Throughout American political history, two capable, qualified, experienced women have run for president on a major-party ticket. Both have lost to Donald Trump, perhaps the most famous misogynist ever to reach the highest office. But in 2024, what was even more alarming than in 2016 was how Trumps campaign seemed to be promoting a version of the country in which men dominate public life, while women are mostly confined to the home, deprived of a voice, and neutralized as a threat to mens status and ambitions.Explore the January 2025 Issue
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This time around, I wasnt hopeful. I didnt let myself entertain any quixotic notions about what having a woman in the most powerful position in the world might mean for our status and sense of self. I simply wished for voters to reject the idea, pushed so fervently by those on Trumps side, that women should be subservient incubators, passively raising the next generation of men who disdain them. This wish did not pan out. Your body, my choice. Forever, the white-supremacist influencer Nick Fuentes, who has dined with Trump at Mar-a-Lago, posted on X on Election Night. Women threatening sex strikes like LMAO as if you have a say, the right-wing troll Jon Miller wrote on the same site.
Read: What can women do now?
For Trump, eliminating the constitutional right to an abortion was apparently only the beginning. Bolstered by that definitive Supreme Court win and flanked by a hateful entourage intent on imposing its archaic vision of gender politics on the nation, the Trump-Vance ticket seemed to outright reject ideas of womens autonomy and equality. Theirs was a campaign of terminally online masculinity, largely designed for men, expressed in brutish terms of violence, strength, and power. Trump insisted, in one late campaign appearance, that he would be a protector of women, whether the women like it or not. The vice presidentelect, J. D. Vance, was revealed to have personal disgust for child-free women, whom he had described as cat ladies and sociopathic. Hed also, on one podcast, affirmed that the entire function of the postmenopausal female was caring for grandchildren. The super PAC founded by Elon Musk, who has shown great enthusiasm for personally inseminating women, released an ad referring to Kamala Harris as a C word. (The ad, which was deleted a few days later, winkingly revealed the C to stand for Communist.) And on X, Musk himself reposted a theory that a Republic of high status males is best for decision making. The former Fox News host Tucker Carlson excitedly compared Trumps return to office to a strict father coming home to give his wayward daughter a vigorous spanking.
None of this is new, necessarily. But as of this writing, men ages 18 to 29 have swung a staggering 15 points to the right since 2020, according to an Associated Press survey of registered voters. A few years ago, researchers at Penn State found that peoples alignment with the ideals of hegemonic masculinitythe celebration of male dominance in society and of stereotypically masculine traitspredicted their support for Trump in the 2016 and 2020 elections. Since then, our cultural environment has been flooded with ever more avatars of dopey machismo: steroid-ingesting, crypto-shilling, energy-drink-chugging bros; YouTubers and podcast hosts and misogynist influencers, all profiting wildly from the juvenile attention economy. The language that the Trump-Vance campaign used was intended to resonate with this audience, even if it sounded asinine to everyone else. (Tampon Tim, the right-wing social-media nickname given to Tim Walz for approving a measure that supplies period products to Minnesota public-school students, is an insult only if youre 8 years old or terrified of womens bodies.)
From the January/February 2024 issue: Four more years of unchecked misogyny
But the philosophy of the people soon to be in power isnt informed just by emotionally stunted Twitch streamers and playground bullies. Peter Thiel, the entrepreneur and conservative power broker who did more than anyone to further Vances post-law career and helped fund his bid for Senate, wrote in a 2009 essay that women getting the vote had doomed capitalist democracy. Trumps ally and former aide John McEntee posted on X in October: Sorry we want MALE only voting. The 19th might have to go. For all the attention-getting antics of Trumps extremely online contingent, his brain trust consists mainly of very wealthy, very powerful men who think womens rights have simply gone too far. Forget the hope for a female president, or the fury at the fact that a charming, hardworking, genuinely inspirational candidate like Harris couldnt break through all the accreted layers of American prejudice. What is going to happen to women now?
Not all Trump voters embrace misogyny. And preliminary exit polling shows that a sizable minority of American women voted for him this time; in an economy thats getting more precarious for every successive generation, both men and women may have been swayed by the promise of prosperity. Still, the teased enforcement of outdated gender roles has clearly connected with young men in particular. Among voters ages 18 to 29, the gender gap was striking: about 16 points, according to the AP.
The Trump-Vance administration cant obligate women to go back to the 1960s, though. It cant force women out of the workforce. And it cant mandate that women be subservient to men, sexually, romantically, or professionally. One has to wonder, then, what will become of the men who have been reared on Andrew Tate TikToks and violent gonzo porn devoted to womens sexual degradation. The gender divide is about to grow into a chasm.The old terms we use to describe sexism in politics arent sufficient to deal with this onslaught of hatred.
In the U.S., 63 percent of men under 30 are currently single, compared with 34 percent of women in the same age group, according to the Pew Research Center. This suggests that women arent the only ones who may ultimately suffer from this coming rupture in American life. So, too, will the men who have been trained to see women as disgusting, untamable, fundamentally inferior to them.
Good on Paper: Are young men really becoming more sexist?
For all Vance and Musk purport to worry about birth rates, Id argue that they have done more to dissuade women from having children than almost anyone else, by enabling the radicalization and isolation of Gen Z men. For thousands of years, marriage was a necessity for womena means of financial security and social acceptance. This isnt true anymore. Many women simply arent willing or remotely motivated to attach themselves to men who denigrate them, or to stay in abusive marriages for the sake of their children, as Vance once seemed to suggest that they should.
In my own circle of friends, I see women living contentedly alone rather than settling for men who dont respect them. I see intelligent, kind, high-achieving friends thriving in their community, spending their own money, appreciating culture, taking care of their own needs and taking care of one another. Within hours of the election result becoming clear, Google searches went up sharply for South Koreas feminist protest movement 4Ba social philosophy that advocates for women not to date, marry, have sex with, or have children with men. (South Korea currently has the lowest fertility rate of any country in the world.)
Anna Louie Sussman: The real reason South Koreans arent having babies
American conservatism has long fetishized motherhood in a way that made it proximate to powermothers are lionized and even encouraged to seek political office, as long as its understood that theyre doing so on behalf of others. Sarah Palin, the first female vice-presidential candidate on a Republican ticket, tried to defang her own ambition by suggesting that she was just a hockey mom who got involved. But the kind of motherhood now being promoted on the right is much more passive,and powerless. Its the kind modeled by the former Supreme Court clerk Usha Vance, who stands by silently while her husband weakly brushes off his racist fans attacks on his family. Its also exemplified by the tradwives of TikTok and Instagram, who cater to the male gaze with their doe-eyed; paisley-smock-wearing; Kinder, Kirche, Kche performances of submissive domesticity.
The gender dynamics of this moment cannot be a surprise to anyone. Since his arrival in politics, in 2015, Trump has made his thoughts on women abundantly clear. Hes propagated the idea that those of us who dont flatter or agree with him are not just difficult but nasty, using the language of disgust to make women seem contaminated and morally reprehensible. He has shamed women for the way they look, for aging, for having opinions. (Those of us who have public personas online have experienced this sort of treatment too, and have seen it snowball with his encouragement.) None of this is in any way negated by his decision to make a woman his chief of staff, or to nominate women for key positions.
Even before Harris officially became the nominee in 2024, Trumps allies were attacking her in sexualized terms, subliminally linking female power to the so-called threat of unfettered female sexuality. Early in July, Alec Lacethe host of a podcast dedicated to fatherhood, if you can believe itreferred to Harris on the Fox Business channel as the original Hawk Tuah girl, a reference to a viral clip about oral sex. In August, Trump circulated a post on his social-media platform, Truth Social, that insinuated that Harris had performed sexual favors to establish her career in politics. In September, Semafor reported that a shadowy conservative network had been paying influencers to promote sexualized smears of Harris. In October, a billboard in Ohio briefly drew consternation for displaying a mocked-up image of Harris on her hands and knees, about to engage in a sex act. (It was paid for by a towing company.)
The old analytical terms we use to describe sexism in politics arent sufficient to deal with this onslaught of repugnant hatred. Michelle Obama was right, in her closing argument of the 2024 campaign, to note that Harris had faced an astonishing double standard: Both the media and Americans more broadly had picked apart her arguments, bearing, and policy details while skating over Trumps erratic behavior; his obvious mental decline; his history as a convicted felon, a known slumlord, a predator found liable for sexual abuse. She also captured the stakes of the election when she said that voters were fundamentally making a choice in 2024 about our value as women in this world. On that front, the people have spoken. But women dont have to play along.
All his life, Trump has ruined people who get close to him. He wont ruin women, but he will absolutely destroy a generation of men who take his vile messaging to heart. And, to some extent, the damage has already been done.
This article appears in the January 2025 print edition with the headline The Gender War Is Here.
Festival season is under way, and leading the charge: the Isle of Wight Festival – dubbed “Europe’s Woodstock” – with headliners including Sting and the Stereophonics.
Former N-Sync star Justin Timberlake – a man who’s crooned about his love of “dance, dance, dance” and has recently become a meme for his mic-centric moves on stage – is a headliner too.
Image: Justin Timberlake – and his trusty mic stand. Pic: Reuters
Meanwhile, Glastonbury Festival will see headline acts including Olivia Rodrigo, the 1975, and Charli XCX.
But along with the headline stars and hot weather, politics has also found its way into the spotlight.
Youth culture and political expression have long been part of the festival experience, with Vietnam, nuclear disarmament, Brexit and the Russian invasion of Ukraine all attracting attention over the decades.
This year, with geopolitics seemingly at a boiling point, the Israel-Hamas war has had far-reaching implications. As the Israel-Iran war follows in its wake, the conflict has prompted strong opinions on both sides.
Irish-language rap trio Kneecap‘s upcoming Glastonbury Festival set has become a flashpoint for robust debate, drawing protests from those calling for their set to be cancelled, as well as those championing their right to speak out.
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The root of the contention? Kneecap band member Liam O’Hanna, 27, was charged with a terror offence earlier this year, accused of displaying a flag in support of Hezbollah, a proscribed organisation in the UK, at a gig last year.
Image: Kneecap’s Liam Og O hAnnaidh leaves Westminster Magistrates’ Court in London. Pic: PA
Hezbollah was proscribed in its entirety in 2019 because the government classed it as a terrorist organisation and said its attacks on Israel were “attempts to destabilise the fragile situation in the Middle East”.
On Saturday, Prime Minister Sir Keir Starmer said he did not think Kneecap’s planned Glastonbury Festival performance was “appropriate” and Conservative Party leader Kemi Badenoch said she thought the BBC “should not be showing” the band’s performance at the festival next weekend.
Image: Glastonbury Festival at Worthy Farm, Somerset. Pic: PA
Although “removed” from playing at Scottish music festival TRNSMT next month due to “safety concerns”, Kneecap have remained on the Glastonbury bill, prompting the question: Is the stage a place for political opinion?
‘If we think we’re separate from world events, we’re kidding ourselves’
Faithless star Sister Bliss, who performed at the first of the re-instated Isle of Wight Festivals and is performing again this year, tells Sky News: “If we think that we’re separate from world events, we’re absolutely kidding ourselves. Our lives are tied intrinsically to everybody else’s on the planet.
“You can have certain people that express that in a way that is perhaps a tad crass, but I love that lyrically – especially on our records, in songs that we’ve made over the last 30 years – I feel that you can combine the personal and political in a way that’s not tub-thumping or simplistic. These issues are very nuanced that are going on in the world right now.”
Image: Sister Bliss of Faithless. Pic: Callum Baker
Speaking to Sky News at the Isle of Wight Festival, Clean Bandit star Grace Chatto says artists are right to use the stage to amplify their voice.
“It is such a great place for political speech, like when Jeremy Corbyn spoke at Glastonbury – it was the most attended thing of the whole event, and it just brought such a feeling of unity and hope in that field on that day”.
The 39-year-old cellist adds: “Then recently, Kneecap and Massive Attack have just been so important, I think, and amazing.”
Earlier this month, Massive Attack, who have previously been critical of Israel, included footage of Hamas leader Yahya Sinwar and his family as part of a video montage at one of their concerts.
Image: (R-L) Grace Chatto and Jack Patterson of Clean Bandit. Pic: @photosbychloeh
‘I’ve got loads of friends who are absolute idiots politically’
Fresh from the Isle of Wight Main Stage, Mae Mullertells Sky News: “With what’s happening in Gaza, I know that’s been a very prominent theme with people saying, ‘Should we speak out about it or not?’ But that’s not political, it’s a human rights issue.
“It’s important for us to use our voice, because not everybody can. If we feel strongly about something, and we can stand behind it, I think [the stage is] definitely a place to do it.”
Image: Mae Muller. Pic: Sarah Louise Bennett
Muller, who represented the UK at last year’s Eurovision Song Competition – which became a highly politicised event despite the attempts of the organisers to keep it from the stage – continues: “Art is inherently political, and you can’t really escape it. And we shouldn’t want to escape it. It can be two things at once. [Politics] and fun can coexist.“
Meanwhile, Razorlight front-man Johnny Borrell, ahead of his Main Stage performance, tells Sky News: “Why not say what you believe in? Why does everyone get so precious?
“You can disagree with people. I’ve got loads of friends who are absolute idiots politically – they think the earth is flat. I like them as people, but I completely disagree with them in politics”.
Image: Johnny Borrell. Pic: Sarah Louise Bennett
Borrell adds: “We don’t have a problem with disagreeing, but if everyone’s tapping away [mimes typing on a phone] and they’re like, ‘No, I’m really angry, I’m going to tap back,’ that’s a different thing. That’s what’s changed recently.”
A ‘disruptor’ festival, showing the world that anything is possible’
Regardless of the polarised times, Isle of Wight Festival promoter John Giddings, 72, says the Isle of Wight Festival experience should be a break from activism rather than a call to arms.
The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told Sky News: “We’re purely about music and entertainment, and we are to switch off from politics for three or four days. We’re in the business of entertaining people, not preaching to people. And I don’t understand why people attempt to. That’s a different forum.”
Image: Isle of Wight Festival promotor, John Giddings. Pic: PA
Giddings, who relaunched the iconic festival after it was outlawed by authorities in 1970, fearing the crowds and rowdy behaviour could detract from the island, may be keen to avoid political controversy, but he’s keen to break the mould in other areas.
Following a long line of stars before him, including Bob Dylon, Jimi Hendrix and Joni Mitchell, singer Emmanuel Kelly has become the first physically differently-abled artist to perform on the Isle of Wight Festival’s Main Stage.
The 31-year-old former X Factor star, who supported Coldplay on their Music Of The Spheres tour last year, says as far as accessibility is concerned, the Isle of Wight Festival is a trailblazer.
Image: Emmanuel Kelly. Pic: James Millington Photography
Kelly tells Sky News: “Somebody that’s different is on the stage and is able to show the world that anything’s possible.”
Echoing the festival’s early rebel roots, he credits it with being a “disruptor”, adding, “They make the extra effort to teach the others around the world to make the extra effort as well… It’s important and it’s happening and I’m excited for it.”
In response to Sir Keir’s call for Kneecap to be removed from the line up at Glastonbury next weekend, and whether the performance would be available on any BBC platforms if it goes ahead, a BBC spokesperson said: “As the broadcast partner, the BBC will be bringing audiences extensive music coverage from Glastonbury, with artists booked by the festival organisers.
“Whilst the BBC doesn’t ban artists, our plans will ensure that our programming will meet our editorial guidelines. Decisions about our output will be made in the lead up to the festival.”
The Isle of Wight Festival runs until Sunday 22 June, with the Glastonbury Festival kicking off on 25 June.
A new archaeological find proves that ritual cleansing was a component of religious practice at an ancient sanctuary in northern Israel in the time of the kingdom of Israel. The sanctuary was equipped with a unique bathhouse, thought to have been used by the priests for ritual bathing. There, the diggers discovered two spaces — one room with yellow plaster, which had a dressing area, and another with walls of blue plaster and a basin — that offer a rare glimpse into how water was used in rituals of sacred purification. The discovery adds new depth to understanding Near Eastern religious practices linked to city-based deity worship.
Ancient Tel Dan Sanctuary Reveals Ritual Bathing Traditions Linked to Mysterious Deity Worship
According to a report published in Levant by Dr. Levana Tsfania-Zias, the sanctuary included a modest two-part bathing unit—featuring a yellow-plastered dressing room and a blue-plastered basin—suggesting ritual use by the priestly class. Unlike full-immersion baths, and because it is not heated, the basin’s size means worshippers might have washed themselves while standing, with cold spring water that flows into the Jordan from outlets nearby.
The first temple, constructed on a Middle Bronze Age rampart, had a tripartite plan of porch, cella, and adyton. A limestone fragment with inscriptions in both Greek and Aramaic, discovered in 1976, names an obscure deity and was almost certainly invoked in the central sanctuary of Dan. Scholars believe the deity’s identity remains uncertain due to the regional naming customs of ancient Near Eastern cities.
Following the destruction of the first temple by the Seleucids, a new temple was erected in its place, which preserved the bathing. After a 2-century gap, the site re-emerged in the Middle–Late Roman period for new purposes. Pilgrims were cleansed in a Fountain House, using primitive clay vessels that were likely smashed after use — a process mirrored in biblical texts describing ritual purity.
As so much of the sanctuary at Tel Dan remains in question, the scholars emphasised the significance of the site for the region. Dr. Tsfania-Zias believes the site would have been an attraction for both locals and visitors, something reinforced by imported ceramics and multilingual inscriptions that hint at a wider spiritual attraction. Deeper excavations could yet reveal what other deity or practices characterised this sacred spot in ancient times.
Singapore is tightening its grip on crypto misconduct. Under new rules, unlicensed promotions or shady practices could lead to steep fines or prison time.