The biggest night in gaming – the closest thing the industry has to its own Oscars ceremony – is almost upon us.
Live from Los Angeles in just a few days, The Game Awards will honour the best the medium had to offer this year, honouring everything from the biggest blockbusters to the smallest independent debuts.
Gaming reporter Martin Kimber and technology reporter Tom Acres are here with their tips for some of the most competitive categories – and you can keep scrolling for the full list of nominees.
Best game
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Horizon Forbidden West Stray Xenoblade Chronicles 3
Martin’s pick: Horizon Forbidden West
It’s very difficult to pull off a successful sequel, but Guerrilla Games has done just that. You’ll struggle to find a prettier game with a bigger, more expansive map. It offers excellent replayability and thus value for money, it is addictive, and did I mention it’s pretty? Plus, robot dinosaurs! What’s not to like?!
Tom’s pick: Stray
Quite the debut from French indie studio BlueTwelve Studio. This surprisingly moving dystopian adventure painted a bleak yet hopeful picture of the fragility of life, and how it endures. Not content with nuanced commentary on capitalism and its impact on the planet, you also play as a very cute cat. And there’s a meow button!
Advertisement
Image: ‘Robot dinosaurs’ made their return in Guerilla’s sequel. Pic: Sony
Image: Stray features inarguably the cutest main character of the year
Best narrative
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Horizon Forbidden West Immortality
Martin’s pick: Horizon Forbidden West
In the first Horizon, it felt like the developers came up with the concept of robot dinosaurs and built the whole game around that idea. However, this sequel boasts a much more fleshed out story, captivating even the players who just want to take on a mechanised velociraptor with a bow and arrow.
Tom’s pick: God Of War Ragnarok
God Of War’s reinvention four years ago was a triumph, plucking the vengeful protagonist Kratos out of his Greek comfort zone and into Norse mythology – with a son, no less. The stranger in a strange land setup was inherently less novel this time, but his metamorphosis from one of gaming’s most two-dimensional meatheads into a touching and relatable depiction of fatherhood goes from strength to strength, with quite the emotional pay-off.
Image: Horizon Forbidden West was one of the best looking games of the year. Pic: Sony
Image: Kratos meets all manner of great characters on his latest journey, including Ratatoskr the squirrel
Best art direction
Elden Ring God Of War Ragnarok Horizon Forbidden West Scorn Stray
Martin’s pick: God Of War Ragnarok
I played this recently with some friends, who genuinely couldn’t tell the difference between the cinematics and the gameplay. If you basically want a playable, violent Pixar film, this is the game for you.
Tom’s pick: Elden Ring
FromSoftware’s games have always boasted tremendous art direction, and each have brought its dark, fantasy tendencies to bigger audiences. Elden Ring was a collaboration with Game Of Thrones creator George RR Martin, showcased by the sheer scope and detail of its world. There’s an almost impossible-to-imagine level of variety, with every corner you turn invariably offering something new. Best art or not, it’s definitely got the most.
Image: God Of War Ragnarok boasts some typically enormous creatures
Image: The scope and variety of Elden Ring’s world is unmatched. Pic: Bandai Namco
Best family game
Kirby And The Forgotten Land LEGO Star Wars: The Skywalker Saga Mario + Rabbids Sparks Of Hope Nintendo Switch Sports Splatoon 3
Martin’s pick: Lego Star Wars: The Skywalker Saga
If I could give this game all of the above awards, I would. It’s been so long since they released one of these, I was worried they’d mess with the perfect recipe – but they didn’t. Collectible characters, stud multipliers and hilarious cinematics all make a return. A must-play for every family member (and Star Wars nerd).
Tom’s pick: Nintendo Switch Sports
I didn’t realise how much I missed the thrill of family competition in Wii Sports until its spiritual successor arrived on Nintendo’s Switch console. As was the case with the original, your mileage with each sport will vary and tennis and bowling remain by far the best, but each is boosted by far more precise motion controls and online multiplayer.
Image: LEGO Star Wars lets you play through all nine main films. Pic: Warner Bros Interactive Entertainment
Image: Bowling was one of the highlights of Nintendo’s return to sports games. Pic: Nintendo
Best multiplayer game
Call Of Duty: Modern Warfare II MultiVersus Overwatch 2 Splatoon 3 Teenage Mutant Ninja Turtles: Shredder’s Revenge
Martin’s pick: Call Of Duty: Modern Warfare II
Boy, this game is hard. It’s so bloomin’ hard. I haven’t died this much in a game since… well, ever. But the new multiplayer maps are well-designed, the gun play is satisfying and balanced, and it’s fast. Infinity Ward has had a long time to perfect the FPS formula, and they’ve done just that.
Tom’s pick: Splatoon 3
Infinity Ward may have perfected the FPS formula, but Nintendo has a monopoly on futuristic paintball. Splatoon 3 was very much more of the same, with an emphasis on the more. While the fast-paced matches and tight controls were familiar to anyone who played prior instalments, a bolstered selection of maps, modes, and weapons made it a worthy entry in a series which remains unlike anything else almost six years after it debuted.
Image: Call Of Duty: Modern Warfare II was the biggest launch in franchise history
Image: Splatoon 3 offered more of the same – but it was all good. Pic: Nintendo
Best game direction
Elden Ring God of War Ragnarok Horizon Forbidden West Immortality Stray
Best score and music
A Plague Tale: Requiem Elden Ring God Of War Ragnarok Metal: Hellsinger Xenoblade Chronicles 3
Best audio design
Call Of Duty: Modern Warfare II Elden Ring God Of War Ragnarok Gran Turismo 7 Horizon Forbidden West
Best performance
Ashly Burch, Horizon Forbidden West Charlotte McBurney, A Plague Tale: Requiem Christopher Judge, God Of War Ragnarok Manon Gage, Immortality Sunny Suljic, God Of War Ragnarok
Games for impact
A Memoir Blue As Dusk Falls Citizen Sleeper Endling – Extinction is Forever Hindsight I Was a Teenage Exocolonist
Best ongoing game
Apex Legends Destiny 2 Final Fantasy XIV Fortnite Genshin Impact
Best indie game
Cult Of The Lamb Neon White Sifu Stray Tunic
Best debut indie
Neon White Norco Stray Tunic Vampire Survivors
Best community support
Apex Legends Destiny 2 Final Fantasy XIV Fortnite No Man’s Sky
Best mobile game
Apex Legends Diablo Immortal Genshin Impact Marvel Snap Tower Of Fantasy
Best VR/AR game
After The Fall Among Us Bonelab Moss: Book II Red Matter 2
Best action game
Bayonetta 3 Call Of Duty: Modern Warfare II Neon White Sifu Teenage Mutant Ninja Turtles: Shredder’s Revenge
Best action/adventure game
A Plague Tale: Requiem God Of War Ragnarok Horizon Forbidden West Stray Tunic
Best role-playing game
Elden Ring Live A Live Pokemon Legends: Arceus Triangle Strategy Xenoblade Chronicles 3
Best fighting game
DNF Duel Arc JoJo’s Bizarre Adventure The King Of Fighters XV MultiVersus Sifu
Best sim/strategy game
Dune: Spice Wars Mario + Rabbids Sparks Of Hope Total War: Warhammer III Two Point Campus Victoria 3
Best sports/racing game
F1 22 FIFA 23 NBA 2K23 Gran Turismo 7 OlliOlli World
The Game Awards takes place on 9 December at 12.30am UK time.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
More on The Who
Related Topics:
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
Please use Chrome browser for a more accessible video player
1:59
Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”