Let’s talk about sex (on screen) – and why it’s getting so much better

Published

3 years ago

June 9, 2021

admin

Punch-ups, car chases, window leaps – for years, film and TV sets have employed stunt co-ordinators to oversee potentially dangerous scenes to make sure everyone involved is safe and feels comfortable.

So why is this such a relatively new thing for sex and intimacy?

While filming these sequences may not leave stars physically hurt, from Sharon Stone in Basic Instinct to Maria Schneider in Last Tango In Paris, there are well-publicised stories of the emotional scars some famous scenes have left on their stars. And earlier in 2021, Keira Knightley said she would no longer shoot intimate scenes for films or shows directed by a man and that she is not interested in “scenes where you’re all greased up and everybody is grunting”.

Following her leading actress win at the BAFTA TV Awards, for her portrayal of rape victim Arabella in the groundbreaking I May Destroy You, it was the unsung role of intimacy co-ordinator that Michaela Coel praised in her speech. For a show exploring issues of consent, Ita O’Brien’s presence on set, Coel said, was “essential”.

The role of intimacy co-ordinator has really come to the fore as a result of the Harvey Weinstein scandal in 2017 and the subsequent #MeToo movement, with directors and producers now paying a lot more attention to the way scenes of a sexual nature are shot and handled. And the issue has been highlighted again in recent weeks following allegations of misconduct made against actor and director Noel Clarke – which he “vehemently denies”.

“It seems crazy now that we’ve had stunt co-ordinators overseeing fights but we didn’t have a co-ordinator overseeing scenes that have intimacy, where people are just as likely to be mentally injured as physically if they’re not handled correctly,” intimacy co-ordinator Vanessa Coffey tells Sky News.

Her job is to speak to producers and directors about what they’re looking for, and actors about what they’re comfortable doing, and make sure everyone on set has an understanding of what is needed. Because, she says, “if you have the power to hire or fire somebody, you might not be getting a real answer from them as to whether or not they are happy… a lot of actors are worried that they’ll lose a job if they say no”.

Coffey has worked on series including Wolfe, War Of The Worlds, and I Hate Suzie, the comedy starring Billie Piper that was also up for several BAFTAs alongside I May Destroy You. One episode of the series is almost entirely focused on Piper’s character masturbating; with the wrong person in charge, it could have been incredibly uncomfortable to film.

Piper, she says, was “a wonderful person to work with because she comes with a lot of her own thoughts and ideas”, and they were all able to “have a bit of a laugh between takes, which certainly eases tension”.

Sex on screen in 2021

From Bridgerton and Adult Material to It’s A Sin and Normal People, there has been a lot of sex on screen in the past year or so. And it’s in no small part down to intimacy co-ordinators that we’re seeing less of the “male gaze” and porn-style sex, and it’s becoming more realistic.

“I do think it is changing,” says Coffey, of portrayals of sex on screen. “Because [intimacy co-ordinators] just work on intimate scenes… we start to really have an eye to how to craft these moments and think about what position will tell a particular story as well. Whereas, if you’ve just left actors to it in the past, to ‘go for it’, you end up seeing a little bit maybe inside the actors’ personal lives rather than, ‘what is the story of the characters we’re telling in this moment?'”

Coffey, who previously worked as a lawyer before training to be an actor, has been in the role officially since 2018, but was also working unofficially before that after being asked to look over a nudity rider – a contract between an actor and the production they are hired by that defines what will happen on set when filming nude – for a colleague.

She is now one of about 20 intimacy co-ordinators in the UK, but numbers look set to rise; following Coel’s speech, Time’s Up UK, a charity set up following the Weinstein scandal, has called for the creation of an independent standards authority, and for intimacy co-ordinators to become mandatory on film and TV sets.

The importance of intimacy co-ordinators

So why is the role so vital? BECTU (the broadcasting, entertainment, communications and theatre union) says there is a higher risk of bullying, emotional manipulation and sexual harassment on set in scenes with intimacy, and someone co-ordinating the scenes can help prevent this.

“We’ve seen some really powerful examples historically,” says Coffey, of scenes that have affected actors long after release. “One of the classics to talk about is Last Tango In Paris, the [Bernardo] Bertolucci film.

“Obviously that was in the ’70s, so we’re talking about well before the concept of intimacy co-ordinators was ever considered. But you had a performer in that [Schneider] who says afterwards that she felt raped, having done a scene where she didn’t consent to a lubricant being used. She didn’t know that that was what was going to be happening within the scene with the other performer.”

In an interview that resurfaced in 2016, Bertolucci admitted to conspiring with actor Marlon Brando to add butter without Schneider’s consent, saying: “I wanted her to react humiliated.” Schneider struggled with drug addiction and depression following the film. She died from cancer in 2011, aged 58.

In March, Sharon Stone’s memoir detailed the background of her famous “missing underwear” scene from 1992’s Basic Instinct; in an extract published in Vanity Fair, she claimed she was misled while filming.

“That was how I saw my vagina-shot for the first time, long after I’d been told, ‘We can’t see anything – I just need you to remove your panties, as the white is reflecting the light, so we know you have panties on’,” she said. In the end, Stone said, she agreed to the scene being used “because it was correct for the film and for the character”.

A representative for Basic Instinct director Paul Verhoeven said he did not want to comment on Stone’s claims.

There are, Coffey says, “some fairly extreme examples out there of people’s boundaries having been quite severely crossed – not just pushed, but absolutely crossed”.

She continues: “People walking away from productions talking about the awkwardness of something that happened… as well as having been on the receiving end of something that might go as far as being called assault.

“I speak to actors all the time who, even in very recent times, have come away from productions feeling that either they or that somebody on the production hadn’t done the right thing and that boundaries had inadvertently been crossed.”

And it is not just women, but men as well. “A lot of the men I’ve spoken to have been so worried about the boundaries they might inadvertently have crossed, too, not having had a really open conversation with, say, a female performer, for example.”

Where can actors and others in the industry go for help and advice?

In 2019, Directors UK issued guidelines for directing nudity and simulated sex in British television and film for the first time. In 2020, BECTU created a specific branch for intimacy co-ordinators. And there is also Time’s Up UK.

Following the allegations made against Clarke, there have been calls for more to be done. In a recent interview with Sky News ahead of the BAFTAs, Time’s Up UK chief executive Dame Heather Rabbatts said the charity had made progress since it was set up in January 2018, but there is always more that can be done.

“I think when we see allegations of any kind in the media about things that have gone on before in our industry, we do sit back and think, ‘how can we make this different going forward’, or ‘what have we already got in place that we’re not using?'” says Coffey.

“Within the [Directors UK] guidance, it says that you should never have to do a naked audition, for example. If you need to see what somebody’s body looks like, at most you should ask them to wear a bikini or trunks, and have a chaperone present. So there are safety precautions that we have in place that I think are worth highlighting.”

As the problems in the industry have come under the spotlight in recent months and years, a lot has been said about power dynamics on film and TV sets.

But it’s not power that’s the problem, says Coffey, it’s about how that authority is used. And that’s where an intimacy co-ordinator can help.

“To me, power is not a bad thing,” she says. “We have power dynamics on set and we have them for a reason and they’re there to keep people safe – it’s the abuse of power that’s a problem.”

Entertainment

Line Of Duty actor Brian McCardie dies aged 59

Published

12 hours ago

April 30, 2024

admin

Line Of Duty actor Brian McCardie dies aged 59

Line Of Duty actor Brian McCardie has died “suddenly at home” at the age of 59, his family has confirmed.

Best known for playing mafia boss John Thomas ‘Tommy’ Hunter in the TV crime drama, the Scottish star had also recently joined the cast of Outlander prequel, Blood Of My Blood.

His sister confirmed his death on X, writing: “It is with great sadness that we announce the passing of Brian James McCardie, beloved son, brother, uncle and dear friend to so many.

“Brian passed away suddenly at home on Sunday 28th April. A wonderful and passionate actor on stage and screen, Brian loved his work and touched many lives, and is gone much too soon.

“We love him and will miss him greatly; please remember Brian in your thoughts.”

She said funeral arrangements would be announced in the days ahead.

No cause of death was given.

McCardie’s agent, United Agents, paid tribute on social media, writing: “We are shocked and so deeply saddened by the tragic news of Brian McCardie’s sudden death.

“He was an actor of such great talent who we were lucky to represent, and our thoughts are very much with his family and friends at this difficult time.”

A statement from Line Of Duty producers Jed Mercurio and Simon Heath and the team behind the hit show, said: “We are deeply saddened to hear of Brian McCardie’s death.

“We feel honoured to have worked with Brian on Line Of Duty. Brian was an incredibly talented actor, and the lasting impact he had as Tommy Hunter is testament to the power of his performance.

“Off screen, Brian couldn’t have been more different from the character he played – he was warm, funny and charming. Our thoughts are with his loved ones at this difficult time.”

With a career stretching over three decades, McCardie had appeared in numerous TV shows over the years – but it was his role in Line Of Duty for which he was best known.

Tommy Hunter, a criminal boss turned police informant, was one of the show’s original characters, who met a violent end early on in series two.

But Hunter went on to be mentioned in both series three and series five, and was a key player in the nail-biting police corruption whodunnit.

McCardie, who grew up Carluke, near Glasgow, appeared in an episode of Outlander, playing Sir Marcus MacRannoch, before being cast as the chief of Clan Grant in the forthcoming Outlander prequel.

The show, which centres around the lives of Outlander character Jamie Fraser’s parents, is currently filming in Scotland, according to Starz network.

In Rob Roy, McCardie starred as Alasdair MacGregor, the brother of the title character, who was played by Northern Ireland actor Liam Neeson.

His other film parts include the 2013 adaption of Irvine Welsh novel Filth, which starred James McAvoy, and 2003 period drama Mr Barrington.

McCardie also had roles in 2019 Netflix series The Last Czars, along with prison drama Time in 2021, opposite Sean Bean, and Irvine Welsh’s TV series Crime in the same year.

He also appeared in Sky Atlantic’s Domina, set in Ancient Rome, where he played Roman statesman Cicero.

Entertainment

Chris Packham ‘not drinking any more Heineken’ after thousands of apple trees felled

Published

12 hours ago

April 30, 2024

admin

Chris Packham 'not drinking any more Heineken' after thousands of apple trees felled

A leading wildlife broadcaster has said he will not be drinking “any more” Heineken after the company felled thousands of trees in one of its orchards.

Chris Packham said the decision to cut the trees on land in Monmouthshire near the border between England and Wales was a “tragic waste of a fabulous resource”.

The BBC reported thousands of apple trees had been cut on 300 acres of land at Penrhos Farm.

The company, which owns Bulmer’s, says it plans to sell the land due to a lack of demand for cider and a surplus of apples.

But Chris Packham, best known for presenting series such as Springwatch, told Sky News that the decision to fell the trees was “immoral”.

“In a biodiversity crisis, I would say it’s bordering on unethical and certainly immoral because resources like that ought to be passed on to people who can use them to enrich wildlife and human life,” he said.

Mr Packham added that he was currently teetotal and had been drinking one of Heineken’s alcohol-free products.

“I’m not drinking any more of it, because I just think we want companies in our lives that are looking after our planet and our future and our children’s future,” he said.

“They had an opportunity to do that and they’ve just squandered it, I just think it’s really short-sighted.”

The benefits of orchards, according to the Woodland Trust, include the fact fruit trees age quickly which creates deadwood habitats.

‘Disgraceful’

Fellow broadcaster Iolo Williams is calling for a boycott of the company after the “disgraceful” felling.

“I think that with these big companies, the only way [can make our voice heard] is to boycott them, hit them in the pocket,” he told Sky News.

“Because I do think, I genuinely think, it’s tragic what they’ve done when we could have helped to tackle the biodiversity crisis, the climate emergency, physical and mental health issues.

“All of these could have been helped just by them saying ‘Listen, we’re not going to use it again, why don’t we give it over to the local community?'”

Charles Watson, chair of River Action UK said the catchment of the River Wye needed “every tree and plant available” if its decline had “any chance of being reversed”.

“It is hugely disappointing to see Heineken destroy such a huge volume of natural biomass,” he said.

“Yet again the environment is being sacrificed for corporate profit.”

‘Huge surplus of apples’

A Heineken spokesperson said the company made clear its intention to sell Penrhos Farm, one of two apple farms it owns, in November last year.

“Over a number of years, the cider market has slowed and the yield of apples per acre has increased leading to a huge surplus of apples,” they said.

The spokesperson added that the apples have “no other use than creating cider”.

“In order to make best use of the land to grow other crops, the bush orchards had to be removed,” they said.

“All the wood is shredded for biomass and the bushes were removed in line with The Wildlife Act.”

The company says it “firmly” remains a cider, beer and pub company and sources all of its apples from around 6,000 acres of orchards in and around Herefordshire.

Entertainment

Gerard Depardieu: French actor to face trial over sexual assault allegations

Published

12 hours ago

April 30, 2024

admin

Gerard Depardieu: French actor to face trial over sexual assault allegations

Gerard Depardieu will face a criminal trial later this year over the alleged sexual assaults of two women on a movie set in 2021, French prosecutors say.

French media had reported that the 75-year-old actor – who has denied any wrongdoing – had been questioned by police in Paris on Monday.

Depardieu’s lawyer Christian Saint-Palais later declined to comment to reporters other than to say that the actor was no longer in custody.

The Paris public prosecutor’s office said in a statement that the actor has been “summoned to appear before the criminal court” after the questioning.

It said the trial will start in October “for sexual assaults likely to have been committed in September 2021” against “two victims, on the set of the film The Green Shutters”.

In February, the French actor faced a complaint of sexual assault from a female movie decorator alleging he groped her during filming in 2021, kneading her waist, stomach, and breasts during filming for the movie Les Volets Verts, a title that translates to The Green Shutters in English.

Meanwhile, last year, a French site published claims from 13 other women who worked with Depardieu and said they had experienced inappropriate advances, groping and gestures.

Depardieu was handed preliminary rape and sexual assault charges in 2020 following allegations from actress Charlotte Arnould.

In that case, the investigating judge completed his investigation on 17 April and transferred the file to the Paris public prosecutor’s office “to review and determine next steps in the proceeding,” according to the prosecutor’s office.

In October last year, Depardieu wrote an open letter to Le Figaro – one of France’s best-known publications – to deny the claims of rape and sexual assault made against him.

In it, he said he had “never, ever abused a woman” and that “hurting a woman would be like kicking my own mother in the stomach”.

He has previously denied all the claims against him through a lawyer.

A global ambassador for French film, Depardieu is among France‘s most famous stars, known for films such as Cyrano de Bergerac and Jean de Florette – as well as the Hollywood hits Green Card and The Man In The Iron Mask.

He has appeared in 200 films over six decades and is among a few French actors who have made a name for themselves in Hollywood.

This latest episode involving Depardieu comes as French cinema is rocked by a belated #MeToo awakening, following the 2017 global movement.

In February, French actress Judith Godreche made an impassioned speech during the Cesar Awards – which is France’s version of the Oscars – for the French film industry to “face the truth” on sexual violence and physical abuse.