The nominees for this year’s Academy Awards, which take place on 12 March, have now been revealed.
Everything Everywhere All At Once leads the Oscars2023 race with 11 nominations, while blockbusters including the Top Gun and Avatar sequels are also nominated, and Ana de Armas, Colin Farrell, Bill Nighy and Cate Blanchett are among the acting nominees.
You can read our full story on the stars and movies leading the pack here – and scroll down for the full list of which actors and what films are up for each prize.
ACTOR IN A LEADING ROLE
Image: Paul Mescal plays a young father to Frankie Corio’s Sophie in Aftersun. Pic: MUBI
Austin Butler – Elvis Colin Farrell – The Banshees of Inisherin Brendan Fraser – The Whale Paul Mescal – Aftersun Bill Nighy – Living
ACTOR IN A SUPPORTING ROLE
Image: The Banshees Of Inisherin stars Colin Farrell and Barry Keoghan (pictured) are both nominated, along with co-star Brendan Gleeson. Pic: 20th Century Studios
Brendan Gleeson – The Banshees Of Inisherin Brian Tyree Henry – Causeway Judd Hirsch – The Fabelmans Barry Keoghan – The Banshees Of Inisherin Ke Huy Quan – Everything Everywhere All At Once
ACTRESS IN A LEADING ROLE
Image: Ana de Armas portrays Marilyn Monroe in Blonde. Pic: Netflix
Cate Blanchett – Tar Ana de Armas – Blonde Andrea Riseborough – To Leslie Michelle Williams – The Fabelmans Michelle Yeoh – Everything Everywhere All At Once
Advertisement
ACTRESS IN A SUPPORTING ROLE
Image: Everything Everywhere All At Once stars Michelle Yeoh, Ke Huy Quan and Stephanie Hsu (pictured) are all nominated in the acting categories, as is co-star Jamie Lee Curtis. Pic: A24
Angela Bassett – Black Panther: Wakanda Forever Hong Chau – The Whale Kerry Condon – The Banshees Of Inisherin Jamie Lee Curtis – Everything Everywhere All At Once Stephanie Hsu – Everything Everywhere All At Once
ANIMATED FEATURE FILM
Image: Turning Red features Rosalie Chiang as the voice of Mei Lee and Sandra Oh as the voice of Ming. Pic: Disney/Pixar
Guillermo del Toro’s Pinocchio – Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley Marcel The Shell With Shoes On – Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey Puss In Boots: The Last Wish – Joel Crawford and Mark Swift The Sea Beast – Chris Williams and Jed Schlanger Turning Red – Domee Shi and Lindsey Collins
CINEMATOGRAPHY
Image: Olivia Colman and Colin Firth in Empire Of Light. Pic: Parisa Taghizadeh/Searchlight Pictures/20th Century Studios
All Quiet On The Western Front – James Friend Bardo, False Chronicle Of A Handful Of Truths – Darius Khondji Elvis – Mandy Walker Empire Of Light – Roger Deakins Tar – Florian Hoffmeister
COSTUME DESIGN
Image: Lesley Manville stars in Mrs Harris Goes To Paris. Pic: Liam Daniel/Ada Films Ltd/Harris Squared Kft
Babylon – Mary Zophres Black Panther: Wakanda Forever – Ruth Carter Elvis – Catherine Martin Everything Everywhere All At Once – Shirley Kurata Mrs Harris Goes To Paris – Jenny Beavan
DIRECTING
The Banshees Of Inisherin – Martin McDonagh Everything Everywhere All At Once – Daniel Kwan and Daniel Scheinert The Fabelmans – Steven Spielberg Tar – Todd Field Triangle Of Sadness – Ruben Ostlund
DOCUMENTARY (FEATURE)
All That Breathes – Shaunak Sen, Aman Mann and Teddy Leifer All The Beauty And The Bloodshed – Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov Fire Of Love – Sara Dosa, Shane Boris and Ina Fichman A House Made of Splinters – Simon Lereng Wilmont and Monica Hellström Navalny – Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
DOCUMENTARY (SHORT SUBJECT)
The Elephant Whisperers – Kartiki Gonsalves and Guneet Monga Haulout – Evgenia Arbugaeva and Maxim Arbugaev How Do You Measure A Year? – Jay Rosenblatt The Martha Mitchell Effect – Anne Alvergue and Beth Levison Stranger At The Gate – Joshua Seftel and Conall Jones
FILM EDITING
The Banshees of Inisherin – Mikkel EG Nielsen Elvis –Matt Villa and Jonathan Redmond Everything Everywhere All At Once – Paul Rogers Tar – Monika Willi Top Gun: Maverick – Eddie Hamilton
INTERNATIONAL FEATURE FILM
All Quiet on the Western Front – Germany Argentina, 1985 – Argentina Close – Belgium EO – Poland The Quiet Girl – Ireland
MAKEUP AND HAIRSTYLING
All Quiet on the Western Front – Heike Merker and Linda Eisenhamerova The Batman – Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever – Camille Friend and Joel Harlow Elvis – Mark Coulier, Jason Baird and Aldo Signoretti The Whale – Adrien Morot, Judy Chin and Anne Marie Bradley
MUSIC (ORIGINAL SCORE)
All Quiet on the Western Front – Volker Bertelmann Babylon – Justin Hurwitz The Banshees of Inisherin – Carter Burwell Everything Everywhere All At Once – Son Lux The Fabelmans – John Williams
MUSIC (ORIGINAL SONG)
Image: NT Rama Rao Jr and Ram Charan Teja in RRR. Pic: DVV Entertainment
Applause from Tell It like A Woman – music and lyrics by Diane Warren Hold My Hand from Top Gun: Maverick – music and lyrics by Lady Gaga and BloodPop Lift Me Up from “Black Panther: Wakanda Forever – music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler Naatu Naatu from “RRR – music by MM Keeravaani; lyrics by Chandrabose This Is A Life from Everything Everywhere All At Once – music by Ryan Lott, David Byrne and Mitski; lyrics by Ryan Lott and David Byrne
BEST FILM
All Quiet on the Western Front – Malte Grunert Avatar: The Way of Water – James Cameron and Jon Landau The Banshees Of Inisherin – Graham Broadbent, Pete Czernin and Martin McDonagh Elvis – Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss Everything Everywhere All At Once – Daniel Kwan, Daniel Scheinert and Jonathan Wang The Fabelmans – Kristie Macosko Krieger, Steven Spielberg and Tony Kushner Tar – Todd Field, Alexandra Milchan and Scott Lambert Top Gun: Maverick – Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer Triangle Of Sadness – Erik Hemmendorff and Philippe Bober Women Talking – Dede Gardner, Jeremy Kleiner and Frances McDormand
PRODUCTION DESIGN
All Quiet On The Western Front – production design, Christian M Goldbeck; set decoration, Ernestine Hipper Avatar: The Way Of Water – production design, Dylan Cole and Ben Procter; set decoration, Vanessa Cole Babylon – production design, Florencia Martin – set decoration, Anthony Carlino Elvis – production design, Catherine Martin and Karen Murphy; set decoration, Bev Dunn The Fabelmans – production design, Rick Carter; set decoration, Karen O’Hara
SOUND
All Quiet On The Western Front – Viktor Prasil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water – Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman – Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis – David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick – Mark Weingarten, James H Mather, Al Nelson, Chris Burdon and Mark Taylor
VISUAL EFFECTS
All Quiet On The Western Front – Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett The Batman – Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever – Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick Top Gun: Maverick – Ryan Tudhope, Seth Hill, Bryan Litson and Scott R Fisher
WRITING (ADAPTED SCREENPLAY)
Image: Daniel Craig returned as Detective Benoit Blanc in Glass Onion: A Knives Out Mystery. Pic: Netflix
All Quiet On The Western Front – Edward Berger, Lesley Paterson & Ian Stokell Glass Onion: A Knives Out Mystery – Rian Johnson Living – Kazuo Ishiguro Top Gun: Maverick – screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking – Sarah Polley
WRITING (ORIGINAL SCREENPLAY)
The Banshees Of Inisherin – Martin McDonagh Everything Everywhere All At Once – Daniel Kwan and Daniel Scheinert The Fabelmans – Steven Spielberg and Tony Kushner Tar – Todd Field Triangle Of Sadness – Ruben Ostlund
BEST ANIMATED SHORT FILM
The Boy, The Mole, The Fox And The Horse – Charlie Mackesy and Matthew Freud The Flying Sailor – Amanda Forbis and Wendy Tilby Ice Merchants – Joao Gonzalez and Bruno Caetano My Year Of D**** – Sara Gunnarsdottir and Pamela Ribon An Ostrich Told Me The World Is Fake And I Think I Believe It – Lachlan Pendragon
BEST LIVE ACTION SHORT FILM
An Irish Goodbye -Tom Berkeley and Ross White Ivalu – Anders Walter and Rebecca Pruzan Le Pupille – Alice Rohrwacher and Alfonso Cuaron Night Ride – Eirik Tveiten and Gaute Lid Larssen The Red Suitcase – Cyrus Neshvad
A painting that helped save the life of its Jewish subject during the Holocaust has become the most expensive piece of modern art and the second most expensive painting ever sold at auction.
The Portrait of Elisabeth Lederer, by Austrian artist Gustav Klimt, was bought for $236.4m (£180m) by an unnamed buyer after a 20-minute bidding war at Sotheby’s in New York on Tuesday.
Its sale price beat the previous record for 20th-century art set by Andy Warhol’s Shot Sage Blue Marilyn, a portrait of Marilyn Monroe bought for $195m (£148m) in 2022.
Image: Shot Sage Blue Marilyn by Andy Warhol. Pic: Associated Press
The most expensive painting ever sold at auction was Leonardo da Vinci’s Salvator Mundi, which fetched $450m (£342m) in 2017, Christie’s said on its website.
Sotheby’s said on X the price for the Klimt was “astonishing”, making the piece “the most valuable work of modern art ever sold at auction”.
The portrait, which Klimt worked on between 1914 and 1916, depicts the daughter of one of Vienna’s wealthiest families wearing an East Asian emperor’s cloak.
Evaded fire and Nazi looters
More on Austria
Related Topics:
Measuring 1.8m (6ft), the colourful piece, which was completed in 1916, illustrates the Lederer family’s life of luxury before Nazi Germany annexed Austria in 1938.
It was kept separate from other Klimt paintings that burned in a fire at an Austrian castle.
It also escaped being looted by the Nazis, who plundered the Lederer art collection.
They left only the family portraits, which they held to be “too Jewish” to be worth stealing, according to the National Gallery of Canada, where the painting was previously on loan.
Father lie saved her life
To save her own life, Elisabeth Lederer made up a story that Klimt, who was not Jewish and died in 1918, was her father.
It helped that the artist spent years working meticulously on her portrait.
She convinced the Nazis to give her a document stating that she descended from Klimt, which allowed her to live safely in Vienna until her death from illness in 1944.
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
The painting, which is one of two full-length portraits by the Austrian artist that remain privately owned, was part of the collection of billionaire Leonard A Lauder, heir to the Estée Lauder cosmetics empire, who died this year.
Five Klimt pieces from Lauder’s collection sold at the auction for a total of $392m (£298m), which also included pieces by Vincent van Gogh, Henri Matisse and Edvard Munch, Sotheby’s said.
An 18-carat-gold toilet by Maurizio Cattelan – the provocative Italian artist known for taping a banana to a wall – sold for a reported $12.1m (£9.2m).
The fully-functioning toilet, one of two he created in 2016 satirising superwealth, was stolen while on display at Blenheim Palace, the country manor where Winston Churchill was born, in 2019.
The Kessler Twins, German sisters famous across Europe for their singing and dancing, have died together through assisted means, local police have said.
Content warning: this article contains references to suicide
Munich officers said in a statement on Tuesday that Alice and Ellen Kessler had died by “joint suicide” at their shared home in Grunwald. They were 89.
The German Society for Humane Dying, a group in support of assisted dying, told Sky’s US partner network NBC News that the sisters had “been considering this option for some time”.
It added they had been members for more than a year and that “a lawyer and a doctor conducted preliminary discussions with them”, and said: “People who choose this option in Germany must be absolutely clear-headed, meaning free and responsible.
“The decision must be thoughtful and consistent, meaning made over a long period of time and not impulsive.”
In an interview last year with the Italian news outlet Corriere della Sera, the sisters said they wished to die together on the same day.
Image: Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP
A ban on assisted dying in Germanywas overturned by the country’s federal court in 2020.
While the practice is not explicitly permitted, judges said at the time the previous law outlawing it infringed on constitutional rights.
Alice and Ellen were born in 1936 and trained as ballet dancers in their youth. They began their entertainment careers in the 1950s after their family fled from East Germany to West Germany.
Professionally known as The Kessler Twins, they were then discovered by the director of the Lido cabaret theatre in Paris in 1955, launching their international career.
In 1959, the sisters also represented a now-unified Germany at the Eurovision Song Contest, held in Cannes, France.
Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).
They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.
The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.
The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.
Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.
“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”
What has research found?
More on Education
Related Topics:
Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.
Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.
Image: File pic: iStock
‘Change the system’
The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”
But some think SATs do not serve any child.
Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.
He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”
He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.
Image: Primary school teacher Lee Parkinson
‘Speed rewarded over understanding’
Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.
“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”
Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.
“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”
The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.
Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.
“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.
What does the government say?
A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”
“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.
“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”