‘He’s a walking, talking Wikipedia’: How Tom Hiddleston helped Richard E Grant play Loki
A few days after delighting fans with behind-the-scenes pictures of his costume for Loki, Richard E Grant is sitting in front of me on a video call to tell me all about his cameo role – although this time there are sadly no green tights or “baggy, yellow Y-fronts”, as he puts it, in sight.
But first, it’s the day after the Euro 2020 final when we speak, and there’s only one thing anyone is talking about. “Heartbreaking,” says the actor, of England losing to Italy on penalties.
Grant, a West Ham fan, reflects on the cruel nature of spot kicks deciding the outcome. He thinks there must be a better way. “I would rather they played three more hours than resort to penalties,” he says. “What do you feel?”
Grant plays Classic Loki in Marvel’s Loki series, starring Tom Hiddleston. Pic: Marvel Studios/Disney+
Unfailingly friendly and polite, Richard E Grant likes to ask his own questions back. Whether it’s football, favourite Marvel characters (Spider-Man) or the government’s handling of the COVID-19 pandemic (not impressed), the answer is usually followed by a variation of: “And what about you?”
We’re here to talk about Loki, the six-part TV series spin-off featuring the mercurial God of Mischief Loki, played by Tom Hiddleston, with the character stepping out of his brother Thor’s shadow following the events of Avengers: Endgame.
Grant’s character is an older variant of Hiddleston’s Loki. Pic: Marvel Studios/ Disney+
Grant’s debut as Classic Loki, an older Loki variant, came in the penultimate episode of the series, which aired earlier in July. With so many Marvel films and spin-offs, did the British actor have to do much homework before signing up?
“Well, the advantage is that Tom Hiddleston is literally a walking, talking Wikipedia, Loki-centric guru, fundi, whatever you call it, of all things Loki and Norse legends,” says Grant. “So when in doubt, if there was anything that I was curious about or didn’t know about, you just ask Tom and he could explain everything with enormous eloquence and passion and detail.
“And even though he’s played this role for over a decade, his commitment to it is absolutely off the chart. I’ve never, never come across anything like it. There’s certainly nothing exhausted about him or thinking, ‘oh I’m going to phone this in, I’m doing Loki again’. He is as enthusiastic and passionate about doing it as he was the first time he ever played the part.”
Grant says because of his “long face and V-shaped hairline” similar to Loki’s, he and Hiddleston had joked about him playing his father in the past.
“Not that you see it once I’m in the helmet and the headgear,” he says of his hair. “But every time I’d seen Tom socially down the last decade, we’d joked about playing father and son in something. So the fact that I ended up being an old, classic version of Loki to his Loki seemed serendipitous at some level. I was glad that’s how it worked out.”
One thing he was disappointed with was Classic Loki’s lack of muscles; Grant had been hoping to be transformed into a hulking superhero. “I was absolutely gutted that I didn’t have all the muscles that the [comic book artist] Jack Kirby drawings of Classi Loki had, and I absolutely assumed that… I would have a full Marvel muscle suit to step into, having been born without any.
The series follows Loki after the events of Avengers: Endgame. Pic: Marvel Studios/Disney+
“And the costume designer and the director, Kate Herron, said, no, no, no, you’re just going to be as you are. And I said, but look, how can I possibly fight when I’m like an old string bean? And they said, no, no, don’t worry about that. So I had to in my head say, well, old, withered Loki is going to be trying to fight off all forces of evil. But I would love to have had the muscles.”
In June, the series made headlines when it was revealed that Loki is bisexual and gender-fluid, something of a first for Marvel. “From the moment I joined @LokiOfficial it was very important to me, and my goal, to acknowledge Loki was bisexual,” director Kate Herron tweeted at the time. “It is a part of who he is and who I am too. I know this is a small step but I’m happy, and heart is so full, to say that this is now Canon in #mcu #Loki.”
Grant says it was an important step. “I think that because there are so many Loki variants and at this particular moment in the zeitgeist of where we’re living, people feeling disenfranchised or marginalised being included and seen and acknowledged is something that is so… profoundly in all humans that I’ve ever come across, that Loki being gender-fluid, it fits the moment in which we’re living, if that makes sense.
“I think that anything that promotes tolerance, inclusivity, is something that is hugely worth championing and celebrating.”
The actor says he was struck by Loki not just being God of Mischief, but of outcasts, too. “I think that that keyed me into the loneliness of somebody that’s… as much as you’d like to think you could live forever and the fantasy that we would live eternally, the reality is that you would be very lonely, and the need for human connection is so strong in us that that’s… [Loki] longs to see a family member and as a result is caught by the TVA (Time Variance Authority), in the story, so I completely identify with that.”
Grant was nominated for an Oscar in 2019, for his role in Can You Ever Forgive Me?
Grant’s appearance in the Marvel series comes off the back of something of a late blooming for his acting career, with a role in Star Wars: The Rise Of Skywalker in 2019 and his first Oscar nomination coming earlier that year, for his supporting role in Can You Ever Forgive Me? alongside Melissa McCarthy, after more than 30 years in showbiz. (None of this topped meeting his hero Barbra Streisand, though). Later this year, the 64-year-old will be seen playing drag queen Loco Chanelle in the film version of the award-winning musical, Everybody’s Talking About Jamie.
Grant, whose character in Can You Ever Forgive Me? was also gay, is aware of the current debate about whether straight actors should play gay roles, and says it is an issue he has discussed. “I’d just come off an award season for… God, what’s it called, the film with Melissa McCarthy that I did, called…” Just that film he was Oscar nominated for. “Can You Forgive Me? Yeah. In which there had been this ongoing conversation at that point two years ago about whether heterosexual actors could play… whether you were denying gay actors the opportunity to do that.
“So it was a thing that I brought up with [Everybody’s Talking About Jamie director] Jonathan Butterell time and again, and he said, I have chosen you, as a gay director and co-writer of the story, to play this part and you have to trust me that all of us are behind you doing this. So I thought, well, if they if they’re determined to do that, I’m not going to miss this opportunity to do it. And it was a very, very challenging and entertaining thing to do and I had an amazing team of people that helped me do all of it.”
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Grant goes on to compare his Loco Chanelle costume with his Classic Loki ensemble. “What nobody tells you is that when you are in full drag, you can’t go to the loo at all for about 12 hours, so you drink a tiny amount through a straw. Whereas on Loki at least those sort of baggy, yellow Y fronts could be removed fairly fast, with a couple of snaps underneath.”
And if Grant were able to take on the powers of God of Mischief in real life, what would he get up to?
“I think the first thing I would have done is, as we are an island, and when COVID was announced in March last year, I think that I would have closed the airports and the ports – just for starters – like Australia and Japan and Taiwan and all the other islands, New Zealand,” he says. “I think that would have been my first thing.”
It’s fair to say he’s not a fan of the way the pandemic has been handled then? “I think that’s very fair to say. What do you think?” I think closing the borders and trying to handle the pandemic better sounds like a very sensible use of his powers, but not very mischievous.
“Yes,” Grant replies. “But if I had to say who the mischief was going to be landed upon, I would be in political deep water instantaneously!”
Loki is out now on Disney+
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
Entertainment
BAFTA Games Awards: Astro Bot tops leaderboard – with psychological horror close behind
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Astro Bot. Pic: Team Asobi
Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Read more: See full list of winners
Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Thank Goodness You’re Here! Pic: Coal Supper/Panic Inc
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
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