When England beat Ukraine 4-0 in their Euro 2020 quarter-final, it wasn’t just the goals, the images of manager Gareth Southgate and the praise for the players that were sweeping the internet.
Footage of Atomic Kitten’s Natasha Hamilton and Liz McClarnon performing the fan-made reworking of their 2001 hit Whole Again – now a declaration of love for the England boss/new national treasure – at Croydon’s Boxpark was also going viral, too.
While football fans refashioning pop songs into terrace chants is nothing new, this one has taken on a life of its own. In July 2021, you are probably never more than eight minutes away from hearing that football’s coming home, again.
Following the Croydon gig, phone calls were quickly made and bandmate Jenny Frost was brought back to re-record the song, which at the time of writing is currently sitting at number five in the Apple Music chart (Three Lions is number four, Vindaloo six and World In Motion just outside the top 10 at number 11).
They’ve done the obligatory England flag photo-shoot and belted out the “football’s coming home again” line to seemingly every news outlet in the country (including this one, because it’s impossible to interview Atomic Kitten now without asking them to go a cappella).
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The adoption of Whole Again, the platinum-selling chart-topper that propelled the girl band to fame, actually first did the rounds during the World Cup in 2018, to a lesser extent; in 2021 it is now the unofficial soundtrack to England’s first final in an international men’s football tournament since they won it that time in 1966. Atomic Kitten are now a part of English football history. There are even rumours they will be performing at Wembley on the day itself. Keep your Nessun Dorma, Italy; we’re gonna sing about Gareth Southgate turning us on!
So, Atomic Kitten are coming home again. But is football? “Hell, yes!” says Hamilton, speaking to Sky News on Zoom. She’s joined by McClarnon, who affirms for the record that football is “definitely coming home on Sunday”. McClarnon is also on Zoom, but from a different location. Both are in car passenger seats; they’re even working during their travel time. Have they had much chance to sleep?
“It’s been absolutely chaotic,” says Hamilton. “It’s been brilliant, though. I think we did a 20-hour day the other day, so that was quite intense. We’ve been getting sleep but our working schedule has taken us right back, like, 20 years. [It’s] really intense but this is a special moment in time and this time next week it won’t be here. So we’re just making the most of it now.”
“We’re amazed by it,” says McClarnon. “Honestly… we wanted to be a part of it and we had loads of messages to say, ‘please release it, please release it’, after the Box Park video went viral, and we were just like, oh, okay… we’re all a bit shocked. We just thought we’d release it and a couple of people would buy it and it would be nice to do. It’s just a bit mad.”
Clearly, the fans have taken the song to their hearts, but Hamilton and McClarnon aren’t sure what the reaction is from the England camp. “I mean, they’ve probably heard it but I think they’re focusing on other things,” says McClarnon. “They might have something more important on their minds. I don’t know what that would be.”
Whole Again is a ballad, a song about pining for someone after a break-up. But now it has become Football’s Coming Home again, and an ode to the man in charge. “Looking back on when we first met, I cannot escape and I cannot forget,” fans now sing. “Southgate you’re the one, you still turn me on, football’s coming home again.”
This is the man who took England to the semi-finals of the World Cup in 2018, for the first time since Italia ’90, and inspired a soar in sales of waistcoats. Now he has gone one step further and is, according to a viral Twitter thread, the “ultimate middle-aged crush”.
Has Atomic Kitten’s love song struck an unlikely chord with football fans because we’re all longing for Gareth? “I don’t think there was much thought into the origins of the song,” says Hamilton. “I think it was more the fact that it was a really catchy song and it was such a successful song 20 years ago. It was number one for four weeks. It increased its sales every week over the four weeks, it was number one in 19 countries worldwide. You know, it’s a huge song. So it’s kind of in people’s minds. You only…”
“I didn’t think it would be in football fans’ minds, though,” McClarnon chimes in.
“No, but you only have to hear it once to know the melody,” says Hamilton. “It’s got that very catchy, simple melody. And it just kind of makes it the perfect song to chant along to… it just so happens that everyone’s saying that Southgate turns them on now.”
“We’re just pretending not to hear that bit every time we sing it,” laughs McClarnon.
Whole Again is undeniably a brilliant ear-worm of a pop song. According to the Official Charts, it ranks among the UK’s bestselling singles of all time with 1.03 million pure sales (CD and downloads) – making it the UK’s fourth best-selling girl band single ever behind Spice Girls’ Wannabe, 2 Become 1 and All Saints’ Never Ever.
“You know what?” says Hamilton. “I feel really proud that there is a girl band song that has crossed over to the football crowds. It’s usually really bloke-ish, most songs are male sang. So, yeah, I feel like we’re making history.”
They may be making history, but this isn’t Atomic Kitten’s first foray into the world of football. Searches on photo agency archives throw up pictures of the girls singing on the pitch at the Division 1 play-off final between Birmingham City and Norwich City in 2002, and meeting then England manager Sven-Goran Eriksson earlier that year. Coincidentally, they also performed the official England song in the 2001 Ricky Tomlinson film Mike Bassett: England manager.
“We were talking about this the other day,” says McClarnon. “I found a picture online of us and I was like, ‘that’s when we met Sven’. And you know what, we all have different memories of different things and some of us have blanked things out – not on purpose, just because there’s not much space to remember half the things that happened. And I think…”
“Why did we meet Sven?” asks Hamilton, quizzically. By the looks of things, he didn’t make much of an impact. (Sorry, Sven).
McClarnon tells her it was an “advertising thing” for a mobile phone provider. “Oh. I vaguely remember it, but…”
Maybe Southgate would be more memorable? “Yeah, he would now,” says McClarnon. “He’s the nation’s hero.”
Perhaps they can serenade him at Wembley on Sunday?
“We don’t know what we’re doing on Sunday yet, there’s a lot of conversations,” is all Hamilton will say. “Lots of offers to sing in lots of different places.”
Before they go, I ask for the obligatory sing-along, although Zoom doesn’t work too well for harmonising. “We attempted it on Zoom a while ago and it was completely out of time so I will let Tash sing the top line,” says McClarnon, before Hamilton gives the camera the famous line, followed by a cheer.
They may have sung it before, but this is the first time from a car, so an exclusive, of sorts.
Finally, before they go, their message to Southgate and the England team.
“Our message so far is that you’ve done us proud already,” says McClarnon. “Just want one little step more. But we are so grateful and proud already.”
“Super grateful, super proud,” says Hamilton. “And we’re behind you all the way.”
Football’s Coming Home Again, by Atomic Kitten, is out now
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
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Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
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The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November