and practicing for the national anthem.”
Lee said she had never watched a Kings game but made a point to stay for Game 1 and immediately became a fan. She said there were some members of the class who stayed and others who went home.
But now?
“We’re all L.A. Kings fans now!” she said with a laugh.
Lee and Park said they have heard from family and friends in South Korea about how their performance has made headlines there. This is another detail nobody saw coming, but it adds to the visibility of Korean culture.
The Kings joined the Lakers, Dodgers and Clippers in having a Korean heritage night. Both the Rams and Chargers have also promoted initiatives during Asian American and Pacific Islander (AAPI) Month.
It’s also coming at a time when more Korean food, film, music and television hold a place in the mainstream.
“We have K-pop, K-drama, K-food, K-beauty — and now we have K-seniors,” Lee said.
The Minnesota Twins are on a roll. They extended their winning streak to 11 games Thursday with a 4-0 win over the Baltimore Orioles that completed a series sweep. Their confidence carried over to social media, too, as they trolled the Orioles.
Minnesota used a three-run third inning to propel itself to victory, with home runs from DaShawn Keirsey Jr. and Byron Buxton.
The Twins hold the longest win streak in MLB; its their their longest run of victories since winning 12 straight from April 22 to May 4 last season, according to ESPN Research. The franchise record is 15 set in 1991.
Minnesota poked fun at Baltimore’s namesake with a post after the game, referring to the Orioles also being known as the “O’s” — and swapping a zero in for the O.
Campbell worked out at first before Friday night’s series opener against the Atlanta Braves at Fenway Park, and Red Sox manager Alex Cora addressed the situation when he spoke to reporters before the game.
“Looking for options,” Cora told reporters. “Obviously, we’re getting Romy [Gonzalez] probably at the end of the week, early next week, but just introduce him to first base and see how he looks. That’s where we’re at.”
Casas ruptured the tendon in his left knee while running to first base during a game against the Minnesota Twins earlier this month. His replacement at first, Gonzalez, was placed on the 10-day injured list because of a left quad contusion last week.
One potential replacement, star slugger Rafael Devers, said after Casas went down that he would not be open to moving to first after he went from third base to designated hitter during spring training to make room for Alex Bregman.
Campbell, one of baseball’s top prospects, broke camp with the big league team and has been its primary second baseman through the start of the season. He has also played in the outfield and at shortstop and third base in his career, but never first.
Asked what he would need to see for Campbell to be a realistic option at first for his team, Cora added: “The process started, right? It can take 10 days, 15 days, a month, two months. But we started the process and introduced him to first.”
ARLINGTON, Texas — Houston Astros pitcher Lance McCullers Jr. gave up two unearned runs over four innings against the Texas Rangers on Friday, six nights after the right-hander failed to get out of the first inning in a game that he said was followed by online threats.
McCullers, who is making a comeback after sitting out two full seasons because of injuries, gave up seven runs while getting only one out in Houston’s 13-9 loss last Saturday, then said afterward that he had received online death threats directed at his children. The Astros said Houston police and Major League Baseball security were alerted to the threats.
The 31-year-old right-hander on Friday made only his third start for the Astros since the 2022 World Series. He earned a no-decision.
McCullers needed 83 pitches to get through his four innings and he threw 53 strikes. He struck out two, walked one and gave up four singles.
The only runs against McCullers came when Jonah Heim had a two-run single with two outs in the second inning. That was three batters after shortstop Jeremy Peña was charged with an error when he failed to catch a throw from McCullers, who was trying to get the lead runner at second base after fielding a comebacker.
Jake Burger, whose homer was the only run in the Rangers’ 1-0 win in the series opener Thursday night, then had an infield popout before Heim’s hit into the right-field corner.
Astros manager Joe Espada said before Friday’s game that McCullers mentally was “in a good spot. Physically, he’s fine. He just needs to go out there and just have some confidence and pitch, be aggressive in the zone and we have his back.”
McCullers had surgery in June 2023 to repair his right flexor tendon and remove a bone spur, and was rehabbing last June when he had a setback during a bullpen session that shut him down for the rest of the season. He made four starts in the minor leagues this year before rejoining the Astros rotation on May 4.
“We all have confidence he can do it. He just needs to go out there and do his thing,” Espada said. “It’s going to happen.”
McCullers is 49-33 and 3.53 ERA in 133 games (130 starts) for the Astros since his big league debut with them in 2015.
An All-Star in 2017, McCullers went 10-6 with a 3.86 ERA in 25 games in 2018 before Tommy John surgery. He was 13-5 with a 3.16 ERA in 28 starts in 2021, then signed an $85 million, five-year contract that goes through 2026.