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A live music venue in Lincoln has apologised to some gig-goers for “unacceptable treatment” after a number of men arriving alone to watch a The Last Dinner Party show flagged “strange” and “condescending” behaviour.

The Engine Shed – which bills itself as Lincolnshire‘s largest live music venue – put out a statement on its official Instagram page to say what happened fell “far short of our venue entry policy, which requires all attendees to be treated equally and be subject to the same entry requirements”.

Ahead of the gig, which had been scheduled for Saturday night, several men posted on social media saying they had been quizzed on their knowledge of the band before they were given entry.

The Last Dinner Party at the Brit Awards 2024
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The Last Dinner Party at the Brit Awards 2024

One fan called Dan wrote on X: “Just arrived at the gig, been funnelled into a dark corner with other men, told I might be a pervert cus I’m alone and then taken into a room alone with a security guard where I was interrogated and searched. Feel sick.”

He said he had also been asked what his favourite Last Dinner Party song was by staff.

A man called Paul wrote on X: “I rocked up there tonight at 8.45 on my own, no queue, I got asked how long I had liked them for, and to name my favourite song.

“I thought it was a bit strange and the first time I’ve ever felt like I’m on mastermind to get into a gig. Now I’ve read this I understand why now.”

The Last Dinner Party At Reading Festival.
Pic: Cover Images/AP
Image:
The Last Dinner Party At Reading Festival.
Pic: Cover Images/AP

He went on: “I just told him, Nothing Matters and said a line of the song and he was fine. It does sound like they were targeting single men, I wonder if there’s been trouble at previous gigs.”

A second man called Kam Zagi wrote on X: “Same here, I queued for 7 hours to get to barrier as I am 4′ 11′, got whisked away, searched, asked condescending questions, didn’t get to barrier…”

Later, commenting on the Engine Shed’s statement, he wrote: “this.is.a.disgrace [sic]. I won’t be attending any rescheduled dates based on the way I was treated last night & I am not alone.”

The Shed Engine said in its statement it had “urgently” carried out a provisional investigation, saying “ad-hoc changes” had been made to its policy due to information “provided to our security team about incidents at a previous The Last Dinner Party gig”.

The venue went on to say the policy was changed “with the right intentions”, but that it “resulted in the unacceptable treatment of some guests”.

It “fully apologised” to anyone affected and said further training would be given to staff on door entry policy as “an urgent measure… to ensure that this cannot happen again”.

The Engine Shed encouraged anyone who felt they had been discriminated against to reach out.

Around half an hour before the Lincoln performance was due to start, the Mercury-nominated band pulled out of the show, “due to a band member unexpectedly falling ill and being unable to perform”.

In another statement, the venue apologised to fans for the “last minute” cancellation, adding, “This decision was not taken lightly as the band and the promoter were hopeful that the member would recover from the illness to be able to perform”.

The band, who are currently touring the UK and Ireland, cancelled a gig in Cardiff which had been due to take place on Sunday, telling fans on social media it was “cancelled due to illness” and they were “truly sorry”.

The Last Dinner Party are next due to perform on Tuesday in Birmingham.

The Last Dinner Party performing at Leeds Festival 2024. Pic: PA
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The Last Dinner Party performing at Leeds Festival 2024. Pic: PA

An indie rock band, The Last Dinner Party are made up by Abigail Morris, Lizzie Mayland, Emily Roberts, Georgia Davies and Aurora Nishevci, and formed in 2020 after meeting at university in London.

Last year they won the Brit rising star award, with their debut album – Prelude To Ecstasy – reaching number one in the UK albums chart when it was released in February.

Sky News has contacted the band for comment.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

Read more:
How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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