Three days before Amy Winehouse’s death from alcohol poisoning in July 2011, her goddaughter Dionne Bromfield, a 15-year-old singer, finished school for the summer and rushed to the Camden Roundhouse to perform.
It was her biggest gig yet, her friends were coming to watch and she was full of excitement. For a young singer dreaming of a career in music, just like her “Aunty Amy”, it was a big day.
Amy Winehouse turned up unexpectedly to support her, their moments together onstage captured by someone in the crowd, filming on a mobile phone.
This would be the superstar’s last public performance.
As I watched the grainy mobile phone footage later, for me this was the stand-out moment of all the news coverage around Winehouse’s death – she’s so evidently falling apart but trying so desperately to be there for her goddaughter.
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Dionne Bromfield has shared her story from that night in On Stage With Amy Winehouse, the latest episode of StoryCast ’21 – a Sky News podcast series telling 21 stories from the year 2000 to 2021.
It was 10 years ago, 23 July 2011, when I got the call from a music PR.
It was a sunny day but I was sitting in a windowless newsroom, working a 12-hour shift, and the world was also reacting to the tragedy of the horrific terror attack in Norway the previous day. It was a call I won’t forget.
Winehouse had been found in bed at home by a bodyguard with two empty vodka bottles by her side, bringing to a tragic end her very public struggle with drug and alcohol addiction. She was just 27.
Breaking the news and witnessing the outpouring of grief that followed felt unprecedented at the time, I remember a little girl with beehive hair laying flowers outside her house in Camden Square, alongside crowds in tears, Winehouse’s dad Mitch, and tributes from Mark Ronson and Kelly Osbourne; visibly stunned.
Image: Bromfield performs with Winehouse during the tragic singer’s last public appearance
Covering celebrity deaths is part of the job as an entertainment journalist, but this was no ordinary pop star; when Winehouse died, everyone had an opinion.
People were devastated, her fragility so profound, and tears turned to anger and blame; tragedies such as this can often turn toxic as grief mixed with the spotlight takes its toll.
We wanted to find out about the real Amy Winehouse.
We spoke to people who knew her, Joe Mott, Kim Dawson, Piers Hernu, her teacher Sylvia Young, former record label bosses, her biographer Chas Newkey-Burden, and countless critics such as Paul Gambaccini.
But I didn’t call the one young woman who knew the singer like no one else. The Amy behind the icon. Behind the headlines. Behind the instantly recognisable beehive, eyeliner and tattoos. The “Aunty Amy”.
Image: Bromfield has offered a fresh perspective of Winehouse 10 years after her death
Dionne Bromfield, now 25, was Amy’s goddaughter and musical protégé. The one who “Amy always put her best self forward to”.
“I kind of looked at her as a mother and a big sister… Aunty Amy, I mean, she loved it when I called her that.”
When Winehouse set up her own record label Lioness, Bromfield was her first signing. She helped her launch her first album, even joining her on Strictly Come Dancing as a backing singer to support her launch.
“She just had a really, really close bond with me from a young age. My mum noticed that, and Amy really wanted to kind of take me under her wing musically and just on a personal level,” she tells me during Onstage With Amy Winehouse.
“Amy was, like, made to be an amazing mum and an amazing wife. That was like her thing and her purpose for life… She loved to cook. She cooked meatballs all the time,” Dionne laughs. “They weren’t the best…
“She was a really simple girl. And it’s just everything around her was amplified and massive and big. So, yeah, the Amy I know is a loving, caring, funny and an extremely talented person. All the other stuff is just noise.”
At the time of Winehouse’s death, it didn’t feel right to approach a 15-year-old to pay tribute. But it seems a decade on, Bromfield is ready to talk about her Aunty Amy. I meet her at the Jazz After Dark club in Soho, a favourite bolthole of Winehouse and now something of a shrine to her, the walls covered in her portraits.
Bromfield notices one painting of the icon, in which she is wearing a pair of earrings she lent her during a shopping trip.
“She was like ‘oh, I don’t have any earrings and I really like your earrings. Can I wear yours… please?’ I never saw them again. God knows where they are now.”
Walking into the dark club from the bright sunshine, Bromfield is incandescent. Like many young women in the music industry now, she seems switched on but refreshingly transparent. In many ways the antithesis of the Amy Winehouse as painted by the paparazzi, but simultaneously somehow strikingly similar.
Image: Winehouse was like a mother, sister and friend to Bromfield
Cast your mind back to the Amy Winehouse who burst on to the scene in 2003, the one I remember first seeing in her music video for Stronger Than Me: fantastically unpolished, sassy and mischievous. The similarities with her goddaughter are obvious.
Bromfield says she remembers the last time she saw her godmother, the time they shared together on stage, “so vividly”.
“She came out for Mama Said, which was one of her favourite songs of mine, and she had a little dance, a little bit of backing vocals and then walked off.”
Image: Bromfield would call the iconic singer ‘Aunty Amy’
Bromfield says it has taken a long time to process Winehouse’s death. She was performing at a festival in Wales a few days later when the news broke.
“I remember going, okay, and carried on doing what I was doing, it didn’t really make sense in my head. It didn’t register. And I just kept on getting dressed to go and do my gig. It was more like, I literally saw her three days earlier and she was so positive she was glowing and everything. How are we going from this, to this?”
Winehouse had released her first album, Frank, in 2003. In 2005, she met Blake Fielder-Civil, whom she married in 2007. It was a marriage, she would later admit, based on taking drugs.
Image: Amy Winehouse passed away on 23 July 2011
Yet in 2006 she released her critically acclaimed second album Back To Black, which would go on to become one of the UK’s biggest selling albums ever. It was the heartbreak of the record, many of the songs about Fielder-Civil, which resonated.
Her multiple Grammy award wins broke records and brought huge international success.
The contrast between her sultry and striking talent as a singing sensation and the depths of her darkness is perhaps what has come to define her legacy.
Image: Bromfield joined fans who had laid tributes for Winehouse in July 2011
Image: Tributes were laid near Amy Winehouse’s home after her death
At the time I remember people described a sense of inevitability about the death of Winehouse. In interviews, her father Mitch had said he had feared the worst might happen.
But Bromfield says there was nothing inevitable about it.
“To me, it didn’t feel like something that was on the cards,” she says. “She was really full of life that night. So, yeah, it was not a person who had given up on life.”
The fact she hadn’t given up, and still had so much more to give, is perhaps why Amy Winehouse will continue to be remembered.
And for Bromfield, her godmother, her musical mentor and “Aunty Amy”, will always be a part of her future, as well as her past.
You can listen to On Stage With Amy Winehouse and the rest of StoryCast ’21 by clicking here.
Pamela Anderson is one of the most recognisable faces in Hollywood.
Ever since she was spotted on the huge jumbotron screen at a baseball game aged 21, her physical traits have been the overriding subject the world has focused on.
Now 57, the actress and modelis claiming back her life, her story and forging a new path in her career.
“I feel so free,” she tells Sky News during a conversation in a London hotel about her latest film The Last Showgirl.
“I write a lot of emotional journals and there’s a lot that you can get out. You can go to therapy, or you can talk to your best friend, but there’s nothing like an art project to express yourself and heal parts of yourself.”
Image: Pamela Anderson in The Last Showgirl. Pic: Picturehouse Entertainment
The Last Showgirl follows a seasoned entertainer who has to plan for her future when her Las Vegas show abruptly ends after a 30-year run.
The role almost slipped from her fingers when her old agent passed on the script.
“I have a new agent now,” she says with a smile.
Image: Pic: Picturehouse Entertainment
It was her son Brandon who served as a catalyst in her career resurgence after stumbling upon the screenplay and showing it to his mother.
“My sons are so protective of me and their goal is just to say: ‘Mom, we just want you to be able to know that you focused on us as kids and we want you to have the opportunity to shine and to reach your potential as an actress’.”
She adds: “I do have a lot to give, so now I just feel so free. I couldn’t have done anything like this when I had kids because my focus was with them. Now that they’re grown and they’re doing well and they’re thriving, that gives me the opportunity to be able to play in this universe.”
The Canadian-American has been the victim of many harsh headlines over the years with her most challenging moments played out in front of the world.
One of the toughest moments, when her sex tape with her ex-husband Tommy Lee was leaked, ended up being made into its own TV series starring Oscar nominee Sebastian Stan and English actress Lily James.
Anderson had no input in the show and repeatedly called for it to be scrapped.
Image: Anderson as CJ Parker in Baywatch. Pic: Fremantle Media/Shutterstock
Anderson says that despite the adversity and misogyny she has faced being in the public eye, she feels ready to take on the spotlight again. This time on her terms.
“It was hard for me decades ago, and now I can look at it as a learning experience. And it was a different time. I think that looking at it through my kids’ eyes was interesting.
“Talking to my adult children about having a mom who was, you know, objectified in some way and how that felt [for them] and how that shaped them and their experience growing up, being teased in school.”
Her sons, Brandon and Dylan, are now both in their late 20s.
Image: A make-up free Anderson dazzles on the BAFTA red carpet
Drawing similarities to her character Shelly in The Last Showgirl, Anderson says the film serves as a reflection of the sacrifices, external expectations and realities connected to being a woman and a mother.
“We’re doing the best we can with the tools that we have and what we’ve seen growing up. And there’s no perfect way to be a parent, there really isn’t – and especially in this industry.
“When I did Playboy, when I was in Baywatch, I wasn’t thinking about how it was affecting my kids. I was thinking about just keeping the lights on and living this exciting life and getting through it myself.
“But, you know, it affects everybody around you – your parents, your friends, your kids – and so to kind of look at it from that way [in The Last Showgirl] and to have empathy for the character of Shelly dealing with that… I had some experience to draw from.”
Image: The Last Showgirl. Pic: Roadside Attractions
The film also stars Jamie Lee Curtis, Brenda Song and Kiernan Shipka as her close friends and co-workers in a fading corner of the Las Vegas strip.
Anderson adds of the film: “I think this can resonate with any working mom. We all carry this guilt and shame and wish we would have done this or that. And we have to be happy, too.”
The Last Showgirl is out in UK cinemas from Friday 28 February.
A man has been found guilty of attempted murder for attacking author Sir Salman Rushdie.
The 77-year-old British-American writer was stabbed multiple timesas he was preparing to give a speech in New York in 2022.
He was blinded in his right eye in the incident, suffered a severely damaged hand, and spent months recovering.
Following a trial in Chautauqua County Court, a jury convicted 27-year-old Hadi Matar of attempting to murder Sir Salman, after less than two hours of deliberations.
He was also found guilty of assault for wounding Henry Reese, who was on stage with Sir Salman at the time.
Matar gave no obvious reaction to the verdict, and quietly muttered “free Palestine” as he was led out of the courtroom in handcuffs.
Image: Hadi Matar was found guilty by a jury after less than two hours of deliberations. Pic: AP
The court heard Matar ran on to the stage at the Chautauqua Institution where the author was about to speak on 12 August 2022, and stabbed him in front of an audience.
The Indian-born writer, who spent most of the 1990s in hiding in the UK after receiving death threats over his 1988 novel The Satanic Verses, was stabbed about 15 times.
Sir Salman was attacked in the head, neck, torso, and left hand. He also suffered damage to his liver and intestines.
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“I was aware of someone wearing black clothes, or dark clothes and a black face mask. I was very struck by his eyes, which were dark and seemed very ferocious to me.
“I thought he was hitting me with his fist but I saw a large quantity of blood pouring onto my clothes.
“He was hitting me repeatedly. Hitting and slashing.”
The writer then said he felt “a sense of great pain and shock,” and added: “It occurred to me that I was dying. That was my predominant thought.”
The court also heard that Mr Reese, the co-founder of Pittsburgh’s City of Asylum, had suffered a gash to his forehead in the attack.
‘Attack was unprovoked’
During closing arguments earlier on Friday, District Attorney Jason Schmidt showed the jury a video of the attack and said: “I want you to look at the unprovoked nature of this attack.
“I want you to look at the targeted nature of the attack. There were a lot of people around that day but there was only one person who was targeted.”
Matar’s defence team argued prosecutors did not prove he intended to kill the writer, with Andrew Brautigan telling the jury: “You will agree something bad happened to Mr Rushdie, but you don’t know what Mr Matar’s conscious objective was.”
Mr Schmidt said that while it was not possible to read Matar’s mind, “it’s foreseeable that if you’re going to stab someone 10 or 15 times about the face and neck, it’s going to result in a fatality”.
The judge set a sentencing date of 23 April, when Matar could be jailed for up to 25 years.
Matar faces a separate, federal indictment from prosecutors in the US attorney’s office in western New York alleging that he attempted to murder Sir Salman as an act of terrorism.
He is also accused of providing material support to the armed group Hezbollah in Lebanon, which the US has designated as a terrorist organisation.
Neighbours has been axed for a second time, just two years after Amazon threw the Australian soap a lifeline.
A statement on the programme’s social media accounts confirmed the final episode of the 40-year series would air in December 2025.
The show follows the lives of the residents of Erinsborough, a fictional suburb of Melbourne, with famous former alumni including Kylie Minogue, Jason Donovan and Margot Robbie.
Executive producer Jason Herbison said: “Audiences all around the world have loved and embraced Neighbours for four decades and we are very proud of the huge success over the last two years including often appearing as one of the Top 10 titles in the UK and the show’s first ever Daytime Emmy nomination for Outstanding Daytime Series in 2024.
“As this chapter closes, we appreciate and thank Amazon MGM Studios for all that they have done for Neighbours – bringing this iconic and much-loved series to new audiences globally.
“We value how much the fans love Neighbours and we believe there are more stories of the residents of Ramsay Street to tell in the future.”
Image: Kylie Minogue and Jason Donovan returned for the first series finale. Photo by Fremantle Media/Shutterstock
It is the second time the show has been cancelled, after it was first axed by Channel 5 in the UK after it failed to secure new funding.
But a few months after what was meant to be its final episode, the series was revivedby streaming giant Amazon Freeve and Freemantle.
The show is available online in the UK and on Channel 10 in Australia.
Channel 10 said on X: “They’ve been our neighbours for almost 40 years, we’re so sad to be saying goodbye. We’d like to thank everyone who has contributed to this remarkable Australian story over the years.”