At a time when jukebox musicals dominate London’s West End, some of theatreland’s stars argue the success of original shows is proof “audiences are ready to take a risk”.
From Motown to Michael Jackon, Tina Turner to the Jersey Boys, the past two decades have seen an exponential rise in offerings based around songs most of us will already know the words to.
Back in 1999, the runaway success of staging Mamma Mia! – based on ABBA’s extensive back catalogue – proved to be a game-changer.
It resulted in several investors believing they’d stumbled across a magic formula – the combination of chart hits with nostalgia being an easier sell to a guaranteed audience who like to know what they are getting.
While there’s no escaping their popularity or dominance, they’re not the shows that critics are getting really excited about.
Image: The cast of Operation Mincemeat in action in stage. Pic: Matt Crockett
Two Strangers (Carry A Cake Across New York) is an original offering with brand new music that most people won’t have heard of, yet the millennial rom-com is losing count of the five-star reviews it has picked up within a matter of weeks.
Sam Tutty – who plays Dougal in the two-hander – says writers had to “fight tooth and nail” to bring it into the West End.
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The actor, who previously won an Olivier for playing the lead in Dear Evan Hansen, explained: “To be at the place it is now is because they were allowed a foot in the door somewhere along the way.”
Dujonna Gift stars alongside him as Robin in a story that follows how two twentysomething strangers meet ahead of a wedding.
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Image: Sam Tutty and Dujonna Gift, who star in Two Strangers (Carry A Cake Across New York)
“Fringe theatre is kind of where it’s at right now,” she explains, “and supporting and championing these writers to believe that there is space in the market for their work will do great things.”
Gift, who’s previously starred in Hamilton and Motown: The Musical, says: “As someone who has done jukebox musicals before there’s always a market for that but right now… it’s really important that we create the spaces for these new writers.”
The success of Operation Mincemeat is proof of how word of mouth can get just as many punters through the door as casting a pop star.
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The musical, which is based on the true story of the secret mission that won Britain World War Two, has extended its run eight times to keep up with demand.
While it recently won Best New Musical at the Oliviers, before writing the hit its creators – sketch troupe SpitLip – had come close to quitting theatre for good.
Image: The cast of Operation Mincemeat. Pic: Matt Crockett
“When we first started making theatre you could get grants,” actor and writer Natasha Hodgson tells Sky News.
“It’s just really hard to be a creator without an enormous pot of cash in your bank right now.
“The whole theatre ecosystem is very aware of how difficult it is for theatre makers to get work off the ground, and everyone’s doing everything they can in terms of supporting new work and trying to get commissions over the line, but it is difficult, we have to keep banging the drum of how the arts is in our blood in this country.
“I do think that this show and others like this are proving that actually audiences are ready to take a risk, they’re ready to come and support new stuff.”
While harnessing the power of well-known musical property is more widely considered a safe bet for producers, Two Strangers producer Tim Johanson says it has meant truly original offerings are a harder sell.
Image: Sam Tutty and Dujonna Gift, on stage in Two Strangers, say it is important for new writers to be supported. Pic: Brinkhoff/Moegenburg
“Surprising familiarity is a phrase I’ve heard a lot,” he explains.
“You need to have heard of X, or it’s a stage version of this artist’s work, or it’s this book or film, and all of those can make really great shows.”
But, rather than bring fans of existing musicians into the theatre, Johanson says they appear to be amassing an army of their own.
Image: A scene from Two Strangers (Carry A Cake Across New York). Pic: Brinkhoff/Moegenburg
“People have seen the show 15, 16, 17 times already, they’re the ones who are talking about it online and driving other people to come and see it, driving the millions of music streams that we’re heading towards.”
So, while jukebox musicals might be everywhere, Johanson isn’t too worried.
“Operation Mincemeat, Six, those are the two that blazed the trail and genuinely, in my career, this feels like the best time to write new British musicals.”
Two Strangers (Carry a Cake Across New York) is at the Criterion Theatre until 31 August. Operation Mincemeat is at the Fortune Theatre, London until 16 November.
Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.
The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.
Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.
Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.
He said Diddy later called him from his home and told him, “I’m here waiting for you”.
After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.
He described his pet later becoming “jittery and on edge all the time”.
He also said someone had opened Christmas presents he’d bought for his family.
While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.
Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.
Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.
Combs, 55, has pleaded not guilty.
The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.
Image: Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.
Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.
Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”
Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.
Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.
Image: Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg
During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.
Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.
Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.
Image: Celebrity make-up artist Mylah Morales. Pic: AP
Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.
She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.
The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.
The day also saw Combs’s former assistant George Kaplan complete his testimony.
Image: George Kaplan, former assistant to Combs. Pic: AP
He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.
Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.
He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.
Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.
Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.
The trial is set to last for around six weeks in total and will go into its third week next week.
Irish rock star Bono has called for Israel to be “released from Benjamin Netanyahu and far-right fundamentalists” during an awards ceremony.
The U2 frontman’s comments at the Ivors mark the first time the human rights activist has spoken out in public against the Israeli prime minister since the war in Gaza broke out in October 2023.
Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates summit, also called for Hamas to release its remaining Israeli hostages.
It comes as Western leaders have been criticising Mr Netanyahu and the Israeli authorities over the renewed offensive in the Palestinian territory and the risk of famine due to an 11-week aid blockade, which is slowly easing.
Bono, whose real name is Paul Hewson, said on Thursday evening at London’s Grosvenor House: “Peace creates possibilities in the most intractable situations.
“Lord knows there’s a few of them out there right now. Hamas release the hostages. Stop the war.
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“Israel be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts.
“All of you protect our aid workers, they are the best of us.”
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The group became the first Irish songwriters to be awarded an academy fellowship at the 70th year of the awards.
U2 then performed their song Sunday Bloody Sunday, which references the 1972 Bloody Sunday shootings in Londonderry, where members of the British army’s Parachute Regiment opened fire at civil rights demonstrators.
The group ended the evening with a performance of their 1988 song Angel Of Harlem.
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Netanyahu hits out at Starmer, Macron and Carney
Also on Thursday, Mr Netanyahu said UK Prime Minister Sir Keir Starmer was “on the wrong side of humanity” after he called for an end to the war in Gaza.
In a video he shared on social media, the Israeli prime minister also attacked the leaders of France and Canada for their criticism of Israel’s actions in the conflict.
Mr Netanyahu specifically linked the criticism from the UK, France and Canada to the killings in Washington DCof Israeli embassy workers Yaron Lischinsky and Sarah Lynn Milgrim on Wednesday night.
Just hours later, Kneecap announced on their Instagram account that “we’re back”, adding that they would perform at the 100 Club on Oxford Street, London, on Thursday night.
The post also included a quote by former Sex Pistols vocalist John Lydon, who told ITV’s Good Morning Britain the rap trio “maybe (…) need a bloody good kneecapping” after footage of the band allegedly calling for the deaths of MPs emerged.
Image: Kneecap performing in Belfast last year. Pic: PA
Kneecap apologised to the families of murdered MPs last month, but said footage of the incident at their concert had been “exploited and weaponised”, adding that they “never supported” Hamas or Hezbollah.
The rappers had gigs cancelled after the footage emerged and politicians pushed for Kneecap to be dropped from the Glastonbury Festival line-up, with Tory leader Kemi Badenoch calling for Kneecap to be banned.
The group from Belfast in Northern Ireland is still set to headline Wide Awake Festival in south London on Friday.
In response to O’Hanna being charged, Kneecap said that they “deny this ‘offence’ and will vehemently defend ourselves” and branded it “political policing” in a bid to “silence voices of compassion”.
The charge came after counter-terror police assessed a video said to be from a Kneecap concert.
In the footage, O’Hanna is allegedly displaying a flag in support of Hezbollah at the O2 Forum in Kentish Town, London, on 21 November last year.
Officers from the Met’s Counter Terrorism Command were made aware of a video circulating online on 22 April and an investigation led to the Crown Prosecution Service authorising the charge, the force said.
O’Hanna – who performs under the stage name Mo Chara – is due to appear at Westminster Magistrates’ Court on 18 June.