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Volcon has made history as the first US-built off-road electric fat tire motorcycle. Now the company is making bank too, in the form of an IPO on the Nasdaq under the symbol VLCN.

Volcon Powersports launched seemingly out of nowhere in late 2020, claiming it could build a fancy, funny-looking yet reasonably priced fat tire electric motorcycle named the Volcon Grunt. And they even said they’d do it locally in Texas.

While the naysayers claimed we were looking at vaporware, Volcon actually delivered in less than a year. The first Volcon Grunt fat tire electric motorcycles began shipping last month, less than 11 months after the company unveiled the concept.

Now just a few weeks later Volcon is already going public on the Nasdaq, raising a pile of cash to grow operations.

The company’s IPO priced shares at $5.50, with the value of the in-demand shares jumping to $9.01 at opening on Wednesday.

Pricing fluctuated throughout the day, at one point reaching as high as $15.50. Ultimately trading closed with VLCN priced at $10.86, marking a 97% increase.

Many electric vehicle stocks have proven volatile, and IPOs also traditionally exhibit large swings. But electric two-wheeler companies heading for the Nasdaq has become a popular move, with other major players such as Gogoro planning their own IPOs soon.

What sets Volcon apart largely comes down to two factors: US-based assembly and broader electric powersports ambitions.

The company’s Texas-based assembly lines are now in full-swing after commencing Grunt shipments. The $7,995 electric motorcycle saw a price increase as well as slight spec downgrades, but still offers 40 mph (64 km/h) off-roading adventures for a much lower price than most other electric motorcycles.

But the Grunt is far from the only vehicle that Volcon plans to produce. The Grunt has a little brother coming in the form of the Volcon Runt, a pint-sized version of the Grunt designed for kids and young teenagers.

For older kids (i.e. adults), Volcon has two UTVs in the works, the two-seater Stag and the four-seater Beast.

The Volcon Stag claims a top speed of 70 mph (112 mph), a range of 150 miles (240 km), and a maximum power of 225 horsepower (168 kW).

The larger Beast increases the speed to a claimed maximum of 80 mph (129 km/h), maintains the same range of 150 miles (240 km), but increases the power to 450 hp (336 kW).

The UTVs certainly look impressive and their claimed specs don’t disappoint either. But we’ll hold our judgment until we see actual models on the road and not just computer renderings.

Four-wheeled UTVs are certainly more complicated than two-wheeled electric motorcycles to design and produce, but the off-road nature of the vehicles gives Volcon a leg up.

Regulations are much more lax when vehicles aren’t intended for on-road homologation. Powersports are also one of those pay-to-play industries where the fun doesn’t come cheap. That means customers are accustomed to paying top dollar for gas UTVs, and high-priced electric versions may not seem overly expensive in comparison.

Companies like Polaris are also working on their own electric UTVs, though the cost has yet to be announced.

Volcon stated in late 2020 that it expects to retail the Stag for $14,995 and the Beast for $24,995, though the Grunt was also expected to cost just $5,995 back then, before recently increasing to $7,995. So take those nearly year-old price estimates with a grain of salt.

But with Volcon now flush with cash from their current IPO, those electric UTVs may be closer than we think.


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Glastonbury: Coldplay joined by surprise guests for history-making fifth headline set

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Glastonbury: Coldplay joined by surprise guests for history-making fifth headline set

Coldplay have become the first act in history to headline Glastonbury five times – playing a record-breaking set to a huge, sparkling audience for whom it felt like coming home.

Thousands in the crowd will no doubt have seen them at least once here before, but no matter – they have their detractors, but you cannot argue with the fact Chris Martin’s band can put on a headline performance worthy of Worthy Farm.

Glastonbury founder Michael Eavis was among the special guests watching stage-side as they performed to a crowd stretching way back into the night, and they were also joined by stars and musicians including rapper Little Simz on stage.

Theirs was a celebration not just of their own significant achievements, as one of the most successful British bands in recent history, but of Glastonbury festival and the talent it has supported throughout the decades.

Coldplay. Pic: PA
Image:
Pic: PA

But the biggest surprise came from Hollywood legend Michael J Fox, who appeared on guitar for the rousingly emotional Fix You as the penultimate track. It’s a song and a performance even the hardest hearts could not fail to be moved by.

Backstage, Tom Cruise was among the fans watching as fireworks lit the sky.

Michael J. Fox in Back To The Future
Pic: Universal Pictures/Kobal/Shutterstock
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Michael J Fox in Back To The Future. Pic: Universal Pictures/Kobal/Shutterstock

Michael J. Fox and Tracy Pollan attend the Time Magazine 100 gala in April.
Pic: Reuters
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Michael J Fox and his wife Tracy Pollan in April. Pic: Reuters

Having handed out their traditional Coldplay LED wristbands before the set was under way, this was a gorgeous light show and epic sing-along of audience participation as the band performed hits starting with Yellow, where it all began, and continued through their extensive back-catalogue.

More on Coldplay

“I look around and I just see amazing, wonderful people from all over the place and that’s what makes Glastonbury the greatest city on Earth,” Martin told the crowd, in a set featuring songs including Higher Power, Clocks, Viva La Vida, The Scientist and My Universe, which the band recorded with K-pop boy band BTS, with lyrics sung in both English and Korean.

The crowd at Coldplay's headline set at Glastonbury Festival. Pic: PA
Image:
Pic: PA

Earlier in the day, Kasabian had been worst-kept secret of the festival with their surprise set, which led the Woodsies area to be closed off as the crowd grew in anticipation.

And at the Other Stage, The Streets’ Mike Skinner entertained fans with a crowd-surfing set – with Friday night headliner Dua Lipa spotted in the crowd, making good on her promise to enjoy the festival for the full weekend as a punter, as well as one of its biggest stars.

But Saturday night belonged to Coldplay. This was their first Pyramid Stage headline appearance since 2016 and their fifth in total, meaning they now overtake The Cure, who have headlined four times.

Coldplay. Pic: PA
Image:
Pic: PA

When the band was announced by festival organisers earlier this year, the news was met with the same criticism the band have faced for years: the music is dull, the choice of headliner uninspired, jokes about Martin turning up everywhere here, etc etc.

Similar will no doubt have been tweeted out during their set. The answer is simple, though: those who don’t like them, don’t have to watch them.

Read more:
Kneecap draw ‘headline-worthy’ crowd against the odds
How politics accompanies the music of Glastonbury

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There’s plenty else going on at Glastonbury to keep people entertained, whether you’re here soaking it all up in person, or following on TV at home.

The size of the Coldplay crowd says it all – they put on an epic show, and this is why they were chosen to headline Glastonbury once again.

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Glastonbury: Controversial Irish-language rappers draw ‘headline-worthy’ crowd against the odds

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Glastonbury: Controversial Irish-language rappers draw 'headline-worthy' crowd against the odds

In a morning timeslot when most respectable Glastonbury-goers would usually be in bed, Irish-language rappers Kneecap drew what stage organisers described as a headline-worthy crowd to the area.

The trio have built a name for themselves with a balance of socially conscious lyrics and satire but have really come to the fore in recent months after taking legal action over a UK government decision to block funding they had been granted by the British Phonographic Industry (BPI).

Often described as controversial, there is no doubt they are unafraid to say what they think – but argue they are simply speaking up for the deprived areas of Northern Ireland, in a language which is “often ignored”.

Kneecap fans during the Electric Picnic Festival in 2022. File pic: PA
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Kneecap fans during the Electric Picnic Festival in 2022. File pic: PA


Plus, there is a lot of tongue firmly in cheek here.

Three friends from Belfast, Kneecap are Mo Chara (Liam Óg Ó hAnnaidh), Móglaí Bap (Naoise Ó Cairealláin) and DJ Próvaí (JJ Ó Dochartaigh, a former teacher who still wears a balaclava initially put in place to disguise himself from his students).

One of their most famous tracks, Get Your Brits Out, has been criticised for being anti-British – but the trio say this is the biggest misconception about the band. And clearly, as it blasts out from a tent in the English countryside, it is loved by the Glastonbury crowd.

Kneecap fans at one of their concerts in 2022. File pic: PA
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Kneecap fans at one of their concerts in 2022. File pic: PA

“This is a thing that people love to spin, like we’re some anti-British band,” says Mo Chara, speaking to Sky News following their successful set. “We have English family. We have loads of good friends who call themselves British. It’s the British government we don’t like.”

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They come from a “serious” area of the world where there has been “drama, a lot of violence”, he says.

“I think we’re the first generation… because we came after the ceasefire or just before it, around that time – ceasefire babies, as people like to call us – […] we’re able to joke about these things that were once traumatising for people in our community.

“But every side of the community can take a joke and we don’t give people enough credit, that people know how to have a laugh.”

“I think being offended is subjective,” says Móglaí Bap. “We’re having a good time, a bit of craic. There’s a lot of fun with it and all these jokes, humour, it’s all in context, and you can take it out of context and get offended. But I think genuinely, we meet people from all walks of life and they enjoy it.”

Read more:
Glastonbury’s greatest secret sets of all time
How politics accompanies the music of Glastonbury

Dua Lipa at Glastonbury: A masterclass from a proper pop star

Unsurprisingly, the trio have locked horns with quite a few politicians.

At the minute, they are embroiled in a legal battle with the British government over the blocking of £15,000 in funding from the Music Export Growth Scheme, which aims to help UK music groups market themselves abroad.

It’s a “slippery slope” and sets a “bad precedent”, says Móglaí Bap, to only give funding to artists that “align with them… that doesn’t make any sense”.

They are all taxpayers, he adds, and therefore have “every right” to funding that is available to British artists.

A government spokesperson says they are unable to comment due to this being an election period, but the Department for Business and Trade’s decision at the time was that Kneecap’s Republican views made them ineligible.

Rich Peppiatt, Michael Fassbender and Kneecap attend the UK premiere of Kneecap, the opening film of the Sundance London Film Festival. Pic: PA
Image:
Rich Peppiatt, Michael Fassbender and Kneecap attend the UK premiere of Kneecap, the opening film of the Sundance London Film Festival. Pic: PA

While they await the outcome of the legal case, the rappers are busy performing following the release of their second album, Fine Art, earlier this month, and are also looking forward to their big-screen debut.

The band members play themselves in a biopic about their rise to prominence, set in post-Troubles Belfast, also starring Irish actor Michael Fassbender. The film has been shown at festivals including Tribeca in New York, and the band say the reaction has been “crazy”.

Which all means it looks like the fanbase will expand even more when the film is released in the summer.

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So while some politicians may fail to see the funny side of Kneecap, there are plenty of young people in Belfast, Glastonbury and beyond who clearly enjoy their irreverence.

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Dua Lipa at Glastonbury: A masterclass from a proper pop star

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Dua Lipa at Glastonbury: A masterclass from a proper pop star

Dua Lipa has set the bar high for this year’s Glastonbury headliners, performing a slick set of hits to an enormous crowd at the festival’s famous Pyramid Stage.

The 28-year-old star told fans she had manifested the moment, but watching her command the stage – hit after hit played, voice soaring, dance moves effortless – it seems her talent was always going to bring her here.

Starting with Training Season, from her latest album Radical Optimism, Lipa kept the energy levels high throughout for tracks including Be The One, Levitating, Hallucinate, One Kiss, Physical, New Rules and Don’t Start Now.

As is Glastonbury tradition, fireworks lit the sky, during and after the set, while several costume changes also added to the sense of occasion – which the singer described as “the maddest night of my life”.

Dua Lipa. Pic: AP
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Pic: AP

Telling the crowd about manifesting the experience, she also hinted she would be staying on at the festival to enjoy the rest of the weekend (although probably not in a tent, I’m guessing).

“I have written this moment down. I’ve wished for it, I’ve dreamt, I’ve worked so hard in the hopes that maybe one day I’ll get to do it and I can’t believe I’m here,” she said.

“You know when I wrote it down, I was very specific, I said I really wanted to headline the Pyramid stage on a Friday night because then I knew I could party for the next two days in the best place on Earth.

More on Dua Lipa

“I’m so grateful, little me would just be beside herself right now.”

Read more: Full line-up for Glastonbury 2024 – with space for surprises

Dua Lipa: PA
Image:
Pic: PA

Lipa’s performance included Cold Heart, her Sir Elton John collaboration, which saw her greeting delighted fans at the front of the crowd, who had no doubt been there for hours beforehand to save the spot.

She followed another Glastonbury tradition by bringing out a surprise guest – Kevin Parker from Tame Impala, to perform The Less I Know The Better from his band’s 2015 album, Currents – and teased Barbie’s Dance The Night during one of her several costume changes.

The star also showed awareness of the festival audience, with 90s rave imagery on screens and confetti cannons blasting rainbows.

It’s something some big acts can get wrong – to go down in Glastonbury headlining history, it needs to be more than just an extra tour show.

Dua Lipa. Pic: PA
Image:
Pic: PA

At times, however, the set was so slick, it felt more geared to the TV audience than to the crowd – a couple of songs saw Lipa performing to the camera, back to the audience, for good chunks of time – but when the choreography is this good, it’s captivating to watch wherever you are. It’s a small complaint.

Festival organiser Emily Eavis had said beforehand that Lipa was “born” to headline.

By the time the star had closed the set with Houdini, she had proved her absolutely right.

Read more on Sky News:
Brian Cox reunites with D:Ream
Meet Glastonbury’s State Of The Ground Guy
Glastonbury ‘likely taking break in 2026’

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If Lipa is indeed staying on to enjoy the weekend, she’ll get to see for herself the huge array of brilliant acts on offer.

But as headline sets go, hers will be a hard act to beat – a masterclass from a world-class, proper pop star.

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